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… and my silence holds every word Choral SSAATTBB

SSAATTBB chorus - Digital Download SKU: BJ.1299 Composed by Sven Hagvil. A affectiv…(+)

SSAATTBB chorus - Digital Download SKU: BJ.1299 Composed by Sven Hagvil. A affective piece without words. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1299. Published by Bo Ejeby Forlag - Digital (BJ.1299). 8.27 x 11.7 inches.. . . and my silence holds every word may be seen as a kind of elegy, perhaps a song of mourning for the state of our world. For all that is hard to take in, understand and accept: all conflicts and wars around the world, all catastrophes, all intolerance, racism and xenophobia, but also tragedies in one's personal relations. Feelings that are not so easily expressed in words - hence a piece without words. The title comes from a poem by Margareta Melin and the full line reads: The light holds all colours and my silence every word. - Sven Hagvil The work was premiered by Kammerchor Hannover in 2015.
$3.60 3.31 € #Choral SSAATTBB #Sven Hagvil #… and my silence holds every word #Bo Ejeby Forlag - Digital #SheetMusicPlus

Exultate Deo Choral SSAATTBB

Mixed choir (SSAATTBB) - advanced - Digital Download SKU: S9.Q46153 Composed by Naj…(+)

Mixed choir (SSAATTBB) - advanced - Digital Download SKU: S9.Q46153 Composed by Naji Hakim. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 4' 15. Schott Music - Digital #Q46153. Published by Schott Music - Digital (S9.Q46153). Latin.The fact that Naji Hakim's compositional oeuvre is, by his own account, deeply rooted in his personal faith and dedicated to the glory of God and the joy of mankind is evident not only in the text of the sacred choral piece Exultate Deo for eight-part mixed a cappella choir (SSAATTBB). Hakim also manages to capture the textual content of the Latin verses from Psalm 81 by means of musical imagery with various madrigalisms, e.g. with extended melismatic melody lines and distinctive rhythms. This technically demanding sacred choral work was inspired by the Basque folk song Adieu fillette de Bayonne which the Lebanon-born composer already used in the first movement of his concerto for txistu (= Basque wooden flute) and orchestra.Naji Hakim's compositional oeuvre is deeply rooted in his personal faith. This is evident not only in the text of the sacred choral piece Exultate Deo for eight-part mixed a cappella choir (SSAATTBB). Hakim also manages to capture the textual content of the Latin verses from Psalm 81 by means of musical imagery with various madrigalisms, e.g. with extended melismatic melody lines and distinctive rhythms. A technically demanding sacred choral work.
$5.99 5.5 € #Choral SSAATTBB #Naji Hakim #Exultate Deo #Schott Music - Digital #SheetMusicPlus

Mixed chorus (SSAATTBB) with soloists - intermediate - Digital Download From A Child of Our Time. Composed by Sir Michael Tippett (1905-1998). This edition: choral score. Downloadable. Duration 12 minutes. Schott Music - Digital #Q19288. Published by Schott Music - Digital
English.<br> <br> These five spirituals for unaccompanied chorus, despite the occasional appearance of complexity are basically simple: the harmony, indeed, is of the simplest possible. The apparent complexity arises primarily from the number of parts, which are not however all real parts. These, in fact, seldom comprise more than the traditional four. Lines are frequently doubled at the octave, rather in the manner of organ registration, so that the chorus needs to be thought of as an organ-like body producing a homogeneous sound at many levels of the chords and melodies. Thus, the numbers and even the kinds of voices needed to produce these chords and melodies in the most effective manner must be selected by the conductor from the whole body of the chorus according to the conditions of performance. Great latitude can be taken in this respect, even to the extent of using low female voices for the high registers of written tenor parts, or high male voices for the low registers of written alto parts, etc. The only parts which are strictly differentiated are those marked Leader. These should be an individual voice, standing out from the choir sufficiently to lead the singing, both in the words and in the music. They need not be soloists engaged from outside. If the spirituals are performed in this way the apparent complexity of certain printed pages will disappear. Any reasonably sized chorus with four good leaders can produce the effect required.