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The Alto
Choral SSAATTBB
Sheetmusic to print
2 sheet music found
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1
Adagio sostenuto
Choral SSAATTBB
SSAATTBB chorus (with Sop and Alto solo voices) unaccompanied - Digital Download SKU: O…
(+)
SSAATTBB chorus (with Sop and Alto solo voices) unaccompanied - Digital Download SKU: OX.9780193540262 From Piano Concerto No. 2. Composed by Sergei Rachmaninoff. Arranged by Bob Chilcott. Octavo. 27 pages. Oxford University Press Digital #9780193540262. Published by Oxford University Press Digital (OX.9780193540262). ISBN 9780193540262.For SSAATTBB (with S. and A. solos) unaccompanied . This rich arrangement of the second movement of Rachmaninoff's Second Piano Concerto for wordless a cappella voices was written for Harry Christophers and The Sixteen. Chilcott artfully reimagines a pianistic texture for choir, making full use of the potential of the human voice.
$5.95
5.39 €
#
Choral SSAATTBB
#
Sergei Rachmaninoff
#
Adagio sostenuto
#
Oxford University Press Digital
#
SheetMusicPlus
Five Spirituals
Choral SSAATTBB
Mixed chorus (SSAATTBB) with soloists - intermediate - Digital Download From A Child …
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Mixed chorus (SSAATTBB) with soloists - intermediate - Digital Download From A Child of Our Time. Composed by Sir Michael Tippett (1905-1998). This edition: choral score. Downloadable. Duration 12 minutes. Schott Music - Digital #Q19288. Published by Schott Music - Digital
English.<br> <br> These five spirituals for unaccompanied chorus, despite the occasional appearance of complexity are basically simple: the harmony, indeed, is of the simplest possible. The apparent complexity arises primarily from the number of parts, which are not however all real parts. These, in fact, seldom comprise more than the traditional four. Lines are frequently doubled at the octave, rather in the manner of organ registration, so that the chorus needs to be thought of as an organ-like body producing a homogeneous sound at many levels of the chords and melodies. Thus, the numbers and even the kinds of voices needed to produce these chords and melodies in the most effective manner must be selected by the conductor from the whole body of the chorus according to the conditions of performance. Great latitude can be taken in this respect, even to the extent of using low female voices for the high registers of written tenor parts, or high male voices for the low registers of written alto parts, etc. The only parts which are strictly differentiated are those marked Leader. These should be an individual voice, standing out from the choir sufficiently to lead the singing, both in the words and in the music. They need not be soloists engaged from outside. If the spirituals are performed in this way the apparent complexity of certain printed pages will disappear. Any reasonably sized chorus with four good leaders can produce the effect required.
$10.99
9.96 €
#
Choral SSAATTBB
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Sir Michael Tippett
#
Five Spirituals
#
Schott Music - Digital
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SheetMusicPlus
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