Download Digital Sheet Music of Where for 2 Euphoniums and 2 Tubas

Where

Where Shadows Roam

#Where Shadows Roam

Oh Where Art Thou Dreaming

#Oh Where Art Thou Dreaming

Nowhere Man

#Nowhere Man

Somewhere Out There

#Somewhere Out There

Rest and Recreation #2 Euphoniums and 2 Tubas #Howard Skempton #Rest and Recreation #Oxford University Press Digital #SheetMusicPlus

2 euphoniums and 2 tubas - Digital Download SKU: OX.9780193202832 Composed by Howard Skempton. Score. 9 pages. Oxford University Press Digital #978019320...(+)

2 euphoniums and 2 tubas - Digital Download SKU: OX.9780193202832 Composed by Howard Skempton. Score. 9 pages. Oxford University Press Digital #9780193202832. Published by Oxford University Press Digital (OX.9780193202832). ISBN 9780193202832.For 2 euphoniums and 2 tubas. The pairing of a slowish and a lively movement has long been attractive to composers, certainly since the days of pavanes and galliards. Skempton uses the contrast to great effect here, where if 'Rest' is a lullaby, 'Recreation' could be described as rousing.

Fugue 11 from Well-Tempered Clavier, Book 1 (Euphonium-Tuba Quartet) #2 Euphoniums and 2 Tubas #Classical #Johann Sebastian Bach #Richard Byrnes #Fugue 11 from Well-Tempered Cl #Richard Byrnes #SheetMusicPlus

Euphonium,Low Brass Quartet,Tuba - Digital Download SKU: A0.830038 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 3 pages. Richa...(+)

Euphonium,Low Brass Quartet,Tuba - Digital Download SKU: A0.830038 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 3 pages. Richard Byrnes #2887997. Published by Richard Byrnes (A0.830038). Â The Well-Tempered Clavier has influenced many famous composers (Haydn, Mozart, Beethoven). Its variety of styles displays the amazing compositional technique of J. S. Bach. If you donâ??t know these, get acquainted. This is an arrangement by Richard Byrnes for 2 Euphoniums and 2 Tubas. You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally. Â These pieces often use ornaments. The recording will demonstrate to you how they should sound. Â Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble. Â In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, DvorÃ¡k, FaurÃ©, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, and Vierne. Â

Brass Ensemble Euphonium,Tuba - Level 5 - Digital Download SKU: A0.755334 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 48 pages. Sy Brandon #6607353. Published by Sy Brandon (A0.755334). I. The grass is always greener on the other side of the fence. The interpretation of this adage is that one always wants what someone else has instead of accepting oneâ€™s own uniqueness. During the movement, counterpoint is used to depict one instrument copying another. Towards the middle of the movement, tuba 2 eventually realizes its independence and states a bold melody of its own. The movement ends with the euphonium 1 playing its melody alone with pauses between the phrases as if looking over its shoulder wondering where the other musicians are. II. Absence makes the heart grow fonder. This setting represents a growing love despite the emptiness of being apart. Hollow intervals of fourths and fifths representing longing, occur at the beginning and end. A short love duet between two instruments occurs in the middle. III. Time flies when you are having fun. A rollicking six-eight meter is used to represent a childrenâ€™s game of tag. There is a lot of alternation of short phrases as if one instrument is trying to tag the other and the other is trying to avoid being tagged. The dissonance and short accented notes represent taunting. IV. Every cloud has a silver lining. This movement is a prayer-like setting with alternation of minor and major harmonies representing the cloud and the silver lining respectively. V. He who hesitates is lost. This movement is very rhythmic and syncopated with the instruments alternating phrases in the manner of a call and response. It calls for split-second precision between the performers, therefore representing the adage. VI. A rolling stone gathers no moss. The last movement is a perpetual motion in a rolling six-eight meter. The musical ideas are very chromatic with the exception of main theme that appears first as a solo melody, then as several instruments together, and later as instruments in imitation. Towards the end, there are a few brief pauses and low accented notes as a life of activity has a few bumps along the way.