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6 sheet music found
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1
Kommos (Lamentation) / "When the World Moved On" - Contrabass
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Double Bass
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INTERMEDIATE/ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018960 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 ...
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Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018960 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078717. Published by Benjamin Sajo (A0.1018960). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Contrabass
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Double Bass
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ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Strings
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 ...
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072983. Published by Benjamin Sajo (A0.1018941). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Twenty Lyrical Studies for Double Bass
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Double Bass
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INTERMEDIATE
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Instructional
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Graham Boag
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Twenty Lyrical Studies for Dou
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Graham Boag
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SheetMusicPlus
Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.780019 Composed by Graham Boag. Instructional. Individual part. 17 pages. Graham Boag #...
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Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.780019 Composed by Graham Boag. Instructional. Individual part. 17 pages. Graham Boag #4289091. Published by Graham Boag (A0.780019). These studies are a set of progressive pieces for the beginning Bass player up to early intermediate. The Studies are all lyrical and I introduce Treble Clef towards the end of the book. They are all lyrical and can stand alone as Solo material for a concert or even an audition. The attached Audio are full versions of 'The Homecoming' and 'Morning Prayer'.
$9.99
Chromatic Scale Study for Acoustic or Electric Bass
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Double Bass
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BEGINNER
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Instructional
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Edna J
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Chromatic Scale Study for Acou
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Bloom Musicnotes
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SheetMusicPlus
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.836237 Composed by Edna J. Bloom. Instructional. Individual part. 5 pages. Bloom Musicn...
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.836237 Composed by Edna J. Bloom. Instructional. Individual part. 5 pages. Bloom Musicnotes #5712077. Published by Bloom Musicnotes (A0.836237). Six notes ascend and then descend for each string on this Chromatic Scale Study for Acoustic or Electric Bass. Sharp spellings are encountered on the way up and flat spellings on the way down. This download includes three renderings with permissions to copy for all students of one instructor: 1 page standard notation1 page alphanotes notation 2 page large print alphanotes notation *The alphanote versions can double as a note chart.  The Chromatic Scale Study for Bass is an excellent way to summarize notes or to learn and reinforce enharmonics.Ideal for individual or section warm-uups, a play-along mp3 including three tempos is available [Item 674299].
$2.49
Two-Strings Melodies for the beginner bassist.
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Double Bass
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BEGINNER
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Laura C
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Two-Strings Melodies for the b
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Laura Quijada
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SheetMusicPlus
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.805519 Composed by Laura C. Quijada OrtÃz. Concert,Instructional,Standards. Individu...
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.805519 Composed by Laura C. Quijada OrtÃz. Concert,Instructional,Standards. Individual part. 13 pages. Laura Quijada #6711755. Published by Laura Quijada (A0.805519). 20 Melodies on two strings at a time, a good complement to beginner bass methods. The finger pattern is kept on the three pair of strings, and the melodies can be started randomly (not necessarily in the order they appear). With the exception of the last one, all the melodies are in 2/4 to facilitate the staff reading at this level. Scales and arpeggios are included to keep up with the instrument's technique. No technique marks (arco, pizzicato), bowings, dynamics or tempi are indicated, leaving this to the teacher's discretion to assign them, as the goal is to have the student play the tunes perfectly at his/her own pace and abilities. This music can also be used for solo recitals. Keys: D Major, A Major, E Major
$8.00
3-2-1 and Play! For the beginner bassist. Part I.
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Double Bass
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BEGINNER
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Laura C
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Laura Quijada
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3-2-1 and Play! For the beginn
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Laura Quijada
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SheetMusicPlus
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.805459 Composed by Laura C. Quijada OrtÃz. Arranged by Laura Quijada. Instructional,...
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.805459 Composed by Laura C. Quijada OrtÃz. Arranged by Laura Quijada. Instructional,Standards. Individual part. 10 pages. Laura Quijada #6274517. Published by Laura Quijada (A0.805459). Each simplified song or melody is preceded by 3 short, yet straight-to-the-point and friendly, exercises that progressively build up the necessary skills for the beginner student to achieve the goal. So, this album is a song-oriented technical book, ideal to complement other beginner methods as it provides a step-by-step procedure that will teach or reinforce music reading and instrumental technique.
$16.00
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