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57
Organ
56
1 Piano, 4 hands
32
Piano (band part)
14
2 Pianos, 4 hands
12
Piano Accompaniment
12
Harpsichord
11
Piano Trio: piano, violin, cello
10
Piano Quartet: piano, violin, viola, cello
9
Organ, Trumpet (duet)
3
Accordion and Orchestra
2
1 Piano, 6 hands
2
Big Note Piano
2
Piano Quintet: piano, 2 violins, viola, cello
2
Piano Quartet: piano, 2 violins, cello
1
2 Accordions
1
+ 16 instrumentations
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357
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292
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77
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51
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29
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15
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14
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9
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1
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434
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89
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81
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50
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17
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7
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3
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2
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2
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1
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1
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1
Soprano voice
1
+ 19 instrumentations
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1,058
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715
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326
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307
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105
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98
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69
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62
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53
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45
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39
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35
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28
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26
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24
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23
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20
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20
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18
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16
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16
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10
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10
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9
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9
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9
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8
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7
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6
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6
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6
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5
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5
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5
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5
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4
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4
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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523
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369
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349
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209
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147
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85
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60
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52
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46
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42
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38
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32
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27
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23
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23
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21
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19
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17
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15
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14
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12
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12
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9
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7
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5
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4
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4
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Brass Quartet: 2 trumpets, 2 trombones
1
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+ 53 instrumentations
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31
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25
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24
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22
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20
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17
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16
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14
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11
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10
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10
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6
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6
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5
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182
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9
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You've selected:
Sto lat
Double Bass
Sheetmusic to print
6 sheet music found
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1
Giovanni Bottesini, Nocturne, transcribed and edited by Klaus Stoll
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Double Bass
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ADVANCED
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Classical
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Giovanni Bottesini
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Klaus Stoll
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Giovanni Bottesini, Nocturne,
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Mesa Music Publishing
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.892490 Composed by Giovanni Bottesini. Arranged by Klaus Stoll. Romantic Period. Indivi...
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.892490 Composed by Giovanni Bottesini. Arranged by Klaus Stoll. Romantic Period. Individual part. 14 pages. Mesa Music Publishing #5197883. Published by Mesa Music Publishing (A0.892490). This early Bottesini work in G minor for double bass and piano includes piano parts in both solo and orchestra tuning. The original manuscript is in B flat minor which means Bottesini tuned his bass up a minor third when performing this piece. The bass part is written as it sounds which requires the performer to play it up an octave.Includes piano parts in both solo and orchestra tuning.
$16.00
Oblivion (Easy/Intermediate Level)
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Double Bass
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EASY
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Astor Piazzolla
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Oblivion
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
Oblivion (Intermediate Level)
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Double Bass
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INTERMEDIATE
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Astor Piazzolla
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Oblivion
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
Kommos (Lamentation) / "When the World Moved On" - Contrabass
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Double Bass
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INTERMEDIATE/ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018960 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 ...
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Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018960 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078717. Published by Benjamin Sajo (A0.1018960). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Four Variations for Contrabass
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Double Bass
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Contemporary
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Christopher M
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Four Variations for Contrabass
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Christopher M. Wicks
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SheetMusicPlus
Double Bass,String Bass Solo - Digital Download SKU: A0.982872 Composed by Christopher M. Wicks. 20th Century. Individual part. 6 pages. Christopher M. W...
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Double Bass,String Bass Solo - Digital Download SKU: A0.982872 Composed by Christopher M. Wicks. 20th Century. Individual part. 6 pages. Christopher M. Wicks #15175. Published by Christopher M. Wicks (A0.982872). This is a series of four thematically related movements for the contrabass, unaccompanied. I composed them for Michael Watson, contrabassist when he and I were both students at the Eastman School of Music, in Rochester, NY. A gauntlet of moods are expressed by the succession of movements, and there is exploration of extended techniques.
$10.00
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Contrabass
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Double Bass
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ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018899 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 ...
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018899 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056133. Published by Benjamin Sajo (A0.1018899). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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