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PIANO & KEYBOARDS

Piano solo 175 Piano, Vocal and Guitar 104 Piano, Voice 102 Easy Piano 86 C Instruments 23

Organ 10 1 Piano, 4 hands 6 Big Note Piano 2 Piano Trio: piano, violin, cello 2 Piano Quartet: piano, 2 violins, cello 1 2 Pianos, 4 hands 1 Piano (band part) 1

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GUITARS

Guitar notes and tablatures 29 Bass guitar 17 Lyrics and Chords 12 Guitar 11 Melody line, (Lyrics) and Chords 9

Ukulele 5 Piano, Guitar (duet) 3 Guitar (band part) 1 Dulcimer 1 4 Guitars (Quartet) 1 Banjo 1 Mandolin 1

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VOICE

Choral SATB 87 Choral 3-part 15 Choral TTBB 11 Choral Instrumental Pak 11 Choral 2-part 10

Alto voice, Piano 8 Soprano voice, Piano 7 Voice solo 4 Choral SSAA 4 Vocal duet, Piano 3 Choral Unison 2 Baritone voice, Piano 2 High voice 1 Tenor voice 1

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WOODWIND

2 Flutes (duet) 20 Saxophone Quartet: 4 saxophones 19 Flute and Piano 16 Clarinet 15 Oboe (band part) 14

Clarinet and Piano 13 Saxophone Quintet: 5 Saxophones 12 Alto Saxophone and Piano 12 Saxophone ensemble 10 2 Clarinets (duet) 10 Flute ensemble 10 Clarinet Ensemble 9 3 Clarinets (trio) 9 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 9 Clarinet Quartet: 4 clarinets 9 Tenor Saxophone and Piano 8 Oboe, Piano (duet) 7 Alto Saxophone 7 2 Saxophones (duet) 5 Flute 5 Flute (band part) 4 Tenor Saxophone 4 Oboe, Bassoon (duet) 3 Flute Quintet : 5 flutes 3 Flute, Oboe, Clarinet, Bassoon 3 Saxophone (band part) 2 Saxophone, Clarinet (duet) 2 Flute and Guitar 2 Flute, Viola and Piano 2 Soprano Saxophone and Piano 2 Recorder Quartet 2 Clarinet Quintet: 5 clarinets 2 Flute Quartet: 4 flutes 2 English Horn 1 Tenor Recorder 1 Bass Clarinet, Piano 1 Recorder Ensemble 1 Descant (Soprano) Recorder 1 Baritone Saxophone, Piano 1 Piccolo 1 3 Saxophones (trio) 1 2 Oboes (duet) 1 Oboe, Clarinet, Bassoon (trio) 1 Ocarina 1 Flute, Saxophone (duet) 1 2 Recorders (duet) 1 Recorder 1 Pennywhistle 1 Flute, Clarinet (duet) 1 Oboe, Clarinet (duet) 1 Flute, Clarinet, Piano (trio) 1 Clarinet, Violin (duet) 1 Clarinet and Viola 1

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WOODBRASS

Brass quartet : 2 trumpets, trombone, tuba 22 Brass Quintet: 2 trumpets, horn, trombone, tuba 16 Trumpet, Piano 9 Trombone and Piano 8 Trumpet 8

Trombone 7 Trombone ensemble 6 2 Trombones (duet) 6 French horn 6 2 Trumpets (duet) 4 Brass Quartet: 2 trumpets, horn, trombone 4 Trumpet ensemble 4 Trumpet (band part) 3 Euphonium, Piano (duet) 2 2 Tubas (duet) 2 French Horn and Piano 2 Horn Ensemble 2 English Horn 1 Trumpet, Horn (duert) 1 Trumpet, Trombone (duet) 1 Tuba 1 Tuba and Piano 1 Trombone (band part) 1 Brass Quartet: 4 trumpets 1

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STRINGS

String Quartet: 2 violins, viola, cello 29 Violin and Piano 23 2 Violins (duet) 15 Violin 14 Cello 13 Harp 12 Viola, Piano 9 Cello, Piano 8 Viola 4 Harp, Voice 4 Violin ensemble 4 String Trio: violin, viola, cello 4 Double Bass 3

Viola ensemble 2 Violin, Viola (duet) 2 String Quintet: 2 violins, viola, cello, bass 2 Double bass, Piano (duet) 2 2 Cellos (duet) 2 2 Violas (duet) 2 Viola and Harp 1 String Trio: 2 violins, viola 1 String quartet: 4 violins 1 String Trio: 3 cellos 1 Violin, Cello (duet) 1 4 Double Basses 1 Doublebass (band part) 1

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PERCUSSION & ORCHESTRA

Concert band 38 Orchestra 18 String Orchestra 15 Drums 9 Jazz Ensemble 8

Handbells 6 Brass ensemble 6 Jazz combo 5 Chamber Orchestra 4 Percussion Ensemble 3 Piano and Orchestra 1 Vibraphone 1 Xylophone, Piano 1 Drum (band part) 1 Marching band 1

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Double Bass

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3 sheet music found

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Contrabass Double Bass

Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed …(+)

Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018941 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072983. Published by Benjamin Sajo (A0.1018941). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâ€“his 250th birthday is this yearâ€“but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâ€™re falling apart. The title is inspired by a quote thatâ€™s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâ€™m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâ€™re authentically a hot mess. And whatâ€™s more of a musical hot mess than a fugue?There are two realities to this piece. Iâ€™ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â€¦] Itâ€™s as if someone were beating you with a stick and saying, â€˜Your business is rejoicing, your business is rejoicing,â€™ and you rise, shaky, and go marching off, muttering â€˜Our business is rejoicing, our business is rejoicing.â€™ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâ€™ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâ€“out of a literal need to surviveâ€“pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

$3.50 3.23 € #Double Bass #Benjamin Harry Sajo #Strings #Fugue: "Wear Pearls and Smile" #Benjamin Sajo #SheetMusicPlus

Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Contrabass Double Bass

Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018899 Composed …(+)

Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018899 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056133. Published by Benjamin Sajo (A0.1018899). Programme Notes:â€ƒIcarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, donâ€™t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of oneâ€™s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarusâ€™s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph.â€ƒThis piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethovenâ€™s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. Iâ€™ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

$3.50 3.23 € #Double Bass #Benjamin Harry Sajo #Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Contrabass #Benjamin Sajo #SheetMusicPlus

DIRT SIMPLE UPRIGHT BASS Double Bass

Bluegrass. 771 (ebook and online audio). 49 pages. Mel Bay Publications - Digital Sh…(+)

Bluegrass. 771 (ebook and online audio). 49 pages. Mel Bay Publications - Digital Sheet Music #30888MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459707. 8.75x11.75 inches.<br> <br> Although designed for newcomers to the upright bass and bluegrass music in general, this unique approach to creating basslines has something for everyone! The first half focuses on bass-playing essentials, giving the reader a solid technical footing with the instrument. Then, using his own baritone voice and the classic bluegrass song, Going Down the Road Feeling Bad, author Nate Sabat reveals his creative process in crafting effective basslines from the songs melody and chord progression. The second half focuses on bass playing within the specific context of complementing bluegrass vocals. Well beyond what you might expect from an introductory method, Nate tastefully guides the reader by presenting multiple composed bassline options for each of five well-known bluegrass songs: Rabbit in the Log, Dont this Road Look Rough and Rocky?, Long Journey Home, I Am a Pilgrim, and Angel Band. Nates warm, pitch-perfect vocals can be heard on virtually every track, giving this method an undeniable musicality. A lightly accompanied vocal track with no bass is also provided, so you can be the sole upright or electric bassist in the band. Youll not only want to back Nate upbut sing harmony with him too! The impulse to sing cant help but influence your bass playing in a natural and positive way. Nate provides notated versions of the eight major scales most commonly used in bluegrass. Once you get them under your fingers, youll soon be able to play along with the books 50 companion online recordings. With its simple harmonic palette and repetitive nature, bluegrass music offers bassists the perfect opportunity to become musically literate. If youve hesitated to learn to read music, this is the time and place to eliminate that drawback. Working through these 46 pages will provide the tools and confidence needed to create your own engaging and musical basslines and hopefully, youll be inspired to continue your bluegrass bass journey for years to come. Includes access to online audio.

$9.99 9.21 € #Double Bass #DIRT SIMPLE UPRIGHT BASS #Mel Bay Publications - Digital Sheet Music #SheetMusicPlus