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Saxophone and Organ
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1
What Would Nina Simone Say? For Soprano Sax & Organ (9'50")
Saxophone and Organ
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download
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Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages. Judith Cloud #6690537. Published by Judith Cloud (A0.981222). What Would Nina Simone Say? For Soprano Sax and Organ (9'50)Program NotesI became interested in Nina Simone in the spring of 2018. She was born Eunice Waymon in Tryon, North Carolina, my own hometown. I knew little about her while I was growing up. Later I heard she was an activist and the sentiment around town I observed was that there was far from a feeling of pride about who Nina Simone was. If that really was the case (and I have no proof of it) there was a dramatic change with the creation of The Nina Simone Project in 2006. I was still ignorant of this, having lived in Arizona for most of my adult life. But researching Simone led me to an immense feeling of pride for my hometown when I read about the support she had from the white community in the 1940’s. Without that encouragement and financial support, as well as artistic support from a local piano teacher, Muriel Mazzanovich, Mrs. Mazzy, as she was called and who Nina treasured and respected all of her life, Nina Simone would never have reached the world with her unique prodigious musical talent. She was a diva by all counts and her original compositions reflect a balance of words with music that is far superior to what her contemporaries were creating. A bronze sculpture of her by Zenos Frudakis now stands on Main Street in Tryon. How can you be an artist and not reflect the times? Simone asked in an interview. That to me is the definition of an artist. The feminist writer Germaine Greer declared Every generation has to discover Nina Simone. She is evidence that female genius is real. What would Nina Simone say today? I think she’d be mad as hell and screaming about revolution, probably still advocating for the use of violence. I’ve used some of Simone’s energetic and compelling motives in this composition. It is my own tribute to her genius and to how she gave to the world so much even though she was plagued with agonizing physical and mental ailments. That suffering seems to me an undercurrent in each video I have watched of her concerts. What I would give to have been in her presence for one of those concerts! She embodied music as an art form, revering her musical teachers, Bach, especially. That she never achieved her main goal of becoming the first female African-American classical pianist of world stature is perhaps not so sad when you think of how many more people she moved with her talent expressed in jazz and folk popular idioms. But she was prone to violence and many people, even those closest to her, were often fearful of her rage. She was misunderstood for so many years and it was only in the last two decades of her life that her moods were somewhat controlled through use of prescription drugs. The musical life that began for Eunice Waymon when she was seven years old playing the piano and organ for services at St. Luke’s C.M.E. Church (where her mother was the preacher) in Tryon, N.C. traversed many cities in many countries. She died at the age of 70 in 2003 in Carry-le-Rouet, France.
$15.00
13.64 €
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Saxophone and Organ
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Judith Cloud
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What Would Nina Simone Say? For Soprano Sax & Organ
#
Judith Cloud
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SheetMusicPlus
David Hurd: Sonata for Alto Saxophone and Organ
Saxophone and Organ
Instrumental Duet Alto Saxophone,Instrumental Duet,Organ - Level 5 - Digital Download S…
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Instrumental Duet Alto Saxophone,Instrumental Duet,Organ - Level 5 - Digital Download SKU: A0.534347 Composed by David Hurd. Concert,Contemporary,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3364727. Published by Musik Fabrik Music Publishing (A0.534347). In three movements: 1. Fantasia 2. Aria 3. FugueDavid Hurd was born in Brooklyn, New York, on 27 January 1950. Prior to his under-graduate studies at Oberlin College, he attended both the High School of Music and Art and the Juilliard School. Upon graduation from Oberlin in 1971 (Mus.B.), he was appointed Assistant Organist of Trinity Parish in lower Manhattan where he served under the direction of Larry King. He was appointed to the faculty of Duke University in 1972 concurrent with graduate studies at the University of North Carolina, Chapel Hill. In 1973 he returned to New York as Organist and Music Director at the Chapel of the Intercession, a position he retained until 1978 when he was named Composer in Residence for a season. In 1976 he was appointed to the faculty of The General Theological Seminary in New York City where he is presently Professor of Church Music and Organist. In addition, has served as Director of Music at All Saints Church, New York City, from 1985 to 1997 and is currently Director of Music at The Church of the Holy Apostles. In 1977 he was awarded first prizes both in organ playing and in improvisation at the International Congress of Organists. He has concertized throughout North America since that time under the representation of Phillip Truckenbrod. He has performed both at National and Regional Conventions of the American Guild of Organists. In 1981 he was invited to perform at the Internationaal Orgelfestival Haarlem, meeting in Gouda, the Netherlands, during which he received the diploma for improvisation of the Stichting Internationaal Orgelconcours. His principal organ teachers were Bronson Ragan, Garth Peacock, and Arthur Poister. In 2009, Dr. Hurd was named the 15th Distinguished Composer of the American Organ Guild. Other composers who have received this award include Virgil Thomson, Ned Rorem, Daniel Pinkham, Conrad Susa, William Bolcom and Dominick Argento. Dr. Hurd will be honored at a special concert during the 2010 AGO convention which will feature a newly commissioned work. He has received many commissions for choral, organ, and instrumental works, and has composed much liturgical music. Among his published works are organ pieces, choral works and many original hymn settings. His liturgical compositions and arrangements are also found in several major hymnals. He served on the Standing Commission on Church Music of the Episcopal Church from 1976 to 1985. He has been a visiting lecturer at the Yale Institute of Sacred Music and a visiting professor at the Yale School of Music. In 1987 he was awarded the degree of Doctor of Music, honoris causa, by the Berkeley Divinity School at Yale. The following year he received two honorary degrees; the Doctor of Sacred Music from The Church Divinity School of the Pacific, Berkeley, California, and the Doctor of Humane Letters from Seabury-Western Theological Seminary, Evanston, Illinois.
$25.95
23.6 €
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Saxophone and Organ
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David Hurd
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David Hurd: Sonata for Alto Saxophone and Organ
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Musik Fabrik Music Publishing
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SheetMusicPlus
Frederick Frahm: Adoro Te Devote for alto saxophone and organ
Saxophone and Organ
Instrumental Duet Alto Saxophone,Instrumental Duet,Organ - Level 3 - Digital Download S…
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Instrumental Duet Alto Saxophone,Instrumental Duet,Organ - Level 3 - Digital Download SKU: A0.534014 Composed by Frederick Frahm. Christian,Contemporary,Sacred. Score and parts. 9 pages. Musik Fabrik Music Publishing #3095313. Published by Musik Fabrik Music Publishing (A0.534014). Adoro te devote is a Eucharistic hymn written by Saint Thomas Aquinas. In this setting, the Gregorian theme is placed in the solo instrument after an inital introduction. The piece may be placed for concerts as well as for worship services
$10.35
9.41 €
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Saxophone and Organ
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Frederick Frahm
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Frederick Frahm: Adoro Te Devote for alto saxophone and organ
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thérèse Brenet : A Thing of Beauty Is A Joy Forever" for alto saxophone and organ
Saxophone and Organ
Instrumental Duet Alto Saxophone,Instrumental Duet,Organ - Level 4 - Digital Download S…
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Instrumental Duet Alto Saxophone,Instrumental Duet,Organ - Level 4 - Digital Download SKU: A0.532885 Composed by Therese Brenet. Contemporary,Spiritual,Standards. Score and parts. 21 pages. Musik Fabrik Music Publishing #119469. Published by Musik Fabrik Music Publishing (A0.532885). This work was inspired by the poem of the same name by Keats. It was written originally for saxophone and organ by its comissioner the saxophonist Paul Wehage and Françoise Lvéchin-Gangloff, the organist at the Church of Sain Roch in Paris where the work was premièred on February 12, 2012 It also exists in a version for saxophone and piano and for saxophone and string orchestra (with harp). The orchestral version was recorded on Thérèse Brenet's CD Le Livre de L'Harmonie du Monde on JTB-Prod (http://www.jtbprod.com/llhm.htm ) The work is not a literal illustration of the poem, but an evocation of emotional states between a Romantic literary work and the music which the writing inspired more than a century and a half later, seen through a Modern musical aesthetic. I. - A thing of beauty...(Une belle chose... ) - 1’45 II.- ...is a joy for ever... (...est une joie pour toujours...) - 1’ III. - its lovelyness increases (...son charme s'amplifie...) - 4’ IV. - it will never fall into nothingness... (il ne tombera jamais dans le néant...) - 4’15 Total duration : 11'.
$16.95
15.42 €
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Saxophone and Organ
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Therese Brenet
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Thérèse Brenet : A Thing of Beauty Is A Joy Forever" for alto saxophone and organ
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Musik Fabrik Music Publishing
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SheetMusicPlus
Back to Fairyland for Alto Saxophone & Organ
Saxophone and Organ
Instrumental Duet Alto Saxophone,Instrumental Duet,Organ - Level 4 - Digital Download S…
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Instrumental Duet Alto Saxophone,Instrumental Duet,Organ - Level 4 - Digital Download SKU: A0.853212 Composed by Hans-Andre Stamm. 20th Century,Celtic,Concert,Folk. Score and parts. 15 pages. Hans-Andre Stamm #5983683. Published by Hans-Andre Stamm (A0.853212). The piece is written in a sort Celtic style, the 1st part with its lyrical character reminds of an Irish ballad, a short Cadenza leads to the 2nd part, a sort of reel dance. Towards the end the main melody of the 1st part is quoted within the driving 1/16th figuration.
$7.95
7.23 €
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Saxophone and Organ
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Hans-Andre Stamm
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Back to Fairyland for Alto Saxophone & Organ
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Hans-Andre Stamm
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SheetMusicPlus
Maggiolata-Hubay-Soprano Saxophone/Organ
Saxophone and Organ
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 2 - Digital Download
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Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 2 - Digital Download SKU: A0.844668 Composed by Jeno Hubay. Arranged by Phil Beaman. Romantic Period,Standards,Wedding. Score and parts. 4 pages. Phil Beaman #4897195. Published by Phil Beaman (A0.844668). Maggiolata is the Italian name of an ancient Spring Festival celebrated on May 1st, hence the subtitle Song of May. Jeno Hubay, Head of the Violin Dept at the Budapest Academy of Music, wrote this piece to be as light and celebratory as a perfect spring day. My arrangement abridges and slightly simplifies this classical standard. I reduced it from 6 1/2 minutes to 2 1/2 minutes by focusing on the recapitulation of the main theme but also included opening and closing cadenzas. Most of the expression markings are my own additions. I have scored it as an Instrumental Solo with an Organ accompaniment but a Piano accompaniment could be easily adapted from this. This arrangement, with an octave and a half solo range, is easy enough to be accessible for most players and its beautiful melody will have you singing and longing for spring. 3 page score, 1 page part5:00 minutes with repeatrecording is Violin and piano version
$5.99
5.45 €
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Saxophone and Organ
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Jeno Hubay
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Maggiolata-Hubay-Soprano Saxophone/Organ
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Phil Beaman
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SheetMusicPlus
Maggiolata-Hubay-Tenor Saxophone/Organ
Saxophone and Organ
Instrumental Duet Instrumental Duet,Organ,Tenor Saxophone - Level 2 - Digital Download …
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Instrumental Duet Instrumental Duet,Organ,Tenor Saxophone - Level 2 - Digital Download SKU: A0.844669 Composed by Jeno Hubay. Arranged by Phil Beaman. Romantic Period,Standards,Wedding. Score and parts. 4 pages. Phil Beaman #4897197. Published by Phil Beaman (A0.844669). Maggiolata is the Italian name of an ancient Spring Festival celebrated on May 1st, hence the subtitle Song of May. Jeno Hubay, Head of the Violin Dept at the Budapest Academy of Music, wrote this piece to be as light and celebratory as a perfect spring day. My arrangement abridges and slightly simplifies this classical standard. I reduced it from 6 1/2 minutes to 2 1/2 minutes by focusing on the recapitulation of the main theme but also included opening and closing cadenzas. Most of the expression markings are my own additions. I have scored it as an Instrumental Solo with an Organ accompaniment but a Piano accompaniment could be easily adapted from this. This arrangement, with an octave and a half solo range, is easy enough to be accessible for most players and its beautiful melody will have you singing and longing for spring. 3 page score, 1 page part5:00 minutes with repeatrecording is Violin and piano version
$5.99
5.45 €
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Saxophone and Organ
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Jeno Hubay
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Maggiolata-Hubay-Tenor Saxophone/Organ
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Phil Beaman
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SheetMusicPlus
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