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1,303
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Piano solo
1,362
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1,100
Piano, Voice
836
Easy Piano
352
C Instruments
116
Big Note Piano
60
Organ
39
1 Piano, 4 hands
30
Accordion
22
2 Pianos, 4 hands
13
Piano Accompaniment
12
Piano (band part)
10
Piano Trio: piano, violin, cello
9
Piano Quartet: piano, violin, viola, cello
6
Harpsichord
5
Piano Quartet: piano, 2 violins, cello
3
2 Organs (duet)
1
Organ, Trumpet (duet)
1
Keyboard
1
Melody line, Piano
1
+ 15 instrumentations
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Retract
Guitars
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374
Melody line, (Lyrics) and Chords
308
Guitar
161
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147
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101
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9
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7
Dulcimer
5
Banjo
5
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4
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3
Guitar Ensemble
3
Mandolin
3
3 Guitars (trio)
2
Guitar, Violin, Cello (trio)
1
4 Guitars (Quartet)
1
Lap Steel Guitar
1
+ 13 instrumentations
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Voice
Choral SATB
545
Choral 3-part
328
Choral TTBB
111
Choral SSAA
91
Choral 2-part
81
Voice solo
46
Choral Unison
42
Choral Instrumental Pak
37
Vocal duet, Piano
17
Vocal duet
17
Choral
16
High voice
14
Soprano voice, Piano
14
Medium voice, Piano
4
Low voice, Piano
3
Soprano voice
3
Baritone voice, Piano
3
Tenor voice, Piano
3
Alto voice, Piano
3
Voice, Guitar
2
Mezzo-Soprano voice, Piano
2
Tenor voice
2
Choral SSATTB
1
Choral SSAATTBB
1
Choral SSAATB
1
Low voice
1
Choral SSATB
1
+ 22 instrumentations
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Retract
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136
Flute
135
Clarinet
122
Tenor Saxophone
93
Alto Saxophone
92
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78
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75
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54
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43
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42
Alto Saxophone and Piano
42
Clarinet (band part)
39
Clarinet and Piano
39
Oboe, Piano (duet)
36
Flute, Oboe, Clarinet, Bassoon
35
Clarinet Quartet: 4 clarinets
33
2 Flutes (duet)
29
Tenor Saxophone and Piano
29
Flute (band part)
24
Soprano Saxophone and Piano
21
2 Clarinets (duet)
20
2 Saxophones (duet)
19
Clarinet Ensemble
17
Flute Quartet: 4 flutes
15
Saxophone Quintet: 5 Saxophones
15
3 Saxophones (trio)
13
Clarinet Quintet: 5 clarinets
12
Flute Trio: 3 flutes
12
Flute and Guitar
12
3 Clarinets (trio)
11
Eb Instruments
9
Clarinet, Guitar (duet)
9
Flute ensemble
8
Recorder
7
English horn, Piano
6
Soprano Saxophone
6
Flute, Clarinet, Piano (trio)
5
Flute Quintet : 5 flutes
5
Flute, Clarinet (duet)
5
English Horn, Guitar (duet)
5
Oboe
5
Flute, Clarinet and Bassoon.
5
Saxophone and Guitar
4
Clarinet, Violin (duet)
4
Flute, Violin, Piano
4
Recorder Quartet
4
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3
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3
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3
2 Oboes (duet)
3
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2
Flute, Oboe, Piano (trio)
2
Flute, Viola and Piano
2
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2
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2
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2
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2
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2
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2
Baritone Saxophone, Piano
2
5 Recorders
2
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2
Bass Clarinet
2
2 Flutes, Piano
2
English Horn
2
3 Oboes
1
Oboe, Cello and Piano
1
Descant (Soprano) Recorder
1
Flute, Bassoon, and Piano
1
Flute, Oboe, Clarinet (trio)
1
Flute, Clarinet, Horn and Bassoon (Quartet)
1
Oboe, Clarinet and Piano (Trio)
1
Tenor Recorder
1
2 Clarinets, Piano
1
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1
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1
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1
Flute, Trumpet (duet)
1
Flute, trombone and piano
1
Flute, Viola (duet)
1
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1
Oboe, Flute
1
Clarinet, trumpet and piano
1
Flute, Violin, Violoncello and Piano
1
Saxophone and Organ
1
Baritone Saxophone
1
Bass Clarinet, Piano
1
2 Recorders (duet)
1
Flute, Oboe, Bassoon
1
Flute, Oboe (duet)
1
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Trumpet
101
Trumpet (band part)
89
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79
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56
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52
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50
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38
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33
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33
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25
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22
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16
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12
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12
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11
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9
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8
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7
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6
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6
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5
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5
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4
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4
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3
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Trumpet, Trombone (duet)
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3 French horns (trio)
1
Tuba or Euphonium or Saxhorn
1
2 Tubas (duet)
1
2 Euphoniums (duet)
1
+ 44 instrumentations
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230
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209
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109
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98
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77
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63
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28
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28
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21
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17
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16
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16
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13
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9
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9
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8
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8
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7
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7
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6
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5
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4
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3
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Saxophone and Organ
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What Would Nina Simone Say? For Soprano Sax & Organ (9'50")
#
Saxophone and Organ
#
ADVANCED
#
Contemporary
#
Judith Cloud
#
What Would Nina Simone Say? Fo
#
Judith Cloud
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and...
(+)
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages. Judith Cloud #6690537. Published by Judith Cloud (A0.981222). What Would Nina Simone Say? For Soprano Sax and Organ (9'50)Program NotesI became interested in Nina Simone in the spring of 2018. She was born Eunice Waymon in Tryon, North Carolina, my own hometown. I knew little about her while I was growing up. Later I heard she was an activist and the sentiment around town I observed was that there was far from a feeling of pride about who Nina Simone was. If that really was the case (and I have no proof of it) there was a dramatic change with the creation of The Nina Simone Project in 2006. I was still ignorant of this, having lived in Arizona for most of my adult life. But researching Simone led me to an immense feeling of pride for my hometown when I read about the support she had from the white community in the 1940’s. Without that encouragement and financial support, as well as artistic support from a local piano teacher, Muriel Mazzanovich, Mrs. Mazzy, as she was called and who Nina treasured and respected all of her life, Nina Simone would never have reached the world with her unique prodigious musical talent. She was a diva by all counts and her original compositions reflect a balance of words with music that is far superior to what her contemporaries were creating. A bronze sculpture of her by Zenos Frudakis now stands on Main Street in Tryon. How can you be an artist and not reflect the times? Simone asked in an interview. That to me is the definition of an artist. The feminist writer Germaine Greer declared Every generation has to discover Nina Simone. She is evidence that female genius is real. What would Nina Simone say today? I think she’d be mad as hell and screaming about revolution, probably still advocating for the use of violence. I’ve used some of Simone’s energetic and compelling motives in this composition. It is my own tribute to her genius and to how she gave to the world so much even though she was plagued with agonizing physical and mental ailments. That suffering seems to me an undercurrent in each video I have watched of her concerts. What I would give to have been in her presence for one of those concerts! She embodied music as an art form, revering her musical teachers, Bach, especially. That she never achieved her main goal of becoming the first female African-American classical pianist of world stature is perhaps not so sad when you think of how many more people she moved with her talent expressed in jazz and folk popular idioms. But she was prone to violence and many people, even those closest to her, were often fearful of her rage. She was misunderstood for so many years and it was only in the last two decades of her life that her moods were somewhat controlled through use of prescription drugs. The musical life that began for Eunice Waymon when she was seven years old playing the piano and organ for services at St. Luke’s C.M.E. Church (where her mother was the preacher) in Tryon, N.C. traversed many cities in many countries. She died at the age of 70 in 2003 in Carry-le-Rouet, France.
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