Medieval and Renaissance Airs, Songs and Dances. The left hand uses open harmonies and single notes.

Table of Contents:

Medieval

Alle, psallite, Alleluya Anonymous (England, 13th c.)
Cuncti simus Libre Vermell (Spain, 14th c.)
Dansse Real Anonymous (France, 13th c.)
Edi be thu, Heven-Queene Anonymous (England, 13th c.)
Kalenda Maya Raimbaut de Vaqueiras (France, 12th c.)
Non sofre - CSM #159 Cantigas de Santa Maria (Spain, 13th c.)
Ondas do mar de Vigo - Martin Codax (Spain, 13th c.)
Ondas do mar de Vigo - Estampie – Therese Honey
Salterello – Anonymouns (Italy, 14th c.)
Santa Maria amar CMS #7 - Cantigas de Santa Maria (Spain, 13th c.)
Santa Maria, strella do dia CMS #100 - Cantigas de Santa Maria (Spain, 13th c.)
Stella splendens – Libre Vermell (Spain, 14th c.)


Renaissance
Branle de Cheveaux Thoinot Arbeau (France, 1589)
Branle d’Escosse Thoinot Arbeau (France, 1589)
Branle de la Torche Michael Praetorius (Germany, 1612)
Complaint John Dowland (England, 16th c.)
Jhon Come Kisse Me Noue Anon. (Scotland, 17th c.)
Joy to the Personne of My Love Skene Manuscript (Scotland, 17th c.)
Ladie Laiton’s Alman John Dowland (England, 16th c.)
L’espagnoletta Francisque Caroubel (France, 16th c.)
Nonesuch Playford Collection (England, 17th c.)
Mr. Dowland’s Midnight John Dowland (England, 16th c.)
Round Battle Galliard John Dowland (England, 16th c.)