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One Short Day - Percussion
Harp
Sheetmusic to print
6 sheet music found
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1
Celtic Folk Songs and Hymn Tunes
Harp
Harp - Intermediate - Digital Download Arranged by Hugh Callison. Christian, General …
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Harp - Intermediate - Digital Download Arranged by Hugh Callison. Christian, General Worship, Celtic, St. Patrick's Day. 47 pages. Published by Afghan Press Music for the Harp
Everyone enjoys Celtic Folk Songs and Folk Hymns but not all realize that often they can be one and the same. A hymn text has often found its home in a folk song and a secular text sometimes finds a home in a hymn tune. This collection has a little of both. All but one of the tunes in this collection are of Celtic origin. The exception, “Amazing Grace,” is a folk hymn of unknown origin that has all the markings of a Celtic Tune, including a pentatonic harmonic foundation.<br> For the harpists who also like to understand the history of a tune or even sing along, a variety of texts along with information about the tune and the lyrics can be found in the back of this book in the “Notes on the Tunes.”<br> <br> Titles: Ad Hyd y nos, Annie Laurie, Auld Lang Syne, Bunessan, Brother James' Air, Down By the Salley Gardens, Greensleeves, Iona Boat Song, Rorate (Rorate Coeli Desuper), Londonderry Air, New Britain, O Waly Waly, Slane, Scots W' Hae, The Ash Grove, Royal Oak, The Twenty-Ninth of May, St. Denio, Skye Boat Song, The Bard of Armagh, The Streets of Laredo, The Caledonian Hunt's Delight, St. Columba, The Road and the Miles to Dundee, The Rowan Tree, Ye Banks and Braes O' Bonnie Doon<br> <br> One of the nicest things about this book is that each song has a short but lovely introduction!
$19.95
18.32 €
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Harp
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Celtic Folk Songs and Hymn Tunes
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Afghan Press Music for the Harp
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SheetMusicPlus
Wheel of the Year
Harp
Harp - Level 3 - Digital Download SKU: A0.797493 Composed by Carol Wood. Celtic,Hal…
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Harp - Level 3 - Digital Download SKU: A0.797493 Composed by Carol Wood. Celtic,Halloween,Holiday,New Age,Spiritual. Score. 22 pages. Afghan Press Music for the Harp #4886961. Published by Afghan Press Music for the Harp (A0.797493). While all eight of these Celtic holidays may not be truly ancient, several of them certainly are; some, like Samhain, have had Christianizing veils cast over them but have kept many of the pre-Christian customs associated with their celebration. Interested harpists will find a wealth of available information about these holidays, their names, and their customs. Imbolc, February 1st or 2nd, is also the Feast of St. Bridget or Brigid and is associated with the ancient goddess of that name in Celtic mythology.Ostara is the name sometimes given to the neo-Celtic celebration of the Spring Equinox. This piece depicts the dawn of the day and of the year. Beltaine, the joyous celebration of spring’s warmth and wealth of flowers and new greenery, occurs on the first day of May. The longest day of the year and the shortest night mark the Summer Solstice-Midsummer. Since long before Shakespeare’s funny and lyrical play A Midsummer Night’s Dream, the Summer Solstice has been associated with magic.Lughnasadh, on August 1st, is the festival of the first harvest. A version of the name of this festival survives in Manx and Scots Gaelic as well as in Irish Gaelic, and the name itself derives from Lugh, one of the most important Celtic godsMabon marks the Autumn Equinox and the end of summer; for me, it is a wistful moment of the year-extremely beautiful yet transitory. Samhain is one of the most significant celebrations in the Celtic year- the word itself means the end of summer, the beginning of the dark part of the year. It survives even in non-Celtic countries as Halloween, thanks to its adoption into the Christian calendar as All Hallows’ Eve. It is said to be the time when the veils between this world and the next are at their most thin.The Winter Solstice is marked in many European cultures as a time for celebrating the birth of the new light and a time for decorating with evergreens like holly. For The Holly King, modal and traditional versions of the carol The Holly and the Ivy, were used because of the lyrics’ references to the rising of the sun, and the running of the deer.
$12.00
11.02 €
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Harp
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Carol Wood
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Wheel of the Year
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Afghan Press Music for the Harp
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SheetMusicPlus
HAIKU--SING A SONG OF LOVE
Harp
Harp,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.903744 Composed b…
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Harp,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.903744 Composed by Alan Edgar (music), Jessica Dodd (lyric). Concert,Holiday,Love,Wedding. Score and individual part. 2 pages. Alan Edgar Ted Moon #3053813. Published by Alan Edgar Ted Moon (A0.903744). One of three Haiku. Soprano with piano, very short love song in simple, beautiful minor pentatonic mode and pastoral 6/8/ rhythm. Some Chinese decoration. Works well with harp or unaccompanied, too. Use for a short recital. .
$2.00
1.84 €
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Harp
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Alan Edgar
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HAIKU--SING A SONG OF LOVE
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Alan Edgar Ted Moon
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SheetMusicPlus
Old French Song
Harp
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Perio…
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Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br>
$4.99
4.58 €
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Harp
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Pyotr Ilich Tchaikovsky
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Old French Song
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Luis Anjos Teixeira
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SheetMusicPlus
Sussex Carol (On Christmas Night) for LEVER harp
Harp
Harp, Lever Harp - Advanced Intermediate - Digital Download Composed by Traditional …
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Harp, Lever Harp - Advanced Intermediate - Digital Download Composed by Traditional English. Arranged by Stephanie Bennett. Christian, Praise & Worship, Christmas, Recital. 8 pages. Published by Harpworld Music Co.
On Christmas night all Christians sing to hear the news the angels bring.<br> On Christmas night all Christians sing to hear the news the angels bring. <br> News of great joy, news of great mirth, <br> News of our merciful King's birth!<br> <br> This joyous Christmas song was first published by Luke Wadding, an Irish bishop, in a 17th century collection called Small Garland of Godly and Pious Songs. It became known as “Sussex Carol” in the early 20th century upon being collected by British composer Ralph Vaughan Williams, who heard it being sung by a folk singer in Sussex, England. He later included it in his choral settings, Eight Traditional English Carols and Fantasia on Christmas Carols.<br> <br> This lever harp arrangement is in the key of G (with a short section in D mixolydian for variety, from measures 56 to 65). There are no lever changes. It is suited for harps with at least 34 strings.<br> <br> The right hand has the melody most of the time, with the left hand accompanying; but the left hand gets to take center stage from measures 33 through 47; again from measures 86 through 89; and again at the end, from measures 100 through 106.<br> <br> This arrangement is great for all Christmas events, from church services to concerts to parties. <br> The YouTube video shows the pedal harp arrangement, which is exactly the same as the lever harp arrangement except that it is in the key of G flat instead of G; and it has ONE extra very low note at the very end.<br> <br> For more harp arrangements by Stephanie Bennett, please subscribe to HarpworldMusicCo on Youtube, and visit www.harpworld.com/sheetmusic.html. <br> I hope you enjoy sharing this cheerful song with your listeners, during many happy holidays! - Stephanie Bennett
$8.00
7.35 €
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Harp
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Traditional English
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Worship, Christmas, Recital
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Sussex Carol
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SheetMusicPlus
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