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The L

Harp - Intermediate - Digital Download Arranged by Therese Honey. Renaissance, Early Music, European, Celtic. 63 pages. Published by Afghan Press Music for the Harp
Medieval and Renaissance Airs, Songs and Dances. The left hand uses open harmonies and single notes.<br> <br> Table of Contents:<br> <br> Medieval<br> <br> Alle, psallite, Alleluya Anonymous (England, 13th c.)<br> Cuncti simus Libre Vermell (Spain, 14th c.)<br> Dansse Real Anonymous (France, 13th c.)<br> Edi be thu, Heven-Queene Anonymous (England, 13th c.)<br> Kalenda Maya Raimbaut de Vaqueiras (France, 12th c.)<br> Non sofre - CSM #159 Cantigas de Santa Maria (Spain, 13th c.)<br> Ondas do mar de Vigo - Martin Codax (Spain, 13th c.)<br> Ondas do mar de Vigo - Estampie – Therese Honey<br> Salterello – Anonymouns (Italy, 14th c.)<br> Santa Maria amar CMS #7 - Cantigas de Santa Maria (Spain, 13th c.)<br> Santa Maria, strella do dia CMS #100 - Cantigas de Santa Maria (Spain, 13th c.)<br> Stella splendens – Libre Vermell (Spain, 14th c.)<br> <br> <br> Renaissance<br> Branle de Cheveaux Thoinot Arbeau (France, 1589)<br> Branle d’Escosse Thoinot Arbeau (France, 1589)<br> Branle de la Torche Michael Praetorius (Germany, 1612)<br> Complaint John Dowland (England, 16th c.)<br> Jhon Come Kisse Me Noue Anon. (Scotland, 17th c.)<br> Joy to the Personne of My Love Skene Manuscript (Scotland, 17th c.)<br> Ladie Laiton’s Alman John Dowland (England, 16th c.)<br> L’espagnoletta Francisque Caroubel (France, 16th c.)<br> Nonesuch Playford Collection (England, 17th c.)<br> Mr. Dowland’s Midnight John Dowland (England, 16th c.)<br> Round Battle Galliard John Dowland (England, 16th c.)

The Wandering Folk Harp Harp

Flute, Violin, Harp - Intermediate - Digital Download Arranged by Beth Kolle. Folk, …(+)

Flute, Violin, Harp - Intermediate - Digital Download Arranged by Beth Kolle. Folk, Celtic, Recital. 122 pages. Published by Afghan Press Music for the Harp
Solos and duets from Celtic lands with additional flute or fiddle parts. Some selections are for duets. <br> <br> Table of Contents:<br> A Bruxa, (The Sorceress) by Anton Seoane, Glaicia, Spain with flute/fiddle parts; Bianco Fiore, an Italian piece, with flute/fiddle parts; The Earl of Essex Galliard, by J. Dowland; Summer Morn, by B. Kolle; Summer Night by Geirr Lystrup and Aslaug L. Lygre; The Streams of Bunclody, traditional Irish with flute/fiddle parts; When Morning is Breaking, traditional Welsh, with flute/fiddle parts; Have You Been to Carrick?, traditional Irish; Hardiman the Fiddler, traditional Irish slip-jig; Los Bilbilicos (The Nightingales), traditional Sephardic with flute/fiddle parts; Sheba’s Bellybutton, by B. Kolle with flute/fiddle parts; Bonnie at Morn, traditional Northumberland lullaby with flute /fiddle parts; Voyage South, by B. Kolle; The Lass of Aughrim, traditional Irish ballad with separate solo, duet score, and harp one and two; The Humours of Ballyloughlin, traditional Irish; Saguaro by L. Riley & M. MacBean, harp one and two parts.
$25.00 22.48 € #Harp #The Wandering Folk Harp #Afghan Press Music for the Harp #SheetMusicPlus

The Minstrel to his Harp. A Ballad Harp

Piano and voice; harp - Digital Download SKU: LV.2232 Composed by W. Kirby. Portrai…(+)

Piano and voice; harp - Digital Download SKU: LV.2232 Composed by W. Kirby. Portraits, Musicians, Drapery, Sadness, Death. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2232). The Minstrel to his Harp. A Ballad. Written by Henry W. Challis, Esqre. The Music Composed by W. Kirby. Published [n.d.] by James L. Hewitt, No. 137 Broadway in New York. Composition of strophic with piano and voice; harp instrumentation. Subject headings for this piece include Portraits, Musicians, Drapery, Sadness, Death. First line reads Gentle harp now fare thee well, sadly thus I sweep thy strings.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 5.39 € #Harp #W #The Minstrel to his Harp. A Ballad #Johns Hopkins University Sheridan Libraries #SheetMusicPlus

Across the Lake

#Across the Lake

Ländler # 16 Harp

Lever Harp - Level 3 - Digital Download SKU: A0.1404073 By Aiga Helmer. By Aiga Hel…(+)

Lever Harp - Level 3 - Digital Download SKU: A0.1404073 By Aiga Helmer. By Aiga Helmer. 19th Century,Contest,Country,Festival,Folk,Wedding. Score. 3 pages. Aiga Helmer #987246. Published by Aiga Helmer (A0.1404073). A 3 minute original dancelike piece for lever or pedal harp with chord symbols attached for optimal accompaniment. ( The LÃ¤ndler once was the MinuetÂ of country folks in Austria and Bavaria ). A full MP3 performance recording is included. A few pedal or lever changes make the 3-page melodiesÂ interesting and joyful. And at most double bar lines the piece can also be shortened. The LÃ¤ndler has many uses, i.e.Â for dances atÂ weddings.
$4.50 4.05 € #Harp #Aiga Helmer #Ländler # 16 #Aiga Helmer #SheetMusicPlus

Harp - Level 2 - Digital Download SKU: A0.928320 Composed by Rory Dall. Arranged by Karen Peterson. Celtic,Contemporary,Folk. Score. 4 pages. Karen Peterson #5955365. Published by Karen Peterson (A0.928320). This tune was published by Daniel Dow in the 1770s and was probably composed by Roderick Morison (~1656-1713). My double-strung harp arrangement in the dorian mode has rolled, echoed chords, highlighting the depth of sound we can get from having two sets of strings. The accompaniment hand traverses the entire range of the harp, often overlapping the melody hand.Range and key: D dorian (all naturals). 24x2 strings. C below middle C through E.Lever changes: None.Good for: Performance, memorials, therapeutic settings.Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Rolled accompaniment chords often contain the same note as the melody, creating a rolled echo. Some chords that arenâ€™t rolled have doubled notes in both hands, creating depth. The repetition of LH patterns makes this a great piece to learn overlapping hands with.Characteristics: Neither hand needs to place more than an octave spread. There are some four-note chords (always LH 1-3-5-8). The RH has almost no chords. Few of the chords are inversions. There are very few sixteenth notes; no more than three played together with one hand. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has a few cross-overs/unders.Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with R or R# when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with L or L# when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in Rorie Dall's Sister's Lament: www.EnjoyTheHarp.com/s/rorie-dalls-sisters-lament-notes-enjoy-the-harp.pdfNotation: Chord symbols are provided. Treble clef is used for both staves, with 8vb for the low notes. Length: 4 pages. 60 measures, plus 12 if you take the repeat. 4 minutes.Page turns: If you are printing, double-side pages 2 and 3 so that there is only one page turn. The RH can be used on all notes of page 2â€™s last measure, so that the LH can turn the page. If you are using single pages on a tablet, you can do something similar at the end of page 3. Page 1â€™s turn is manageable. Contact me after purchase if youâ€™d like a version that fits on two pages: EnjoyTheHarp@gmail.comPerformance notes and history at www.EnjoyTheHarp.com/rorie-dalls-sisters-lament

Harp - Level 2 - Digital Download SKU: A0.928333 Composed by Rory Dall. Arranged by Karen Peterson. Celtic,Contemporary,Folk. Score. 4 pages. Karen Peterson #5993785. Published by Karen Peterson (A0.928333). WATCH THE D DORIAN VERSION: You are viewing the arrangement for lap harp, which is in the key of A dorian. To hear the D dorian version played on a larger harp, go to www.youtube.com/watch?v=l0-Kg0LifaUOverview: This tune was published by Daniel Dow in the 1770s and was probably composed by Roderick Morison (~1656-1713). My double-strung harp arrangement in the dorian mode has rolled, echoed chords, highlighting the depth of sound we can get from having two sets of strings. The accompaniment hand traverses the entire range of the harp, often overlapping the melody hand.Key and range: A dorian (one sharp). 21x2 strings. G below middle C through F. (LARGER HARPS: For harps with C below middle C or lower, get the D dorian version here: www.sheetmusicplus.com/title/rorie-lament-for-double-strung-harp-digital-sheet-music/21815669)Lever changes: None.Good for: Performance, memorials, therapeutic settings.Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Rolled accompaniment chords often contain the same note as the melody, creating a rolled echo. Some chords that arenâ€™t rolled have doubled notes in both hands, creating depth. The repetition of LH patterns makes this a great piece to learn overlapping hands with.Characteristics: Neither hand needs to place more than an octave spread. There are some four-note chords (always LH 1-3-5-8). The RH has almost no chords. Few of the chords are inversions. There are very few sixteenth notes; no more than three played together with one hand. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has a few cross-overs/unders.Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with R or R# when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with L or L# when they occur in the top staff).Notation: Chord symbols are provided. Treble clef is used for both staves, with 8va for very high notes. Length: 4 pages. 60 measures, plus 12 if you take the repeat. 4 minutes.Page turns: If you are printing, double-side pages 2 and 3 so that there is only one page turn. The RH can be used on all notes of page 2â€™s last measure, so that the LH can turn the page. If you are using single pages on a tablet, you can do something similar at the end of page 3. Page 1â€™s turn is manageable. Contact me after purchase if youâ€™d like a version that fits on two pages: EnjoyTheHarp@gmail.com

Harp - Level 3 - Digital Download SKU: A0.928332 By Patsy Cline. By Willie Nelson. Arranged by Karen Peterson. Country. Score. 3 pages. Karen Peterson #5993773. Published by Karen Peterson (A0.928332). WATCH THE Bb VERSION: You are viewing the arrangement for lap harp, which is in the key of F. To hear the Bb version played on a larger harp, go to https://www.youtube.com/watch?v=s8WfrwixqGkOverview: This Countrypolitan song made famous by Patsy Cline was written by a not-yet-famous Willie Nelson. The attitude of the protagonist has been described as variously bemused, bittersweet, and cathartic. What is it to you, and how can you bring that emotion into your playing?My double-strung arrangement sets accidentals in the LH prior to playing, allowing the song to proceed without lever flips. The optional lever flip at the very end can be easily eliminated, making this song a great opportunity to practice flipping on the right with an easy recovery if you canâ€™t get it in time.Key and range: F major (one flat). 21x2 strings. G below middle C through F. Preset F#, G#, B natural, and C#. (LARGER HARPS: For harps with C below middle C or lower, get the Bb version here: www.sheetmusicplus.com/title/crazy-patsy-cline-for-double-strung-harp-digital-sheet-music/21815694)Lever changes: One optional lever change on the right. Set four accidentals on the left before playing.Good for: Parties, performance.Double-strung effects: Preset accidentals on the left allow for jazzy chords without lever flips. If youâ€™ve been hesitant about moving your LH into the melody area, this is your chance to learn. You can gently move out of your comfort zone by only switching hands for these accidentals, or you can take it a step further with optional echoed notes and an optional RH lever flip.Characteristics: The LH and RH usually play together, but with several held notes and a melody that doesnâ€™t always strike on the downbeat, the hands play separately at least 25% of the time. There are a few instances that call for wider than an octave spread. Most chords are LH 1-5-8, 1-5-7, or 1-3-5-8. The RH has almost no chords. There are very few sixteenth notes. The most complicated placements are in the introduction with one slide and one cross-over.Finger placement: Finger number suggestions are provided for key phrases with bolded L/R for levered accidentals. Numbers above the notes are suggestions for the RH (marked with R or R# when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with L or L# when they occur in the top staff).Notation: Chord symbols are provided; lyrics are included separately. Treble clef used in both staves.Length: 2 pages. 40 measures. 2:30 minutes.Page turns: None if you print.