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You've selected:
The Third Man
Bass Trombone and Piano
Sheetmusic to print
2 sheet music found
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Romanza and Scherzo for solo Bass Trombone and Piano
Bass Trombone and Piano
Piano Accompaniment, Bass Trombone and Piano - Advanced - Digital Download Composed b…
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Piano Accompaniment, Bass Trombone and Piano - Advanced - Digital Download Composed by Pierce, Alan. 21st Century, Romantic Period, Contemporary Classical, Post-Romantic. Solo Part. 31 pages. Published by Cherry Classics Music
My first season with the Oregon Symphony was 1962-1963. I was so excited when I was told that I was accepted into the Portland Symphony (now Oregon Symphony), I danced and jumped up and down. I can still see myself. Its was like winning the Powerball. I was only 17 years old. What is equally amazing is that 45 years later I retired from a career that very few people can ever experience. I was bass trombonist my first year in the Oregon Symphony and was principal trombonist my third year. I also traveled with the New York Metropolitan Opera National company for 84 weeks as principal trombonist and was bass trombonist of the Portland Opera for 18 years. I played in the Peter Britt Orchestra for two seasons and also in the Anchorage, AK. music festival. I was a scholarship winner to Tanglewood in Lenox, Mass. and the National Music Camp in Interlochen, Michigan. I was privileged to perform with Leopold Stowkowski and Erik Leinsdorf. None of this would have been possible without my early training with the Portland, Youth Philharmonic under the leadership of maestro Jacob Avshalomov.<br> <br> I have met many famous people and have played the world's greatest music. The Oregon Symphony music directors and conductors have been magnificent and have each brought many special talents to the orchestra. I remember special concerts featuring Jack Benny, Danny Kaye, Isaac Stern, Leonard Rose, and many others.<br> <br> During my time in the Oregon Symphony I developed a hobby of making batons for some of the conductors who visited our orchestra. Most recently, I made batons for Itzhak Perlman, James DePreist, Carlos Kalmar, Riccardo Mutti, Murry Sidlin, Hannu Lintu, Karel Mark Chichon,<br> <br> Andre Watts, and many others.<br> <br> Since establishing the Alan Pierce Piano Service in 1976, I have tuned pianos for the Oregon Symphony, Andre Watts, Lawrence Leighton Smith, James DePreist, Murry Sidlin, Norman Leyden as well as for many churches, schools and prominent piano teachers. Most recently I tuned the piano in the home of world famous Janet Guggenheim. One of my most special memories was an all expense paid trip to Scottsdale, Arizona to tune the piano of a prominent surgeon. While in Arizona, I had the chance to spend time with the late James DePreist who had a home in the area. For two summers, I also served as piano technician for the Sunriver Music Festival I am currently the president of the Reno chapter of the Piano Technicians Guild. <br> <br> Most recently I got to meet Geoge Curran, bass trombonist of the New York Philharmonic. My wife and I traveled two times to hear him perform my Romanza and Scherzo for bass trombone and piano. What a thrill to hear a world famous trombonist perform my music. I am very honored that George Curran recorded my music on his latest CD. (Vital Signs)
$22.50
21.06 €
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Bass Trombone and Piano
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Pierce, Alan
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Romanza and Scherzo for solo Bass Trombone and Piano
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Cherry Classics Music
#
SheetMusicPlus
Sonata for Bass Trombone and Piano
Bass Trombone and Piano
Bass Trombone,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.792231 C…
(+)
Bass Trombone,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.792231 Composed by John Frith. 20th Century,Contemporary. Score and individual part. 55 pages. Gordon Cherry #4729067. Published by Gordon Cherry (A0.792231). John Frith began composing the `Sonata for Bass Trombone and Piano` for Stephen Fissel of the Seattle Symphony Orchestra in 2008. Originally it was intended to write only a single movement. When Mr. Fissel requested more did the idea of a three movement Sonata begin to take shape. In order to create a cohesive piece, Mr. Frith decided to use the opening Trombone figure of F-E-F as the thread to create a thematic unity within the three movement structure. The Piano introduction to the slow second movement bears this `motto` in reverse (EFE) and this is duly adopted by the Trombone and continues to be evident throughout the movement. The third movement, likewise, uses (EFE) but this time beginning with the Trombone. The composer remembers describing this movement to Stephen Fissel as a manic Waltz and it does,indeed, reach fever-pitch by the Coda. The relationship between the two instruments in this Sonata is never that of soloist and accompanist, rather as a conversation between two equal players, each in partnership with the composer’s ideas, committed to creating something of beauty.The work is written for very advanced performers and is about 14 minutes in length. John Frith 2009
$22.50
21.06 €
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Bass Trombone and Piano
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John Frith
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Sonata for Bass Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
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