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Flute, Viola and Cello
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2 sheet music found
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1
6 Trios
#
Flute, Viola and Cello
#
INTERMEDIATE
#
Tommaso Giordani
#
6 Trios
#
Schott Music - Digital
#
SheetMusicPlus
Flute, viola and cello - intermediate - Digital Download SKU: S9.Q16297 Trio 1-3. Composed by Tommaso Giordani. This edition: score. Antiqua. Down...
(+)
Flute, viola and cello - intermediate - Digital Download SKU: S9.Q16297 Trio 1-3. Composed by Tommaso Giordani. This edition: score. Antiqua. Downloadable, Score. Op. 12. Schott Music - Digital #Q16297. Published by Schott Music - Digital (S9.Q16297). Um 1780 wurden die Six Trio pour une Flute, un Alto et un Violoncelle in drei Stimmheften bei Berault in Paris gestochen. Diese dienten dem Neudruck als Vorlage. Die Partitur gibt Dynamik und Artikulation des Frühdrucks wieder. Die Stimmen wurden dagegen in der Artikulation ergänzt und spieltechnisch eingerichtet. Die Angabe einer einheitlichen Dynamik schien notwendig, weil Giordani nach damaligem Brauch dem Thema in der Regel ein f, den anderen Stimmen dagegen ein p, oder eine gestaffelte Dynamik vorschreibt. Die in der Vorlage nicht immer streng unterschiedenen Staccatozeichen wurden in den Stimmen als Punkte wiedergegeben.
$21.99
6 Trios
#
Flute, Viola and Cello
#
INTERMEDIATE
#
Tommaso Giordani
#
6 Trios
#
Schott Music - Digital
#
SheetMusicPlus
Flute, viola and cello - intermediate - Digital Download SKU: S9.Q124 Trio 1-3. Composed by Tommaso Giordani. This edition: set of parts. Antiqua....
(+)
Flute, viola and cello - intermediate - Digital Download SKU: S9.Q124 Trio 1-3. Composed by Tommaso Giordani. This edition: set of parts. Antiqua. Downloadable, Set of parts. Op. 12. Schott Music - Digital #Q124. Published by Schott Music - Digital (S9.Q124). Um 1780 wurden die Six Trio pour une Flute, un Alto et un Violoncelle in drei Stimmheften bei Berault in Paris gestochen. Diese dienten dem Neudruck als Vorlage. Die Partitur gibt Dynamik und Artikulation des Frühdrucks wieder. Die Stimmen wurden dagegen in der Artikulation ergänzt und spieltechnisch eingerichtet. Die Angabe einer einheitlichen Dynamik schien notwendig, weil Giordani nach damaligem Brauch dem Thema in der Regel ein f, den anderen Stimmen dagegen ein p, oder eine gestaffelte Dynamik vorschreibt. Die in der Vorlage nicht immer streng unterschiedenen Staccatozeichen wurden in den Stimmen als Punkte wiedergegeben.
$24.99
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