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This Train!
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479
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508
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205
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79
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67
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You've selected:
This Train!
Alto voice, Piano
Sheetmusic to print
3 sheet music found
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1
Max, The Choo Choo Train
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Alto voice, Piano
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BEGINNER
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Children
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Connie Boss
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Max, The Choo Choo Train
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Connie Boss
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.801051 Composed by Connie Boss. Children. 3 pages. Connie Boss #4292419. Published by Connie B...
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Alto Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.801051 Composed by Connie Boss. Children. 3 pages. Connie Boss #4292419. Published by Connie Boss (A0.801051). This is a song about a little Train called Max. He was small but fast and if he tried really hard he could make it up the hill. It shows a valuable lesson about not giving up but trying your best. I wrote this song to sing for my daycare kids and grand kids. They have always loved it. It is in simple piano with the bass clef representing the rhythm of the train going down the tracks. It also includes guitar chords.
$5.00
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
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Alto voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Pe...
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Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
The Meeting of the Waters
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Alto voice, Piano
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INTERMEDIATE
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Irish Traditional / Words: Tho
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Thomas Quigley
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The Meeting of the Waters
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Thomas Quigley
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1111693 Composed by Irish Traditional / Words: Thomas Moore. Arranged by Thomas Quigley. Celti...
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1111693 Composed by Irish Traditional / Words: Thomas Moore. Arranged by Thomas Quigley. Celtic,Contest,Festival,Irish,Traditional. 6 pages. Thomas Quigley #713984. Published by Thomas Quigley (A0.1111693). This is a perfect blend of melody, words and accompaniment. Sensitively arranged, the song assumes an Art Song dimension and is perhaps ideal for a trained vocalist looking for a Moore's Melody to perform. Relish the satisfaction of singing an Irish traditional song with the beautifully crafted piano line enhancing the effect. The harmonies, at times lavish, complement the voice in this fine piece.
$5.99
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