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Alto voice, Piano
Sheetmusic to print
20 sheet music found
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1
Mary, Did You Know?
Alto voice, Piano
Alto Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1311844 By Kathy Mattea.…
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Alto Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1311844 By Kathy Mattea. By Buddy Greene and Mark Lowry. Arranged by Nancy Frese Tabb. Christian,Christmas,Holiday,Praise and Worship,Sacred. 9 pages. Nancy Frese Tabb #900778. Published by Nancy Frese Tabb (A0.1311844). This arrangement of 'Mary, Did You Know' is scored as an Alto Solo. It is paired with the timeless carol 'O Come, O Come, Emmanuel to add additional interest. Perfect for an Advent or Christmas service or Holiday concert!
$4.99
4.6 €
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Alto voice, Piano
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Kathy Mattea
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Mary, Did You Know?
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Nancy Frese Tabb
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SheetMusicPlus
Lungi da me, pensier tiranno!, HWV 125b
Alto voice, Piano
Alto voice and continuo - Digital Download SKU: OX.9780193571266 Composed by George…
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Alto voice and continuo - Digital Download SKU: OX.9780193571266 Composed by George Frideric Handel. Edited by Ellen T. Harris. Score. 13 pages. Oxford University Press Digital #9780193571266. Published by Oxford University Press Digital (OX.9780193571266). ISBN 9780193571266.For solo alto and continuo. This cantata is unusual in that its text is addressed to a man, with the persistent use of the masculine form 'caro' rather than 'cara'.
$5.95
5.48 €
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Alto voice, Piano
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George Frideric Handel
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Lungi da me, pensier tiranno!, HWV 125b
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Oxford University Press Digital
#
SheetMusicPlus
Lonely Mother Cry Lullaby for Alto and Piano
Alto voice, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.976930 Composed by Sabri…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.976930 Composed by Sabrina Pena Young. Children,Film/TV,Holiday,Musical/Show,Opera. 2 pages. Sabrina Peña Young #3430805. Published by Sabrina Peña Young (A0.976930). Sweet moving lullaby from groundbreaking animated opera film Libertaria by award-winning composer. A sad emotional waltz feel as the singer tells her child that she will never leave her. Simple, short, and quite beautiful. Intermediate/Advanced Student or Music Professional.Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerLIBERTARIA: THE VIRTUAL OPERAhttps://virtualopera.wordpress.com/ ABOUT LIBERTARIA: In a post-USSA apocalyptic world, the young Libertaria escapes from evil geneticists and teams up with her addict father Simeon to defeat the Collective with a ragtag Underground army of cyborgs and misfits. The world’s first machinima opera, Libertaria has been called Groundbreaking by the Palm Beach Arts Paper. A truly dystopian novelization, the Libertaria Chronicles, is now available at Amazon. One of my favorite things about this story is its odd apocalyptic tone and strong sci-fi/fantasy foundation. The dark quality that comes with it is the cherry on top. –FanboysAnonymous.comWHAT FANS ARE SAYING ABOUT THE LIBERTARIA CHRONICLESBetween the book, virtual opera, soundtrack, and all the extras, Young has created a convincing world…a dark dystopian future for you to get lost in. The characters are complex, flawed, and human, and you are never sure what they will do next. Looking forward to the next book in the series!Award-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$6.99
6.44 €
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Alto voice, Piano
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Sabrina Pena Young
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Lonely Mother Cry Lullaby for Alto and Piano
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Sabrina Peña Young
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SheetMusicPlus
To Marie (alto and guitar)
Alto voice, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1096313 Composed by Davi…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1096313 Composed by David Warin Solomons. 20th Century,Chamber,Classical,Singer/Songwriter. 4 pages. David Warin Solomons #700277. Published by David Warin Solomons (A0.1096313). This manuscript is the origin of the flute and guitar piece To Marie ( https://www.sheetmusicplus.com/title/19984390?aff_id=175705 ). It has not been notated on computer, and not yet recorded, but I present it here just for interest. As you can see, it takes advantage of the many puns available on the French phrase for weeping willow. It is addressed to the poet Marie Keyser. The references to Chatterton, Enderby and Buddenbrooks relate to Marie's studies in German literature, in particular Chatterton's suicide. To Marie Sad soul, why don't you weep in company? Saule pleureur, seule pleureuse Why luxuriate in your nomadic liturgy? Saoule pluvieuse, seule pleureuse. The others do not seek to understand The power that holds you ever banned Sales pleurs de sel pluvieux A unicorn has carried off your innocence Saule pleureur, seule pleureuse But no ambition comes to conquer indigence Saoule pluvieuse, seule pleureuse. So on you wander, homeless poetess, Begging shelter for your misconstrued distress Sales pleurs de sel pluvieux. Hold down a job, my girl, hold down a job from nine to five. Souple leurre s'il le peut To keep you happy, settled and alive Saule pleureur For this short time - day in day out Forget you do not know what life's about Sales pleurs de ciel plus vieux. And then, when evening comes, too tired Saule pleureur, seule pleureuse. Your sad old inspiration all expired Saoule pluvieuse, seule pleureuse. You will cease to understand the power that held you forever banned. Souple leurre s'il le peut. No, in the name of Chatterton and Enderby! For who could wilful poetry's defender be? Long live poor Buddenbrooks and poor Marie With mind or body hopelessly at sea. Saules pleureurs, seuls plus vieux.
$7.00
6.45 €
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Alto voice, Piano
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David Warin Solomons
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To Marie
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David Warin Solomons
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SheetMusicPlus
Animal Farm (Count the Animals) - with solo, piano and sound effects
Alto voice, Piano
Alto Voice,Piano - Level 1 - Digital Download SKU: A0.1168820 By Connie Boss. By Co…
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Alto Voice,Piano - Level 1 - Digital Download SKU: A0.1168820 By Connie Boss. By Connie Boss. Children. Full Performance. Duration 267. Connie Boss #769159. Published by Connie Boss (A0.1168820). Fun learning song for kids - learn counting to 10, phonics and rhyming and also animal sounds. Clara the cow, is feeling down because she is all alone, so she invites her friends over. Have fun! solo and easy piano. Look for this as a solo or in a 30 song book at https://www.sheetmusicdirect.com/en-U... and https://www.sheetmusicplus.com/title/.... 30 song book https://www.sheetmusicdirect.com/en-U... and at https://www.sheetmusicplus.com/title/... And in book form on Amazon. Questions or requests email cdboss@cvalley.net See Lyrics Below Animal Farm Count the Animals By Connie Boss 1, 2, 3, 4, 5, 6, 7, 8, 9, 10 Count the animals Let the fun begin Clara the cow Wore a big frown She was at her home She felt all alone. So…. Clara used her phone to call….. Harold the horse Has a loud voice He gallops to cow’s home Then there were 2…..Neigh Clara used her phone to call….. Pearlie the pig Wore a pink wig She wiggled to cow’s home Then there were 3…..Oink Clara used her phone to call….. Daniel the dog Chases a frog He runs fast to cow’s home Then there were 4……Woof Clara used her phone to call….. Gavin the goat Gets in his boat He paddles to cow’s home Then there were 5……Bleat Clara used her phone to call….. Carol the cat Sat on a mat She pounces to cow’s home Then there were 6…..Meow.
$1.99
1.83 €
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Alto voice, Piano
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Connie Boss
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Animal Farm
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Connie Boss
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SheetMusicPlus
VIVALDI Antonio: Più non si trovano, aria from the opera "L?Olimpiade", - Voice and Pi
Alto voice, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868829 Composed by Anton…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868829 Composed by Antonio VIVALDI (1678 â?? 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4610127. Published by Really Good Music, LLC. (A0.868829). Più non si trovano is a mezzo-soprano aria from the opera Lâ??Olimpiade, composed in 1734 by Antonio VIVALDI (1678 â?? 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of E minor (D4 â?? E5) for low voice.
$5.95
5.48 €
#
Alto voice, Piano
#
Antonio VIVALDI
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VIVALDI Antonio: Più non si trovano, aria from the opera "L?Olimpiade", - Voice and Pi
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Really Good Music, LLC.
#
SheetMusicPlus
VIVALDI Antonio: Da quel ferro, aria from the opera "Il Farnace", - Voice and Piano (F mi
Alto voice, Piano
Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868840 Composed by Anton…
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Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868840 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4624057. Published by Really Good Music, LLC. (A0.868840). Da quel ferro is a contralto version of the aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the late version of the opera from 1738. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F minor (E4 – Gb5) for high voice.
$5.95
5.48 €
#
Alto voice, Piano
#
Antonio VIVALDI
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VIVALDI Antonio: Da quel ferro, aria from the opera "Il Farnace", - Voice and Piano
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Really Good Music, LLC.
#
SheetMusicPlus
Brian's Song
Alto voice, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859662 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859662 Composed by Sydney Stevens. Contemporary,Folk,Holiday,Pop. 7 pages. Sydney Stevens, Water Music #2949759. Published by Sydney Stevens, Water Music (A0.859662). Contact: sydneystevenspianostudio@gmail.comBrian's Song: Emotional piano/vocal composed by Sydney Stevens (ASCAP). Arrangement is for piano/vocal/chords.Sounds like: Lucy Kaplansky, Loreena McKennittFrom Album: Cycles of Life Theme: The passing of, (letting go of) a father.Mood: Heartfelt, emotional, hopeful.Musical Traits: Strong melody in right hand piano that reflects the vocal line.Performance Time: 2:56Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific compose.
$4.95
4.56 €
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Alto voice, Piano
#
Sydney Stevens
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Brian's Song
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Sydney Stevens, Water Music
#
SheetMusicPlus
VIVALDI Antonio: Senza l'amato ben, an aria from the opera "Il Giustino", - Voice and Pia
Alto voice, Piano
Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868971 Composed by Anton…
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Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868971 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 4 pages. Really Good Music, LLC. #5709677. Published by Really Good Music, LLC. (A0.868971). Senza l'amato ben is an aria from the opera Il Giustino, composed in 1724 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of B minor (C#4 – G5) for low voice.
$5.95
5.48 €
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Alto voice, Piano
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Antonio VIVALDI
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VIVALDI Antonio: Senza l'amato ben, an aria from the opera "Il Giustino", - Voice and Pia
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Really Good Music, LLC.
#
SheetMusicPlus
Another Day
Alto voice, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859660 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Published by Sydney Stevens, Water Music (A0.859660). Contact: sydneystevenspianostudio@gmail.comAnother Day: Refreshing, passionate piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Christina Perri, Enya, Judy CollinsFrom Album: Cycles of Life Theme: New love, love's longing. Mood: Passionate, romantic, heartfelt. Musical Traits: Strong melody in right hand piano that reflects the vocal line. Performance Time: 3:41 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a.
$4.95
4.56 €
#
Alto voice, Piano
#
Sydney Stevens
#
Another Day
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Sydney Stevens, Water Music
#
SheetMusicPlus
VIVALDI Antonio: Da quel ferro, aria from the opera "Il Farnace", - Voice and Piano (E mi
Alto voice, Piano
Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868837 Composed by Anton…
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Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868837 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4624055. Published by Really Good Music, LLC. (A0.868837). Da quel ferro is a contralto version of the aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the late version of the opera from 1738. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of E minor (D#4 – F5) for high voice.
$5.95
5.48 €
#
Alto voice, Piano
#
Antonio VIVALDI
#
VIVALDI Antonio: Da quel ferro, aria from the opera "Il Farnace", - Voice and Piano
#
Really Good Music, LLC.
#
SheetMusicPlus
VIVALDI Antonio: Lasciera l’amata salma, aria from the opera ""Il Tigrane", - Voice and
Alto voice, Piano
Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868948 Composed by Anton…
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Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868948 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #5214247. Published by Really Good Music, LLC. (A0.868948). Lasciera l’amata salma is an aria from the opera La virtù trionfante dell’amore e dell’odio, ovvero Il Tigrane (1724), the second act of which was composed by Antonio VIVALDI (1678 – 1741). The aria has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students.It is available in the key of G major (B3 – F4) for low voice.
$5.95
5.48 €
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Alto voice, Piano
#
Antonio VIVALDI
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VIVALDI Antonio: Lasciera l’amata salma, aria from the opera ""Il Tigrane", - Voice and
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Really Good Music, LLC.
#
SheetMusicPlus
VIVALDI Antonio: Al tribunal d'amore, an aria from the opera "Il Farnace", - Voice and Pi
Alto voice, Piano
Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868955 Composed by Anton…
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Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868955 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5309909. Published by Really Good Music, LLC. (A0.868955). Al tribunal d'amore is a mezzo-soprano aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the late version of Il Farnace from 1738. The music of the aria was largely borrowed by composer from the aria of the same title from his earlier opera L’Atenaide (1729); its score manuscript is written in in E flat major and contains significant textural and rhythmic differences (e. g., common time signature) from the late version of Il Farnace. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of D major (D4 – D5) for low voice.
$5.95
5.48 €
#
Alto voice, Piano
#
Antonio VIVALDI
#
VIVALDI Antonio: Al tribunal d'amore, an aria from the opera "Il Farnace", - Voice and Pi
#
Really Good Music, LLC.
#
SheetMusicPlus
VIVALDI Antonio: Da quel ferro, aria from the opera "Il Farnace", - Voice and Piano (D mi
Alto voice, Piano
Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868842 Composed by Anton…
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Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868842 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4624059. Published by Really Good Music, LLC. (A0.868842). Da quel ferro is a contralto version of the aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the late version of the opera from 1738. The aria may be an invaluable addition to the repertoire of vocal teachers and students.It is available in the key of D minor (C#4 – Eb5) for low voice.
$5.95
5.48 €
#
Alto voice, Piano
#
Antonio VIVALDI
#
VIVALDI Antonio: Da quel ferro, aria from the opera "Il Farnace", - Voice and Piano
#
Really Good Music, LLC.
#
SheetMusicPlus
Twenty Years (song from the opera The Turing Test)
Alto voice, Piano
Alto Voice,Vocal Solo - Digital Download SKU: A0.971732 Composed by WAGSTAFF, Julia…
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Alto Voice,Vocal Solo - Digital Download SKU: A0.971732 Composed by WAGSTAFF, Julian. 20th Century,Concert,Contemporary,Opera. 5 pages. Julian Wagstaff #3479761. Published by Julian Wagstaff (A0.971732). Clarissa's aria from the penultimate scene of the opera, The Turing Test. A short but effective addition to any recital - for mezzo-soprano or alto voice.
$3.99
3.68 €
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Alto voice, Piano
#
WAGSTAFF, Julian
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Twenty Years
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Julian Wagstaff
#
SheetMusicPlus
Back to the Heart
Alto voice, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859668 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published by Sydney Stevens, Water Music (A0.859668). Contact: sydneystevenspianostudio@gmail.comBack to the Heart: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From Album: Cycles of Life Theme: Going away, the sister that I know. Estrangement from someone who was once close. Mood: Serious, reflective, sad, emotionally moving. Musical Traits: Simple left hand piano, right hand reflects vocal part. Performance Time: 3:50 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific.
$4.95
4.56 €
#
Alto voice, Piano
#
Sydney Stevens
#
Back to the Heart
#
Sydney Stevens, Water Music
#
SheetMusicPlus
VIVALDI Antonio: Perchè veggo, aria from the opera "Arsilda Regina di Ponto", - Voice an
Alto voice, Piano
Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868682 Composed by Anton…
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Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868682 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4368084. Published by Really Good Music, LLC. (A0.868682). Perchè veggo is a mezzo-soprano aria from the opera Arsilda Regina di Ponto (1716) by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of A major (E4 – E#5). .
$5.95
5.48 €
#
Alto voice, Piano
#
Antonio VIVALDI
#
VIVALDI Antonio: Perchè veggo, aria from the opera "Arsilda Regina di Ponto", - Voice an
#
Really Good Music, LLC.
#
SheetMusicPlus
VIVALDI Antonio: Augelletti voi col canto, aria from the cantata, - Voice and Piano (E mi
Alto voice, Piano
Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868669 Composed by Anton…
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Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868669 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 7 pages. Really Good Music, LLC. #4368046. Published by Really Good Music, LLC. (A0.868669). Augelletti voi col canto is an aria from solo cantata Lungi dal vago volto by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of E minor (B3 – F#5) for low voice.
$5.95
5.48 €
#
Alto voice, Piano
#
Antonio VIVALDI
#
VIVALDI Antonio: Augelletti voi col canto, aria from the cantata, - Voice and Piano
#
Really Good Music, LLC.
#
SheetMusicPlus
VIVALDI Antonio: Col piacer della mia fede, aria from the opera "Arsilda Regina di Ponto", arranged
Alto voice, Piano
Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868839 Composed by Anton…
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Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868839 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4614785. Published by Really Good Music, LLC. (A0.868839). Col piacer della mia fede is an aria from the opera Arsilda Regina di Ponto, composed in 1716 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F major (C4 – D5) for low voice. .
$5.95
5.48 €
#
Alto voice, Piano
#
Antonio VIVALDI
#
VIVALDI Antonio: Col piacer della mia fede, aria from the opera "Arsilda Regina di Ponto", arranged
#
Really Good Music, LLC.
#
SheetMusicPlus
MANCINI Francesco: Pur ti stringo, aria from solo cantata "L'Arianna", - Voice and Piano
Alto voice, Piano
Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869007 Composed by Franc…
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Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869007 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #6326627. Published by Really Good Music, LLC. (A0.869007). Pur ti stringo is an Aria 1 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (D4 – E5) for low voice.
$5.95
5.48 €
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Alto voice, Piano
#
Francesco MANCINI
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MANCINI Francesco: Pur ti stringo, aria from solo cantata "L'Arianna", - Voice and Piano
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Really Good Music, LLC.
#
SheetMusicPlus
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