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String Trio: violin, viola, cello
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1
Landini: Si Dolce Non Sono for String Trio
String Trio: violin, viola, cello
String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1281002 Compose…
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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1281002 Composed by Francesco Landini (1325-1397). Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Traditional. 13 pages. Jmsgu3 #872337. Published by jmsgu3 (A0.1281002). Si Dolce Non Sono (So sweet I am not ) is Landini's homage to French composer Philippe de Vitry, master of the sophisticated mathematical techniques of isorhythmic motet composition. It is one of his most famous works. It speaks of the sweet torment of loving someone who does not return that love.Landini was a leading composer of 14th-century Italy, famed during his lifetime for his musical memory, skill in improvisation, and virtuosity on the organetto, or portative organ, as well as for his compositions. Landini was blinded in childhood by smallpox. His blindness did not prevent him from becoming a highly skilled and renowned musician, composer, and instrument maker. His blindness may have contributed to his prodigious memory and great skill at improvisation. He was crowned with a laurel wreath as the winner of a poetical contest at Venice in 1364. Â Landini's output, preserved in the Squarcialupi Codex, represents almost a quarter of all surviving 14th-century Italian music. He was by far the most famous composer in Italy and is considered one of the most revered composers of the second half of the 14th century.Landini's music is characterized by lyrical, songlike melodies that possess an easy-flowing grace and are charmingly harmonized. He was the foremost exponent of the Italian Trecento style, sometimes called the Italian ars nova. His output was almost exclusively secular, and he is known for his ballet and madrigals, which were popular forms of Italian secular songs. It is assumed that he wrote the texts for many of his works.Francesco Landini's music is characterized by its lyrical melodies, secular themes, and unique rhythms, which set him apart from his contemporaries and contributed to his enduring legacy as a composer.
$24.95
22.44 €
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String Trio: violin, viola, cello
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Francesco Landini
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Landini: Si Dolce Non Sono for String Trio
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jmsgu3
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SheetMusicPlus
In the Sweet By and By hymn for string trio
String Trio: violin, viola, cello
String Ensemble,String Trio - Digital Download SKU: A0.749761 Arranged by SMT Music…
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String Ensemble,String Trio - Digital Download SKU: A0.749761 Arranged by SMT Music. Christian,Folk,Holiday,Patriotic,Sacred,Standards. Score and parts. 10 pages. SMT Music #6286217. Published by SMT Music (A0.749761). (published in 1868) Mr. Webster, like many musicians, was of an exceedingly nervous and sensitive nature, and subject to periods of depression, in which he looked upon the dark side of all things in life. I had learned his peculiarities so well that on meeting him I could tell at a glance if he was melancholy, and had found that I could rouse him up by giving him a new song to work on. He came into my place of business [in Elkhorn, Wisconsin], walked down to the stove, and turned his back on me without speaking. I was at my desk. Turning to him, I said, Webster, what is the matter now? It's no matter, he replied, it will be all right by and by. The idea of the hymn came me like a flash of sunlight, and I replied, The Sweet By and By! Why would not that make a good hymn? Maybe it would, he said indifferently. Turning to my desk I penned the words of the hymn as fast as I could write. I handed the words to Webster. As he read his eyes kindled, and stepping to the desk he began writing the notes. Taking his violin, he played the melody and then jotted down the notes of the chorus. It was not over thirty minutes from the time I took my pen to write the words before two friends with Webster and myself were singing the hymn.-Sanford Fillmore Bennett (1836-1898)[2].
$12.99
11.68 €
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String Trio: violin, viola, cello
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and By! Why would not that make a good hymn? Maybe it would, he said indifferently
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In the Sweet By and By hymn for string trio
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SMT Music
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SheetMusicPlus
The Sundials: II; Pereunt et Imputantur (They pass and are counted)
String Trio: violin, viola, cello
String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew …
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String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Matthew Scott Phillips #3510885. Published by Matthew Scott Phillips (A0.1004149). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.8 €
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String Trio: violin, viola, cello
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Matthew Scott Phillips
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The Sundials: II; Pereunt et Imputantur
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Matthew Scott Phillips
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SheetMusicPlus
Mysterious Moment for alto flute and string trio
String Trio: violin, viola, cello
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.19 €
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String Trio: violin, viola, cello
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David Warin Solomons
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Mysterious Moment for alto flute and string trio
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David Warin Solomons
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SheetMusicPlus
Eleanor Rigby
String Trio: violin, viola, cello
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.120…
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1205501 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mattia Mugnai. Pop. Score and parts. 9 pages. Matt80 #803702. Published by Matt80 (A0.1205501). Eleanor Rigby is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with Yellow Submarine.The song continued the transformation of the Beatles from a mainly rock and roll- and pop-oriented act to a more experimental, studio-based band. With a double string quartet arrangement by George Martin and lyrics providing a narrative on loneliness, it broke sharply with popular music conventions, both musically and lyrically. Eleanor Rigby topped singles charts in Australia, Belgium, Canada and New Zealand.McCartney said that the idea to call his character Eleanor was possibly because of Eleanor Bron, the actress who starred with the Beatles in their 1965 film Help! Rigby came from the name of a store in Bristol, Rigby & Evens Ltd. McCartney noticed the store while visiting his girlfriend of the time, actress Jane Asher, during her run in the Bristol Old Vic's production of The Happiest Days of Your Life in January 1966. He recalled in 1984: I just liked the name. I was looking for a name that sounded natural. 'Eleanor Rigby' sounded natural. In the sting trio arrangement the beauty of this song is finely preserved, as much as it's original stucture.The file includes both score and parts.
$14.00
12.59 €
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String Trio: violin, viola, cello
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The Beatles
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Evens Ltd
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Eleanor Rigby
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Matt80
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SheetMusicPlus
String Quartet, Score and Parts
String Trio: violin, viola, cello
String Ensemble,String Trio Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.849…
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String Ensemble,String Trio Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.849838 Composed by Sean Vigneau-Britt. 20th Century,Contemporary. Score and parts. 58 pages. SVB Music #3449693. Published by SVB Music (A0.849838). This string quartet gives the listener the experience of four parts that function like dancers moving in ever-increasing circles that periodically intersect. The tension created by movement between these four parts gives the piece the energy that sustains it throughout. This work provides an excellent exercise in precision rhythm and coordination between the four performers.Working as a jazz musician, I learned to compose in real time, channeling musical ideas from my head into my instrument and then out into space. My notated compositions then were ordered, with the disorder saved for improvisation. Composing this string quartet, I worked to merge the movement, energy, and disorder of my improvisation with the logic and order of my notated compositions.SVB Music, 80441775 ASCAP, 2017
$19.99
17.98 €
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String Trio: violin, viola, cello
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Sean Vigneau-Britt
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String Quartet, Score and Parts
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SVB Music
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SheetMusicPlus
Over The River
String Trio: violin, viola, cello
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.1024619 Composed b…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.1024619 Composed by Reed Benson. Contemporary. Score and parts. 10 pages. Reed Benson #3380657. Published by Reed Benson (A0.1024619). Over The River is a Waltz that features a Celesta with a String Quartet Accompaniment. It is a song that is suppose to represent the peace of quiet of the forest and how calm a river can be. The duration of Over The River is just under 4 minutes and it is for intermediate groups and performers. I believe this can work for church services due to how mellow and peaceful this piece is. If you like to contact me, please check out my social media sites and my email:Email: reedbensoncompositions@gmail.comYouTube: www.youtube.com/channel/UCZfIO9o7N_iw28ZYJkhMVewSoundCloud: https://soundcloud.com/reed-bensonFacebook: www.facebook.com/reedbensoncompositions/Instagram: www.instagram.com/reed_benson_compositions/?hl=enTwitter: twitter.com/reedbenson2015
$5.00
4.5 €
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String Trio: violin, viola, cello
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Reed Benson
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Over The River
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Reed Benson
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SheetMusicPlus
Bach G maj Cello Prelude for String Trio - Melody in Cello
String Trio: violin, viola, cello
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1438476 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1438476 Composed by Johann Sebastian Bach. Arranged by S.Reilly. Baroque,Chamber,Classical,Early Music,Wedding. 6 pages. Sterling and Strings #1018495. Published by Sterling and Strings (A0.1438476). JS Bach's popular Prelude in G major for solo cello is often requested for weddings and other occasions. As a cellist, it occurred to me that rest of my trio might like to play along, so one morning I felt inspired to create this arrangement! It had to be relatively simple, so the cello melody was easy to follow, but also add some harmonic interest here and there. I hope this version will be a fun way for the entire group to participate in what would normally be a solo venture.
$10.00
8.99 €
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String Trio: violin, viola, cello
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Johann Sebastian Bach
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Bach G maj Cello Prelude for String Trio - Melody in Cello
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Sterling and Strings
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SheetMusicPlus
What Child is This for String Trio
String Trio: violin, viola, cello
String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1324430 Compose…
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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1324430 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Religious,Traditional. 6 pages. Jmsgu3 #912628. Published by jmsgu3 (A0.1324430). Greensleeves is a traditional English folk song that has several interesting facts associated with it:Origin: The song's origin is uncertain, and there is no consensus on who composed it. It has been attributed to Henry VIII, the King of England, but this association is considered erroneous, and the song is more likely to be Elizabethan in origin.Christmas Carol: The tune of Greensleeves is used for the classic Christmas carol What Child Is This?Lyrics: The song's lyrics are about a painful romantic problem and include what some historians view as subtly salacious content. The lyrics deal with a spurned lover accusing Lady Greensleeves of casting him off discourteously despite his love for her. The song's scandalous twist is hidden in its title, and its exact meaning has been debated for centuries.Cultural References: The tune was used as the slow march of the London Trained Bands in the 16th and 17th centuries. It was adopted as the quick march of the 7th (City of London) Battalion London Regiment during World War I. Additionally, the tune has been referenced in literature, such as in Shakespeare's The Merry Wives of Windsor.Popularity: In some parts of the world, the Greensleeves tune is famous as a standard chime for ice cream vans.These facts make Greensleeves a fascinating and culturally significant piece of music with a rich history and diverse interpretations.
$24.95
22.44 €
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String Trio: violin, viola, cello
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Traditional
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What Child is This for String Trio
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jmsgu3
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SheetMusicPlus
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