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New Voice Music
String Trio: violin, viola, cello
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Bach: Wachet auf for String Trio
String Trio: violin, viola, cello
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.549856 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555135. Published by jmsgu3 (A0.549856). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$27.95
25.82 €
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String Trio: violin, viola, cello
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Johann Sebastian Bach
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Bach: Wachet auf for String Trio
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jmsgu3
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SheetMusicPlus
Drone Race!
String Trio: violin, viola, cello
String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.945200 Composed by…
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String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.945200 Composed by JP Wogaman II. 20th Century,Contemporary. Score and parts. 19 pages. JP Wogaman II #6209411. Published by JP Wogaman II (A0.945200). The 21st Century is giving way to the most extraordinary technological advances from medicine to travel. Even our sports, like baseball and football, are following these new trends. For instance, hyper-speed cameras are being used for instant replay to better officiate games. New sports all together have been birthed from the all-mighty internet. I am speaking of course, of Drone Racing. A drone is a small, four-propellered flying machine. The newest racing units are reaching speeds upwards of 100mph! What started out as a YouTube video is now a multi-million-dollar industry and soon-to-be televised sport. In this piece, I am attempting to tap into the fast-paced and energetic curiosity as to where this sport could end up.This piece premiered on March 15th, 2017 in Stamps Auditorium at the University of Michigan, Ann Arbor, and was part of the CoLab Concert Series between student composers and the studios of cello, oboe, voice, and piano.More arrangements and originals by JP Wogaman II can be found at www.wogamusic.com
$25.00
23.09 €
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String Trio: violin, viola, cello
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JP Wogaman II
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Drone Race!
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JP Wogaman II
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SheetMusicPlus
Major D;Arpeggio
String Trio: violin, viola, cello
String Ensemble,String Trio Cello,Viola,Violin - Level 1 - Digital Download SKU: A0.930…
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String Ensemble,String Trio Cello,Viola,Violin - Level 1 - Digital Download SKU: A0.930446 Composed by Margaret Byrne. Children,Instructional. Score and parts. 10 pages. MMB Music #30749. Published by MMB Music (A0.930446). This little 2minute march, centred round the D arpeggio, introduces new players to the concept of ensemble music as conversation. The theme, shared amongst the instruments is introduced by all the violins and repeated by the first violins alone. The second violins rejoin them in bar9 before a question and answer dialogue between the first violins and other pairs of instruments with the lower strings reiterating the theme in bars 17 to 20. The whole orchestra answers in agreement. The middle section is slower and sadder in character as not all marches, nor conversations are triumphal in character. The voices appear to complement each other in commiseration before taking turns in leading the whole back to the more optimistic mood of the main theme ending in a positive shout. Score and set of parts; easy/beginner level; violins, viola and cello Composed and published by Margaret Byrne.
$7.95
7.34 €
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String Trio: violin, viola, cello
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Margaret Byrne
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easy/beginner level
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Major D;Arpeggio
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MMB Music
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SheetMusicPlus
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