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Your Song (SSATTB)

#Your Song

Your Song (SSATTB) #Choral SSATTB #INTERMEDIATE #Rock #Elton John #Giuseppe Di Bianco #Your Song #Giuseppe Di Bianco #SheetMusicPlus

Choir, Choir, SSATTB a cappella - Intermediate - Digital Download By Elton John. Arranged by Giuseppe Di Bianco. Score. 13 pages. Published by Giuseppe...(+)

Choir, Choir, SSATTB a cappella - Intermediate - Digital Download By Elton John. Arranged by Giuseppe Di Bianco. Score. 13 pages. Published by Giuseppe Di Bianco
The setting of one of Elton John's best songs in a new a cappella arrangement, with warm and rich harmonic textures and syncopation. An enjoyable challenge for most choirs.

This arrangement (SSATTB, a cappella) is designed to be singable, still conveying the beauty and feel of the song.
Marvelously singable by intermediate community choirs, as well as a small vocal ensemble, and sure to produce a memorable concert moment.

Duration of Work: 4:00''

A Song of Hope (Downloadable Choral Score)

#A Song of Hope

Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..

Salve Regina (Downloadable) #Choral SSATTB #Dean M #Salve Regina #E. C. Schirmer Music Company - Digital #SheetMusicPlus

SSATBB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8470-E Composed by Dean M. Estabrook. 24 pages. Duration 6 minutes, 5 second...(+)

SSATBB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8470-E Composed by Dean M. Estabrook. 24 pages. Duration 6 minutes, 5 seconds. E. C. Schirmer Music Company - Digital #8470-E. Published by E. C. Schirmer Music Company - Digital (MQ.8470-E). Latin.This piece was written at the request of the composer's daughter who needed a Marian song for an M.M. recital focused on women in choral music. The music is based on the chant Salve Regina from the Liber Usualis (1961). The piece is in two sections beginning with an optional votive antiphon (the chant sung by only men) followed by a motet that features varied choral techniques of many kinds to hold the interest of singers and listeners alike. Duration: 6:05.

Sesame Street – Arr. Gene Puerling – SSATBB with Piano, Bass, and Drums #Choral SSATTB #Blues #The Singers Unlimited with t #Gene Puerling #Sesame Street – Arr. Gene Pu #University of North Texas - Gene Puerling Collection #SheetMusicPlus

By The Singers Unlimited with the Oscar Peterson Trio. Arranged by Gene Puerling. Set of Parts. 27 pages. Published by University of North Texas - Gen...(+)

By The Singers Unlimited with the Oscar Peterson Trio. Arranged by Gene Puerling. Set of Parts. 27 pages. Published by University of North Texas - Gene Puerling Collection
This swinging rendition of thetheme from the children’s hit television show was arranged in 1971 by GenePuerling and recorded by The Singers Unlimited with theOscar Peterson Trio on their album In Tune (and contained in the MagicVoices box set). This is NOT a transcription, but an authentic editioncreated from the handwritten manuscript of Gene Puerling. The fun-loving natureof the song is maintained from the original television show theme song, with upto six parts in the ensemble vocal parts. The PDF you purchase contains Editor's Notes, a Director's Score, Vocal Part (with combined rhythm reference staff), and individual parts for Piano, Bass, and Drums. Rhythm section parts are written in classic jazz notation, with a mix ofslashes/rhythmic notation with chord symbols and some essential notes and guidelines, capturing the essence of the OP Trio’s performance. Shorter in length (under 3 minutes) and withless full ensemble writing than many other Puerling charts, this piece gives plentyof opportunities to work on unisons and energetic swing feel from the vocalistsas well as a nice feature for the pianist (Level IV).

[Note: The YouTube link below takes you to someone else'spost of this copyrighted recording. We do not own the rights to it, it'ssimply provided for reference, but obviously any serious musician or studentwill purchase the recording legally!]

https://youtu.be/bF8TcUqYT0o