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You've selected:
Back Down To Earth
String Quartet: 2 violins, viola, cello
Sheetmusic to print
5 sheet music found
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Wrecking Ball
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.845973 By Miley …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.845973 By Miley Cyrus. By Henry Walter, Lukasz Gottwald, Maureen McDonald, Sacha Skarbek, and Stephan Richard Moccio. Arranged by Kyle Pudenz. Contemporary,Pop. Score and parts. 34 pages. ViolinVagabond Music #5310843. Published by ViolinVagabond Music (A0.845973). Why settle for a bland transcription of Hannah Montana when you can have an action-packed, thrill-filled arrangement that's ALMOST as crazy as Miley Cyrus!? (almost)You've heard the song. You've seen the video. Whether or not you're a Miley super fan, you get the hype and that's why you're here. So take that hype to the next level with a chart that will make your audience go what on earth just happened? the same way Miley does on at least a bi-annual basis. By the way, I'll tell you what just happened: your quartet just came in like a wrecking ball, and smashed every archaic stereotype about classical string players to PIECES!!Gone are the days of strings not being able to feel the groove. Silenced are the cynics who once called us boring and one-dimensional. A new era is upon us, where violins, violas, & cellos can get up, get out, and rock the faces off of the proletariat right alongside our guitar slinging, drumstick twirling brethren! And this chart is just what you need to usher in this oh so bright future for all who rosin the bow:Right from the start, this arrangement takes a unique spin on Miley's pop smash, with a lopsided groove that will have your listeners searching frantically for a downbeat. Their urges will finally be satisfied when the melody takes us back to that oh-so-familiar feeling of 4/4 security... but don't get too comfortable, because when that chorus drops you'd better hold on to your hats. That's right, the train is leaving the station for double-time town! Along this musical journey, you may also encounter glimpses of reggae, jazz, & bluegrass, culminating in a race to the finish that will wre-e-eck any musician who didn't come ready to hang. Oh, and just for funsies I threw in that classic showbiz' moment where the cellist steals the melody, so feel free to ham that up as much as possible, cello players!This arrangement also makes use of modern extended string techniques in order to create rhythmic grooves without the need for additional instruments, including chopping and strum bowing. If you are unfamiliar with these concepts, various resources exist all over the internet to aid you in your quest towards having better time. I recommend this series, for example: https://youtu.be/kfX3kxjC93sPerformance time - 4:20... and if that doesn't make Miley Cyrus proud I don't know what will.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$17.99
16.12 €
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String Quartet: 2 violins, viola, cello
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Miley Cyrus
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Wrecking Ball
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ViolinVagabond Music
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SheetMusicPlus
Almost May Score and Parts
String Quartet: 2 violins, viola, cello
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Dow…
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
22.39 €
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String Quartet: 2 violins, viola, cello
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
Twinkle Pluto planet no more for string quartet
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.575837 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.575837 Composed by Anonymous. Arranged by David Warin Solomons. Contemporary. Score and parts. 9 pages. David Warin Solomons #2028709. Published by David Warin Solomons (A0.575837). Originally written for a Delian suite for various composers remembering Schoenberg back in 2006, I have now revised it and provided separate parts. The piece is atonal and satirically based on Twinkle twinkle little star by way of a supposed reaction from Pluto after it was relegated from planet to dwarf planet by astronomers here on earth. I wrote the following introduction for the Delian suite version: 'Twinkle, Twinkle Little Star' (Jane Taylor's poem used for the tune to the French song Ah, vous dirai-je maman) is given an atonal treatment, for string quartet, in memory of the 'lost' planet of Pluto. Of course Pluto is still there, merely changed in the human taxonomy, which deems it to be no longer a planet. Similarly Twinkle, Twinkle is no longer a nursery rhyme but a strange atonal piece with memories of its past self moving towards an unknown space. It will be curious to know at which age a child recognises the twinkle-twinkle motif in this new, totally untraditional version. However, atonal though it is, it still appears to have some kind of 'home.' 'Ah, vous dirai-je maman, ce qui cause mon tourment,' ce n'est plus la petite chanson d'enfants, elle s'en va vers les étoiles dans un astronef de quatuor à cordes atonal. Son tourment?: Sa lamentation ne vise que la taxonomie humaine des planètes-Pluton, tu n'est plus planète? Maman! où se trouve la réalité, où se trouve notre domicile? Nous avons tous nos taxonomies, mais la réalité est en dehors... Le sens de tonalité est en dehors... Mais malgré tout, on reconnaît la mélodie... N'est-ce pas?.
$10.00
8.96 €
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String Quartet: 2 violins, viola, cello
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Anonymous
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Twinkle Pluto planet no more for string quartet
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David Warin Solomons
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SheetMusicPlus
String Quartet no. 3 "Man"
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Digital Download SKU: A0.1010674 Composed by Zachar…
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String Quartet String Quartet - Digital Download SKU: A0.1010674 Composed by Zachary C. Daniels. 20th Century,Contemporary. Score and parts. 109 pages. Divisi Labs #6563629. Published by Divisi Labs (A0.1010674). Score and PartsThis piece was written, for the most part, in Fall 2015 with the third interlude and final movement following in the Fall of 2016. The quartet depicts the story of mankind. The first movement, Birth from the Cosmos, represents the formation of the universe and everything in it, culminating in man. The second movement, starting with an aggressive cello ostinato, represents not only the fall of man, but also advancement and progress toward becoming a unified, advanced society. The third movement, cold and open, looks back at our short time on Earth through the eyeglass of eternity, showing what little impact our chaotic existence has on the grand scheme of things in an infinitely vast universe. A cello cadenza signals the arrival of the final movement which, in contrast to the third, shows our impact on the universe as we are shown the impacts of what we leave behind and left with a singular question: Did our actions matter, or did we fail to leave our mark on an infinite universe?
$14.99
13.43 €
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String Quartet: 2 violins, viola, cello
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Zachary C
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String Quartet no. 3 "Man"
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Divisi Labs
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SheetMusicPlus
Birds in a Rainstorm
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1048560 Composed by Lee Mitchell. 20th Century,Contest,Festival,Folk. Score and parts. 17 pages. T.U.X. People's Music #652966. Published by T.U.X. People's Music (A0.1048560). Extracted from The Eloquent Earth, Birds in a Rainstorm is fresh and exciting, with a bit of flare to back it up! Presented in the style of a dance, its violin features and moving harmonies provide plenty of suspense while keeping it appropriate for string quartets of any level!
$22.00
19.71 €
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String Quartet: 2 violins, viola, cello
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Lee Mitchell
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Birds in a Rainstorm
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T.U.X. People's Music
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SheetMusicPlus
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