Download Digital Sheet Music of Capriccios for String Quartet: 2 violins, viola, cello

Capriccios

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.549936 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Contemporary,Romantic Period,Standards. 145 pages. Jmsgu3 #4317435. Published by jmsgu3 (A0.549936). Pictures at an ExhibitionÂ (ÐšÐ°Ñ€Ñ‚Ð¸Ð½ÐºÐ¸ Ñ Ð²Ñ‹ÑÑ‚Ð°Ð²ÐºÐ¸) by Modest PetroviÄ Musorgskij, 1874 (ÐœÐ¾Ð´ÐµÑÑ‚ ÐŸÐµÑ‚Ñ€Ð¾Ð²Ð¸Ñ‡ ÐœÑƒÑÐ¾Ñ€Ð³ÑÐºÐ¸Ð¹) Arranged for String Quartet by James M. Guthrie (Ð”Ð¶ÐµÐ¹Ð¼Ñ Ðœ. Ð“Ð°Ñ‚Ñ€Ð¸) Score: 69 pages, 924 measures, duration: 34:30. Violin I: 21 pages, Violin II: 18 pages, Viola: 18 pages, Cello: 19 pages. Contents: Â Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto page 1 1. GNOMUSÂ (The Gnome) Sempre vivo page 3 Â Promenade 2 Moderato commodo assai e con delicatezza page 10 Â 2. IL VECCHIO CASTELLOÂ (The Old Castle) Andante molto cantabile e con dolore page 12 Â Promenade 3Â Moderato non tanto, pesamenteÂ page 18 Â 3. TUILLERIESÂ Dispute d'enfants aprÃ¨s jeux (Children's Quarrel after Games) Â Â Â Allegretto non troppo, capriccioso Â page 19 Â 4. BYDLOÂ (Cattle) Sempre moderato pesante page 23 Â Promenade 4 Tranquillo page 26 Â 5. Ballet of the Unhatched ChicksÂ Ð‘Ð°Ð»ÐµÑ‚ Ð½ÐµÐ²Ñ‹Ð»ÑƒÐ¿Ð¸Ð²ÑˆÐ¸Ñ…ÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð² Â ScherzinoÂ page 27 Â 6. Samuel Goldenberg und SchmuÃ¿leÂ Ð•Ð²Ñ€ÐµÐ¹ Ð² Ð¼ÐµÑ…Ð¾Ð²Ð¾Ð¹ ÑˆÐ°Ð¿ÐºÐµ. CÐ°Ð½Ð´Ð¾Ð¼Ð¸Ñ€ AndanteÂ page 30 Â Promenade 5Â Allegro giusto, nel modo russico, poco sostenuto Â page 35 Â 7. LIMOGES. LE MARCHÃ‰. (La grande nouvelle) The Market (The Great News) Â Â Â Allegretto vivo, sempre scherzandoÂ page 37 Â 8. CATACOMBAEÂ (Sepulchrum romanum) (Roman Tomb) ÐŸÐ°Ñ€Ð¸Ð¶ÑÐºÐ¸Ðµ ÐºÐ°Ñ‚Ð°ÐºÐ¾Ð¼Ð±Ñ‹ Largo page 44 Â Â Â CON MORTUIS IN LINGUA MORTUAÂ (With the Dead in a Dead Language) Â Â Â Andante nonÂ troppo, con lamentoÂ page 45 Â 9. The Hut on Hen's Legs (Baba Yaga)Â Ð˜Ð·Ð±ÑƒÑˆÐºÐ° Ð‘Ð°Ð±Ñ‹-Ð¯Ð³Ð¸ Ð½Ð° ÐºÑƒÑ€ÑŒÐ¸Ñ… Ð¾Ð¶ÐºÐ°Ñ…. Ð§Ð°ÑÑ‹ Ð² Ñ€ÑƒÑÑÐºÐ¾Ð¼ ÑÑ‚Ð¸Ð»Ðµ Â Â Â Allegro con brio, feroceÂ page 47 Â 10. The Bogatyr GatesÂ (In the Capital in Kiev) ÐŸÑ€Ð¾ÐµÐºÑ‚ Ð³Ð¾Ñ€Ð¾Ð´ÑÐºÐ¸Ñ… Ð²Ð¾Ñ€Ð¾Ñ‚ Ð² ÐšÐ¸ÐµÐ²Ðµ. Ð“Ð»Ð°Ð²Ð½Ñ‹Ð¹ Ñ„Ð°ÑÐ°Ð´ The Great Gates of Kiev Allegro alla breve Maestoso con grandezzaÂ page 59Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum. Â

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.749227 By Yuki Murakami. By George Harrison, John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by HELEN MARPLE-HORVAT. Contemporary. Score and parts. 23 pages. Helen Marple-Horvat #5310861. Published by Helen Marple-Horvat (A0.749227). https://www.youtube.com/watch?v=_YGzCML5OKYFor many years I laboured under the impression that George Harrison played guitar on this song as well as writing it, but it turns out to have been played by Eric Clapton.This wonderful song is on the â€˜100 Greatest Guitar Songsâ€™ list, and number ten on â€˜The Beatles 100 Greatest Songsâ€™. None of this is a surprise! I have long wanted to arrange this for Capriccio String Quartet, and I am very proud of it. I think they give a tremendously passionate performance. I am aiming this one at the professional market as it is quite complex. However, with the usual modifications I feel sure that young players could tackle it. I recommend dropping the cello an octave for the first twelve bars but the rest of the cello part falls within expectations for ABRSM Grade 5. As usual the double stopping often contains an open string but it will be possible simply to miss out a note out where tuning could be difficult for young players. Choose from the Score the note that is not already played by one of the others. I am usually writing double stopping to thicken the texture rather than for harmonic considerations. The bowing is just a guide. Take as many bows and play as many open strings as you need to make the song feel comfortable.There is a difficult page turn for viola who plays throughout, so two bars before G could be omitted if necessary as other parts have the note E. The other players have a page break on rests, and the cellist can play open strings and quickly turn with the left hand.Please visit my Youtube Channel at Helen Marple-Horvat Songwriter, Arranger, Composer for playlists of all my arrangements, most of which have been recorded. All but three are available from Sheet Music Plus.