Download Digital Sheet Music of I Wish for String Quartet: 2 violins, viola, cello

I Wish

I Wish I Knew How It Would Feel To Be Free

#I Wish I Knew How It Would Feel To Be Free

I Wish I Didn't Miss You Anymore

#I Wish I Didn't Miss You Anymore

I Wish It Could Be Christmas Every Day

#I Wish It Could Be Christmas Every Day

I Wish Everyday Could Be Like Christmas

#I Wish Everyday Could Be Like Christmas

#I Wish

I Wish It Could Be Christmas Every Day - string quartet

#I Wish It Could Be Christmas Every Day - string quartet

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor Ã cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist ThÃ©rÃ¨se Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor Ã cordes (inÃ©dit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor Ã cordes en rÃ© mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor Ã cordes en rÃ© mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??AcadÃ©mie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of FaurÃ©, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor Ã cordes en rÃ© mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.

Party In The U.s.a. String Quartet: 2 violins, viola, cello

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…(+)

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1454223 By Miley Cyrus. By Claude Kelly, Jessica Cornish, and Lukasz Gottwald. Arranged by Levi Comstock. 21st Century,Contemporary,Pop,Rock,Wedding. 11 pages. Viola Fusion #1033352. Published by Viola Fusion (A0.1454223). Your string quartet will be the life of the party with this classic bop from the late 00's. You could program this as a little pallate cleanser on a fancy recital, after something heavy, like Death and the Maiden, or you could totally rock your next wedding reception, barmitzvah, or corporate fundraiser with this nostalgic vibe that will have them throwing their hands up and movin' their hips like yeah. Also, on a related note, look for my upcoming arrangement of Yeah. This is the finest string quartet arrangement of any of my songs. I think I even like it better than the original.-Miley CyrusI wish I had written it-Ludwig Von BeethovenI love Levi Comstock's arrangements because they are so goshdarn groovy, and everyone gets some melody- even the viola!-Levi Comstock.
$15.99 14.32 € #String Quartet: 2 violins, viola, cello #Miley Cyrus #Party In The U.s.a. #Viola Fusion #SheetMusicPlus