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Not Another Cha Cha - Clarinet Quartet
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Machaut: La Messe de Nostre Dame for String Quartet - Score Only
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1257044 Composed…
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String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1257044 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850380. Published by jmsgu3 (A0.1257044). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
45.06 €
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String Quartet: 2 violins, viola, cello
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Guillaume de Machaut, 1300-1377
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Machaut: La Messe de Nostre Dame for String Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for String Quartet
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1257127 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #850426. Published by jmsgu3 (A0.1257127). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
67.61 €
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String Quartet: 2 violins, viola, cello
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Guillaume de Machaut, 1300-1377
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Machaut: La Messe de Nostre Dame for String Quartet
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jmsgu3
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SheetMusicPlus
AT LAST FOR STRING QUARTET
String Quartet: 2 violins, viola, cello
String Quartet - Advanced - Digital Download By Etta James. Arranged by Helen Marple-Hor…
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String Quartet - Advanced - Digital Download By Etta James. Arranged by Helen Marple-Horvat. Score, Set of Parts. 18 pages. Published by Helen Marple- Horvat
https://www.youtube.com/watch?v=fA0-Tg4tul8andfeature=youtu.be ?At Last? was composed by Mack Gordon and Harry Warren for the musical ?Sun Valley Serenade? in 1941. It was recorded by Glenn Miller and his orchestra, becoming a chart hit in 1942, and in 1960 by Etta James, who was subsequently inducted into the Grammy Hall of Fame. The song is a frequent wedding favourite for quartets. If you would like to watch a video of a professional quartet playing my arrangement on Youtube, look up my channel by typing Skinny Black Dogs-Capriccio Quartet-At Last. This version of the song is for a professional/advanced quartet, as the opening is tricky for the first violin. However, most of the double stopping includes open strings for at least one of the notes. I have spread the melody across each member of the quartet so that everyone has their place in the sun! As a cellist myself, I know that my part can sometimes be a bit dull, so the cellist gets a lot of the tune! In the solos I have sometimes tried to approximate the feel of jazz by precisely notating the rhythms, but realistically I think it is better for each player to listen to different versions of the song and to play it,to some extent, by ear in order to feel the syncopation. It needs to have a ?rubato? melody, but with the accompaniment as a rock solid 12/8 beat, albeit with an emphasis on the ?off beat? which I have notated with an accent. I also recommend grace notes and glissandi to enhance the bluesy mood.I think Capriccio Quartet does this beautifully! As well as this version for Quartet, I also have another arrangement of the song in the same key for String Quartet and Female Singer. You can find it uploaded to Sheet Music Press, and is recorded by Capriccio Quartet with my daughter singing.The accompanying parts are almost identical, but each player has more double stopping in the Quartet version. It is in the same key. Have fun and post me any recordings. I can be found on Facebook very easily.
$20.00
18.04 €
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String Quartet: 2 violins, viola, cello
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Etta James
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AT LAST FOR STRING QUARTET
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Helen Marple- Horvat
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SheetMusicPlus
Bull: A Gigge - Doctor Bull's my selfe for String Quartet
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1292748 Composed by Dr. John Bull. Arranged by James M.. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 7 pages. Jmsgu3 #883310. Published by jmsgu3 (A0.1292748). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Their expressive harmonies and intricate counterpoint characterize Gibbons' compositions.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions significantly influenced Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
22.51 €
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String Quartet: 2 violins, viola, cello
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Dr
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Bull: A Gigge - Doctor Bull's my selfe for String Quartet
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jmsgu3
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SheetMusicPlus
Bull: In Nomine CXIX for String Quartet
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1292203 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 28 pages. Jmsgu3 #882794. Published by jmsgu3 (A0.1292203). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Their expressive harmonies and intricate counterpoints characterize Gibbons' compositions.Thomas Tomkins: Tomkins was another English composer active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions significantly influenced Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$28.95
26.11 €
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String Quartet: 2 violins, viola, cello
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John Bull
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Bull: In Nomine CXIX for String Quartet
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jmsgu3
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SheetMusicPlus
Guthrie: Here We Come A-Wassailing for String Quartet
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1491580 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 13 pages. Jmsgu3 #1068280. Published by jmsgu3 (A0.1491580). Here We Come A-Wassailing is a traditional English Christmas carol with roots that likely extend back to the mid-19th century, if not earlier. The exact authorship of the carol is unknown. The song is associated with the tradition of wassailing, which involves going door-to-door singing in exchange for food and drink. This practice predates Christianity and was part of mid-winter celebrations. The term wassail originates from the Anglo-Saxon greeting waes hael, meaning be in good health. This greeting evolved into a toast, with one person saying was hail and another responding drinc hail while passing around a communal bowl of a drink made from mulled ale or mead, spices, and apples, known as wassail. Wassailing has two primary forms: one that occurs post-Christmas, often associated with Twelfth Night, and another that takes place before Christmas. The latter involves singing carols and sharing wassail from a bowl. At the same time, the former includes rituals to encourage fertility in orchards, such as singing to trees and offering cider-soaked toast. The carol Here We Come A-Wassailing has several variations, including Here We Come A-Caroling and Here We Come A-Christmasing, each with different lyrics but similar themes of merriment and well-wishing for the New Year.
$34.95
31.53 €
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String Quartet: 2 violins, viola, cello
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Traditional
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Guthrie: Here We Come A-Wassailing for String Quartet
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jmsgu3
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SheetMusicPlus
String Quartet No. 1 Paradox
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Digital Download SKU: A0.1025506 Composed by Brooke…
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String Quartet String Quartet - Digital Download SKU: A0.1025506 Composed by Brooke Richey. 20th Century,Contemporary,Instructional,Standards. Score and parts. 14 pages. Wasp & Fig Sounds #4821493. Published by Wasp & Fig Sounds (A0.1025506). Built from a tone-row, Paradox goes to highlight the tensions and strains we experience when trying to work with one another. The piece begins with the voices of each instrument in separate octaves, far and distanced. Gradually throughout the piece the notes and rhythms move closer and closer together. By use of a palindrome a paradox takes place, bringing the voices to move together in support of one another, characterized with a solo on the viola. From here all voices join on the same motif to close in tight rhythmic movement and dissonant harmonies.For more information about the composer, please visit waspandfigsounds.com
$14.99
13.52 €
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String Quartet: 2 violins, viola, cello
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use of a palindrome a paradox takes place, bringing the voices to move together in support of one another, characterized with a solo on the viola
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Brooke Richey
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String Quartet No. 1 Paradox
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Wasp & Fig Sounds
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SheetMusicPlus
String Quartet No. 3
String Quartet: 2 violins, viola, cello
String quartet - difficult - Digital Download SKU: S9.Q771471 ‘hana no hanatab…
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String quartet - difficult - Digital Download SKU: S9.Q771471 ‘hana no hanataba’. Composed by Julian Anderson. Downloadable. Duration 23 minutes. Schott Music - Digital #Q771471. Published by Schott Music - Digital (S9.Q771471). My 3rd String Quartet is in six contrasted movements. Certain musical figures recur across the work, but there are few themes as such. The main emphasis is on contrast of mood, texture, harmony, pacing and timing. Unlike many of my works this quartet had no extra-musical inspiration, and in principle should have no subtitle. Certain features already present in my music became more prominent in this new work: modes (limited collections of pitches) have always helped me to focus musical character, but here a sense of key note for each mode became much more pronounced, as did the difference between modes for each section of the work. A sort of hybrid key-system emerged (even with equivalents of major and minor) which is not normal tonality, nor does it aim to imitate it. Unlike tonality this key-system includes noises, extended performance techniques and intervals outside Western tuning as available resources. What I hope it does is to focus the listening experience onto different musical areas, to encourage a sense of both modulation from one area to another and to give the music a sense of goal. No conscious knowledge of this is needed when listening: the music should communicate directly on its own.Here, then, is this collection of six musical colours, related and unrelated, different yet belonging together, variable yet in a set order. Hence the subtitle, chosen both for both its sound and its sense: ‘hana no hanataba’ meaning, in Japanese, ‘bouquet of flowers’.A brief description:1)Moderately fast. Short droplets of sounds gather increasing momentum. 2)Very fast. Canons and bells at different speeds.3)Very slow – fast – very slow – very fast – very slow. The main slow movement and its main scherzo. An emphasis on non-tempered tunings and on inhaling and exhaling waves of sound. The slow sections feature florid melodic writing. In the exuberant scherzo competing duos and trios create imaginary folk music.4)Extremely fast/extremely slow. Open strings and harmonics fuse into a single string instrument – like a sort of large resonating Medieval tromba marina.5)Very fast. A variation on movement 2). Variation, Schoenberg told Cage, is just a sort of repetition ‘with some things changed and others not.’6)Slow - Very Fast - Fast – Slow. The opening calm harmonies and florid melodies evoke movement 3) in different music. The fast part features one overt theme: a fanfare-like call to attention which is subject to extensive development. There is much use of non-Western tuning. At its climax the music freezes into a frieze – a wall of sound standing in front of the audience with increasing obstinacy and certainty as the work grinds towards its cadence.
$24.99
22.54 €
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String Quartet: 2 violins, viola, cello
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Julian Anderson
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String Quartet No. 3
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Schott Music - Digital
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SheetMusicPlus
Bull: A Gigge - Doctor Bull's my selfe for String Quartet - Score Only
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1292744 Composed…
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String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1292744 Composed by Dr. John Bull. Arranged by James M.. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 3 pages. Jmsgu3 #883308. Published by jmsgu3 (A0.1292744). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$21.95
19.8 €
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String Quartet: 2 violins, viola, cello
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Dr
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Bull: A Gigge - Doctor Bull's my selfe for String Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Bull: In Nomine CXIX for String Quartet - Score Only
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1292197 Composed…
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1292197 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 13 pages. Jmsgu3 #882787. Published by jmsgu3 (A0.1292197). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
22.51 €
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String Quartet: 2 violins, viola, cello
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John Bull
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Bull: In Nomine CXIX for String Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Bull: Salvator mundi for String Quartet - Score Only
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1291365 Composed…
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1291365 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Historic,Religious,Renaissance. 15 pages. Jmsgu3 #882016. Published by jmsgu3 (A0.1291365). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
22.51 €
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String Quartet: 2 violins, viola, cello
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Dr
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Bull: Salvator mundi for String Quartet - Score Only
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jmsgu3
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SheetMusicPlus
ANOTHER ADAGIO FOR STRING QUARTET, Performance MP3
String Quartet: 2 violins, viola, cello
Digital Download SKU: A0.1114659 By Gary Lanier. By Gary Lanier. Arranged by Gary L…
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Digital Download SKU: A0.1114659 By Gary Lanier. By Gary Lanier. Arranged by Gary Lanier. Chamber,Christmas,Classical,Contemporary,Traditional. Full Performance. Duration 233. The Lanier Company #716522. Published by The Lanier Company (A0.1114659). ANOTHER ADAGIO FOR STRING QUARTET is a beautiful composition by world renowned Composer, Gary Lanier. Perfect for worship services, special events, Christmas, or any place people gather to enjoy the music of the String Quartet. Add this Performance MP3 to you listening library.
$1.99
1.8 €
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String Quartet: 2 violins, viola, cello
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Gary Lanier
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ANOTHER ADAGIO FOR STRING QUARTET, Performance MP3
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The Lanier Company
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SheetMusicPlus
Champagne Rag by Joseph Lamb for String Quartet in Schools
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1165507 Composed by Joseph Lamb. Arranged by Joseph Judge. Chamber,Ragtime. 17 pages. School Ensemble Music #765867. Published by School Ensemble Music (A0.1165507). Champagne Rag, Joseph Lamb, 2:24, for string quartet. Violin, Violin, Viola, Cello, with alternate part for another Violin to play the Viola part. This lively song was arranged to be easy to play: range limited, rests provided, melodies marked, rehearsal marks designed for easy group cuing, and the workload shared (everyone gets to play the melody). Also available for other quartets: Brass, Saxophone, Woodwind. Submit feedback at SchoolEnsemble.com.
$8.99
8.11 €
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String Quartet: 2 violins, viola, cello
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Joseph Lamb
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Champagne Rag by Joseph Lamb for String Quartet in Schools
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School Ensemble Music
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – String Quartet
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.7…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.784347 Composed by Joshua Hauser. Instructional. Score and parts. 110 pages. Slide Ride #5288705. Published by Slide Ride (A0.784347). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$12.50
11.28 €
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String Quartet: 2 violins, viola, cello
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – String Quartet
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Slide Ride
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SheetMusicPlus
Pq2 ... (2014) for piano and string quartet, violin 1 part
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869305 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869305 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 9 pages. Thomas Oboe Lee #50809. Published by Thomas Oboe Lee (A0.869305). Program notes. I met Lila Brown a year ago when she and members of the Boston Conservatory faculty performed my Octet in D, opus 144 (2012) at Seully Hall. Lila told me she had a summer festival in Salem, NY, and wondered if I would like to write a piece for her. I said sure. Just as in Hollywood, you never say no. At first Lila asked me if I would like to write a companion piece for Anton Webern’s Saxophone Quartet. I said sure!!! One thing led another and somehow I ended up agreeing to write a piano quintet for her. In the meanwhile Lila contacted Delores Stevens, artistic director of the Martha’s Vineyard Chamber Music Festival, and asked her if she would also premiere the work at her festival. Delores did a little research on me and my music online and she said yes. So, here we are. Siamo d’accordo. I wrote my first piano quintet in 1988 for the Apple Hill Chamber Players. That was not the usual quintet of a piano and string quartet. The Schubert Trout quintet was my model: piano, violin, viola, cello and double bass. I titled that work, Piano Quintet … apple strudel (1988). At that time I was a huge fan of the Entenmann’s Apple Strudel. I imagined the piano being encased/surrounded by the four string instruments. My first real piano quintet was written for the Formosa Quartet and pianist Tammy Lum. They premiered the work at Nyack College during the spring of 1988. My current piano quintet (no. 2) is titled Pq2 … (2014). It is a work in five movements. I. Moderato … Trio II. Adagio … III. Tsiaj 1 … Allegro IV. Tsiaj 2 … Prestissimo! V. Adagio What’s tsiaj? I got this from Charles E. Ives. The title of the middle movement of his Piano Trio is TSIAJ. It’s an acronym of This Scherzo is a joke. Enjoy!
$9.99
9.01 €
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String Quartet: 2 violins, viola, cello
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Thomas Oboe Lee
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Pq2 ...
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Thomas Oboe Lee
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SheetMusicPlus
Pq2 ... (2014) for piano and string quartet, viola part
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869307 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869307 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 8 pages. Thomas Oboe Lee #50811. Published by Thomas Oboe Lee (A0.869307). Program notes. I met Lila Brown a year ago when she and members of the Boston Conservatory faculty performed my Octet in D, opus 144 (2012) at Seully Hall. Lila told me she had a summer festival in Salem, NY, and wondered if I would like to write a piece for her. I said sure. Just as in Hollywood, you never say no. At first Lila asked me if I would like to write a companion piece for Anton Webern’s Saxophone Quartet. I said sure!!! One thing led another and somehow I ended up agreeing to write a piano quintet for her. In the meanwhile Lila contacted Delores Stevens, artistic director of the Martha’s Vineyard Chamber Music Festival, and asked her if she would also premiere the work at her festival. Delores did a little research on me and my music online and she said yes. So, here we are. Siamo d’accordo. I wrote my first piano quintet in 1988 for the Apple Hill Chamber Players. That was not the usual quintet of a piano and string quartet. The Schubert Trout quintet was my model: piano, violin, viola, cello and double bass. I titled that work, Piano Quintet … apple strudel (1988). At that time I was a huge fan of the Entenmann’s Apple Strudel. I imagined the piano being encased/surrounded by the four string instruments. My first real piano quintet was written for the Formosa Quartet and pianist Tammy Lum. They premiered the work at Nyack College during the spring of 1988. My current piano quintet (no. 2) is titled Pq2 … (2014). It is a work in five movements. I. Moderato … Trio II. Adagio … III. Tsiaj 1 … Allegro IV. Tsiaj 2 … Prestissimo! V. Adagio What’s tsiaj? I got this from Charles E. Ives. The title of the middle movement of his Piano Trio is TSIAJ. It’s an acronym of This Scherzo is a joke. Enjoy!
$9.99
9.01 €
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String Quartet: 2 violins, viola, cello
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Thomas Oboe Lee
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Pq2 ...
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Thomas Oboe Lee
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SheetMusicPlus
Pq2 ... (2014) for piano and string quartet, cello
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869304 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869304 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 9 pages. Thomas Oboe Lee #50815. Published by Thomas Oboe Lee (A0.869304). Program notes. I met Lila Brown a year ago when she and members of the Boston Conservatory faculty performed my Octet in D, opus 144 (2012) at Seully Hall. Lila told me she had a summer festival in Salem, NY, and wondered if I would like to write a piece for her. I said sure. Just as in Hollywood, you never say no. At first Lila asked me if I would like to write a companion piece for Anton Webern’s Saxophone Quartet. I said sure!!! One thing led another and somehow I ended up agreeing to write a piano quintet for her. In the meanwhile Lila contacted Delores Stevens, artistic director of the Martha’s Vineyard Chamber Music Festival, and asked her if she would also premiere the work at her festival. Delores did a little research on me and my music online and she said yes. So, here we are. Siamo d’accordo. I wrote my first piano quintet in 1988 for the Apple Hill Chamber Players. That was not the usual quintet of a piano and string quartet. The Schubert Trout quintet was my model: piano, violin, viola, cello and double bass. I titled that work, Piano Quintet … apple strudel (1988). At that time I was a huge fan of the Entenmann’s Apple Strudel. I imagined the piano being encased/surrounded by the four string instruments. My first real piano quintet was written for the Formosa Quartet and pianist Tammy Lum. They premiered the work at Nyack College during the spring of 1988. My current piano quintet (no. 2) is titled Pq2 … (2014). It is a work in five movements. I. Moderato … Trio II. Adagio … III. Tsiaj 1 … Allegro IV. Tsiaj 2 … Prestissimo! V. Adagio What’s tsiaj? I got this from Charles E. Ives. The title of the middle movement of his Piano Trio is TSIAJ. It’s an acronym of This Scherzo is a joke. Enjoy!
$9.99
9.01 €
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String Quartet: 2 violins, viola, cello
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Thomas Oboe Lee
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Pq2 ...
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Thomas Oboe Lee
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SheetMusicPlus
Mozart: Kleiner Trauermarsch in C min (Little Funeral March) K453a - string quartet
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1196098 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Chamber,Comedy,March,Religious,Sacred. 6 pages. RayThompsonMusic #795260. Published by RayThompsonMusic (A0.1196098). Arranged string quartet.Changed key from C min to E min to suit the string quartet.Kleiner Trauermarsch (Little Funeral March) in C minor, K. 453a is a keyboard work composed in 1784 by Wolfgang Amadeus Mozart, written in the notebook of his student Barbara Ployer.The piece is also sub titled Marche funebre del Sigr Maestro Contrappunto (Funeral March for Mr. Master/Maestro Counterpoint). It was dedicated to Barbara Ployer.It was first published in 1930. The autograph was thought to have been lost in 1945.Mozart was Ployer's teacher, so the sub title would seem to be another musical joke about himself.Is is quite short.
$4.99
4.5 €
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String Quartet: 2 violins, viola, cello
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Wolfgang Amadeus Mozart
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Mozart: Kleiner Trauermarsch in C min
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RayThompsonMusic
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SheetMusicPlus
Italian Song by Tchaikovsky for String Quartet in Schools
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1158967 Composed by P. I. Tchaikovsky. Arranged by Joseph Judge. Chamber,Romantic Period. 15 pages. School Ensemble Music #759209. Published by School Ensemble Music (A0.1158967). Italian Song, P. I. Tchaikovsky, 2:45, for string quartet. Also includes Neapolitan Song. Violin, Violin, Viola, Cello, with alternate part for another Violin to play the Viola part. These recognizable songs were arranged to be easy to play: range limited, rests provided, melodies marked, rehearsal marks designed for easy group cuing, and the workload shared (everyone gets to play the melody). Also available for other quartets: Brass, Saxophone, Woodwind. Submit feedback at SchoolEnsemble.com.
$8.99
8.11 €
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String Quartet: 2 violins, viola, cello
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P
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Italian Song by Tchaikovsky for String Quartet in Schools
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School Ensemble Music
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SheetMusicPlus
Waltz Of The Flowers by Tchaikovsky for String Quartet in Schools
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1161332 Composed by P. I. Tchaikovsky. Arranged by Joseph Judge. 19th Century,Chamber,Romantic Period. 19 pages. School Ensemble Music #761675. Published by School Ensemble Music (A0.1161332). Waltz Of The Flowers, Tchaikovsky, 2:53, for string quartet. Violin, Violin, Viola, Cello, with alternate part for another Violin to play the Viola part. This recognizable song was arranged to be easy to play: range limited, rests provided, melodies marked, rehearsal marks designed for easy group cuing, and the workload shared (everyone gets to play the melody). Also available for other quartets: Brass, Saxophone, Woodwind. Submit feedback at SchoolEnsemble.com.
$8.99
8.11 €
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String Quartet: 2 violins, viola, cello
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P
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Waltz Of The Flowers by Tchaikovsky for String Quartet in Schools
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School Ensemble Music
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SheetMusicPlus
Away In A Manger for String Quartet
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 1 - Digital Download SKU: A0.548635 Composed …
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String Quartet String Quartet - Level 1 - Digital Download SKU: A0.548635 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405927. Published by jmsgu3 (A0.548635). Away in a Manger arranged for string quartet with a re-harmonization for the final verse. Very easy to play and easy on the ear. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the music has become known as Mueller. Nobody knows who this Mueller is, but the name stuck. Popularity By the 1880's the cradle song was being performed in church. By the 1990's the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the music. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement uses the songs to an old Normandy carol.Â
$24.95
22.51 €
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String Quartet: 2 violins, viola, cello
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the 1880's the cradle song was being performed in church
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Mueller
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Away In A Manger for String Quartet
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jmsgu3
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SheetMusicPlus
Haydn Sinfonias for String Quartet: 1, 6 ('Le Matin'), 10, 13, 27 Violin I
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Digital Download SKU: A0.1003970 Composed by Franz …
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String Quartet String Quartet - Digital Download SKU: A0.1003970 Composed by Franz Joseph Haydn. Arranged by Neil Stannard. Classical. Score and parts. 40 pages. Neil Stannard #3572595. Published by Neil Stannard (A0.1003970). Many of the symphonies of Joseph Haydn, delightful as they are with wind doublings, work very well as string quartets. Titled Sinfonias by the composer, these charming morsels provide an informing glimpse into the musical development of one of the Classical period's great composers, the composer credited with inventing the string quartet. Do we really need more Haydn quartets?, someone asked. Well, I responded, does one really need a slice of Sacher torte or a glass of schnapps? Or as my mother might say, A gentleman never 'needs' another drink, but he perhaps 'cares' for one. Play through these movements and travel along in time with the composer as he almost single-handedly invents the classical style.
$4.95
4.47 €
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String Quartet: 2 violins, viola, cello
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Franz Joseph Haydn
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Haydn Sinfonias for String Quartet: 1, 6
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Neil Stannard
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SheetMusicPlus
HAYDN SINFONIAS FOR STRING QUARTET 1, 6 (‘Le Matin’), 10, 13, 27 Score
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Digital Download SKU: A0.1003969 Composed by Franz …
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String Quartet String Quartet - Digital Download SKU: A0.1003969 Composed by Franz Joseph Haydn. Arranged by Neil Stannard. Classical. Score and parts. 121 pages. Neil Stannard #3572593. Published by Neil Stannard (A0.1003969). Many of the symphonies of Joseph Haydn, delightful as they are with wind doublings, work very well as string quartets. Titled Sinfonias by the composer, these charming morsels provide an informing glimpse into the musical development of one of the Classical period's great composers, the composer credited with inventing the string quartet. Do we really need more Haydn quartets?, someone asked. Well, I responded, does one really need a slice of Sacher torte or a glass of schnapps? Or as my mother might say, A gentleman never 'needs' another drink, but he perhaps 'cares' for one. Play through these movements and travel along in time with the composer as he almost single-handedly invents the classical style.
$6.00
5.41 €
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String Quartet: 2 violins, viola, cello
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Franz Joseph Haydn
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HAYDN SINFONIAS FOR STRING QUARTET 1, 6
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Neil Stannard
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SheetMusicPlus
Luther: Out of the Depths for String Quartet
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 1 - Digital Download SKU: A0.548729 Composed …
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String Quartet String Quartet - Level 1 - Digital Download SKU: A0.548729 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 8 pages. Jmsgu3 #3412115. Published by jmsgu3 (A0.548729). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 4 pg. parts: 1 pg. Bowings included. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$42.95
38.74 €
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String Quartet: 2 violins, viola, cello
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Martin Luther
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Luther: Out of the Depths for String Quartet
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jmsgu3
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SheetMusicPlus
Elgar, E. - Chanson De Matin for String Quartet
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.5…
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.540464 Composed by Edward Elgar. Arranged by Linda M. Scott. 20th Century,Romantic Period. Score and parts. 13 pages. Linda M Scott #4288985. Published by Linda M Scott (A0.540464). Sir Edward Elgar (1857-1934) was a well-respected English composer. His Enigma Variations written in 1899, was one of his first works that established him as noteworthy composer of his time. Another work that remains popular is the Pomp and Circumstance March. This piece, Chanson De Matin, was written originally for violin and piano, and later orchestrated for chamber orchestra.
$5.99
5.4 €
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String Quartet: 2 violins, viola, cello
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Edward Elgar
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Elgar, E. - Chanson De Matin for String Quartet
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Linda M Scott
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SheetMusicPlus
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