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Relentless
String Quartet: 2 violins, viola, cello
Sheetmusic to print
4 sheet music found
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1
Better Half Of Me
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Tom Walker
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Nicola Bates
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Better Half Of Me
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N. Bates
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1374694 By Tom Walker. By Cam Blackwood, Joel Pott, and Thomas Alex...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1374694 By Tom Walker. By Cam Blackwood, Joel Pott, and Thomas Alexander Walker. Arranged by Nicola Bates. 21st Century,Chamber,Pop,Singer/Songwriter,Wedding. 15 pages. N. Bates #959246. Published by N. Bates (A0.1374694). A String quartet arrangement of Tom Walker's son 'Better Half of Me' from his 2019 album 'What a Time to Be Alive', produced by Relentless Records.This would be a perfect song for a walk down the aisle or as a first dance.
$12.99
Chorale Prelude Op.67 N.2 for String Quartet MP3
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String Quartet: 2 violins, viola, cello
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Max Reger
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Cristiano Vecchi
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Chorale Prelude Op.67 N.2 for
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Cristiano Vecchi
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SheetMusicPlus
Cello,Viola,Violin - Digital Download SKU: A0.1066489 Composed by Max Reger. Arranged by Cristiano Vecchi. Christmas,Easter,Romantic Period. Full Perform...
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Cello,Viola,Violin - Digital Download SKU: A0.1066489 Composed by Max Reger. Arranged by Cristiano Vecchi. Christmas,Easter,Romantic Period. Full Performance. Duration 47. Cristiano Vecchi #6237671. Published by Cristiano Vecchi (A0.1066489). Alles ist an Gottes Segen (Everything is in God's blessing):an overwhelming and enthusiastic chorale prelude composed by Max Reger in four real parts, with its relentless movement of the bass and its fanfare style is excellent for opening a recital or for an encore.Duration: 45.Version for: Vl, Vl, Vla, Vc.Score and parts also available on this website.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists
$1.99
Chorale Prelude Op.67 N.2 for String Quartet
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Max Reger
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Cristiano Vecchi
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Chorale Prelude Op.67 N.2 for
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Cristiano Vecchi
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.963551 Composed by Max Reger. Arranged by Cristiano Vecchi. Christi...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.963551 Composed by Max Reger. Arranged by Cristiano Vecchi. Christian,Christmas,Concert,Easter,Romantic Period. Score and parts. 9 pages. Cristiano Vecchi #6237669. Published by Cristiano Vecchi (A0.963551). Alles ist an Gottes Segen (Everything is in God's blessing):an overwhelming and enthusiastic chorale prelude composed by Max Reger in four real parts, with its relentless movement of the bass and its fanfare style is excellent for opening a recital or for an encore.Duration: 45.Version for: Vl, Vl, Vla, Vc. Extra parts included for doubling the Cello by another Viola at the upper octave, and for doubling or replacing the Viola with a Violin or a Cello.Also playable by ensembles like: Vl, Vl, Vl, Vla, Vc or Vl, Vl, Vla, Vla, Vc, or Vl, Vl, Vla, Vc, Vc.SCORE and PARTS.MP3 also available on this website.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists.
$2.99
String Quartet No.2
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Contemporary
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Frederick Paul Naftel
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String Quartet No.2
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Frederick Naftel
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SheetMusicPlus
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Fre...
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6255501. Published by Frederick Naftel (A0.987079). My 2nd String Quartet was composed during the current Coronavirus pandemic and its style is definitely affected by this period. I would describe the music as a strong statement of mind. In complete contrast to my relatively straightforward 1st Quartet, which is in 4 movements, the present work is in one uninterrupted movement, divided into five parts, with an epilogue. The intervals of the major 7th and minor 2nd are a strong feature of the music, which contrasts intensely static passages, which are nevertheless uneasily tranquil, with furious and violent sections, often marked triple forte in certain passages. The opening Lento flows serenely but mysteriously as if awaiting some kind of resolution, using motifs rather than fully-fledged themes(of which there are very few). The viola makes an urgent and violent protest, later to be imitated by cello, as if to disrupt the serenity, until the second section bursts in with barely-controlled energy and fury. This Allegro feroce is strongly accented and relentless in its forward momentum, the tension manintained almost throughout until the music suddenly quietens down, pizzicato passages leading to the next section. The Adagio Sostenuto initially resembles plainsong, all four instruments in unison(muted) playing a smooth line which rises and falls, the dynamics remaining pp and senza vibrato. The line breaks into harmony based on the interval of a perfect 5th, eventually leading to a passage reminiscent of the very opening of the work. A brief crescendo leads to another quiet unison passage which becomes more fragmented and unsettled, first and second violins announcing an aggressive idea which becomes the initial impetus for the fourth section. This Presto Furioso is even more violently energetic than the second section and at one point, alternates between 3/8 and 4/8, making the music sound even more unsettled. This is music with a strong sense of purpose as well as absolute fury. After a very short scalic passage, the final section begins Grave and pp with a sustained unison C, growing in power with exaggerated vibrato to a series of crunching discords and a wildly disconcerting episode featuring swirling upper strings and impassioned cello solo. The music dies away to the Epilogue. The concluding part of the work calls for a recorded cello playing a pizzicato pedal, over which violins and viola play a series of overlapping (tonal) triads, giving the music a slightly warmer but still mysterious sound. The recorded cello’s pedal notes slow down until a final powerful discord from the 4 instruments dies away, leaving the sighing motif of the very opening of the work to have the last word. This note may be reprinted in programmes with the following details: (c) 2020 Frederick Naftel
$19.99
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