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String Quartet: 2 violins, viola, cello
Sheetmusic to print
5 sheet music found
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Study on Beethoven
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Studies
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Joerg Widmann
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Study on Beethoven
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Schott Music - Digital
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SheetMusicPlus
String quartet - difficult - Digital Download SKU: S9.Q778767 String Quartet No. 6. Composed by Joerg Widmann. Downloadable, Score and parts. Dura...
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String quartet - difficult - Digital Download SKU: S9.Q778767 String Quartet No. 6. Composed by Joerg Widmann. Downloadable, Score and parts. Duration 27 minutes. Schott Music - Digital #Q778767. Published by Schott Music - Digital (S9.Q778767). My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works ranging from the (in my opinion) quasi revolutionary Quartet No. 1 to the Quartet No. 5 entitled Versuch über die Fuge [Attempt at a Fugue]. The Quartet No. 6 – Study on Beethoven – composed fourteen years after No. 5 should be conceived as a new approach and the commencement of a new quartet cycle with an unknown ending. All that can be said is that the subsequent quartets will be devoted to an intense study of Ludwig van Beethoven’s unique and consummate artistry of quartet composition. Despite a reverence for Beethoven at a very early stage, my own compositions have steered well clear of this unapproachable cosmos with the exception of my concert overture Con brio. The perhaps only link with the five quartets of the first cycle of quartets is the single-movement structure of the thirty-minute Quartet No. 6. The fundamental coordinates have otherwise been reset to zero. This is therefore also a ‘study’ in a literal sense. In the Quartet No. 6, I set out with a state of tonality displaying significant extensions whose centrifugal forces are barely containable. My focus is the detection of the inherent gravitation of tonality, including phenomenons such as tension/relaxation, suspension/resolution and fixation/deviation. From a formal aspect, the work is too experimental and unsentimental for explorations in a nostalgic-romantic sense. On the contrary, tonality or at least its fundamental assumptions are initially set down in the sense of a study or test assembly in order to permit subsequent experimentation, variation and the formulation of exceptions with the desire and firm conviction that it is possible to express something innovative and never previously heard with this seemingly exhausted fundamental material. I have been repeatedly astonished by the unfolding in the progression of this piece which has taken me to unknown locations, especially from a formal aspect. I am fascinated to see what forms the subsequent quartets in this ‘Beethoven study’ cycle will lead me to. The Quartet No. 6 has been created in close artistic and friendly cooperation with Anne-Sophie Mutter and she is the dedicatee of this work. Jörg Widmann, July 2019My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works. The Quartet No. 6 composed fourteen years after No. 5 now opens a new cycle of quartets which will be devoted to an intense study of Ludwig van Beethoven’s unique and consummate artistry of quartet composition. Perhaps the only link with the five quartets of the first cycle is the single-movement structure of the almost thirty- minute Quartet No. 6. I am fascinated to see what forms the subsequent quartets in this ‘Beethoven study’ cycle will lead me to. Jörg Widmann.
$82.99
Almost May Score and Parts
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arrange...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
"Zombie Vigil" for string quartet Op. 32, No. 1
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Contemporary
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Gary Noland
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"Zombie Vigil" for string quar
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Freeland Publications
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SheetMusicPlus
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.980447 Composed by Gary Noland. 20th Century,Concert,Contemporary. Score and parts. 29...
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.980447 Composed by Gary Noland. 20th Century,Concert,Contemporary. Score and parts. 29 pages. Freeland Publications #3246291. Published by Freeland Publications (A0.980447). Duration: very protracted (upwards of 45 minutes) with many long-drawn-out silences and sustained tones (1993). This is the first (introductory) movement of my String Quartet No. 2 (in ten movements): a quasi-fugue in quarter tones that moves in painstakingly slow motion and functions as a gradually unfolding introductory movement to an otherwise much faster paced piece for its remaining nine movements.
$9.95
Feet Of Jesus
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Contemporary
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Steven Curtis Chapman
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Jeff Tincher
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Feet Of Jesus
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Jeff Tincher
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.583852 Composed by Steven Curtis Chapman. Arranged by Jeff Tincher....
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.583852 Composed by Steven Curtis Chapman. Arranged by Jeff Tincher. Contemporary. Score and parts. 15 pages. Jeff Tincher #4883389. Published by Jeff Tincher (A0.583852). This song is getting a ton of airplay in our neck of the woods. It's a great ballad. In the original key from Steven Curtis Chapman's The Glorious Unfolding project. Duration = 3:57. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Paul Wehage: Distant Strophes for string quartet
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Paul Wehage
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Paul Wehage: Distant Strophes
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.534374 Composed by Paul Wehage. Concert,Contemporary,Standards. Sco...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.534374 Composed by Paul Wehage. Concert,Contemporary,Standards. Score and parts. 122 pages. Musik Fabrik Music Publishing #3396151. Published by Musik Fabrik Music Publishing (A0.534374). 1. Remembering the sounding bellsII. Interrupted RicacaresIII. En croisant le diable boiteuxIV. ...L'inflexion des voix chères qui se sont tues. (Paul Verlaine)V. Appels et Invocations Distant Strophes for String Quartet is dedicated to the American Cellist Stephen Evans. The work is written in five movements and is based on a series of poetic images.The first movement, Remembering the Sounding Bells..., uses bell-like sonorities and tonal fragments whichare developed between the four instruments of the quartet The second movement Interrupted Ricacares beginswith a compact, accelerating atonal motif which alternates with contrapuntal passages which evoke motet and ricacare forms.En Croisant le Diable Boîteux (Upon meeting the limping Devil) takes its inspiration from the novel by Lesage. This movement is a lively bi-tonal scherzo in classical ABA form which exploits off-the-string bowings and doublestops. The fourth movement, ...L'inflexion des voix chères qui se sont tues (the sounding of dear voices which have been silence) is a line from Paul Verlaine’s : Mon rêve familier (Poèmes saturniens/ melancholia VI 1866). A slowly unfolding dirge-like theme is passed through the four instruments in an expressive lament. The final movement, Appels et invocations, is inspired by a strophe in Charles Baudelaire’s le Serpent qui Danse in Les Fleurs du Mal which speaks of preparing for a voyage, real orimagined, which is expressed here in the angular, robust theme in unison which opens the work.
$38.95
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