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Wise Men from the East
String Quartet: 2 violins, viola, cello
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Luther: Out of the Depths for String Quartet
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 1 - Digital Download SKU: A0.548729 Composed …
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String Quartet String Quartet - Level 1 - Digital Download SKU: A0.548729 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 8 pages. Jmsgu3 #3412115. Published by jmsgu3 (A0.548729). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 4 pg. parts: 1 pg. Bowings included. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$42.95
38.83 €
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String Quartet: 2 violins, viola, cello
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Martin Luther
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Luther: Out of the Depths for String Quartet
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jmsgu3
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SheetMusicPlus
Study on Beethoven
String Quartet: 2 violins, viola, cello
String quartet - difficult - Digital Download SKU: S9.Q778767 String Quartet No.…
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String quartet - difficult - Digital Download SKU: S9.Q778767 String Quartet No. 6. Composed by Joerg Widmann. Downloadable, Score and parts. Duration 27 minutes. Schott Music - Digital #Q778767. Published by Schott Music - Digital (S9.Q778767). My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works ranging from the (in my opinion) quasi revolutionary Quartet No. 1 to the Quartet No. 5 entitled Versuch über die Fuge [Attempt at a Fugue]. The Quartet No. 6 – Study on Beethoven – composed fourteen years after No. 5 should be conceived as a new approach and the commencement of a new quartet cycle with an unknown ending. All that can be said is that the subsequent quartets will be devoted to an intense study of Ludwig van Beethoven’s unique and consummate artistry of quartet composition. Despite a reverence for Beethoven at a very early stage, my own compositions have steered well clear of this unapproachable cosmos with the exception of my concert overture Con brio. The perhaps only link with the five quartets of the first cycle of quartets is the single-movement structure of the thirty-minute Quartet No. 6. The fundamental coordinates have otherwise been reset to zero. This is therefore also a ‘study’ in a literal sense. In the Quartet No. 6, I set out with a state of tonality displaying significant extensions whose centrifugal forces are barely containable. My focus is the detection of the inherent gravitation of tonality, including phenomenons such as tension/relaxation, suspension/resolution and fixation/deviation. From a formal aspect, the work is too experimental and unsentimental for explorations in a nostalgic-romantic sense. On the contrary, tonality or at least its fundamental assumptions are initially set down in the sense of a study or test assembly in order to permit subsequent experimentation, variation and the formulation of exceptions with the desire and firm conviction that it is possible to express something innovative and never previously heard with this seemingly exhausted fundamental material. I have been repeatedly astonished by the unfolding in the progression of this piece which has taken me to unknown locations, especially from a formal aspect. I am fascinated to see what forms the subsequent quartets in this ‘Beethoven study’ cycle will lead me to. The Quartet No. 6 has been created in close artistic and friendly cooperation with Anne-Sophie Mutter and she is the dedicatee of this work. Jörg Widmann, July 2019My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works. The Quartet No. 6 composed fourteen years after No. 5 now opens a new cycle of quartets which will be devoted to an intense study of Ludwig van Beethoven’s unique and consummate artistry of quartet composition. Perhaps the only link with the five quartets of the first cycle is the single-movement structure of the almost thirty- minute Quartet No. 6. I am fascinated to see what forms the subsequent quartets in this ‘Beethoven study’ cycle will lead me to. Jörg Widmann.
$82.99
75.03 €
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String Quartet: 2 violins, viola, cello
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Joerg Widmann
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Study on Beethoven
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Schott Music - Digital
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SheetMusicPlus
40 Beloved Christian Hymns Volume II (for String Quartet and optional Organ)
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1104134 Composed by Various. Arranged by Kenneth Abeling. Christmas,Easter,Religious,Sacred. 143 pages. LINCOLN MUSIC PUBLICATIONS #707367. Published by LINCOLN MUSIC PUBLICATIONS (A0.1104134). 40 Beloved Christian Hymns Volume II for String Quartet by Kenneth Abeling is the second collection of traditionally scored, and frequently used hymns in many Christian worship services. This collection also includes an optional Organ part. The Titles Include: All Glory Laud And Honor - All Things Bright And Beautiful, Alleluia - Sing To Jesus! - And Can It Be? - Angels From The Realm Of Glory - Arise - Your Light Has Come! - As With Gladness Men Of Old, Be Still, My Soul - The Lord Is On Thy Side - Brightest And The Best Stars - Children Of The Heavenly Father, Christ Arose! - Christ The Lord Is Risen Today - Come Thou Fount Of Every Blessing - Day By Day - For The Life That You Have Given - Good Christians All, Rejoice And Sing - Guide Me, O Thou Great Redeemer - I Know That My Redeemer Lives! - I Love Your Kingdom Lord - Immortal, Invisible, God Only Wise - Jesus Keep Me Near The Cross - Just As I Am - Lord Jesus Think On Me - Love Divine All Love’s Excelling, -My Jesus I Love Thee - Now Thank We All Our God - O Jesus, I Have Promised - O Love That Wilt Not Let Me Go - O Master Let Me Walk With Thee - O Perfect Love - O, How I Love Jesus - Oh God, Our Help In Ages Past - Praise God From Whom All Blessings Flow (Doxology) - Praise To The Lord, The Almighty - Praise, My Soul, The King Of Heaven - Ride On, Ride On In Majesty! - Savior, Like A Shepherd Lead Us - Stand Up Stand Up For Jesus - Thine Is The Glory - When I Survey The Wondrous Cross. Total Playing Time approximately 53:00 To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.
$25.99
23.5 €
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String Quartet: 2 violins, viola, cello
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Day - For The Life That You Have Given - Good Christians All, Rejoice And Sing - Guide Me, O Thou Great Redeemer - I Know That My Redeemer Lives! - I Love Your Kingdom Lord - Immortal, Invisible, God Only Wise - Jesus Keep Me Near The Cross - Just As I Am - Lord Jesus Think On Me - Love Divine All Love’s Excelling, -My Jesus I Love Thee - Now Thank We All Our God - O Jesus, I Have Promised - O Love That Wilt Not Let Me Go - O Master Let Me Walk With Thee - O Perfect Love - O, How I Love Jesus - Oh God, Our Help In Ages Past - Praise God From Whom All Blessings Flow
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Various
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40 Beloved Christian Hymns Volume II
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
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