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Piano solo 26 Piano, Vocal and Guitar 13 Piano Trio: piano, violin, cello 9 Piano, Voice 3 Piano Quartet: piano, violin, viola, cello 3

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Flute 8 Flute and Piano 5 Clarinet 4 Clarinet Quintet: 5 clarinets 2 3 Saxophones (trio) 2

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Violin 14 String Trio: violin, viola, cello 10 Cello 10 Violin and Piano 6 Viola, Piano 5 String Trio: 3 violins 5 String Quartet: 2 violins, viola, cello 5

Piano Trio: Violin, Viola, Piano 3 Viola 3 String Trio: 3 cellos 3 Violin, Viola (duet) 1 Harp 1 String Trio: 3 violas 1 String Trio: 2 violins, cello 1

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String Quartet: 2 violins, viola, cello

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Jacques Leguerney: String Quartet in D for two violins, viola and cello String Quartet: 2 violins, viola, cello

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.5…(+)

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor Ã cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist ThÃ©rÃ¨se Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor Ã cordes (inÃ©dit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor Ã cordes en rÃ© mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor Ã cordes en rÃ© mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??AcadÃ©mie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of FaurÃ©, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor Ã cordes en rÃ© mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.

$38.95 35.91 € #String Quartet: 2 violins, viola, cello #Jacques Leguerney #II. Intermezzo #Jacques Leguerney: String Quartet in D for two violins, viola and cello #Musik Fabrik Music Publishing #SheetMusicPlus

Letters from the War (score and parts) String Quartet: 2 violins, viola, cello

String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 2 - Digital Download …(+)

String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1022626 Composed by J. Andres Ballesteros. 20th Century,Contemporary,Patriotic. Score and parts. 59 pages. J. Andres Ballesteros #2835807. Published by J. Andres Ballesteros (A0.1022626). Letters from the War, for string orchestra (score and parts)by J. AndrÃ©s Ballesteros (2011, ed. 2016; ASCAP)Letters from the War (2011) was commissioned by Jesse Suggs and the Northern Guilford Middle School Orchestra in the spring of 2010 and was written in commemoration of the 150th anniversary of the beginning of the American Civil War. The inspiration for the piece is drawn from a number of letters written by soldiers during the war. Some familiar tunes from that era are quoted throughout in keeping with the theme, and in the final movement, earlier parts of the piece are also quoted. Together these letters and the music depict the narrative of the war, from a building march and a mournful ballad to a joyous celebration and a triumphant finale.This piece is a 3-movement concert piece appropriate for advanced middle school or intermediate high school orchestras. The piece includes brief solos for viola and violin in the second movement.

$34.95 32.22 € #String Quartet: 2 violins, viola, cello #J #Letters from the War #J. Andres Ballesteros #SheetMusicPlus

Serenade No. 11 String Quartet: 2 violins, viola, cello

String Quintet Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1447120 Comp…(+)

String Quintet Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cypress Publishing #1026899. Published by Cypress Publishing (A0.1447120). Soon after moving to Vienna in 1781, Mozart wrote what turned out to be his last, and finest, three serenades for wind ensemble. He himself arranged the one in c minor, Köchel 388, for string quintet (2 violins, 2 violas and cello), and that version is known as K. 406. Most of the serenade in B-Flat Major, K 361, sometimes called Gran Partita or Serenade for 13 Instruments, was also arranged for the same quintet combination, apparently by someone else, with the movements divided up between Quintets No. 6 and 7 in the second volume of the standard Peters Edition set of parts for Mozart’s string quintets. The remaining serenade, K. 375, is appearing in a string quintet arrangement for the first time that I know of. While it does not have the dramatic intensity of K. 388/406 or the grand sweep of K. 361, it is a worthy companion to the other two works. He composed it “carefully”, as he explained in a letter to his father, and the piece is full of striking details that show this. In the first movement, the second subject is surprisingly in a dark minor key, and the development is based on it. But it does not appear in the recapitulation, replaced instead by a new major key theme. The first of the two minuets also has a brooding trio in minor. The heart of the work is the Adagio, one of Mozart’s great slow movements, and it should be better known. The long-spun overlapping melodies work particularly well for strings. The finale starts as a conventional Rondo, but breaks off into an extended fugal section (again starting in a minor key!) that gives the movement weight and power beyond a typical formula rondo. This arrangement transposes the original E-Flat Major to D Major, to take advantage of string sonority while making some of the passage work lie better for the instruments. Score and parts follow the current convention of listing the composer’s middle name as Amadeus, even though he did not favor it: His only recorded use was a letter he signed Wolfgangus Amadeus Mozartus, clearly intended as a joke. He preferred the Italian or French versions, Amadeo or Amadé, of his German given name Gottlieb (which he also rarely if ever used). CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites.The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.

$15.00 13.83 € #String Quartet: 2 violins, viola, cello #Wolfgang Amadeus Mozart #Serenade No. 11 #Cypress Publishing #SheetMusicPlus

Die Mozartisten String Quartet: 2 violins, viola, cello

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1335178 Composed…(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1335178 Composed by Joseph Lanner (1801-1843). Arranged by Stephen Levintow. 19th Century,Chamber,Opera,Romantic Period. 55 pages. Cypress Publishing #921020. Published by Cypress Publishing (A0.1335178). Lanner, along with his colleague (and later rival) Johann Strauss the Elder, led the first great flowering of dance music specialist composers in Vienna. This wonderful curiosity is Lanner's homage to Mozart, setting some of his most famous opera melodies in waltz time, introduced by a medley of other Mozart opera hits. The finale, a waltz rendition of the overture to Die ZauberflÃ¶te, is not to be missed! The 3rd waltz includes a section where Lanner, a brilliant violinist, wrote out what sounds like the sort of improvisation he would have made in performance. It is marked with an optional cut in the arrangement.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites.Â The goal is to produce high-quality, musically satisfying arrangements faithful to the composerâ€™s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in SibeliusÂ© software format, with careful attention to legibility and page turns.

$10.00 9.22 € #String Quartet: 2 violins, viola, cello #Joseph Lanner #Die Mozartisten #Cypress Publishing #SheetMusicPlus