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Piano Trio: piano, violin, cello
Sheetmusic to print
15 sheet music found
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1
Solace for Bethena - A Joplin Medley for Piano Trio
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Piano Trio: piano, violin, cello
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INTERMEDIATE
#
Ragtime
#
Scott Joplin
#
Jane Melin
#
Solace for Bethena - A Joplin
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SheetMusicPlus
Composed by Scott Joplin (1868-1917). Arranged by Jane Melin. 20th Century, Chamber, Classical, Ragtime. 16 pages. Jane Melin #801986. Published by Ja...
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Composed by Scott Joplin (1868-1917). Arranged by Jane Melin. 20th Century, Chamber, Classical, Ragtime. 16 pages. Jane Melin #801986. Published by Jane Melin
$10.00
First Love - 1st Movement
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Piano Trio: piano, violin, cello
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INTERMEDIATE
#
Classical
#
Blaze Scheuerman
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First Love - 1st Movement
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Blaze Scheuerman
#
SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1047344 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classic...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1047344 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 29 pages. Blaze Scheuerman #651902. Published by Blaze Scheuerman (A0.1047344). First love is inspired by my experience with the first partner I ever loved. It is also slightly inspired by Johann Sebastian Bach’s fugues from the Well Tempered Clavier and Muse’s song “Butterflies and Hurricanes†from the album “Absolutionâ€. It is meant to show the ups and downs of the relationship, especially how the more developed it got the more problems arose. It starts with a cloud-like scene meant to depict mild attraction. It then develops into infatuation in measure 21 as the main character gets to enjoy his experiences with his partner. It lasts for a little while as he finds newer and newer aspects of his partner that he enjoys. He then returns to a moment of stability with the restatement of the opening theme, and then tries again to get back into those moments of bliss. But this time something goes wrong. The character doesn’t quite realize it until it is too late, but a rift appears in the relationship. This is shown in the D Minor section, as the main character is sad and longing for things to go back to how they were, but is just stuck. After a while of trying different things, a settlement is reached and the two get closer again in the relationship, seen in measure 174. Except this time things are different, they are close to the bond shown earlier, except not quite there. This can be seen with the rearrangement of voices in regards to the melody, such as the cello having the melody except the violin in measure 190. Although the two try their best, the relationship once again reaches a rift between the two, seen with the reemergence of the D Minor section. They try once again to patch things up, but end up becoming unsuccessful and breaking apart. The final sections starting at measure 246 depict the sadness and anger that follow, before eventually reaching a resolution back into the home key of F Major.
$5.99
The City of Our God (for VIOLIN and CELLO Duet with PIANO Accompaniment)
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Piano Trio: piano, violin, cello
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INTERMEDIATE
#
Sharon Wilson
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Sharon Wilson and Sharon Wilso
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CELLO ~ B2 to D4
#
The City of Our God
#
Sharon Wilson
#
SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1262685 By Sharon Wilson. By B. Ogden, G W Bethune, George Washington Bethune, W A Ogd...
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1262685 By Sharon Wilson. By B. Ogden, G W Bethune, George Washington Bethune, W A Ogden, and William Augustine Ogden. Arranged by Sharon Wilson and Sharon Wilson Music. 19th Century,Christian,Easter,Multicultural,Sacred,World. 23 pages. Sharon Wilson #855694. Published by Sharon Wilson (A0.1262685). Here is a flowing instrumental trio arrangement (for VIOLIN and CELLO duet with PIANO accompaniment) of a beautiful hymn from the late 1800's titled The City of Our God when associated with the lyrics by George Washington Bethune. The tune was composed by William Augustine Ogden. This hymn may be better known by its Spanish title Jerusalén Mi Amado Hogar (Jerusalem My Beloved Home) when used with contemporary lyrics by Nicolás Samojluk. The original lyrics by G. W. Bethune are shown below.Both the VIOLIN and the CELLO get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. The VIOLIN plays the melody for the first verse and then the CELLO leads with the melody for the second verse. The song begins in the key of G major for the first verse, then transitions to the key of C major during the piano interlude between verses.The range for each part is as follows: VIOLIN ~ A4 to A5; CELLO ~ B2 to D4. All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player.  Duration 2:50.The purchase price includes these printing options: 1. a grand staff (9 pages) with all parts on each page2. separate scores for the VIOLIN and CELLO (2 pages each) and PIANO (4 pages)3. a combined VIOLIN and CELLO score (4 pages)Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicLyrics by G. W. Bethune O city of the jasper wall,And of the pearly gate,For thee amid the storms of life,Our weary spirits wait,O may we walk the streets of gold,No mortal feet have trod;O may we worship at the shrine,The temple of our God.Chorus:O land of bliss!O land of light!O city of the jasper wall!O land forever bright!
$5.99
Piano Trio in E flat major, Op. 2
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Classical
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Ferdinand Ries
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Dianne James
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Piano Trio in E flat major, Op
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Artaria Editions
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Art...
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1065108. Published by Artaria Editions (A0.1488222). The Piano Trio in E flat, Op.2 was published by Simrock in 1807 with a dedication to Monsieur le Comte de Browne, Brigadeur au Service de S.M.J. de toutes les Russies. It is a generously proportioned work in the usual three movements. The lengthy sonata-from first movement is prefaced by a slow introduction which begins on dominant seventh harmony (a nod perhaps to Beethoven's first symphony), slowly finding its way to the tonic by the start of the Allegro section. The brief development section modulates widely, including references to keys as distant as E minor and C major, while the substantially rewritten and varied recapitulation touches on both B and G majors. The slow movement, Andante un poco Allegretto , is cast in the key of C minor and features many solos and duets for the string instruments as well as further harmonic interest, especially in the central modulating episode from bar 46. The finale is a sonata-rondo design complete with all the usual tricks, including even a remote transposition of the refrain late in the movement to B major, a technique surely learned from Beethoven. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Simrock's edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The piano part is most successfully realised on an instrument extending as far as c4, although since such instruments were by no means standard in the first decade of the 19th century, Ries has notated the part carefully to cater for instruments without an extended treble compass. Any alternative readings have been incorporated into the current edition exactly as they appear in the Simrock print. In an instance such as bars 298-309 of the finale for example, instruments with the extended compass should follow the small print in bars 298 and 309, and in between read the notes an octave higher according to the composer's 8ve marking. Instruments with a limited compass should play the notes as written, without the octave transposition of bars 299-309. The cello part contains several passages written in the treble clef. Evidence that these should sound an octave lower than written is provided by bars 74-80 of the first movement and 85-89 of the finale. In the first instance, awkward octave displacements would result if this passage were played literally; in the second instance, some unacceptable part crossing between violin and cello would result from a literal rendition of these two bars. Accordingly then, all passages written in the treble clef should be transposed down an octave. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
What a Wonderful Savior (for VIOLIN and CELLO Duet with PIANO Accompaniment)
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Sacred music
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Sharon Wilson
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Sharon Wilson
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CELLO ~ B2 to D4
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What a Wonderful Savior
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Sharon Wilson
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.1370789 By Sharon Wilson. By Elisha Albright Hoffman. A...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.1370789 By Sharon Wilson. By Elisha Albright Hoffman. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Romantic Period,Sacred. 16 pages. Sharon Wilson #955129. Published by Sharon Wilson (A0.1370789). Here is a bright and uplifting instrumental trio arrangement (for VIOLIN and CELLO duet with PIANO accompaniment) of the uplifting praise hymn What a Wonderful Savior by Elisha Hoffman. Both the CELLO and the VIOLIN get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. The VIOLIN plays the melody for the first verse followed by the CELLO on melody for the second verse. The song begins in the key of G major for the first verse, then transitions during the piano interlude to the key of C major for the second verse.The range for each part is as follows: VIOLIN ~ E4 to A5; CELLO ~ B2 to D4. All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. Duration 2:00.The purchase price includes these printing options: 1. a grand staff (6 pages) with all parts on each page2. separate scores for the VIOLIN and CELLO (1 page each) and PIANO (3 pages)3. a combined VIOLIN and CELLO score (2 pages)This arrangement is one of the 10 songs in the collection Praise Him with Stringed Instruments, Book 5 (Collection of 10 Hymns for Violin, Cello, and Piano).Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
Whiter Than Snow (for VIOLIN and CELLO Duet with PIANO Accompaniment)
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Sharon Wilson
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Sharon Wilson
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CELLO ~ G2 to D4
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Whiter Than Snow
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Sharon Wilson
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1370734 By Sharon Wilson. By James L Nicholson and William G. Fischer. Arranged by Sha...
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1370734 By Sharon Wilson. By James L Nicholson and William G. Fischer. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Lent,Sacred. 21 pages. Sharon Wilson #955070. Published by Sharon Wilson (A0.1370734). Here is a gently flowing instrumental trio arrangement (for VIOLIN and CELLO duet with PIANO accompaniment) of the meditative hymn Whiter Than Snow by William G. Fischer. Both the CELLO and the VIOLIN get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. The song begins in the key of C major for the first verse, then transitions during the piano interlude to the key of G major for the second verse.The range for each part is as follows: VIOLIN ~ C4 to B5; CELLO ~ G2 to D4. All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. Duration 2:15.The purchase price includes these printing options: 1. a grand staff (8 pages) with all parts on each page2. separate scores for the CELLO and VIOLIN (2 pages each) and PIANO (4 pages)3. a combined CELLO and VIOLIN score (3 pages)This arrangement is one of the 10 songs in the collection Praise Him with Stringed Instruments, Book 5 (Collection of 10 Hymns for Violin, Cello, and Piano).Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
I Know Whom I Have Believed (for VIOLIN and CELLO Duet with PIANO Accompaniment)
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Sacred music
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Sharon Wilson
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Sharon Wilson
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CELLO ~ G2 to C4
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I Know Whom I Have Believed
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Sharon Wilson
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1370735 By Sharon Wilson. By James McGranahan. Arranged by Sharon Wilson. 19th Century...
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1370735 By Sharon Wilson. By James McGranahan. Arranged by Sharon Wilson. 19th Century,Christian,Praise & Worship,Romantic Period,Sacred. 16 pages. Sharon Wilson #955071. Published by Sharon Wilson (A0.1370735). Here is a gently flowing instrumental trio arrangement (for VIOLIN and CELLO duet with PIANO accompaniment) of the meditative hymn I Know Whom I Have Believed by James McGranahan. Both the CELLO and the VIOLIN get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. The song begins in the key of C major for the first verse, then transitions during the piano interlude to the key of G major for the second verse. This peaceful and uplifting instrumental arrangement is an ideal selection for a church setting and a valuable addition to your sacred repertoire. Duration 2:15.The range for each part is as follows: VIOLIN ~ G4 to A5; CELLO ~ G2 to C4. All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. Duration 2:15.The purchase price includes these printing options: 1. a grand staff (6 pages) with all parts on each page2. separate scores for the CELLO and VIOLIN (1 page each) and PIANO (3 pages)3. a combined CELLO and VIOLIN score (2 pages)This arrangement is one of the 10 songs in the collection Praise Him with Stringed Instruments, Book 5 (Collection of 10 Hymns for Violin, Cello, and Piano).Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
And Can It Be (for VIOLIN and CELLO Duet with PIANO Accompaniment)
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Sacred music
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Sharon Wilson
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Sharon Wilson
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CELLO ~ B2 to D4
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And Can It Be
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Sharon Wilson
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1363672 By Sharon Wilson. By Charles Wesley and Thomas Campbell. Arranged by Sharon Wi...
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1363672 By Sharon Wilson. By Charles Wesley and Thomas Campbell. Arranged by Sharon Wilson. Christian,Easter,Praise & Worship,Romantic Period,Sacred. 24 pages. Sharon Wilson #948067. Published by Sharon Wilson (A0.1363672). Here is a majestic instrumental trio arrangement (for VIOLIN and CELLO duet with PIANO accompaniment) of a beautiful hymn from the early 1800's titled And Can It Be by Thomas Campbell. Both the VIOLIN and CELLO get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. The song begins in the key of C major for the first verse, then transitions during the piano interlude to the key of G major for the second verse.The range for each part is as follows: VIOLIN ~ E4 to B5; CELLO ~ B2 to D4. All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. Duration 3:15.The purchase price includes these printing options: 1. a grand staff (10 pages) with all parts on each page2. separate scores for the VIOLIN and CELLO (2 pages each) and PIANO (4 pages)3. a combined VIOLIN and CELLO score (4 pages)This arrangement is one of the 10 songs in the collection Praise Him with Stringed Instruments, Book 4 (Collection of 10 Hymns for Violin, Cello, and Piano).Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
Mendelssohn: Wedding March for Piano Trio
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 3 - Digital Download SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedd...
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Piano Trio - Level 3 - Digital Download SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.
$36.95
O the Deep, Deep Love of Jesus (for Violin and Cello Duet with Piano Accompaniment)
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Sharon Wilson
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Sharon Wilson
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CELLO – B2 to D4
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O the Deep, Deep Love of Jesus
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Sharon Wilson
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.565921 By Sharon Wilson. By Thomas J. Williams. Arranged by Sharon Wil...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.565921 By Sharon Wilson. By Thomas J. Williams. Arranged by Sharon Wilson. Easter,Holiday,Patriotic,Sacred. Score and parts. 22 pages. Sharon Wilson #6588475. Published by Sharon Wilson (A0.565921). Here is a uniquely crafted instrumental trio arrangement (for VIOLIN and CELLO duet with PIANO accompaniment) of the hauntingly beautiful hymn tune EBENEZER by Thomas J. Williams. The title chosen for this arrangement corresponds to the lyrics written by Samuel Trevor Francis. This hymn is also associated with other lyrics such as Once to Every Man and Nation. All three instruments lead with the melody at times, even the PIANO. The VIOLIN carries the melody for the first verse and then all three instruments alternate leading with the melody for the second verse. This intermediate instrumental arrangement is an ideal selection for a church setting and a valuable addition to your sacred repertoire. Duration 3:00The range for each part is as follows: VIOLIN – D4 to B5; CELLO – B2 to D4. This is an excellent selection for early-intermediate string players since all notes for the VIOLIN and CELLO are playable in the first position with one exception for the CELLO (the C#3 requires an extension/stretch of the 4th finger on the G string or shift to 2nd position).The purchase price includes these printing options: 1. a grand staff (9 pages) with all parts on each page2. separate scores for the CELLO and VIOLIN (2 pages each) and PIANO (4 pages)3. a combined CELLO and VIOLIN score (4 pages)Cover Image Credit: captured by the arranger in Washington state’s Alpine Lakes Wilderness
$5.99
Ocean's Waves | Trio for Violin, Cello, and Piano
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Contemporary
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Michael Barrera
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Ocean's Waves | Trio for Violi
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Michael Barrera
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1092601 Composed by Michael Barrera. 20th Century,Contemporary. Score ...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1092601 Composed by Michael Barrera. 20th Century,Contemporary. Score and parts. 24 pages. Michael Barrera #696697. Published by Michael Barrera (A0.1092601). Https://www.michaelbarreraflute.com/shop/p/oceans-waves-vi Program Notes One of the first compositions I wrote, this was inspired by images of sunsets. It has a repeating passacaglia-like bass line that gradually builds and then releases when the waves hit the shore. The piano creates the image of rolling waves washing onto a beachfront while the other instruments act as the mist on the water. Its simple yet layered structure invites the listener to relax and imagine staring beyond the horizon. Instrumentation Mixed piano trio of - Clarinet (B flat) / Violin / Viola Cello Piano.
$19.99
Love Lifted Me (for Violin and Cello Duet with Piano accompaniment)
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Sharon Wilson
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Sharon Wilson
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CELLO – B2 to D4
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Love Lifted Me
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Sharon Wilson
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.565903 By Sharon Wilson. By Howard E. Smith. Arranged by Sharon Wilson...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.565903 By Sharon Wilson. By Howard E. Smith. Arranged by Sharon Wilson. Easter,Praise & Worship,Romantic Period,Sacred. Score and parts. 20 pages. Sharon Wilson #6522161. Published by Sharon Wilson (A0.565903). This inspiring hymn by Howard E. Smith is arranged as an instrumental trio (for VIOLIN and CELLO duet with PIANO accompaniment). All parts get to lead with the melody at times (even the piano, though only briefly at the end) making it fun for all players and adding variety for the listeners. The VIOLIN plays the melody for the first verse and chorus, then the CELLO leads with the melody for the second verse and the two parts alternate on the final chorus. This beautiful, uplifting instrumental arrangement of a favorite Gospel song is an ideal selection for a church setting. Duration 4:00.The range for each instrument is as follows: VIOLIN – F#4 to B5; CELLO – B2 to D4. For both the VIOLIN and CELLO, all notes are playable in the first position making this piece an excellent choice for early intermediate string players. The piano part is best classified as advanced intermediate since both hands have a few octave runs scattered throughout the piece.The purchase price includes several printing options: 1. a grand staff (7 pages) with all parts on each page2. separate scores for the CELLO and VIOLIN (2 pages each) and PIANO (4 pages)3. a combined CELLO and VIOLIN score (4 pages)Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
Piano Trio in B flat major, Op. 28
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Classical
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Ferdinand Ries
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Dianne James
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Piano Trio in B flat major, Op
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Artaria Editions
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488223 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 64 pages. Art...
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488223 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 64 pages. Artaria Editions #1065109. Published by Artaria Editions (A0.1488223). Ferdinand Ries (1784-1838) was one of the greatest pianists of his time and a composer of exceptional abilities. Ries studied pianoforte (but not composition) with Beethoven in Vienna and the two men remained on cordial terms for the rest of their lives. In the last year of his life Ries co-wrote a book of Beethoven reminiscences that remain one of the most valuable sources of information about his life and character. The place and date of composition of the Sonate Sentimentale is uncertain in spite of the apparently conclusive evidence to the contrary: Ries's autograph score is dated 'Godesberg 1814' but by this time Ries was living in London. The discrepancy is probably due to the fact that Ries added the date to this manuscript, as he did to many others, in the 1820s. One of the most intriguing aspects of this work is the difference between Ries's original conception and the work as it appeared in its first published edition in 1834. The extent of the changes points to a substantial authorial revision of the work made prior to publication rather than a garbled transmission of the original text. Among the most striking of these changes is the inclusion of a brief introduction to the first movement; but other passages are extensively rewritten and in some instances lengthened by the inclusion of additional material. As with all Ries's works for flute, the Sonate Sentimentale is exceptionally well written for the instrument and yet perhaps even more impressive is the way in which Ries balances the musical texture and exploits the full potential of both the flute and piano. The beautiful work is arguably the most impressive flute sonata of the early 19th century. Allan Badley.
$37.00
To God Be the Glory (Piano Trio): Violin, Cello and Piano
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Sacred music
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Fanny J
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John A
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To God Be the Glory
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John A. Dempsey
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.552761 Composed by Fanny J. Crosby, William H. Doane and Scott Joplin....
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.552761 Composed by Fanny J. Crosby, William H. Doane and Scott Joplin. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and parts. 19 pages. John A. Dempsey #161442. Published by John A. Dempsey (A0.552761). In this joyful, vibrant arrangement, a ragtime mood and style infuse the endearing and enduring Christian hymn To God Be the Glory. Â This lively, unique piano trio for violin, cello and piano contains bursts of Scott Joplin's classic Bethena and is recommended for recitals and concerts as well as traditional church services, youth rallies, praise gatherings and other worship events, as a prelude, postlude, an offertory, interlude and special music. 15 pages of music (that includes separate two-page parts for violin and cello). Â Key: G major.
$11.99
EASTER CELEBRATION MEDLEY (for Violin, Cello and Piano with Instrumental Parts)
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Sacred music
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GEORGE FEDERICK HANDEL, Robe
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Gary Lanier
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EASTER CELEBRATION MEDLEY
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The Lanier Company
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SheetMusicPlus
Composed by GEORGE FEDERICK HANDEL, Robert Lowry, and George Job Elvey (1816-1893). Arranged by Gary Lanier. Easter, Sacred. Score and parts. 14 pages...
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Composed by GEORGE FEDERICK HANDEL, Robert Lowry, and George Job Elvey (1816-1893). Arranged by Gary Lanier. Easter, Sacred. Score and parts. 14 pages. The Lanier Company #5313639. Published by The Lanier Company
EASTER CELEBRATION MEDLEY is an arrangement by Gary Lanier for Violin, Cello and Piano of two of our most cherished hymns plus a segment of Handel’s Hallelujah Chorus.
It begins with CROWN HIM WITH MANY CROWNS followed by CHRIST AROSE (Low in the grave He lay) then, enters George Frederick Handel sharing a portion of his HALLELUJAH CHORUS. After all this celebration the reprise begins with CROWN HIM WITH MANY CROWNS with a few Hallelujahs here and there. What a great way to celebrate Easter (14 pages).
Also, a mp3 piano accompaniment is available listed as:
EASTER CELEBRATION MEDLEY (Piano accompaniment for Violin, Cello)
$14.99
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