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At His Name
Piano Trio: piano, violin, cello
Sheetmusic to print
7 sheet music found
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1
Whispering Hope (for Violin and Cello Duet with Piano Accompaniment)
Piano Trio: piano, violin, cello
Piano Trio,String Ensemble Cello,Piano,Violin - Level 2 - Digital Download SKU: A0.6929…
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 2 - Digital Download SKU: A0.692972 By Sharon Wilson. By Alice Hawthorne and Septimus Winner. Arranged by Sharon Wilson. Children,Folk,Praise & Worship,Sacred,Traditional. Score and parts. 21 pages. Sharon Wilson #301619. Published by Sharon Wilson (A0.692972). Here is a peacefully flowing instrumental trio arrangement (for VIOLIN and CELLO duet with PIANO accompaniment) of the beloved Gospel hymn Whispering Hope by Septimus Winner (pen name Alice Hawthorne). Both the CELLO and the VIOLIN get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. This peacefully flowing instrumental arrangement is an ideal selection for a church setting and a valuable addition to your sacred repertoire. Duration 3:00. The range for each part is as follows: VIOLIN – G4 to B5; CELLO – B2 to D4. All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes these printing options: 1. a grand staff (9 pages) with all parts on each page2. separate scores for the CELLO and VIOLIN (2 pages each) and PIANO (4 pages)3. a combined CELLO and VIOLIN score (3 pages) Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.48 €
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Piano Trio: piano, violin, cello
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Sharon Wilson
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CELLO – B2 to D4
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Whispering Hope
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Sharon Wilson
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SheetMusicPlus
Down at the Cross (Glory to His Name)
Piano Trio: piano, violin, cello
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 1 - Digital Download …
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 1 - Digital Download SKU: A0.1397943 Composed by J.H. Stockton. Arranged by Dee Braxton-Pellegrino. Christian,Easter,Religious,Sacred. 9 pages. Dee Braxton-Pellegrino #981216. Published by Dee Braxton-Pellegrino (A0.1397943). Grand old hymn arranged for violin and cello with piano accompaniment. May be played as a violin and cello duet as well. Specificallly written with younger string players in mind. Perfect fit anywhere in a church service and runs just under 3 minutes!
$15.00
13.71 €
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Piano Trio: piano, violin, cello
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J
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Down at the Cross
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Dee Braxton-Pellegrino
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SheetMusicPlus
Mendelssohn: Wedding March for Piano Trio
Piano Trio: piano, violin, cello
Piano Trio - Level 3 - Digital Download SKU: A0.549883 Composed by Felix Bartholdy …
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Piano Trio - Level 3 - Digital Download SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.
$36.95
33.78 €
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Piano Trio: piano, violin, cello
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Felix Bartholdy Mendelssohn
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Mendelssohn: Wedding March for Piano Trio
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jmsgu3
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SheetMusicPlus
Poème
Piano Trio: piano, violin, cello
Piano trio - intermediate - Digital Download SKU: S9.Q43269 From the Idyll At Tw…
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Piano trio - intermediate - Digital Download SKU: S9.Q43269 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: score and parts. Bohemia - idyll - Symphonic Poem. Downloadable, Score and parts. Op. 39. Schott Music - Digital #Q43269. Published by Schott Music - Digital (S9.Q43269). The fact that the Bohemian composer Zdenek Fibich (1850-1900) is in the shadow of Smetana and Dvorák is totally unjustified because he, too, was instrumental in the foundation of the Czech national school. His best-known work is probably the subsidiary theme from his symphonic poem 'At Twilight' which has become famous under the name of 'Poème'. The violinist Jan KubelÃk played this tune under this title since 1908, and as such the work has become known and, with its catchy charm, is now one of the most popular classical themes.
$15.99
14.62 €
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Piano Trio: piano, violin, cello
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Zdenek Fibich
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Poème
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Schott Music - Digital
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SheetMusicPlus
Firebird Suite
Piano Trio: piano, violin, cello
Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.7524…
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.752437 Composed by Igor Stravinsky. Arranged by Rob Bushnell. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 12 pages. RBMusic #6294559. Published by RBMusic (A0.752437). The Firebird suite, by Russian-born composer Igor Stravinsky, is based on his 1910 ballet of the same name. It, in turn, is based on the Russian fairy tales of the Firebird and the blessing/curse it possesses for anyone who owns it. The ballet premiered at Opéra de Paris as part of Sergei Diaghilev's Ballets Russes company and was an immediate successful, bringing Stravinsky international fame. The ballet tells the story of the journey of Prince Ivan. He strays into the realm of the evil Koschei, whose immortality is preserved by keeping his soul in a magic egg. Ivan is about to kill the Firebird but is spared. As a token of thanks, she offers him a feather that can be used to summon her should Ivan be in dire need. Prince Ivan then meets princesses who are under Koschei’s spell, falling in love with one of them. After confronting the magician, Koschei sends his minions after Ivan, who summons the Firebird. She intervenes and bewitches the monsters. Exhausted, the creatures and Koschei then fall into a deep sleep. Ivan is then directed by the Firebird to the egg containing Koschei's soul, which Ivan destroys, freeing all those under his spell. Ivan and the princesses celebrate their victory. The music features in Disney’s Fantasia 2000. This arrangement of The Princesses’ Round Dance is for piano trio (violin, violoncello and piano). Great as background music or as a concert item in its own right. A recording of the music from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=4U5xhOISyvA. Other searchable terms: L'Oiseau de feu, Жар-птица, The Princesses’ Round Dance, Rondo, Khorovod, Suite 1919, 1919 Version, Ronde, Khorovode, РОÐДО, ХОРОВОД, ПРИÐЦЕСС, ЛЮКС 1919 Г., ВЕРСИЯ 1919 Г., Rise of the Guardians, New York Philharmonic Young People's Concerts
$12.99
11.88 €
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Piano Trio: piano, violin, cello
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Igor Stravinsky
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Firebird Suite
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RBMusic
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SheetMusicPlus
Away In a Manger for Piano Trio
Piano Trio: piano, violin, cello
Piano Trio - Level 1 - Digital Download SKU: A0.548637 Composed by Mueller. Arrange…
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Piano Trio - Level 1 - Digital Download SKU: A0.548637 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 6 pages. Jmsgu3 #3405971. Published by jmsgu3 (A0.548637). Arranged for Piano Trio with a re-harmonized final verse. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the music has become known as Mueller. Nobody knows who this Mueller is, but the name stuck. Popularity By the 1880's the cradle song was being performed in church. By the 1990's the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton Yet another arrangement uses the songs to an old Normandy carol.Â
$24.95
22.81 €
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Piano Trio: piano, violin, cello
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the 1880's the cradle song was being performed in church
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Mueller
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Away In a Manger for Piano Trio
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jmsgu3
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SheetMusicPlus
Piano Trio in C minor, Op. 143
Piano Trio: piano, violin, cello
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed…
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
33.83 €
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Piano Trio: piano, violin, cello
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Ferdinand Ries
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Piano Trio in C minor, Op. 143
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Artaria Editions
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SheetMusicPlus
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