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Out Of Character
Piano Trio: piano, violin, cello
Sheetmusic to print
4 sheet music found
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1
Taming the Tasman
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Piano Trio: piano, violin, cello
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ADVANCED
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Dale Vail
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Taming the Tasman
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Dale Vail
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1360001 Composed by Dale Vail. Chamber,Classical. 74 pages. Dale Vail #944490. Publish...
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Piano Trio Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1360001 Composed by Dale Vail. Chamber,Classical. 74 pages. Dale Vail #944490. Published by Dale Vail (A0.1360001). Taming the Tasman - composed by Dale Vail in 2019 for the Tasman Trio with support from creative New Zealand.An exciting work for Violin, Cello, and Piano, this piece is not for the faint hearted. Depicting the journey of travelling across the Tasman to begin a new life in a brand new country, this work is full of excitement, despair, and determination. Underlined by the composers jazz influences, this autobiographical work uses the migration of birds between New Zealand and Australia as an allegory for the composers own experiences. Movement 1, Into the West depicts the perilous journey across the Tasman, and the intensity of being dropped into a new place to fend for yourself.Movement 2, Alone in a Crowd, tells the story of the loneliness that can come from being just that little bit out of place in a new society, whilst also full of character and strong personality.Movement 3, Broken Wing, begins with everything being too much, and reflecting on the many failures of the journey, but finishes with a vengeance and determination to prevail.
$30.00
Piano Trio in C minor, Op. 143
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Classical
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Ferdinand Ries
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Dianne James
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Piano Trio in C minor, Op. 143
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Artaria Editions
#
SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Art...
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
Piano Trio in B flat major, Op. 28
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Classical
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Ferdinand Ries
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Dianne James
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Piano Trio in B flat major, Op
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Artaria Editions
#
SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488223 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 64 pages. Art...
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488223 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 64 pages. Artaria Editions #1065109. Published by Artaria Editions (A0.1488223). Ferdinand Ries (1784-1838) was one of the greatest pianists of his time and a composer of exceptional abilities. Ries studied pianoforte (but not composition) with Beethoven in Vienna and the two men remained on cordial terms for the rest of their lives. In the last year of his life Ries co-wrote a book of Beethoven reminiscences that remain one of the most valuable sources of information about his life and character. The place and date of composition of the Sonate Sentimentale is uncertain in spite of the apparently conclusive evidence to the contrary: Ries's autograph score is dated 'Godesberg 1814' but by this time Ries was living in London. The discrepancy is probably due to the fact that Ries added the date to this manuscript, as he did to many others, in the 1820s. One of the most intriguing aspects of this work is the difference between Ries's original conception and the work as it appeared in its first published edition in 1834. The extent of the changes points to a substantial authorial revision of the work made prior to publication rather than a garbled transmission of the original text. Among the most striking of these changes is the inclusion of a brief introduction to the first movement; but other passages are extensively rewritten and in some instances lengthened by the inclusion of additional material. As with all Ries's works for flute, the Sonate Sentimentale is exceptionally well written for the instrument and yet perhaps even more impressive is the way in which Ries balances the musical texture and exploits the full potential of both the flute and piano. The beautiful work is arguably the most impressive flute sonata of the early 19th century. Allan Badley.
$37.00
180 Shift for piano trio
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Piano Trio: piano, violin, cello
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ADVANCED
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Contemporary
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Robert M
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180 Shift for piano trio
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Robert M. Greenberg
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.987846 Composed by Robert M. Greenberg. 20th Century,Contemporary. Sco...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.987846 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 69 pages. Robert M. Greenberg #90269. Published by Robert M. Greenberg (A0.987846). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://www.youtube.com/watch?v=dZvxnzZ1oA8 Duration: ca. 18 minutes Year of composition: 2013 Program Note: I. Elegy and Variations II. Song and Dance (Shake, Rattle and Roll) III. Re-Invention (Toccatissima) Aside from being an obvious (if hackneyed) reference to the commissioning ensemble, Trio 180, the title 180 Shift well describes the large-scale dramatic action of the piece: from beginning to end, it traverses an expressive distance of 180 degrees, from elegiac sorrow to hot-footed sizzle. 180 Shift is cast in three movements. Each movement is based on the same thematic material, although that material is transformed continuously across the span of the piece. Movement one, Elegy and Variations consists of a series of a theme, six free variations of the theme and a quiet intermezzo before the sixth and final variation. The movement is melancholy, reflective, and generally subdued in tone. Movement two, entitled Song and Dance (Shake, Rattle, and Roll) sees materials introduced in the Elegy transformed first into a introspective song and finally into a vigorous, gigue-like dance. The three parts of the movement are characterized, respectively, by shakes (tremolos), rattles (in the piano; we’ll know them when we hear them) and rolls (arpeggios). Movement three – Re-Invention (Toccatissima) is fast and virtuosic, a (mostly) two-part invention that sees the basic thematic material re-invented once again. 180 Shift is dedicated, with great affection and respect, to Trio 180: Ann Miller, Nina Flyer, and Sonia Leong.
$32.00
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