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Sonata in A
Not classified
725
Piano & keyboards
Piano solo
933
Easy Piano
104
Organ
36
Piano, Voice
19
2 Pianos, 4 hands
11
1 Piano, 4 hands
10
C Instruments
9
Piano, Vocal and Guitar
7
Piano Trio: piano, violin, cello
6
Harpsichord
5
Piano Accompaniment
5
Piano Quartet: piano, violin, viola, cello
3
Piano Quartet: piano, 2 violins, cello
2
Accordion
2
Big Note Piano
2
Organ, Trumpet (duet)
2
Organ, Piano (duet)
1
+ 12 instrumentations
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Retract
Guitars
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146
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59
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51
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7
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4 Guitars (Quartet)
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1
Plectrum Orchestra
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+ 7 instrumentations
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Retract
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Choral SATB
9
Choral 2-part
5
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3
Vocal duet, Piano
2
Choral SSAA
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Choral Unison
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Mezzo-Soprano voice, Piano
1
Choral 3-part
1
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Retract
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117
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83
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72
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64
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64
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58
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48
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46
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35
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35
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34
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33
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31
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31
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30
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28
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26
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26
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24
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24
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19
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18
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18
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16
Flute, Clarinet and Bassoon.
16
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15
Recorder
14
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14
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12
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11
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9
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9
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8
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6
Recorder Quartet
6
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6
Clarinet (band part)
5
Saxophone
4
Flute Quintet : 5 flutes
4
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4
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4
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4
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4
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3
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3
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3
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3
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3
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2
Wind ensemble
2
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2
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2
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2
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2
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2
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2
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2
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2
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1
Oboe, Flute
1
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1
Pennywhistle
1
Flute (band part)
1
Clarinet, Cello (duet)
1
3 Recorders (trio)
1
Oboe, Clarinet (duet)
1
Treble (Alto) Recorder
1
Treble (Alto) Recorder, Piano
1
Flute, Saxophone (duet)
1
Clarinet, Bassoon (duet)
1
Saxophone and Organ
1
2 Flutes, Basso continuo
1
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1
Tenor Recorder
1
Flute, Trumpet (duet)
1
Oboe
1
Clarinet, Harp (duet)
1
+ 83 instrumentations
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Retract
Woodbrass
Trombone and Piano
51
Brass Quintet: 2 trumpets, horn, trombone, tuba
37
Trumpet, Piano
36
Brass quartet : 2 trumpets, trombone, tuba
31
French Horn and Piano
26
Euphonium, Piano (duet)
20
Trumpet
20
Tuba and Piano
15
2 Trumpets (duet)
13
French horn
11
2 French horns (duet)
10
2 Trombones (duet)
9
Trumpet, Trombone (duet)
8
Horn Ensemble
8
English horn, Piano
8
Brass Quartet: 4 horns
5
Brass Quartet: 4 trombones
5
Trombone ensemble
4
3 Trombones (trio)
4
Trombone
4
Brass Quartet: 2 trumpets, horn, trombone
4
Tuba
4
Trumpet ensemble
3
2 Tubas (duet)
3
Brass Quartet
3
2 Euphoniums (duet)
3
Trumpet (band part)
3
Bass Trombone and Piano
2
4 Tubas
2
Trumpet, Saxophone (duet)
2
2 English horns and Pianoforte
2
3 Euphoniums
2
Brass Quartet: 4 trumpets
2
3 French horns (trio)
1
3 Tubas (trio)
1
Euphonium, Tuba (duet)
1
Trombone (band part)
1
Trumpet, Harp
1
French Horn and Harp
1
French horn (band part)
1
Trumpet, Horn (duert)
1
Brass Trio
1
Trombone, Horn (duet)
1
Tuba (band part)
1
3 Trumpets (trio)
1
Euphonium
1
+ 41 instrumentations
-
Retract
Strings
Violin and Piano
183
String Quartet: 2 violins, viola, cello
143
Violin
111
Cello, Piano
106
Viola, Piano
71
2 Violins (duet)
42
String Trio: violin, viola, cello
42
Cello
35
Harp
26
2 Cellos (duet)
22
String Trio: 2 violins, cello
21
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20
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19
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17
String Trio: 3 violins
13
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12
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11
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10
String Quintet: 2 violins, viola, cello, bass
9
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8
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7
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6
4 Cellos
6
String Trio: 3 cellos
6
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5
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4
2 Double basses (duet)
4
Viola (band part)
4
String Trio: 2 violins, viola
3
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3
String quartet: 4 violins
3
Doublebass (band part)
3
Cello Ensemble
2
String Trio: 3 violas
2
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2
Cello, Guitar (duet)
2
Viola, Guitar (duet)
1
Harp, Cello (duet)
1
Harp, Flute (duet)
1
Viola and Harp
1
String Quartet : 4 violas
1
4 Double Basses
1
Cello, Organ
1
Viola ensemble
1
Violin ensemble
1
2 Violins, Piano
1
Flute, Doublebass (duet)
1
Piano Trio: Violin, Viola, Piano
1
2 Harps (duet)
1
2 Violins and Basso
1
+ 45 instrumentations
-
Retract
Orchestra & Percussion
String Orchestra
68
Orchestra
52
Concert band
39
Chamber Orchestra
37
Brass ensemble
12
Jazz Ensemble
4
Percussion Ensemble
2
Percussion
1
Percussion (band part)
1
Marimba
1
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Sonata in A
Piano Trio: piano, violin, cello
Sheetmusic to print
6 sheet music found
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1
Piano Trio in E flat major, Op. 2
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Piano Trio: piano, violin, cello
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INTERMEDIATE
#
Classical
#
Ferdinand Ries
#
Dianne James
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Piano Trio in E flat major, Op
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Artaria Editions
#
SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Art...
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1065108. Published by Artaria Editions (A0.1488222). The Piano Trio in E flat, Op.2 was published by Simrock in 1807 with a dedication to Monsieur le Comte de Browne, Brigadeur au Service de S.M.J. de toutes les Russies. It is a generously proportioned work in the usual three movements. The lengthy sonata-from first movement is prefaced by a slow introduction which begins on dominant seventh harmony (a nod perhaps to Beethoven's first symphony), slowly finding its way to the tonic by the start of the Allegro section. The brief development section modulates widely, including references to keys as distant as E minor and C major, while the substantially rewritten and varied recapitulation touches on both B and G majors. The slow movement, Andante un poco Allegretto , is cast in the key of C minor and features many solos and duets for the string instruments as well as further harmonic interest, especially in the central modulating episode from bar 46. The finale is a sonata-rondo design complete with all the usual tricks, including even a remote transposition of the refrain late in the movement to B major, a technique surely learned from Beethoven. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Simrock's edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The piano part is most successfully realised on an instrument extending as far as c4, although since such instruments were by no means standard in the first decade of the 19th century, Ries has notated the part carefully to cater for instruments without an extended treble compass. Any alternative readings have been incorporated into the current edition exactly as they appear in the Simrock print. In an instance such as bars 298-309 of the finale for example, instruments with the extended compass should follow the small print in bars 298 and 309, and in between read the notes an octave higher according to the composer's 8ve marking. Instruments with a limited compass should play the notes as written, without the octave transposition of bars 299-309. The cello part contains several passages written in the treble clef. Evidence that these should sound an octave lower than written is provided by bars 74-80 of the first movement and 85-89 of the finale. In the first instance, awkward octave displacements would result if this passage were played literally; in the second instance, some unacceptable part crossing between violin and cello would result from a literal rendition of these two bars. Accordingly then, all passages written in the treble clef should be transposed down an octave. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
Piano Trio in C minor, Op. 143
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Piano Trio: piano, violin, cello
#
INTERMEDIATE
#
Classical
#
Ferdinand Ries
#
Dianne James
#
Piano Trio in C minor, Op. 143
#
Artaria Editions
#
SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Art...
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
Piano Trio in B flat major, Op. 28
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Piano Trio: piano, violin, cello
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INTERMEDIATE
#
Classical
#
Ferdinand Ries
#
Dianne James
#
Piano Trio in B flat major, Op
#
Artaria Editions
#
SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488223 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 64 pages. Art...
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488223 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 64 pages. Artaria Editions #1065109. Published by Artaria Editions (A0.1488223). Ferdinand Ries (1784-1838) was one of the greatest pianists of his time and a composer of exceptional abilities. Ries studied pianoforte (but not composition) with Beethoven in Vienna and the two men remained on cordial terms for the rest of their lives. In the last year of his life Ries co-wrote a book of Beethoven reminiscences that remain one of the most valuable sources of information about his life and character. The place and date of composition of the Sonate Sentimentale is uncertain in spite of the apparently conclusive evidence to the contrary: Ries's autograph score is dated 'Godesberg 1814' but by this time Ries was living in London. The discrepancy is probably due to the fact that Ries added the date to this manuscript, as he did to many others, in the 1820s. One of the most intriguing aspects of this work is the difference between Ries's original conception and the work as it appeared in its first published edition in 1834. The extent of the changes points to a substantial authorial revision of the work made prior to publication rather than a garbled transmission of the original text. Among the most striking of these changes is the inclusion of a brief introduction to the first movement; but other passages are extensively rewritten and in some instances lengthened by the inclusion of additional material. As with all Ries's works for flute, the Sonate Sentimentale is exceptionally well written for the instrument and yet perhaps even more impressive is the way in which Ries balances the musical texture and exploits the full potential of both the flute and piano. The beautiful work is arguably the most impressive flute sonata of the early 19th century. Allan Badley.
$37.00
Présence
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Piano Trio: piano, violin, cello
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Bernd Alois Zimmermann
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Présence
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Schott Music - Digital
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SheetMusicPlus
Piano trio - Digital Download SKU: S9.Q2798 Ballet blanc in five scenes for violin, cello and piano. Composed by Bernd Alois Zimmermann. This edit...
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Piano trio - Digital Download SKU: S9.Q2798 Ballet blanc in five scenes for violin, cello and piano. Composed by Bernd Alois Zimmermann. This edition: performance score. Downloadable, Performance score. Duration 30 minutes. Schott Music - Digital #Q2798. Published by Schott Music - Digital (S9.Q2798). In addition to his extensive musical expertise, Bernd Alois Zimmermann was also extremely knowledgeable in other fields, above all in philosophy and literature. The composer had devoted himself intensely to the concept of time within the area of philosophy: he became famous for his concept of the “sphericality of timeâ€. In his work Présence, apparently disparate elements are pulled together in an all-embracing simultaneity. The three instrumentalists are assigned literary figures who can all be considered as constants in Zimmermann’s Å“uvre: Ubu Roi (piano), a voracious grotesquely caricatured tyrant from Alfred Jarry’s absurd play, Miguel de Cervantes’ Don Quijote (violin) and Molly Bloom (cello) from James Joyce’s ground-breaking novel Ulysses. The instrumentalists are accompanied by a silent (!) “speaker†who hisses so-called “word emblems†from Paul Poertner’s volume of poems Wurzelwerk between the movements. The word emblem for Scene 3 incorporating musical quotations from Prokofiev’s Piano Sonata Op. 83 and Stockhausen’s Zeitmaße is: “Alle Wahrvögel nisten in einem einzigen Baum†[All true birds nest in a single tree].
$57.99
Flashback of Ravel
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Piano Trio: piano, violin, cello
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Jean Ahn
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Flashback of Ravel
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Jean Ahn
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Digital Download SKU: A0.949304 Composed by Jean Ahn. Concert,Contemporary. Score and parts. 21 pages. Je...
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Piano Trio,String Ensemble Cello,Piano,Violin - Digital Download SKU: A0.949304 Composed by Jean Ahn. Concert,Contemporary. Score and parts. 21 pages. Jean Ahn #4786483. Published by Jean Ahn (A0.949304). Suppose a composer had a glimpse of the first movement of Ravel's trio in a fast forward flash. Then she is left with images. I was trying to organize my impression on Ravel’s trio. The piece uses a loose Sonata form. The first theme and the second theme is somewhat related to Ravel’s, although it is not a direct quotation. The Development is focusing on not only the two themes, but the ornaments from the exposition. The Recapitulation starts in a conventional matter but quickly move onto an improvisatory coda which is a dream-like summarization of all the impressions. The fade out ending suggests that the composer's thought is ongoing.
$15.00
Chanson de Matin Op. 15 for piano trio
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Piano Trio: piano, violin, cello
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INTERMEDIATE/ADVANCED
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Classical
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Edward Elgar
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Klas Krantz
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Chanson de Matin Op. 15 for pi
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Amadeus Music
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SheetMusicPlus
Piano Trio - Advanced Intermediate - Digital Download Composed by Edward Elgar (1857-1934). Arranged by Klas Krantz. Romantic Period, Recital. Indivi...
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Piano Trio - Advanced Intermediate - Digital Download Composed by Edward Elgar (1857-1934). Arranged by Klas Krantz. Romantic Period, Recital. Individual Part, Score. 10 pages. Published by Amadeus Music
Set of 6 exceptionally rare Flute Duets or Sonatas by unknown composers last published in 1760s. Suitable for teaching eager young players of a range of abilities and for recitals. Good introduction to styles, articulations and ornamentation in Baroque period. History of their discovery and performance guide provided. .
$12.95
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