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Piano Trio: piano, violin, cello
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Piano Trio in C minor, Op. 143
Piano Trio: piano, violin, cello
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed…
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
33.16 €
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Piano Trio: piano, violin, cello
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Ferdinand Ries
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Piano Trio in C minor, Op. 143
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Artaria Editions
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SheetMusicPlus
Mendelssohn: Wedding March for Piano Trio
Piano Trio: piano, violin, cello
Piano Trio - Level 3 - Digital Download SKU: A0.549883 Composed by Felix Bartholdy …
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Piano Trio - Level 3 - Digital Download SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.
$36.95
33.12 €
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Piano Trio: piano, violin, cello
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Felix Bartholdy Mendelssohn
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Mendelssohn: Wedding March for Piano Trio
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jmsgu3
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SheetMusicPlus
Fauré: Élégie Op. 24 for Piano Trio
Piano Trio: piano, violin, cello
Piano Trio - Level 4 - Digital Download SKU: A0.549721 Composed by Gabriel Faure. A…
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Piano Trio - Level 4 - Digital Download SKU: A0.549721 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 31 pages. Jmsgu3 #3531323. Published by jmsgu3 (A0.549721). Duration: ca. 7:00, Score: 18 pages, violin: 3 pages, cello: 3 pages, piano: 7 pages. An epic choice for a recital or funeral.Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$37.95
34.01 €
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Piano Trio: piano, violin, cello
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Gabriel Faure
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Fauré: Élégie Op. 24 for Piano Trio
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jmsgu3
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SheetMusicPlus
My Way
Piano Trio: piano, violin, cello
Piano Trio,String Ensemble Cello,Piano,Violin - Level 2 - Digital Download SKU: A0.8360…
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 2 - Digital Download SKU: A0.836041 By Elvis Presley. By Claude Francois and Jacques Revaux. Arranged by Joshua Jun S. Kim. Jazz. Score and parts. 12 pages. Joshua S. Kim #3260519. Published by Joshua S. Kim (A0.836041). This arrangemet is for Trio of Violin, Violoncello and Piano. My Way is a song by Jacques Revaux and Claude Francois. Its original French lyrics were written by Gilles Thibault. Since its English lyrics were written and sung by Paul Anka, it became a very popular song in the U.S. This arrangement contains a dozen of pizzicato notes and a couple of double stops for violin and cello parts. In general, it is suitable for early intermediate level, but students of beginner level are also eligible to play this cool song.Includes score and set of parts.
$12.99
11.64 €
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Piano Trio: piano, violin, cello
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Elvis Presley
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My Way
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Joshua S. Kim
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SheetMusicPlus
Korean Simple Suite No.2 (For Violin, Cello and Piano)
Piano Trio: piano, violin, cello
Piano Trio - Level 4 - Digital Download SKU: A0.511799 Composed by Han-Ki Kim. 20th…
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Piano Trio - Level 4 - Digital Download SKU: A0.511799 Composed by Han-Ki Kim. 20th Century,Contemporary,Instructional,Multicultural,Standards,World. 48 pages. Han-Ki Kim #6266419. Published by Han-Ki Kim (A0.511799). This Korean Simple Suite No.2 is consist of 5 movements.1. Prologue-–Ungki Dungki.2. Sound of Piri. 3. Cheerful Semachi.4. Meditation.5. Finale-Perpetuum-Mobile.All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). 1st movement is express Delight feeling, the term “Ungki Dungki“ is a kind of slow Dance. And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express Korean flute sound. and for 3rd movement, adapted Korean Traditional Semachi rhythm. 4th movement is composed for Meditation feeling, it is generally carm. For Finale, Perpetuum Mobile form is used, this movement is characterised by simple short theme and very fast tempo. Attached Music file is 1st movement, it's just for a reference.
$15.90
14.25 €
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Piano Trio: piano, violin, cello
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Han-Ki Kim
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Korean Simple Suite No.2
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Han-Ki Kim
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SheetMusicPlus
Korean Simple Suite No.1 (For Violin, Cello and Piano)
Piano Trio: piano, violin, cello
Piano Trio,String Ensemble - Level 4 - Digital Download SKU: A0.511722 Composed by …
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Piano Trio,String Ensemble - Level 4 - Digital Download SKU: A0.511722 Composed by Han-Ki Kim. Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 43 pages. Han-Ki Kim #4848515. Published by Han-Ki Kim (A0.511722). This Korean Simple Suite No.1 For Violin, Cello and Piano is consist of 5 movements. 1.Prologue-Greeting 2.Oriental Flute 3.Cheerfulness 4.Sorrow 5.Finale-Festival. All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). 1st movement is just for a Greeting. And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express oriental flute sound. and for 3rd movement, adapted Korean Traditional rhythm, for example, such as Kutkuri Jajinmori. 4th movement is major key, but it has a deep sorrow. For Finale, Rondo form is used, and Korean Traditional Children's song is adapted as main Theme. Attached Music file is recorded with Violin and Piano, it’s just for a referrence.
$15.90
14.25 €
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Piano Trio: piano, violin, cello
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Han-Ki Kim
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Korean Simple Suite No.1
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Han-Ki Kim
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SheetMusicPlus
Hangangsu-Taryeong (For Piano Trio)
Piano Trio: piano, violin, cello
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 4 - Digital Download …
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 4 - Digital Download SKU: A0.1431354 By Traditional. By Han-Ki Kim. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Standards,Traditional. 20 pages. Han-Ki Kim #1011824. Published by Han-Ki Kim (A0.1431354). “Taryeong” generally refers to a slow and sad song, or a song containing a story or story. It is mainly used in traditional Korean songs, and a representative example is Arirang, one of the representative folk songs famous for its slow melody and mournful melody. It also reflects the culture, customs, and emotions of each region and has diverse content and rhythm.“Hangangsu Taryeong” is one of the Gyeonggi folk songs and contains information about the history, nature, joys and sorrows of the Han River, and boating. It is also an exciting song and is usually played to the rhythm of “Gutgeori,” one of Korea’s traditional rhythms. However, in this music, I changed the mood and mainly used the “Jajinmori” rhythm, and also varied the tempo. Traditionally, the “Jajinmori” rhythm is much faster and more exciting than the “Gutgeori” rhythm. This music can be divided into the first half and the second half, and the three themes from the first half are compressed and connected in the second half.
$23.50
21.06 €
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Piano Trio: piano, violin, cello
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Traditional
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Hangangsu-Taryeong
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Han-Ki Kim
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SheetMusicPlus
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