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Piano Trio: piano, violin, cello
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Piano Trio
Piano Trio: piano, violin, cello
Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.9384…
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.938413 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 59 pages. Colin Bayliss #9995. Published by Colin Bayliss (A0.938413). Piano Trio (B44) was written in the spring of 1991 for David Johnson and the trio which he was forming in Cologne. The work is in three movements:-1. Structures The three instruments build differing structural patterns based on a 12-note row. The violin and 'cello often complement each other, but the piano rarely joins them and tries to pull the music towards a diatonic tonal language, eventually succeeding to end in G major. The movement is in arch form, the second half being based on the retrogrades of the note row. 2. Textures Most forms of sound textures are used, including col legno and sul ponticello for the strings, while the piano occasionally employs soft-headed timpani sticks both on the keyboard and the interior of the instrument. Again the movement is in arch form, with a central section incorporating a miniature scherzo, with a trio section parodying the palm court trio style with a tune of sickly sentimentality. [ This movement may be played separately under the title Einer Kleiner Alptraum - A Little Night... mare] 3. Metamorphoses The notes which will eventually become a Scottish folk tune are hidden either in the repeated notes or in the left hand of the piano, either singly or in harmony. After a neo- classical exposition, using a serial melody, progress is quickly halted by the use of some of the notes of the folk tune being arranged into the theme of Weber's Turandot which was used by Hindemith in his Symphonic Metamorphoses . This pulls the music into a slightly more tonal frame work which becomes more pronounced after a reference to the theme of the slow movement of the Eroica symphony used in Richard Strauss' Metamorphosen. From then onwards, tonality, or rather modality, is established and the folk tune style is maintained with simplicity to the end, except for a miniscule coda reminiscent of the opening of the movement. The sound sample is a performance of the second movement Textures.
$12.00
10.97 €
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Piano Trio: piano, violin, cello
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Colin Bayliss
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Piano Trio
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Colin Bayliss
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SheetMusicPlus
Taiwan Fantasy, for Violin, Cello and Piano
Piano Trio: piano, violin, cello
Piano Trio,String Ensemble Cello,Violin - Level 4 - Digital Download SKU: A0.896208…
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Piano Trio,String Ensemble Cello,Violin - Level 4 - Digital Download SKU: A0.896208 Composed by John van Deursen. Contemporary,World. Score and parts. 21 pages. Francis Music #6209429. Published by Francis Music (A0.896208). A theme and variations on Moonlight Sorrow (月夜æ„) by Teng Yu-Shian (鄧雨賢). A great piece for recitals! Festival-like opening moves into the lyrical theme, followed by three variations with ever-increasing excitement. Challenging parts for all players with short, unique, cadenzas for each. Includes optional cut for shortened version.
$25.75
23.54 €
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Piano Trio: piano, violin, cello
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John van Deursen
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Taiwan Fantasy, for Violin, Cello and Piano
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Francis Music
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SheetMusicPlus
Piano Trio in E flat major, Op. 2
Piano Trio: piano, violin, cello
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488222 Composed…
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1065108. Published by Artaria Editions (A0.1488222). The Piano Trio in E flat, Op.2 was published by Simrock in 1807 with a dedication to Monsieur le Comte de Browne, Brigadeur au Service de S.M.J. de toutes les Russies. It is a generously proportioned work in the usual three movements. The lengthy sonata-from first movement is prefaced by a slow introduction which begins on dominant seventh harmony (a nod perhaps to Beethoven's first symphony), slowly finding its way to the tonic by the start of the Allegro section. The brief development section modulates widely, including references to keys as distant as E minor and C major, while the substantially rewritten and varied recapitulation touches on both B and G majors. The slow movement, Andante un poco Allegretto , is cast in the key of C minor and features many solos and duets for the string instruments as well as further harmonic interest, especially in the central modulating episode from bar 46. The finale is a sonata-rondo design complete with all the usual tricks, including even a remote transposition of the refrain late in the movement to B major, a technique surely learned from Beethoven. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Simrock's edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The piano part is most successfully realised on an instrument extending as far as c4, although since such instruments were by no means standard in the first decade of the 19th century, Ries has notated the part carefully to cater for instruments without an extended treble compass. Any alternative readings have been incorporated into the current edition exactly as they appear in the Simrock print. In an instance such as bars 298-309 of the finale for example, instruments with the extended compass should follow the small print in bars 298 and 309, and in between read the notes an octave higher according to the composer's 8ve marking. Instruments with a limited compass should play the notes as written, without the octave transposition of bars 299-309. The cello part contains several passages written in the treble clef. Evidence that these should sound an octave lower than written is provided by bars 74-80 of the first movement and 85-89 of the finale. In the first instance, awkward octave displacements would result if this passage were played literally; in the second instance, some unacceptable part crossing between violin and cello would result from a literal rendition of these two bars. Accordingly then, all passages written in the treble clef should be transposed down an octave. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
33.83 €
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Piano Trio: piano, violin, cello
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Ferdinand Ries
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Piano Trio in E flat major, Op. 2
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Artaria Editions
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SheetMusicPlus
180 Shift for piano trio
Piano Trio: piano, violin, cello
Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.9878…
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.987846 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 69 pages. Robert M. Greenberg #90269. Published by Robert M. Greenberg (A0.987846). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://www.youtube.com/watch?v=dZvxnzZ1oA8 Duration: ca. 18 minutes Year of composition: 2013 Program Note: I. Elegy and Variations II. Song and Dance (Shake, Rattle and Roll) III. Re-Invention (Toccatissima) Aside from being an obvious (if hackneyed) reference to the commissioning ensemble, Trio 180, the title 180 Shift well describes the large-scale dramatic action of the piece: from beginning to end, it traverses an expressive distance of 180 degrees, from elegiac sorrow to hot-footed sizzle. 180 Shift is cast in three movements. Each movement is based on the same thematic material, although that material is transformed continuously across the span of the piece. Movement one, Elegy and Variations consists of a series of a theme, six free variations of the theme and a quiet intermezzo before the sixth and final variation. The movement is melancholy, reflective, and generally subdued in tone. Movement two, entitled Song and Dance (Shake, Rattle, and Roll) sees materials introduced in the Elegy transformed first into a introspective song and finally into a vigorous, gigue-like dance. The three parts of the movement are characterized, respectively, by shakes (tremolos), rattles (in the piano; we’ll know them when we hear them) and rolls (arpeggios). Movement three – Re-Invention (Toccatissima) is fast and virtuosic, a (mostly) two-part invention that sees the basic thematic material re-invented once again. 180 Shift is dedicated, with great affection and respect, to Trio 180: Ann Miller, Nina Flyer, and Sonia Leong.
$32.00
29.26 €
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Piano Trio: piano, violin, cello
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Robert M
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180 Shift for piano trio
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Robert M. Greenberg
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SheetMusicPlus
Praise Him with Stringed Instruments, Book 3 (Collection of 10 Hymns for Violin, Cello, and Piano)
Piano Trio: piano, violin, cello
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1362480 By Sharo…
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1362480 By Sharon Wilson. By D. S. Hakes, Edmund S. Lorenz, Folk Song, Frederick M. Lehman, May Whittle Moody, Septimus Winner, Solomon W. Straub, Traditional, Walter Stillman Martin, and William J. Kirkpatrick. Arranged by Sharon Wilson. Christian,Easter,Sacred,Traditional,Wedding. 179 pages. Sharon Wilson #946945. Published by Sharon Wilson (A0.1362480). The title of this collection was inspired by the words found in Psalm 150 verse 4: Praise Him with stringed instruments. . . (KJV).This collection contains 10 favorite hymns arranged as instrumental trios (for VIOLIN and CELLO duet with PIANO accompaniment). These uplifting arrangements are a welcome addition to the repertoire for beginning string players and suitable for recitals or worship services throughout the year.  All notes for both the VIOLIN and CELLO are playable in the first position making these arrangements an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player.For each song, there is a combined score (grand staff) with all three parts on each page (VIOLIN, CELLO, and PIANO) plus separate 1-staff scores for the VIOLIN and CELLO as well as a PIANO only score.Each song is also available separately with accompanying preview pages and audio samples. Song titles included in this collection:   God Sees the Little Sparrow FallGod Will Take Care of YouGrant Us Your PeaceHe Hideth My SoulMoment by MomentMy Song Shall Be of TheeRainbow of His LoveTell It to JesusThe Love of GodWhispering HopeVisit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$24.99
22.85 €
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Piano Trio: piano, violin, cello
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Sharon Wilson
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Praise Him with Stringed Instruments, Book 3
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Sharon Wilson
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SheetMusicPlus
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