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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Europe
Not classified
1,553
Piano & keyboards
Piano, Vocal and Guitar
1,872
Piano solo
1,015
Easy Piano
755
Piano, Voice
527
Accordion
386
Organ
58
Organ, Trumpet (duet)
28
1 Piano, 4 hands
24
C Instruments
18
2 Pianos, 4 hands
14
2 Accordions
13
Piano Trio: piano, violin, cello
12
Big Note Piano
12
Keyboard
6
Piano Quartet: piano, violin, viola, cello
5
Piano Accompaniment
3
Accordion ensemble
3
2 Pianos, 8 hands
2
1 Piano, 6 hands
2
Piano Quintet: piano, 2 violins, viola, cello
2
Accordion - Piano, Voice, Guitar chords
2
Organ, Piano (duet)
2
Piano (band part)
1
Piano Quartet: piano, 2 violins, cello
1
+ 19 instrumentations
-
Retract
Guitars
Ukulele
513
Melody line, (Lyrics) and Chords
452
Guitar notes and tablatures
450
Lyrics and Chords
314
Guitar
285
2 Guitars (duet)
25
Bass guitar
21
Mandolin, Guitar (duet)
6
4 Guitars (Quartet)
6
Mandolin
5
Banjo
3
Guitar, Violin, Cello (trio)
3
3 Guitars (trio)
2
Bouzouki
2
Piano, Guitar (duet)
2
Guitar Ensemble
2
2 Mandolins (duet)
1
Guitar, Flute, Clarinet
1
Dulcimer
1
Plectrum Orchestra
1
Baritone Ukulele
1
+ 16 instrumentations
-
Retract
Voice
Choral SATB
314
Choral 3-part
63
Choral 2-part
26
Choral TTBB
22
Choral Instrumental Pak
16
Choral SSAA
9
Vocal duet, Piano
8
Voice solo
8
Choral Unison
5
Soprano voice, Piano
3
Choral SSATB
2
Mezzo-Soprano voice, Piano
2
High voice
2
Choral
2
Choral SSATTB
2
Choral SAATB A Cappella
1
Low voice, Piano
1
Vocal duet
1
Alto voice, Piano
1
Baritone voice, Piano
1
+ 15 instrumentations
-
Retract
Woodwind
Flute
395
Alto Saxophone
203
Clarinet
176
Saxophone Quartet: 4 saxophones
117
Flute and Piano
107
Clarinet and Piano
82
Clarinet Quartet: 4 clarinets
80
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
77
2 Saxophones (duet)
51
Alto Saxophone and Piano
48
Tenor Saxophone
44
2 Flutes (duet)
44
Saxophone Quintet: 5 Saxophones
44
2 Clarinets (duet)
43
3 Saxophones (trio)
40
Saxophone (band part)
36
Tenor Saxophone and Piano
35
Flute Quartet: 4 flutes
35
Soprano Saxophone and Piano
33
Flute Trio: 3 flutes
33
Oboe, Piano (duet)
31
Flute ensemble
26
2 Flutes, Piano
26
Saxophone
26
English horn, Piano
24
Flute, Oboe, Bassoon
23
3 Clarinets (trio)
22
Baritone Saxophone, Piano
22
Flute, Clarinet (duet)
21
Flute and Guitar
18
Flute, Oboe, Clarinet, Bassoon
17
Oboe, Clarinet, Bassoon (trio)
17
Pennywhistle
16
Saxophone, Clarinet (duet)
15
Bass Clarinet, Piano
15
Clarinet Quintet: 5 clarinets
14
Flute, Oboe, Clarinet (trio)
13
Oboe (band part)
12
Recorder Quartet
12
Clarinet, Trumpet (duet)
10
Clarinet, Violin (duet)
10
2 Oboes (duet)
9
Flute, Viola (duet)
9
Flute, Cello, Piano (trio)
9
Flute, Violin
8
Clarinet (band part)
8
5 Recorders
8
Recorder
8
Clarinet, Guitar (duet)
7
Flute, Saxophone (duet)
7
Soprano Saxophone
7
Clarinet and Viola
6
Clarinet Ensemble
6
Oboe, Bassoon (duet)
6
Oboe, Flute
6
Oboe, Clarinet (duet)
6
2 Recorders (duet)
6
Flute, Clarinet and Bassoon.
5
Descent (Soprano) Recorder, Piano
5
4 Oboes
4
3 Recorders (trio)
4
Treble (Alto) Recorder
4
Flute Quintet : 5 flutes
4
Flute, Trumpet (duet)
4
Saxophone ensemble
4
Descant (Soprano) Recorder
3
Flute, Viola and Piano
3
Clarinet, Bassoon (duet)
3
Flute, Violin, Piano
3
Oboe ensemble
2
Oboe, Guitar (duet)
2
Saxophone and Guitar
2
Recorder, Guitar (duet)
2
Piccolo, Piano
2
Saxophone and Harp
2
Harmonica, Piano
2
Flute, Clarinet, Piano (trio)
2
Flute, Viola and harp
2
2 Saxophones, Piano
2
English Horn, Guitar (duet)
1
Clarinet, Cello (duet)
1
Recorder, Piano
1
Oboe, Harp
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
Bass Clarinet
1
Flute, Bassoon, and Piano
1
English horn, Harp (duet)
1
Clarinet, Harp (duet)
1
Flute (band part)
1
Pan Flute
1
2 Recorders, Piano
1
Oboe, Cello
1
Ocarina
1
Flute and String Quartet
1
Flute, Orchestra
1
Flute, Violoncello
1
Flute, Oboe (duet)
1
2 Flutes and Guitar
1
Recorder Ensemble
1
Oboe
1
2 Oboes and Basson
1
Flute, Violin and Violoncello
1
Treble (Alto) Recorder, Piano
1
2 Clarinets, Piano
1
Flute and Strings Trio
1
+ 100 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
182
Trumpet
61
Trumpet, Piano
39
French Horn and Piano
33
Trombone and Piano
32
Trumpet ensemble
31
Trombone
28
Euphonium, Piano (duet)
26
Brass quartet : 2 trumpets, trombone, tuba
26
English horn, Piano
24
Tuba and Piano
17
Brass Quartet: 4 trombones
16
2 Trumpets, Keyboard (piano or organ)
13
2 Trumpets (duet)
13
Brass Quartet: 2 trumpets, horn, trombone
10
Trumpet, Saxophone (duet)
10
2 Trombones (duet)
10
Trumpet, Trombone (duet)
10
Brass Quartet
10
Trombone (band part)
9
Trumpet (band part)
9
Horn Ensemble
8
4 Tubas
8
Trombone ensemble
8
Brass Quartet: 4 horns
7
French horn
6
3 Trumpets (trio)
6
Tuba
5
3 Trombones (trio)
5
2 French horns (duet)
5
Brass Quartet: 4 trumpets
5
Trumpet, Horn (duert)
3
2 Tubas (duet)
2
French Horn and Harp
2
4 Euphoniums
2
English Horn, Guitar (duet)
1
Tuba (band part)
1
3 Tubas (trio)
1
English horn, Harp (duet)
1
Bass Trombone
1
Euphonium
1
Trumpet, Bassoon (duet)
1
French horn (band part)
1
3 French horns (trio)
1
Trombone, Horn (duet)
1
+ 40 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
205
Violin
165
Harp
115
Violin and Piano
111
Cello
74
Cello, Piano
62
Viola, Piano
50
String Trio: violin, viola, cello
46
Violin, Cello (duet)
27
2 Violins (duet)
25
String Trio: 3 violins
25
2 Cellos (duet)
20
Cello, Guitar (duet)
19
2 Harps (duet)
14
Violin (band part)
12
String Trio: 3 cellos
12
Viola
11
4 Cellos
11
Violin, Viola (duet)
10
2 Violas (duet)
9
String trio
8
Double bass, Piano (duet)
8
Viola, Cello (duet)
8
Viola, Guitar (duet)
7
Viola (band part)
6
String quartet: 4 violins
5
Violin, Guitar (duet)
5
Harp and Piano
4
String Trio: 3 violas
4
Harp, Flute (duet)
4
String Quintet: 2 violins, viola, cello, bass
4
Cello (band part)
4
String Quartet : 4 violas
3
Double basses ensemble
3
2 Violins, Piano
3
Double Bass
3
Doublebass (band part)
3
Harp, Violin (duet)
3
String Trio: 2 violins, cello
3
Cello Ensemble
2
Harp, Violin, Violoncello
2
Violin ensemble
2
Violin, Organ
2
2 Cellos, Piano
1
Harp, Trombone (duet)
1
Harp, Cello (duet)
1
Viola and Harp
1
Cello, Organ
1
Violoncello, Basso continuo
1
Harp, Voice
1
+ 45 instrumentations
-
Retract
Orchestra & Percussion
Concert band
264
String Orchestra
90
Orchestra
68
Brass ensemble
53
Drums
39
Handbells
26
Jazz Ensemble
23
Chamber Orchestra
16
Woodwind Quintet
8
Marimba
5
Jazz combo
5
Percussion (band part)
5
Marching band
4
Brass Quintet: other combinaisons
4
Percussion Ensemble
3
Vibraphone
2
Woodwind Quartet: any 4 woodwinds
2
Flexible Instrumentation
2
Percussion
2
School Ensemble
1
Woodwind Trio: any 3 woodwinds
1
Big band
1
Marimba and Organ
1
Piano and Orchestra
1
Marimba or Xylophone and Piano
1
2 Snare Drums (duet)
1
+ 21 instrumentations
-
Retract
Others
Musical course - Solfege
6
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Chamber Orchestra
Sheetmusic to print
16 sheet music found
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1
Torna a Sorrento for Orchestra
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Chamber Orchestra
#
E
#
Oliver Payán
#
Torna a Sorrento for Orchestra
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Introito Music
#
SheetMusicPlus
Composed by E. Campa. Arranged by Oliver Payán. Repertoire, European. Score, Set of Parts. 28 pages. Published by Introito Music (S0.69897). - Score,Set of P...
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Composed by E. Campa. Arranged by Oliver Payán. Repertoire, European. Score, Set of Parts. 28 pages. Published by Introito Music (S0.69897). - Score,Set of Parts - Repertoire,European - Introito Music
$15.99
Quiet Times - Solo Flugelhorn Feature for Studio Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Richard Decker
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Quiet Times - Solo Flugelhorn
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Charles Decker Music Press
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.817154 Composed by Richard Decker. 21st Century,Contemporary,Contest,Festival,Jazz,Pop. 41 pages. ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.817154 Composed by Richard Decker. 21st Century,Contemporary,Contest,Festival,Jazz,Pop. 41 pages. Charles Decker Music Press #5740917. Published by Charles Decker Music Press (A0.817154). This very accessible and moderately difficult original jazz-influenced, lush sounding ballad for studio orchestra featuring solo flugelhorn creates lasting memories for performers and audiences. New York State School Music News review: This slow ballad has an effective legato flow with remarkably colorful orchestration … a very original and playable creation. The audio file is an actual studio orchestra performance of the entire work and not a computer playback of the score. See also the piano reduction accompaniment for Quiet Times at Charles Decker Music Press. See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.
$18.95
Concerto for 3 Violins in F Major, RV 551
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Chamber Orchestra
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ADVANCED
#
Classical
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Antonio Vivaldi
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Arte Nova Music Lab
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Concerto for 3 Violins in F Ma
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Arte Nova Music Lab
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742470 Composed by Antonio Vivaldi. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,Wor...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742470 Composed by Antonio Vivaldi. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 73 pages. Arte Nova Music Lab #4598409. Published by Arte Nova Music Lab (A0.742470). Antonio Lucio Vivaldi (Italian: [anˈtÉ”Ënjo ˈluËtʃo viˈvaldi]; 4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than fortyoperas. His best-known work is a series of violin concertos known as the Four Seasons. Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà , a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died, in poverty, less than a year later. Taken from https://en.wikipedia.org/wiki/Antonio_Vivaldi
$30.00
Meditation XVII - Parts
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Chamber Orchestra
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Contemporary
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Ron Keinan
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Meditation XVII - Parts
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Ron Keinan
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.1028111 Composed by Ron Keinan. Contemporary. Score and parts. 125 pages. Ron Keinan #3407435. Published by ...
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Chamber Orchestra - Digital Download SKU: A0.1028111 Composed by Ron Keinan. Contemporary. Score and parts. 125 pages. Ron Keinan #3407435. Published by Ron Keinan (A0.1028111). Meditation VXII - Text by John Donne (1572-1631).For Mezzo Soprano, Rock Ensemble and Chamber OrchestraA full set of parts. Score available separately.TextNo man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend's or of thine own were: any man's death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bells tolls; it tolls for thee.
$20.00
Les Indes Galantes - Prologue (Overture)
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Chamber Orchestra
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ADVANCED
#
Jean Phillipe Rameau
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Arte Nova Music Lab
#
Les Indes Galantes - Prologue
#
Arte Nova Music Lab
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standard...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 15 pages. Arte Nova Music Lab #4600759. Published by Arte Nova Music Lab (A0.742472). Les Indes galantes (French: The Amorous Indies) Opéra-ballet with a prologue and two entrées. Choreography: Louis Dupré. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-Niccolò Servandoni. First performance: 23 August 1735, Théâtre de l'Académie de Musique, Paris. Principals: David Dumoulin, Louis Dupré, M. le Breton, M. Javellier, Marie Sallé. The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Prologue: The palace of Hebe in the background and her gardens in the wings Hebe, goddess of youth, summons her followers to take part in a festival (Air: Vous, qui d'Hébé suivez les lois). Young French, Spanish, Italians and Poles rush to celebrate with a series of dances, including a musette. The ballet is interrupted by the noise of drums and trumpets. It is Bellona, goddess of war, who arrives on the stage accompanied by warriors bearing flags. Bellona calls on the youths to seek out military glory (Air and chorus: La Gloire vous appelle). Hebe prays to Cupid (L'Amour) to use his power to hold them back. Cupid descends on a cloud with his followers. He decides to abandon Europe in favour of the Indies, where love is more welcome. Taken from https://en.wikipedia.org/wiki/Les_Indes_galantes
$20.00
Prayer for Burma - SCORE
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Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Stuart Brown
#
Prayer for Burma - SCORE
#
Stuart Brown Music
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.835413 Composed by Stuart Brown. Contemporary,Multicultural,World. Score and parts. 56 pages. Stua...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.835413 Composed by Stuart Brown. Contemporary,Multicultural,World. Score and parts. 56 pages. Stuart Brown Music #1285. Published by Stuart Brown Music (A0.835413). Contact the composer at themusicman55@gmail.com Performing rights apply in the United Kingdom (PRS for Music) and the United States of America Find us on Facebook (SB Vision Music: home of musician / composer / arranger Stuart Brown) Prayer for Burma is an orchestral tone poem in five sections, total duration 13 minutes. It was composed in 2010 for Christian Solidarity Worldwide, in support of the organisation's human rights work in Burma (Myanmar). 90% of all profits from this work are donated to Christian Solidarity Worldwide. The full score and sets of parts are available from sheetmusicplus.com The composer is available to assist in rehearsing the work or to conduct performances in Europe, the USA and Canada. A recording of the work is available from most major online stores (Amazon recommended).
$14.00
Joseph White: La Bella Cubana for chamber orchestra - Score Only
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Chamber Orchestra
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INTERMEDIATE
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Joseph White
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Robert Debbaut
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Joseph White: La Bella Cubana
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ROBERT DEBBAUT
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Mult...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romantic Period,World. Score and parts. 66 pages. ROBERT DEBBAUT #6363105. Published by ROBERT DEBBAUT (A0.939439). The talents of Afro-Cuban violinist Joseph White were recognized by the American pianist and composer Louis Moreau Gottschalk (1829-1869) who had performed with him on an early recital. Gottschalk raised money so he could go to Paris and study with Jean-Delphin Alard (1815-1888), one of the great violinists of his day. White won the Paris Conservatory’s Premier Prix in 1856 and received high accolades from such musical giants as Auber, Berlioz, Gounod, Rossini, and Saint-Saëns, as well as German violin virtuosi Ferdinand David and Joseph Joachim. He was a major force in the cultural life of Paris as well as Europe for the next twenty years, performing on his Stradivarius violin nicknamed The Swansong. La Bella Cubana was among the original compositions s he performed on his recitals. This volume includes the new arrangement for chamber orchestra, the original transcribed score for two violins and piano, as well as extensive biographical and background information. For those seeking more information about the greatest violinist of whom you have NEVER heard, this is a great starting point.  Adapted from a published lead sheet, this traditional carol is adapted for young string orchestra. If you purchase the score, please write to the arranger at debbaut@gmail.com, subject White LBC and I will send you a copy of the parts for $30 via Venmo or personal check.
$9.99
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score a...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Te Quiero Dijiste
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Chamber Orchestra
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INTERMEDIATE
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Maria Grever
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Marek Czekala
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Te Quiero Dijiste
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Marek Czekala
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1190077 Composed by Maria Grever. Arranged by Marek Czekala. Film/TV,Latin. Score and parts. 28 pa...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1190077 Composed by Maria Grever. Arranged by Marek Czekala. Film/TV,Latin. Score and parts. 28 pages. Marek Czekala #789711. Published by Marek Czekala (A0.1190077). MarÃa Grever (14 September 1885 – 15 December 1951) was the first female Mexican composer to achieve international acclaim. Grever wrote more than 1000 songs — the majority of them boleros — and her popularity reached audiences in Latin America, Europe, and the United States. In 1920, she began work as a film composer for Paramount Pictures and 20th Century Fox studiosTe quiero dijiste (I love you, you said), written for the 1944 Esther Williams film Bathing Beauty.(Wikipedia).
$49.99
Mass in G Major - Qui sedes - Duet for Soprano and Alto from Mass in G Major - Fullscore and Parts
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Chamber Orchestra
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INTERMEDIATE
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Carlos Seixas
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Hélder Bento
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Mass in G Major - Qui sedes -
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Hélder Bento
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1485456 Composed by Carlos Seixas. Arranged by Hélder Bento. Baroque,Christmas,Early Music,Religi...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1485456 Composed by Carlos Seixas. Arranged by Hélder Bento. Baroque,Christmas,Early Music,Religious,Sacred. 7 pages. Hélder Bento #1062513. Published by Hélder Bento (A0.1485456). Qui sedes - Duet for Soprano and Alto from Mass in G Major - Fullscore and PartsCarlos Seixas (1704-1742) was a Portuguese composer and organist who had close contact with the avant-garde European music of his time. Despite never leaving Portugal, Seixas collaborated with Domenico Scarlatti, who was the chapel master of the Portuguese court. Seixas is considered the most important Portuguese baroque composer of keyboard music. Although none of his original works survived, he is credited with composing approximately 700 toccatas. Of these, only ninety-five survived in authenticated sources, along with other instrumental pieces and ten complete vocal works, including the Mass in G major. This mass is written for four soloists (soprano, alto, tenor, and bass), choir, and strings. It is divided into five parts: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei. In addition to the choral sections, this piece also includes four arias, one for each soloist, two duets for soprano and alto, and a trio for soprano, alto, and tenor.
$7.00
Three Australian Folk Songs
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Traditonal
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Roman Benedict
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Waltzing Matilda
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Three Australian Folk Songs
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Roman Benedict
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.766729 Composed by Traditonal. Arranged by Roman Benedict. 20th Century,Contemporary,Folk,Patrioti...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.766729 Composed by Traditonal. Arranged by Roman Benedict. 20th Century,Contemporary,Folk,Patriotic. Score and parts. 70 pages. Roman Benedict #5178667. Published by Roman Benedict (A0.766729). This medley of three popular traditional Australian songs is her presented in a lively and colourful arrangement for chamber orchestra. This arrangement works well as an encore or as part of a concert programme (duration: approx. 5'), and is a collection of three popular Australian folk songs: Botany Bay, Click Go The Shears & Waltzing Matilda. These were selected to cover three eras of Australian colonial history: a song from Australia's convict past, one from the development of the pastoral nation, and finishing with the stories of the bush-ranger history. Drawing on musical styles as diverse as folk song, Aaron Copland, and European ballroom dance music it is a fun and entertaining addition to any concert programme.
$70.00
Concerto No.3 for Violin and Orchestra
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Chamber Orchestra
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ADVANCED
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David Chesky
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Concerto No.3 for Violin and O
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Pamaluc Music
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.882393 Composed by David Chesky. Contemporary,Jewish. Score and parts. 218 pages. Pamaluc Music #1...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.882393 Composed by David Chesky. Contemporary,Jewish. Score and parts. 218 pages. Pamaluc Music #18835. Published by Pamaluc Music (A0.882393). From the composers Joy and Sorrow album. This three movement concerto uses the language of Eastern European Klezmer. The first movement is a lively and filled with virtuoso lines. The second movement is slow and haunting. The last movement once again is the classic virtuoso violin concerto at a very up tempo marking. Duration 18.00 min 1perc./ clar. / trpt. strings.
$34.98
Perky Polka (light orchestral)
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Chamber Orchestra
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EASY
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Tilly Lockwood
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Perky Polka
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Surrey Dance Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1301095 Composed by Tilly Lockwood. 19th Century. Score and Parts. 26 pages. Surrey Dance Music #8...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1301095 Composed by Tilly Lockwood. 19th Century. Score and Parts. 26 pages. Surrey Dance Music #890773. Published by Surrey Dance Music (A0.1301095). I've stopped short of full symphony orchestra (omitting trumpets, tuba, harp and percussion), to give this the small-European-orchestra feel that a piece with polka in the title needs. Great for a young orchestra.
$29.99
River Race
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Chamber Orchestra
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ADVANCED
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John Bliss
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River Race
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John Bliss
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.899582 Composed by John Bliss. Contemporary,Folk,World. Score and parts. 35 pages. John Bliss #338...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.899582 Composed by John Bliss. Contemporary,Folk,World. Score and parts. 35 pages. John Bliss #3385611. Published by John Bliss (A0.899582). River Race fuses Eastern European folk rhythms with Western harmony in classic rondo form. Mixed meters create continuous energy with an infectious melodic charm throughout, while color variety adds wit and passion along the way. A perfect opener or closer; sure to add sparkle anywhere in a program!
$12.95
Dora's Dance
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Chamber Orchestra
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ADVANCED
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David Chesky
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Dora's Dance
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Pamaluc Music
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.882376 Composed by David Chesky. Contemporary,Jewish. Score and parts. 62 pages. Pamaluc Music #18...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.882376 Composed by David Chesky. Contemporary,Jewish. Score and parts. 62 pages. Pamaluc Music #18285. Published by Pamaluc Music (A0.882376). An up tempo Klezmer Dance from the composers Joy and Sorrow album. This work captures the joyous feeling of the Eastern European Klezmer artists in an orchestral setting. Duration 5.00 min 1perc./ clar / trpt. strings.
$24.98
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
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