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Still, Still, Still
Chamber Orchestra
Sheetmusic to print
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Still, Still, Still (with Brahms' Lullaby) - Full Score
Chamber Orchestra
Arranged by Phillip Keveren. Chamber ensemble. Carol; Christmas; Concert. Full score. 14 p…
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Arranged by Phillip Keveren. Chamber ensemble. Carol; Christmas; Concert. Full score. 14 pages. Duration 4:00. Published by Hal Leonard - Digital Sheet Music
$7.00
6.28 €
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Chamber Orchestra
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Christmas
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Still, Still, Still
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Still, Still, Still
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.749832 Composed by Evelyn R.…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.749832 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Christmas,Concert. Score and parts. 15 pages. Evelyn R Larter #3630123. Published by Evelyn R Larter (A0.749832). This is the beautiful Austrian carol arranged for clarinet solo, string quartet and piano in slow Jazz ballad style. It is from a set of international carols commissioned by clarinetist Lydia Calhoun for her CD, Carols for the King from Around the World, released in 2015. For more advanced performers, this perennial favorite is suitable for Christmas concerts and church preludes or offertories; it can be taken at either a moderate or a slower tempo, and is around 5 minutes in length. The clarinet solo version may be found in volume two of my two volume collection of carols for clarinet and piano, also titled Carols For The King From Around The World. The string parts are of moderate difficulty and may be purchased separately. See also the full score for cello, string quartet and piano, and for cello solo and piano. All these versions are available at Sheet Music Press, and more carols from the set will be made available in due course. For more information on my music, please visit www.evelynlartermusic.com or my Facebook page for Evelyn Larter Music.
$10.99
9.87 €
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Chamber Orchestra
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Evelyn R
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Still, Still, Still
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Evelyn R Larter
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SheetMusicPlus
Nearer, Still Nearer and Here I Am, Lord
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.917143 Composed by Dan Schut…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.917143 Composed by Dan Schutte, Leila N. Morris. Arranged by Alva J. Lee. Praise & Worship,Sacred,Spiritual. Score and parts. 2 pages. Simple000 #4735987. Published by simple000 (A0.917143). Nearer, Still Nearer and Here I Am, Lord
$6.99
6.28 €
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Chamber Orchestra
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Dan Schutte, Leila N
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Nearer, Still Nearer and Here I Am, Lord
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simple000
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SheetMusicPlus
Silent Night / Stille Nacht (Chamber Orchestra+Solo Vocal, Score and Parts)
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1178349 Composed by Franz Xa…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1178349 Composed by Franz Xaver Gruber. Arranged by Jan Angermüller. Christian,Christmas,Holiday,Sacred,Standards. Score and parts. 42 pages. Elbsound.studio #744899. Published by Elbsound.studio (A0.1178349). Silent Night (Stille Nacht) wonderfully arranged for full symphony orchestra and vocals (or solo instrument). The melody spans one and a half octaves (C4 to G5) and is singable by baritone, tenor, (high) alto and sopran registers or most solo instruments. The key moves from C to D major. Playback (without solo): https://www.youtube.com/watch?v=YQQhgYMrcEA Can be played both by professional orchestras and school orchestras. Also available for full orchestra. Instrumentation: 2 Flutes, 1 Oboe, 1 Bassoon, 1 Horn, Harp (or Piano), String Orchestra, Glockenspiel, Tubular Bells (optional), Vocal or Solo Instrument Duration: 4m00s Includes score and parts.The score is also available separately.
$59.99
53.86 €
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Chamber Orchestra
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Franz Xaver Gruber
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Silent Night / Stille Nacht
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Elbsound.studio
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.26 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
You're Still The One
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1302245 By Shania Twain. By …
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1302245 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Marcos Cohen. Classical,Contemporary,Country,Pop,Wedding. Score and Parts. 33 pages. Tritonus #891850. Published by Tritonus (A0.1302245). Arrangement for orchestra.
$49.99
44.88 €
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Chamber Orchestra
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Shania Twain
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You're Still The One
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Tritonus
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SheetMusicPlus
To Come To A Place That Is Still - Score
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.729582 Composed by James F. …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.729582 Composed by James F. Rickley. 20th Century,Contemporary. Score and parts. 35 pages. WayWordBound #6670541. Published by WayWordBound (A0.729582). For Chamber Orchestra, Alternative Notation Used, Score in C, 1 Flute, 2 Oboes, 1 Clarinet, 2 Bassoons, 2 French Horns, 1 Trumpet, 1 Percussion (Tympani), Strings (66442).
$30.00
26.93 €
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Chamber Orchestra
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James F
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To Come To A Place That Is Still - Score
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WayWordBound
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SheetMusicPlus
Into the Stillness - Score Only
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1401322 Composed by David La…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1401322 Composed by David Lantz and Words by Susan Bentall Boersma. Christmas,Sacred. 14 pages. Lantz Choral Publications #887864. Published by Lantz Choral Publications (A0.1401322). 8.5 x 14 score-only version (no parts included) of the SAB anthem with words by Susan Bentall Boersma and music by David Lantz III, published by Lantz Choral Publications. For conductors who wish to have a larger score from which to conduct.•SAB octavo available at Sheet Music Direct and Sheet Music Plus.•Full SAB and orchestral arrangement with score and parts available at Sheet Music Direct and Sheet Music Plus.•Orchestral accompaniment mp3 available at Sheet Music Direct and Sheet Music Plus.NOTE: This recording is that of the SATB version.For comments and questions, please email me at davidlantziii@gmail.com.
$7.99
7.17 €
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Chamber Orchestra
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David Lantz and Words by Susan Bentall Boersma
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Into the Stillness - Score Only
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Lantz Choral Publications
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SheetMusicPlus
Into the Stillness
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1297890 Composed by David La…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1297890 Composed by David Lantz and Words by Susan Bentall Boersma. Christmas,Sacred. Score and Parts. 43 pages. Lantz Choral Publications #887862. Published by Lantz Choral Publications (A0.1297890). Chamber orchestration accompaniment for use with the SAB octavo with words by Susan Bentall Boersma and music by David Lantz III, published by Lantz Choral Publications. (Score and parts included.)NOTE: The SAB choir parts and piano accompaniment are in the score for reference only, and not included as a separate part in this product! You are legally required to purchase enough coopies of the octavo for your chorus Octavo is available at Sheet Music Direct and Sheet Music Plus.NOTE: This recording is that of the SATB version.Instrumentation:SAB (for reference only)Piano (for reference only) Flute IFlute IIOboeBb Clarinet IBb Clarinet IIBassoon IBassoon IIF Horn IF Horn IITimpani (1 player)Glockenspiel (1 player)Percussion (1 or 2 players)Violin IViolin IIViola CelloContrabassNOTE: Larger 8.5 x 14 score is available separetely at Sheet Music Direct and Sheet Music Plus.
$60.00
53.86 €
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Chamber Orchestra
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David Lantz and Words by Susan Bentall Boersma
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Into the Stillness
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Lantz Choral Publications
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SheetMusicPlus
Into the Stillness
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1297246 Composed by David La…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1297246 Composed by David Lantz and Words by Susan Bentall Boersma. Christmas,Sacred. Score and Parts. 43 pages. Lantz Choral Publications #887320. Published by Lantz Choral Publications (A0.1297246). Chamber orchestration accompaniment for use with the SATB octavo with words by Susan Bentall Boersma and music by David Lantz III, published by Lantz Choral Publications. (Score and parts included.)NOTE: The SATB choir parts and piano accompaniment are in the score for reference only, and not included as a separate part in this product! You are legally required to purchase enough coopies of the octavo for your chorus Octavo is available at Sheet Music Direct and Sheet Music Plus.Instrumentation:SATB (for reference only)Piano (for reference only) Flute IFlute IIOboeBb Clarinet IBb Clarinet IIBassoon IBassoon IIF Horn IF Horn IITimpani (1 player)Glockenspiel (1 player)Percussion (1 or 2 players)Violin IViolin IIViola CelloContrabassNOTE: Larger 8.5 x 14 score is available separetely at Sheet Music Direct and Sheet Music Plus.
$60.00
53.86 €
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Chamber Orchestra
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David Lantz and Words by Susan Bentall Boersma
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Into the Stillness
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Lantz Choral Publications
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SheetMusicPlus
Stille Nacht (Silent Night)
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1140435 By Marco Simoncini. …
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1140435 By Marco Simoncini. By Franz Xaver Gruber. Arranged by Marco Simoncini. Christian,Christmas,Praise & Worship,Religious,Traditional. Score and Parts. 12 pages. MaestroSimoncini #740685. Published by MaestroSimoncini (A0.1140435). An easy setting for mixed choir, flute, bassoon and strings where the choir is minimal and the strings are easy but beautiful.
$20.00
17.95 €
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Chamber Orchestra
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Marco Simoncini
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Stille Nacht
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MaestroSimoncini
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SheetMusicPlus
Stille Betrachtung an einem Herbstabend
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1010824 Composed by Anton Br…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1010824 Composed by Anton Bruckner. Arranged by Peter Le Tissier. Romantic Period. Score and parts. 13 pages. Peter Le Tissier #2845787. Published by Peter Le Tissier (A0.1010824). An arrangement of Anton Bruckner's eponymous miniature for solo Piano, written for Emma Thanner, a piano pupil of his, in 1863. Lasting roughly 3-4 minutes (depending on Tempo taken), and written for a small ensemble of Strings, Oboe, Clarinet, Bassoon and 2 Horns, this piece fits easily as an interlude into a concert programme.
$2.99
2.68 €
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Chamber Orchestra
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Anton Bruckner
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Stille Betrachtung an einem Herbstabend
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Peter Le Tissier
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SheetMusicPlus
Nearer, My God, to Thee
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1106806 By Matthew Still. By…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1106806 By Matthew Still. By Matthew Still. Arranged by Matthew Still. 20th Century,Chamber,Classical,Religious,Traditional. Score and Parts. 23 pages. Matthew Still #709680. Published by Matthew Still (A0.1106806). This is a new orchestral setting of the hymn tune BETHANY by Lowell Mason (Nearer, My God, to Thee), arranged for string quintet, flute/oboe, trumpet, harp, and piano accompaniment.
$5.00
4.49 €
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Chamber Orchestra
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Matthew Still
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Nearer, My God, to Thee
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Matthew Still
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SheetMusicPlus
In Memoriam - Score Only
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1471118 Composed by Robert A…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1471118 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Religious,Spiritual. 17 pages. Robert A. Howard #1048771. Published by Robert A. Howard (A0.1471118). In Memoriam, for chamber orchestra, is a short but powerful work. It was specifically composed in memory of the composer's father, but the work can be used to the reflect any loss, or similar sentiment. The point of departure is the pounding repeated tones (the note D, for Death) at the start of the Lacrymosa of Benjamin Britten's Sinfonia da Requiem; a work which mourned the death of both its composer's parents. Throughout my In Memoriam, the repeated pedal note D is literally ever-present and obsessive, like the looming of death itself, and the percussion take a somewhat military role. The main melodic idea is a twelve-note theme stated at the beginning, though the music is not strictly serial. This theme undergoes various transformations and orchestrations, depicting the many facets of a character who essentially remains themself. More optimistic interludes feature woodwind solos, but the note D always remains. A passage of stark two-part counterpoint is followed by the disintegration of the main theme before a varied return of previous material. Then follows the inevitable dominance of the note D, in crescendo, before the work abruptly ends, frozen still. The work is highly accessible for both performers and audience. The attached document is the score only, with audio for reference. Note that the 3rd & 4th horn parts are optional, or they could be played on 2 trombones.Duration: 5 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$7.99
7.17 €
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Chamber Orchestra
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Robert A
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In Memoriam - Score Only
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Robert A. Howard
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SheetMusicPlus
Scimitars of the Storm
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1459155 Composed by Anthony …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1459155 Composed by Anthony Plominski. Chamber. 13 pages. Anthony Plominski #1038126. Published by Anthony Plominski (A0.1459155). This is Scimitars of the Storm, an original orchestral composition made by Anthony Plominski. This piece includes 14 instruments of various types, though it can all be played one intrument, most commonly the piano. This piece has a dramatic, epic, battle sort of theme to it, which the many intruments help create. That epic feel keeps throughout the entire composition, though it still has variety and interesting parts to it. The difficulty of this piece can vary depending on what intrument is performing its part, though there is a decent amount of skill an experience required to play it.Loads of thought and effort went into this composition, despite it only being just over two minutes when correctly played. We hope that you enjoy playing this piece!
$10.00
8.98 €
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Chamber Orchestra
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Anthony Plominski
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Scimitars of the Storm
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Anthony Plominski
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SheetMusicPlus
POMP & CIRCUMSTANCE
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1455515 Composed by Edward E…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1455515 Composed by Edward Elgar. Arranged by PETER J PERRY. Classical,March. 202 pages. PER Sonare Press #1034604. Published by PER Sonare Press (A0.1455515). This is a Chamber Orchestra version of Sir Edward Elgar's Pomp & Circumstance March no. 1 Op 39, No. The arrangement has flexible wind parts to allow directors to use the instruments they have available to both cover the entire orchestration needed and to have the ensemble still sound full. With the included performance suggestions to tailor the piece to a graduation or commencement ceremony, this is a must for your chamber orchestra library.
$60.00
53.86 €
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Chamber Orchestra
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Edward Elgar
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Circumstance March no
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POMP & CIRCUMSTANCE
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PER Sonare Press
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SheetMusicPlus
Ave Maria (Schubert) in Eb - voice & orchestra
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1187176 Composed by Franz Sc…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1187176 Composed by Franz Schubert. Arranged by Dico. Christian,Easter,Romantic Period,Sacred,Wedding. Score and parts. 43 pages. Dico Ferreira #786808. Published by Dico Ferreira (A0.1187176). WEDDING SERIES - a set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog. Â
$20.00
17.95 €
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Chamber Orchestra
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Franz Schubert
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Ave Maria
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Dico Ferreira
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SheetMusicPlus
Ave Maria (Gounod) - flute solo and orchestra
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.842935 Composed by Bach - Go…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.842935 Composed by Bach - Gounod. Arranged by Dico. Christmas,Easter,Romantic Period,Sacred,Wedding. Score and parts. 39 pages. Dico #6402525. Published by Dico (A0.842935). WEDDING SERIES - a set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.AVE MARIA - for flute solo and orchestra.- Score- Flute solo- Part 2: Oboe | Clarinet- Brass2 Hrn + 2 Tbn | 2 Tpt + 2 Tbn | 2 Tpt + 2 Hrn | 4 Hrn- Piano- Strings.
$22.00
19.75 €
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Chamber Orchestra
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Bach - Gounod
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Ave Maria
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Dico
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SheetMusicPlus
Ave Maria (Schubert) in Bb - voice & orchestra
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.842934 Composed by Franz Sch…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.842934 Composed by Franz Schubert. Arranged by Dico. Christmas,Easter,Romantic Period,Sacred,Wedding. Score and parts. 35 pages. Dico #6402897. Published by Dico (A0.842934). WEDDING SERIES - a set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.AVE MARIA (Schubert) - in Bb For solo & orchestra.INSTRUMENTATION:Score | Fl | Ob | Hrn 1, 2 | Pno | Voice | Str.
$20.00
17.95 €
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Chamber Orchestra
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Franz Schubert
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orchestra
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Ave Maria
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Dico
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SheetMusicPlus
Summer Suite for trumpet & chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.787304 Composed by Greg Bart…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.787304 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 149 pages. Burke & Bagley #10645. Published by Burke & Bagley (A0.787304). Summer Suite was composed for trumpeters Brian Chin (Seattle, Washington), Nathaniel Mayfield (Austin, Texas), Bryan Appleby-Wineberg (Glassboro, New Jersey), Adrian Kelly (Perth, Australia), Marco Esperti (Italy), and Matt Burke (Manchester, U.K.). James Ackley and the Palmetto Camerata recorded an arrangement of Summer Suite for trumpet with both piano and string quartet for their 2012 CD, New American Works for Trumpet, released on the Beauport Classical label. The accompaniment is available in arrangements for piano, string quartet, combined piano & string quartet, saxophone quartet, string orchestra, chamber orchestra, wind ensemble and organ. Instrumentation: Solo Trumpet, Flute, Oboe, Clarinet, Bassoon, Horn in F and Strings, with optional percussion. Part 1, POPSICLE ROCKET SUNRISE, is duration approximately 4 minutes. Percussion: triangle, snare & suspended cymbal. Part 2, STILL LIFE WITH MELON & SAND, is duration approximately 5-1/2 minutes. Percussion: timpani. Part 3, RED CHERRY LARK, is duration approximately 4 minutes. Percussion: marimba.
$69.99
62.83 €
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Chamber Orchestra
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Greg Bartholomew
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Summer Suite for trumpet & chamber orchestra
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Burke & Bagley
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SheetMusicPlus
Canticum Canticorum for Krzysztof Penderecki
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by Mohammad…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
22.43 €
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Chamber Orchestra
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysztof Penderecki
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Rimorarte Edition
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SheetMusicPlus
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Frie…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
7.17 €
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Chamber Orchestra
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Karl Friedrich Abel
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Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Guido Menestrina
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SheetMusicPlus
Quiet Times - Solo Flugelhorn Feature for Studio Orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.817154 Composed by Richard D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.817154 Composed by Richard Decker. 21st Century,Contemporary,Contest,Festival,Jazz,Pop. 41 pages. Charles Decker Music Press #5740917. Published by Charles Decker Music Press (A0.817154). This very accessible and moderately difficult original jazz-influenced, lush sounding ballad for studio orchestra featuring solo flugelhorn creates lasting memories for performers and audiences. New York State School Music News review: This slow ballad has an effective legato flow with remarkably colorful orchestration … a very original and playable creation. The audio file is an actual studio orchestra performance of the entire work and not a computer playback of the score. See also the piano reduction accompaniment for Quiet Times at Charles Decker Music Press. See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.
$18.95
17.01 €
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Chamber Orchestra
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Richard Decker
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Quiet Times - Solo Flugelhorn Feature for Studio Orchestra
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Charles Decker Music Press
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SheetMusicPlus
Wagner WESENDONCK LIEDER Chamber Orchestra COMPLETE PARTS
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011698 Composed by Richard …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011698 Composed by Richard Wagner. Arranged by Matthew Toogood. 20th Century,Multicultural,Opera,Romantic Period,World. Score and parts. 100 pages. Matthew Toogood #6674891. Published by Matthew Toogood (A0.1011698). Richard Wagner'sWESENDONCK LIEDERFive Poems for Female VoiceWWV 91Arranged for chamber ensemble by Matthew Toogood after Felix Mottl & Richard Wagner(2021 for the Swiss Richard Wagner Society)SET OF COMPLETE INSTRUMENTAL PARTS1. Der Engel2. Stehe Still!3. Im Treibhaus4. Schmerzen5. TräumeEach Instrumental part is designed to be printed out double sided on an A3 sheet of paper (then folded to A4) as a booklet. Therefore there are intentional blank pages. Full score available separatelyArranged for:Solo Voice, Flute, Oboe, Clarinet in Bb, Basson, Horn in F, Violin I, Violin II, Viola, Cello, Double Bass .
$50.00
44.89 €
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Chamber Orchestra
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Richard Wagner
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Wagner WESENDONCK LIEDER Chamber Orchestra COMPLETE PARTS
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Matthew Toogood
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SheetMusicPlus
When I Survey the Wondrous Cross - Orchestration
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Wat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
53.86 €
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Chamber Orchestra
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Isaac Watts / Lowell Mason
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When I Survey the Wondrous Cross - Orchestration
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WheatMyer Music
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SheetMusicPlus
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