Version française
Browse Free-scores.com
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home page
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
906
Digital
Sheet Music
40
Sheet Music
Books
5
Music
Equipment
489
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
2888
PIANO & KEYBOARDS
Piano solo
1526
Easy Piano
956
Piano, Voice
782
Piano, Vocal and Guitar
226
1 Piano, 4 hands
156
C Instruments
145
Organ
55
Piano Accompaniment
50
Piano Trio: piano, violin, cello
38
Big Note Piano
20
2 Pianos, 4 hands
11
Piano (band part)
10
Organ, Piano (duet)
7
Piano Quintet: piano, 2 violins, viola, cello
6
Accordion
6
Keyboard
3
2 Pianos, 8 hands
3
Piano Quartet: piano, violin, viola, cello
2
Piano Quartet: piano, 2 violins, cello
2
1 Piano, 6 hands
2
Harpsichord
1
Instrumentations suivantes
Retracter
GUITARS
Guitar notes and tablatures
353
Bass guitar
323
Guitar
148
Piano, Guitar (duet)
123
Melody line, (Lyrics) and Chords
52
Ukulele
52
2 Guitars (duet)
38
Guitar (band part)
20
4 Guitars (Quartet)
16
Dulcimer
9
Mandolin
8
Lyrics and Chords
8
Guitar Ensemble
7
Banjo
7
3 Guitars (trio)
3
Lap Steel Guitar
3
2 Ukuleles
3
2 Dulcimers (duet)
2
Dobro
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
369
Choral 3-part
232
Choral 2-part
192
Choral Unison
165
Choral TTBB
57
Choral SSAA
44
Vocal duet, Piano
15
Voice solo
13
Vocal duet
10
Alto voice, Piano
5
Choral
5
Low voice, Piano
5
High voice
4
Soprano voice
3
Tenor voice
3
Baritone voice, Piano
3
Soprano voice, Piano
3
Tenor voice, Piano
3
Choral, Organ
2
Choral SSATB
1
Choral SSAATTBB
1
Instrumentations suivantes
Retracter
WOODWIND
2 Saxophones (duet)
758
Clarinet and Piano
441
Flute and Piano
420
Oboe, Piano (duet)
412
Alto Saxophone and Piano
337
Saxophone Quartet: 4 saxophones
304
Tenor Saxophone and Piano
295
2 Clarinets (duet)
285
2 Flutes (duet)
266
Clarinet
250
Flute
228
Flute, Oboe, Clarinet, Bassoon
218
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
199
Alto Saxophone
191
Saxophone, Clarinet (duet)
186
Saxophone Quintet: 5 Saxophones
186
Soprano Saxophone and Piano
167
2 Oboes (duet)
165
Tenor Saxophone
144
Saxophone (band part)
143
Clarinet, Violin (duet)
138
Clarinet, Trumpet (duet)
119
Baritone Saxophone, Piano
118
Flute, Clarinet (duet)
112
3 Saxophones (trio)
109
Oboe (band part)
107
Oboe, Clarinet (duet)
92
Oboe
91
Soprano Saxophone
90
2 Recorders (duet)
88
Oboe, Bassoon (duet)
83
Clarinet Quartet: 4 clarinets
80
Baritone Saxophone
68
Flute, Violin
68
Clarinet and Viola
68
Flute, Saxophone (duet)
65
Descant (Soprano) Recorder
65
Flute, Viola (duet)
62
Oboe, Flute
60
Flute Quartet: 4 flutes
59
Recorder
55
Flute, Trumpet (duet)
51
English horn, Piano
46
Flute Trio: 3 flutes
41
Flute, Oboe, Clarinet (trio)
40
3 Clarinets (trio)
38
English Horn
30
Oboe, Clarinet, Bassoon (trio)
30
2 Flutes, Piano
27
Recorder Quartet
27
Clarinet Ensemble
26
Saxophone ensemble
25
Flute, Oboe (duet)
24
Treble (Alto) Recorder
21
Flute and Guitar
20
5 Recorders
19
Clarinet Quintet: 5 clarinets
18
Clarinet, Bassoon (duet)
14
Flute Quintet : 5 flutes
14
Clarinet, Trombone (duet)
13
Oboe, Violin (duet)
12
Flute, Oboe, Piano (trio)
12
Recorder Ensemble
11
Tenor Recorder
11
Piccolo, Piano
11
Flute, Oboe, Bassoon
10
Descent (Soprano) Recorder, Piano
9
Treble (Alto) Recorder, Piano
9
Piccolo
9
Flute (band part)
9
Oboe, Guitar (duet)
9
Bass Clarinet, Piano
8
Flute ensemble
8
Saxophone and Guitar
7
3 Recorders (trio)
6
Clarinet, Cello (duet)
6
Clarinet, Guitar (duet)
6
Flute, Clarinet and Bassoon.
6
Recorder, Piano
5
Flute, Cello, Piano (trio)
5
Flute, Violin, Piano
5
Flute, Clarinet, Horn and Bassoon (Quartet)
4
Harmonica
4
English Horn, Guitar (duet)
4
Clarinet (band part)
4
Flute, Violoncello
3
2 Saxophones, Piano
3
Oboe, Bassoon and Piano
3
Flute, Clarinet, Piano (trio)
3
2 Clarinets, Piano
2
Oboe, Clarinet and Piano (Trio)
2
Clarinet Quintet: Clarinet, String Quartet
2
2 Oboes, Piano
2
4 Oboes
2
Pennywhistle
2
Clarinet, Bassoon, Piano (trio)
1
2 English horns and Pianoforte
1
Flute, Clarinet, Violin (trio)
1
Flute, Oboe, Violin
1
Bass Clarinet
1
Oboe ensemble
1
Clarinet, Harp (duet)
1
2 Recorders, Piano
1
Flute, Harp and Cello
1
3 Oboes
1
2 Clarinets, Bassoon
1
Flute and String Quartet
1
Saxophone
1
Flute and Strings Trio
1
Saxophone and Organ
1
Flute, Bassoon, and Piano
1
Pan Flute
1
Instrumentations suivantes
Retracter
WOODBRASS
Trombone and Piano
374
Trumpet
307
Trumpet, Piano
293
Brass Quintet: 2 trumpets, horn, trombone, tuba
227
Trombone
196
2 Trombones (duet)
172
2 Trumpets (duet)
167
French Horn and Piano
154
Tuba and Piano
149
French horn
141
Trumpet, Saxophone (duet)
135
Brass Quartet: 2 trumpets, horn, trombone
126
Tuba
119
Trumpet, Trombone (duet)
98
Brass quartet : 2 trumpets, trombone, tuba
85
2 French horns (duet)
77
Trumpet (band part)
67
Trombone (band part)
64
English horn, Piano
46
2 Tubas (duet)
33
Brass Quartet: 4 trombones
33
English Horn
30
Euphonium
29
Brass Quartet: 4 horns
23
Brass Quartet
23
Euphonium, Piano (duet)
20
Brass Quartet: 4 trumpets
17
3 Trombones (trio)
13
Trumpet ensemble
13
French horn (band part)
13
Tuba (band part)
12
Bass Trombone
12
2 Euphoniums and 2 Tubas
11
2 Euphoniums (duet)
11
Bass Trombone and Piano
10
Trumpet, Horn (duert)
10
Trombone, Horn (duet)
10
Horn Ensemble
9
Trombone, Tuba (duet)
6
Brass Trio
6
Trombone ensemble
6
4 Tubas
6
3 Tubas (trio)
5
Trumpet, Tuba (duet)
4
Horn, Tuba (duet)
4
Tuba and Organ
4
English Horn, Guitar (duet)
4
3 Trumpets (trio)
3
Euphonium, Tuba (duet)
2
Bass Clef Instruments
1
2 English horns and Pianoforte
1
2 French horns, Piano
1
Brass Quintet: 2 trumpets, horn, 2 trombones
1
Trumpet and Guitar
1
Trumpet, Cello (duet)
1
3 French horns (trio)
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
545
Violin and Piano
439
Viola, Piano
409
Cello, Piano
376
Violin
330
Cello
277
Violin, Cello (duet)
230
2 Violins (duet)
229
Viola
185
2 Cellos (duet)
182
2 Violas (duet)
181
Violin, Viola (duet)
135
String Trio: violin, viola, cello
125
Double bass, Piano (duet)
121
String Quintet: 2 violins, viola, cello, bass
120
Double Bass
100
String Trio: 2 violins, cello
89
Harp
75
Viola (band part)
44
Viola, Cello (duet)
31
Violin (band part)
27
String Trio: 3 violins
26
4 Cellos
26
2 Double basses (duet)
23
Doublebass (band part)
20
String quartet: 4 violins
19
String Quartet : 4 violas
16
String Trio: 3 violas
16
String Trio: 3 cellos
16
Violin, Guitar (duet)
14
Cello, Guitar (duet)
9
2 Harps (duet)
8
Cello, String Bass (duet)
7
Piano Trio: Violin, Viola, Piano
6
Harp, Flute (duet)
5
Cello (band part)
5
String Quintet: 2 violins, 2 violas, cello
4
String Quintet: 2 violins, viola, 2 cellos
4
String Trio: 2 violins, viola
4
Cello Ensemble
3
2 Violas, Piano
3
Violin, Bassoon (duet)
3
Harp, Violin, Violoncello
2
Viola and Bassoon
2
Harp, Voice
2
Viola, Guitar (duet)
2
Autoharp
1
4 Double Basses
1
Viola ensemble
1
4 Harps
1
Harp, Violin (duet)
1
2 Cellos, Piano
1
Violin ensemble
1
Viola and Harp
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
862
String Orchestra
237
Jazz Ensemble
98
Marching band
88
Orchestra
80
Brass ensemble
40
Chamber Orchestra
40
Handbells
39
Percussion Ensemble
25
Marimba
22
Drums
18
Drum (band part)
12
Xylophone, Piano
11
Xylophone
9
Jazz combo
9
2 Xylophones
4
Xylophone or Marimba or Vibraphone
4
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
4
Percussion (band part)
4
Vibraphone
2
Percussion
2
School Ensemble
2
Snare drums
1
3 Marimbas
1
Instrumentations suivantes
Retracter
OTHERS
Musical course - Solfege
2
You've selected:
'TEA FOR YOU'
Chamber Orchestra
Sheetmusic to print
40 sheet music found
<
1
26
Tears for the Death of an Infant, Solo Cello (Violin or Viola) and Orchestra from the Snow Queen Bal
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.730410 Composed by James Nat…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.730410 Composed by James Nathaniel Holland. Contemporary,Easter. Score and parts. 24 pages. James Nathaniel Holland #3365251. Published by James Nathaniel Holland (A0.730410). Excerpt from Act 2, Scene 1 Gerde Mourns the Death of Kai from the ballet The Snow Queen Trio for Solo Cello (or Solo Violin, or Solo Viola, and small orchestra by American Costa Rican composer James Nathaniel Holland. Sad and moving. Full score (in Concert pitch) and Individual parts (including solo parts) included. Piano reduction scores sold separately but measures match up to any arrangement and scores from the full ballet. Can be augmented with optional piano or organ from the reduction scores.Instrumentation: 1fl, 1clBb, 1bsn, 4 hrns in F, Chimes, solo cello (or solo violin or solo viola), stringsDuration: 4:29 minutesYouTube presentation (with cello): https://youtu.be/7bHPvmjvY_4Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlFacebook: https://www.facebook.com/jamesnathanielholland.
$15.95
14.58 €
#
Chamber Orchestra
#
James Nathaniel Holland
#
Tears for the Death of an Infant, Solo Cello
#
James Nathaniel Holland
#
SheetMusicPlus
DEBUSSY Arabesque No.2 for chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.963719 Composed by Claude De…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.963719 Composed by Claude Debussy. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 41 pages. Ian Butterworth #5970415. Published by Ian Butterworth (A0.963719). Originally written for piano, the instrumentation of this arrangement is similar to many symphonies by Haydn & Mozart (Str+1.2.0.2:2.0.0.0) and so would make a contrast in a concert programme. Duration 4 mins. Copying of individual string parts for sole use by the purchaser is permitted. Through his experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have proved their suitability for youth and amateur players. www.ianbutterworthmusic.co.uk
$12.99
11.88 €
#
Chamber Orchestra
#
Claude Debussy
#
Mozart (Str+1
#
DEBUSSY Arabesque No.2 for chamber orchestra
#
Ian Butterworth
#
SheetMusicPlus
Concerto Grosso (2017) for chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869525 Composed by Thomas Ob…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages. Thomas Oboe Lee #3112103. Published by Thomas Oboe Lee (A0.869525). Instrumentation: 2222-2200-timp-stringsSteve Laven, cellist with the Boston Pro Arte Chamber Orchestra, contacted me a month ago and asked if I would be interested in writing a work to help celebrate the 40th Anniversary of the founding of the Pro Arte Chamber Orchestra. I said, Sure!!! He said it would be nice if I would consider a concerto grosso in which the principal players of the orchestra would each get a feature. I agreed that that would be a fine idea. So, on June 18th, 2017, I started working on it. And since I am on summer vacation from teaching I was able to finished the 557-measure work on July 2nd, fifteen days after I started. In 2018 just before I made plans to get the work recorded I made some revisions. One major change was that I cut the fourth movement out completely. It is now a mere 482 measures long. The work is now in three movements. 1. Introduction; Allegro 2. Presto 3. Largo Duration: ca. 17 minutes.YouTube link: https://youtu.be/xIMSFEd0p8oBandcamp link: https://thomasoboelee.bandcamp.com/album/concerto-grosso-2017PS: This is the sixth work that the PACO has performed of my music. 1. Phantasia for Elvira Shatayev (1981) with soprano Judith Kellock and Newell Hendricks.2. Harp Concerto (1985) with Ann Hobson-Pilot and Gunther Schuller.3. Symphony No. 1 ... Fallen Angels (1993, rev. 1995) with Gunther Schuller.4. Forró (1998) with Gunther Schuller.5. Daphne ... An Imaginary Ballet (2015) with Beatrice Affron.6. Concerto Grosso (2017) with Kevin Rhodes.
$9.99
9.13 €
#
Chamber Orchestra
#
Thomas Oboe Lee
#
Allegro
#
Concerto Grosso
#
Thomas Oboe Lee
#
SheetMusicPlus
Fantasy for Flute and Strings
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian De…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
36.52 €
#
Chamber Orchestra
#
Adrian Dee
#
Fantasy for Flute and Strings
#
Adrian Dee
#
SheetMusicPlus
Lest We Forget (Chamber Orchestra Version)
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1100185 By Stephen DeCesare.…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1100185 By Stephen DeCesare. By Stephen DeCesare. Arranged by Stephen DeCesare. 20th Century,Classical,Jewish,Multicultural,World. Score and parts. 111 pages. Exultet Music #704068. Published by Exultet Music (A0.1100185). For the 11 million people who died in the Nazi concentration camps. Included: Enter the Third Reich, Death Camps, Eili Eili Lamo Azovtanu, Where Is Your Mercy Now?,Mourner's Kaddish, 11 Million Tears. Scored for Flute, Bb-Clarinet, Bassoon, Violin, Viola, Cello, Narrator, Girl solo.
$50.00
45.71 €
#
Chamber Orchestra
#
Stephen DeCesare
#
Lest We Forget
#
Exultet Music
#
SheetMusicPlus
RACHMANINOV Hungarian Dance Op.6 No.2 for chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.963753 Composed by RACHMANIN…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.963753 Composed by RACHMANINOV. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 59 pages. Ian Butterworth #5998723. Published by Ian Butterworth (A0.963753). An early piece originally written for violin & piano. A lively dance with slower sections - 6 mins approx. The orchestration (1.2.0.2:2.0.0.0) is similar to many 18th Century symphonies and so the piece makes a striking contrast in a concert programme.  Copying of individual string parts for sole use by the purchaser is permitted. A version for strings arranged by Ian Butterworth is also available. Through his experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have been enjoyed by youth and amateur players. www.ianbutterworthmusic.co.uk
$12.99
11.88 €
#
Chamber Orchestra
#
RACHMANINOV
#
piano
#
RACHMANINOV Hungarian Dance Op.6 No.2 for chamber orchestra
#
Ian Butterworth
#
SheetMusicPlus
SATIE 3 Gymnopedies for oboe and strings
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.963746 Composed by Erik Sati…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.963746 Composed by Erik Satie. Arranged by Ian Butterworth. Contemporary,Romantic Period. Score and Parts. 26 pages. Ian Butterworth #5997449. Published by Ian Butterworth (A0.963746). Satie's most well known work, originally for piano solo, is admirably suited to the solo oboe and string orchestra. Copying of individual string parts for sole use by the purchaser is permitted. Through his experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have been enjoyed by youth and amateur players. www.ianbutterworthmusic.co.uk
$9.99
9.13 €
#
Chamber Orchestra
#
Erik Satie
#
SATIE 3 Gymnopedies for oboe and strings
#
Ian Butterworth
#
SheetMusicPlus
FRANCK Prélude Op.18 for chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.963727 Composed by Cesar Aug…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.963727 Composed by Cesar Auguste Franck. Arranged by Ian Butterworth. Contemporary,Romantic Period,Wedding. Score and Parts. 21 pages. Ian Butterworth #5982899. Published by Ian Butterworth (A0.963727). Originally for organ, this melodious piece is admirably suited to a chamber orchestra. The instrumentation (0.2.0.1:2.0.0.0) is similar to many Haydn & Mozart symphonies and the arrangement makes a striking contrast in a concert programme. Copying of individual string parts for sole us by the purchaser is permitted. Through his experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have been enjoyed by youth and amateur players. www.ianbutterworthmusic.co.uk
$11.99
10.96 €
#
Chamber Orchestra
#
Cesar Auguste Franck
#
FRANCK Prélude Op.18 for chamber orchestra
#
Ian Butterworth
#
SheetMusicPlus
Gaspard de la Nuit (2019) for soprano and string quartet
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869594 Composed by Thomas Ob…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869594 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 85 pages. Thomas Oboe Lee #4335039. Published by Thomas Oboe Lee (A0.869594). I have always admired Ravel's Gaspard de la Nuit for solo piano. When I found the poems by Aloysius Bertrand that inspired his work, I immediately thought instead of tone poems like Ravel's I would do the right thing and set the poems to music. My work for soprano and string quartet is also titled Gaspard de la Nuit, albeit sung ... in French, of course. I chose five from a huge collection of fantastic, macabre and bizarre scenarios.1. À Monsieur David, Statuaire2. Scarbo I3. Le Cheval Mort4. Odine5. Scarbo IIAudio link: https://thomasoboelee.bandcamp.com/album/gaspard-de-la-nuit-2019-for-soprano-and-string-quartetVideo link: https://youtu.be/QbM6HHDk-DQ
$9.99
9.13 €
#
Chamber Orchestra
#
Thomas Oboe Lee
#
Gaspard de la Nuit
#
Thomas Oboe Lee
#
SheetMusicPlus
Nocturne for Strings- Op. 26
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.987737 Composed by Dana Tayl…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.987737 Composed by Dana Taylor. Contemporary. Score and parts. 13 pages. Dana Taylor Music #28939. Published by Dana Taylor Music (A0.987737). Nocturne for Strings is a rondo where each section of the orchestra has a chance to stand out. I chose Advanced Intermediate because the mode tends to be mixolydian, with shifting tonal centers and keys, but always melodic,and the parts are interesting. Depending on your group Nocturne is full of teachable moments, from what makes it modal to how go we modulate from one key to the next, and why. And your musicians and audience alike will be humming this afterward. Parts sold separately.
$30.00
27.43 €
#
Chamber Orchestra
#
Dana Taylor
#
Nocturne for Strings- Op. 26
#
Dana Taylor Music
#
SheetMusicPlus
I Told You, Dear Mother
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.931490 Composed by Lazaros Delidemos. …
(+)
Chamber Orchestra - Digital Download SKU: A0.931490 Composed by Lazaros Delidemos. Folk,Instructional,Romantic Period,World. Score and parts. 16 pages. Lazaros Delidemos #3531861. Published by Lazaros Delidemos (A0.931490). I wrote this piece as an example for my composition students. It is a contrapuntal composition based on a Greek folk song,which is presented at the beginning with clarinet solo, and then it is used as a cantus firmus. In the second part of the composition a two part canon is created on this cantus firmus (shown with the words canon and resolutio instead ofdux and comes.
$11.99
10.96 €
#
Chamber Orchestra
#
Lazaros Delidemos
#
instead of
dux and comes
#
I Told You, Dear Mother
#
Lazaros Delidemos
#
SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.19 €
#
Chamber Orchestra
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288408 By Georg Friedrich H…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408). Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.Do you want to bring Georg Friedrich Händel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Händel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.
$39.99
36.56 €
#
Chamber Orchestra
#
Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert
#
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
#
Flavio Regis Cunha
#
SheetMusicPlus
Galadriel's Song of Eldamar, Orchestral Version
Chamber Orchestra
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1007141 Composed by Charles …
(+)
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1007141 Composed by Charles McCreery. 20th Century,Children,Contemporary. Score and parts. 46 pages. St Maur Music #5024433. Published by St Maur Music (A0.1007141). This song is an orchestral version of one of a series of ‘Fourteen Tolkien Songs’. A comment on the collection by an Oxford piano teacher: ‘For those who only know Tolkien via the recent blood-and-thunder films, this song-cycle by Charles McCreery will give a very different angle on the classic saga. Here we find a gentle and ethereal world, where rhythms lilt and words echo. The twelve songs, suitable for choir, evoke a dreamy, water-colour landscape with no harsh sounds, the tunes are singable and in a traditional style that Tolkien would surely have approved. Dr Julia Gasper, LGSM A general comment on Charles McCreery’s music by a violinist and composer in the USA: ‘Charles McCreery’s beautifully melodic, intricately textured compositions are infused with classical, romantic and folk idioms.’ Samantha Gillogly ‘Galadriel’s Song’ is appropriate for either women’s or children’s voices, and is potentially of interest to anyone who is familiar with the works of J.R.R. Tolkien. The three vocal parts and the individual orchestral parts can all be printed out separately at the end of the full score. The MP3 which plays from this page is of a version of the song which can be heard on the stmaurmusic channel on YouTube (https://www.youtube.com/user/stmaurmusic). On the front cover is a photograph of leaves in Wytham Woods, Oxford, and at the end of the full score is a photograph of the sea off Treyarnon Bay, Cornwall .
$7.75
7.09 €
#
Chamber Orchestra
#
Charles McCreery
#
#
Galadriel's Song of Eldamar, Orchestral Version
#
St Maur Music
#
SheetMusicPlus
Piano Concerto No. 1 - FIRST movement [score and parts]
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Sol…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.17 €
#
Chamber Orchestra
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - FIRST movement [score and parts]
#
Juan Maria Solare
#
SheetMusicPlus
Piano Concerto No. 1 - SECOND movement [score and parts]
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Sol…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.17 €
#
Chamber Orchestra
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - SECOND movement [score and parts]
#
Juan Maria Solare
#
SheetMusicPlus
Piano Concerto No. 1 - THIRD movement [score and parts]
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan Mar…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
30.17 €
#
Chamber Orchestra
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - THIRD movement [score and parts]
#
Juan Maria Solare
#
SheetMusicPlus
Coventry Carol
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1295185 Composed by English …
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1295185 Composed by English Carol. Arranged by Thomas Quigley. Christian,Christmas. Score and Parts. 43 pages. Thomas Quigley #885503. Published by Thomas Quigley (A0.1295185). If you are a music teacher in search of a highly musical carol arrangement, with well-designed, manageable parts, this is an exquisite choice. Perfect for demonstrating the expressive qualities of your ensemble and rewarding to perform, the arrangement is a treat for your audience. From the sparse, quiet, subdued opening to the lush final section it is carefully devised to achieve maximum effect with simple means. As a Christmas concert piece, it is reflective, subtle and warm, providing perhaps a fine contrast within your programme.
$59.00
53.94 €
#
Chamber Orchestra
#
English Carol
#
Coventry Carol
#
Thomas Quigley
#
SheetMusicPlus
Piano Concerto No. 1 - Score Only
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan Mar…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
22.86 €
#
Chamber Orchestra
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - Score Only
#
Juan Maria Solare
#
SheetMusicPlus
Clarinet Quintet: Solo Clarinet with String Quartet in three movements
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.922171 Composed by Walter Scholtes. Co…
(+)
Chamber Orchestra - Digital Download SKU: A0.922171 Composed by Walter Scholtes. Contemporary. Score and parts. 49 pages. SCHOLTES EDITIONS #6716171. Published by SCHOLTES EDITIONS (A0.922171). The work is very accessible for young advancing students in addition to mature players. Traditional harmonies and lovely tuneful melodies; also good teaching pieces. Medium difficulty. Melodic structures are very appealing for concerts in many settings: great for many venues and occasions. The three movements can be played individually, and the complete work is about 11 1/2 minutes.
$24.95
22.81 €
#
Chamber Orchestra
#
Walter Scholtes
#
also good teaching pieces
#
Clarinet Quintet: Solo Clarinet with String Quartet in three movements
#
SCHOLTES EDITIONS
#
SheetMusicPlus
Special Features
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.921909 Composed by Xavier Sa…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.921909 Composed by Xavier Santiago. Instructional,Standards. Score and parts. 34 pages. Xavier Santiago #6860791. Published by Xavier Santiago (A0.921909). Written for any fall recruitment concert, Xavier Santiago has composed and arrange this medley of classics for your audience and string orchestra. While this is to bring in non-orchestral players to the orchestra room, plenty of teaching opportunities come in. Your students will get an introduction to triplets, dynamics, staccato playing, different time signatures, and more! To get the audience really involved, there's a soloist part for them to play! .
$19.99
18.28 €
#
Chamber Orchestra
#
Xavier Santiago
#
Special Features
#
Xavier Santiago
#
SheetMusicPlus
Joy to the World
Chamber Orchestra
Chamber Orchestra - Level 1 - Digital Download SKU: A0.948353 Composed by Janelle Z…
(+)
Chamber Orchestra - Level 1 - Digital Download SKU: A0.948353 Composed by Janelle Zook Cunalata. Arranged by JC Publishing. Christmas,Instructional,Standards. Score and parts. 2 pages. JZC Music #3408367. Published by JZC Music (A0.948353). ATTN Beginner String Class Teachers - this is an excellent piece for your beginner strings first December concert! It employs the Mississippi Hotdog rhythm that has been used successfully with suzuki students and applies it as a countermelody (that can be sung also!!) to the familiar tune of Joy to the World..
$1.99
1.82 €
#
Chamber Orchestra
#
Janelle Zook Cunalata
#
Joy to the World
#
JZC Music
#
SheetMusicPlus
Pano de Boca - full original soundtrack
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.949008 Composed by Bisdré…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.949008 Composed by Bisdré Santos. Concert,Contemporary,Film/TV,Standards. 82 pages. Soul - Musical Creations #6495721. Published by Soul - Musical Creations (A0.949008). You can listen to the full soundtrack on soptfy, deezer, apple music and all streaming platforms. Pano de Boca premiered in July 2015 with Cia. Teatro do Incêndio. Emblematic work by Fauzi Arap (1938-2013), written over 40 years ago, had its only staging in 1976. The play portrays the implosion of a theater group after its members crossed all boundaries between art and life. I wrote this soundtrack totally immersed in the work of Canadian cellist Julia Kent and in the essays that accompany the creation of each scene. The grandeur of Fauzi's text required a soundtrack that gave the audience the feeling of participating in the story, and various instrumentations were used. It was the company's only soundtrack that needed to be fully recorded. Good studies! Bisdré Santos
$20.00
18.28 €
#
Chamber Orchestra
#
Bisdré Santos
#
Pano de Boca - full original soundtrack
#
Soul - Musical Creations
#
SheetMusicPlus
Stefano Maria Torchio: En Arche en o Logos - Full score
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022761 Composed by Stefano …
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022761 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 27 pages. Stefano Torchio #3142405. Published by Stefano Torchio (A0.1022761). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$19.50
17.83 €
#
Chamber Orchestra
#
Stefano Maria Torchio
#
Stefano Maria Torchio: En Arche en o Logos - Full score
#
Stefano Torchio
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
