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Aïda
Chamber Orchestra
Sheetmusic to print
23 sheet music found
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1
The Earth In Heart (O Cio Da Terra)
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1367634 Composed by Francisc…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1367634 Composed by Francisco Buarque De Holanda and Milton Silva Campos Do Nascimento. Arranged by Vinicius Louzada. Multicultural,Pop,World. 23 pages. Vinicius Louzada #952008. Published by Vinicius Louzada (A0.1367634). This arrangement was created for a concert in honor of the composer and singer Milton Nascimento, and can be performed in ceremonies, concerts and recitals. Arrangement for chamber orchestra.
$49.99
46.66 €
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Chamber Orchestra
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Francisco Buarque De Holanda and Milton Silva Campos Do Nascimento
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The Earth In Heart
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Vinicius Louzada
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SheetMusicPlus
Händel: Basss Aria "The Trumpet Shall Sound" for Bass Solo and Chamber Orchestra (D major Version)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.597235 By George Frideric Ha…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.597235 By George Frideric Handel. By George Frideric Handel. Arranged by Flávio Régis Cunha. Baroque,Contest,Easter,Festival,Film/TV,Sacred. Score and Parts. 46 pages. Flavio Regis Cunha #4602725. Published by Flavio Regis Cunha (A0.597235). Händel: The Trumpet Shall Sound for Trumpet, Strings, Bass Solo and Harpsichord (D major Version)The trumpet shall sound Are you looking for a beautiful and exciting piece of music perfect to perform in a church, school or professional orchestra? Look no further!  Introducing 'The Trumpet Shall Sound' composed by Georg Friedrich Händel. This transcendent, multi-instrumental work will leave your audience awe-struck! Get the full sheet music arrangement, designed to be performed with Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings in D major.  Experience this masterpiece the way it was intended - bring it to life in concert field! Perfect for churches, schools and orchestras. Download 'The Trumpet Shall Sound' now and make your performance extra special!The Air for bass The trumpet shall sound, marked Pomposo, ma non allegro, is a da capo aria. In the work's only instrumental solo, the trumpet provides motifs which the bass picks up. In and we shall be changed, the word changed is treated in inventive ever-changing melismas of up to six measures. In the middle section, the word immortality is expressed in a lively melisma of first eight, then nine measures.Advanced Intermediate.Format: A446 pagesFull Score and Orchestral PartsBb Major version:  https://www.sheetmusicplus.com/title/hndel-the-trumpet-shall-sound-for-bassoon-trumpet-in-bb-bass-solo-harpsichord-and-strings-digital-sheet-music/22572767?aff_id=728965
$18.99
17.72 €
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Chamber Orchestra
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George Frideric Handel
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Händel: Basss Aria "The Trumpet Shall Sound" for Bass Solo and Chamber Orchestra
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Flavio Regis Cunha
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SheetMusicPlus
Feira De Mangaio
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1365297 Composed by Maria Da…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1365297 Composed by Maria Da Gloria Gadelha and Severino Dias De Oliveira. Arranged by Matheus Felix. Chamber,Multicultural,World. 6 pages. Matheus Felix #949615. Published by Matheus Felix (A0.1365297). Arranjo de Feira de Mangaio para Cordas, Flauta, Clarinete e Percussão:Este vibrante arranjo da tradicional música nordestina Feira de Mangaio transporta os ouvintes para um cenário pitoresco, repleto de cores e energia pulsante. As cordas introduzem a peça com uma atmosfera calorosa, evocando as raÃzes culturais da canção. A melodia é então enriquecida pela flauta, que dança com vivacidade, trazendo um toque lúdico e animado. O clarinete acrescenta uma camada expressiva, transmitindo a riqueza das nuances melódicas e adicionando um elemento de nostalgia à composição. A percussão, vital e pulsante, fornece o ritmo envolvente caracterÃstico da música regional brasileira, dando vida à feira imaginária que a canção celebra. A interação entre os instrumentos cria uma sinergia encantadora, capturando a essência festiva da Feira de Mangaio. As transições fluidas entre as seções e os momentos de destaque individual contribuem para a dinâmica envolvente da interpretação. A cada nota, este arranjo convida o público a mergulhar na riqueza cultural e musical do Nordeste brasileiro, exalando a alegria contagiante de uma feira em pleno vigor.
$49.99
46.66 €
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Chamber Orchestra
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Maria Da Gloria Gadelha and Severino Dias De Oliveira
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Feira De Mangaio
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Matheus Felix
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SheetMusicPlus
Triskel (Orff Instruments & Chamber Orchestra) - Score Only
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1230983 Composed by Rudesind…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1230983 Composed by Rudesindo Soutelo. Arranged by Orff Instruments & Chamber Orchestra (C Score). 21st Century,Celtic,Chamber,Children,Classical,Irish. 47 pages. Publisher by Rudesindo Soutelo #826603. Published by Publisher by Rudesindo Soutelo (A0.1230983). Ao Grupo Instrumental da EB de V.P. de Âncora e à Orquestra ARTEAMRudesindo Soutelo:Triskel (2023) for Orff Instruments and Chamber Orchestra [ca. 7'42]O eixo do mundo / The axis of the worldPremière: 16-V-2023. Teatro dos Bombeiros de Vila Praia de Âncora (Portugal). Int.: Grupo Instrumental Orff da EB de V.P. de Âncora (Prof. Manuela Moura) e Orquestra ARTEAM de Viana do Castelo. Dir.: Diogo Costa.ISWC: T-315.743.482-3ISMN: 979-0-707704-10-3Páginas de amostra / Sample pages: https://www.researchgate.net/publication/370676001=oOo=The Triskel is present in many ancient cultures but it is in the Celtic culture where it has acquired a greater prominence. It represents the power of the Sun, the axis of the world, the original matrix. It is an allegory of the number 3; of the past, present and future; of the Christian Trinity. It evokes the differences in the unity of the great whole, the Universe.The work was originally composed to integrate an Instrumental Group Orff (Glockenspiel Soprano and Alto, Metallophones and Xylophones Soprano, Alto and Bass), from the General Elementary School, as soloists in a Chamber Orchestra. The organising complex of the work is [4 (2, 2), 3 (2, 1)].There is, also, an edition for Marimba and Chamber Orchestra.=oOo=O Triskel está presente em muitas culturas antigas, mas é na cultura celta onde adquiriu um maior relevo. Representa o poder do Sol, o eixo do mundo, a matriz original. É uma alegoria do número 3; do passado, presente e futuro; da Trindade cristã. Evoca as diferenças na unidade do grande todo, o Universo.A obra foi composta originalmente para integrar um Grupo Instrumental Orff (Glockenspiel Soprano e Alto, Metalofones e Xilofones Soprano, Alto e Baixo), do Ensino Básico geral, como solistas de uma Orquestra de Câmara. O complexo organizador da obra é [4 (2, 2), 3 (2, 1)].Existe, ainda, uma edição para Marimba e Orquestra de Câmara.
$10.00
9.33 €
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Chamber Orchestra
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Rudesindo Soutelo
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Triskel
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
O du Fröhliche - Full Score
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.931479 Arranged by N. Marasc…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.931479 Arranged by N. Marasco. Christmas,Classical,Holiday,Sacred. Score and parts. 7 pages. Pubblicato da Nicola Marasco #6430227. Published by Pubblicato da Nicola Marasco (A0.931479). O du fröhliche is a German Christmas carol. The author of the original text was the prominent Weimar orphan father Johannes Daniel Falk (1768–1826).In late 1815, he dedicated this song to the children of the orphanage. The melody was taken from the anonymous Catholic hymn O Sanctissima (also known as Sicilian Mariners Hymn), which he found in the posthumous edition of J.G. Herder's Stimmen der Völker in Liedern after hearing it sung by Pietro Granucci, an Italian foundling under his care. In Falk's original text, the song was titled Allerdreifeiertagslied (A song for three holidays), highlighting the three major festivals of Christianity: Christmas, Easter and Pentecost.
$9.99
9.32 €
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Chamber Orchestra
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O du Fröhliche - Full Score
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Pubblicato da Nicola Marasco
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SheetMusicPlus
Concerto Grosso Opus 6 No 1 HWV 319
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742428 Composed by George Fr…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742428 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 125 pages. Arte Nova Music Lab #3682165. Published by Arte Nova Music Lab (A0.742428). The Concerti Grossi, Op. 6, or Twelve Grand Concertos, HWV 319–330, are 12 concerti grossi by George Frideric Handel for aconcertino trio of two violins and violoncello and a ripieno four-part string orchestra with harpsichord continuo. First published by subscription in London by John Walsh in 1739, in the second edition of 1741 they became Handel's Opus 6. Taking the olderconcerto da chiesa and concerto da camera of Arcangelo Corelli as models, rather than the later three-movement Venetian concerto of Antonio Vivaldi favoured by Johann Sebastian Bach, they were written to be played during performances of Handel's oratorios and odes. Despite the conventional model, Handel incorporated in the movements the full range of his compositional styles, including trio sonatas, operatic arias, French overtures, Italian sinfonias, airs, fugues, themes and variations and a variety of dances. The concertos were largely composed of new material: they are amongst the finest examples in the genre of baroque concerto grosso.Taken from https://en.wikipedia.org/wiki/Concerti_grossi,_Op._6_(Handel)
$50.00
46.67 €
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Chamber Orchestra
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George Frideric Handel
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Concerto Grosso Opus 6 No 1 HWV 319
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Arte Nova Music Lab
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SheetMusicPlus
Musica Proibita - Orchestral parts set
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.931476 Composed by Stanislao…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.931476 Composed by Stanislao Gastaldon. Arranged by Nicola Marasco. Romantic Period. Score and parts. 5 pages. Pubblicato da Nicola Marasco #3868799. Published by Pubblicato da Nicola Marasco (A0.931476). Musica Proibita, is an italian Romanza composed in 1881 by Stanislao Gastaldon. The narrator is a girl who would like to repeat a love song that an apprentice sings every night under her balcony. This is forbidden by her mother, but the girl takes advantage of her absence and say the words: «Ella non c’è ed io la vo’ cantare, la frase che m’ha fatto palpitare: Vorrei baciare i tuoi capelli neri le labbra tue e gli occhi tuoi severi. Vorrei morir con te angel di Dio o bella innamorata tesor mio»
$14.99
13.99 €
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Chamber Orchestra
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Stanislao Gastaldon
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Musica Proibita - Orchestral parts set
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Pubblicato da Nicola Marasco
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SheetMusicPlus
Musica Proibita - Full Score
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.931475 Composed by Stanislao…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.931475 Composed by Stanislao Gastaldon. Arranged by Nicola Marasco. Romantic Period. Score and parts. 7 pages. Pubblicato da Nicola Marasco #3868791. Published by Pubblicato da Nicola Marasco (A0.931475). Musica Proibita, is an italian Romanza composed in 1881 by Stanislao Gastaldon. The narrator is a girl who would like to repeat a love song that an apprentice sings every night under her balcony. This is forbidden by her mother, but the girl takes advantage of her absence and say the words: «Ella non c’è ed io la vo’ cantare, la frase che m’ha fatto palpitare: Vorrei baciare i tuoi capelli neri le labbra tue e gli occhi tuoi severi. Vorrei morir con te angel di Dio o bella innamorata tesor mio»
$8.99
8.39 €
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Chamber Orchestra
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Stanislao Gastaldon
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Musica Proibita - Full Score
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Pubblicato da Nicola Marasco
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SheetMusicPlus
O du fröhliche - Orchestral parts set
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.931480 Arranged by N. Marasc…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.931480 Arranged by N. Marasco. Christmas,Classical,Holiday,Sacred. Score and parts. 15 pages. Pubblicato da Nicola Marasco #6430229. Published by Pubblicato da Nicola Marasco (A0.931480). O du fröhliche is a German Christmas carol. The author of the original text was the prominent Weimar orphan father Johannes Daniel Falk (1768–1826).In late 1815, he dedicated this song to the children of the orphanage. The melody was taken from the anonymous Catholic hymn O Sanctissima (also known as Sicilian Mariners Hymn), which he found in the posthumous edition of J.G. Herder's Stimmen der Völker in Liedern after hearing it sung by Pietro Granucci, an Italian foundling under his care. In Falk's original text, the song was titled Allerdreifeiertagslied (A song for three holidays), highlighting the three major festivals of Christianity: Christmas, Easter and Pentecost.
$19.99
18.66 €
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Chamber Orchestra
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O du fröhliche - Orchestral parts set
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Pubblicato da Nicola Marasco
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SheetMusicPlus
'O sole mio - Orchestral parts set
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.931474 Composed by Eduardo D…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.931474 Composed by Eduardo Di Capua. Arranged by Nicola Marasco. Contemporary,World. Score and parts. 5 pages. Pubblicato da Nicola Marasco #3502561. Published by Pubblicato da Nicola Marasco (A0.931474). ’O sole mio (Oh, my sun) is a globally known Neapolitan song written in 1898. Its lyrics were written by Giovanni Capurro.
$16.49
15.39 €
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Chamber Orchestra
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Eduardo Di Capua
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'O sole mio - Orchestral parts set
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Pubblicato da Nicola Marasco
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SheetMusicPlus
Mitridate, rè di Ponto, K. 87 - Se viver non degg'io (Arr. James Strauss)
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1118022 By James Strauss. By…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1118022 By James Strauss. By Wolfgang Amadeus Mozart. Arranged by James Strauss. 19th Century,Chamber,Classical,Early Music. Score and Parts. 33 pages. James Strauss #719533. Published by James Strauss (A0.1118022). Mitridate, re di Ponto (MitrÃdates, Rei do Ponto), K. 87 (74a), é uma ópera séria em três atos do jovem Wolfgang Amadeus Mozart. O libreto é de Vittorio Amedeo Cigna-Santi [it], depois da tradução italiana de Giuseppe Parini da peça Mithridate de Jean Racine. Se viver non degg'io) apresentou aqui um arranjo feito para flauta, clarinete e Orquestra.
$49.99
46.66 €
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Chamber Orchestra
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James Strauss
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Mitridate, rè di Ponto, K. 87 - Se viver non degg'io
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James Strauss
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
52.26 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Little Laser Lady for chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580943 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David Warin Solomons #2028843. Published by David Warin Solomons (A0.580943). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
14 €
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Chamber Orchestra
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David Warin Solomons
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Little Laser Lady for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
Landscape before sunrise for chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580942 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David Warin Solomons #2028849. Published by David Warin Solomons (A0.580942). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
14 €
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Chamber Orchestra
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David Warin Solomons
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Landscape before sunrise for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
An amble round Mercury for chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580941 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028841. Published by David Warin Solomons (A0.580941). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
14 €
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Chamber Orchestra
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David Warin Solomons
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An amble round Mercury for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Frie…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
7.46 €
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Chamber Orchestra
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Karl Friedrich Abel
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Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Guido Menestrina
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SheetMusicPlus
Variations on "Non piu mesta" for Flute and Orchestra - Set of Parts
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.866121 Composed by Gioachino…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.866121 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. Set of parts. 71 pages. Ondine Press #6230163. Published by Ondine Press (A0.866121). Instrumentation: 2(Il. ad lib) 2. 2. 2 – 2. 2. 1(ad lib). 0 – str This is a set of parts to Yoon Jae Lee’s arrangement, Variations on “Non più mesta†for flute and orchestra. The full score, as well as a version for flute and piano, are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://bit.ly/3hJgXxP.
$100.00
93.34 €
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Chamber Orchestra
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Gioachino Rossini, Frederic Chopin
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Variations on "Non piu mesta" for Flute and Orchestra - Set of Parts
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Ondine Press
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SheetMusicPlus
MADAMINA ('Catalog Aria' from Don Giovanni, Act I)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.601816 Composed by Wolfgang …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.601816 Composed by Wolfgang Amadeus Mozart. Arranged by Flavio Regis Cunha. Classical,Concert,Opera. Score and parts. 83 pages. Flavio Regis Cunha #5314791. Published by Flavio Regis Cunha (A0.601816). Madamina, il catalogo è questo (also known as the Catalogue Aria) is a bass catalogue aria from Mozart's opera Don Giovanni to an Italian libretto by Lorenzo Da Ponte, and is one of Mozart's most famous and popular arias.It is sung by Don Giovanni's servant Leporello to Elvira during act 1 of the opera. Sung to a mostly light-hearted tune, it consists of a description and detailed count of his master's numerous conquests.The aria's two halves reverse the usual order of cavatina followed by cabaletta: in the first, a quick Allegro in 4/4, Leporello has a patter summarizing the number and occupations of Don Giovanni's lovers, while in the second, an Andante con moto in 3/4, in the style of a polonaise (with a melody similar to that of the Larghetto of Mozart's earlier Quintet for Piano and Winds), he describes his approaches and preferences, while Donna Elvira presumably listens in horror.Orquestration: 2.2.0.2 - 2.0.0.0 - Str - Solo Bass
$9.99
9.32 €
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Chamber Orchestra
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Wolfgang Amadeus Mozart
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MADAMINA
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Flavio Regis Cunha
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SheetMusicPlus
Variations on 'Non piu mesta' for Flute and Orchestra - Score Only
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.866119 Composed by Gioachino…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.866119 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. 40 pages. Ondine Press #5377029. Published by Ondine Press (A0.866119). Instrumentation: 2(Il. ad lib) 2. 2. 2 – 2. 2. 1(ad lib). 0 – str This is a full score to Yoon Jae Lee’s arrangement, Variations on “Non più mesta†for flute and orchestra. The set of parts, as well as a version for flute and piano, are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://issuu.com/ondinepress/docs/00_full_score_e_major.
$25.00
23.33 €
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Chamber Orchestra
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Gioachino Rossini, Frederic Chopin
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Variations on 'Non piu mesta' for Flute and Orchestra - Score Only
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Ondine Press
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SheetMusicPlus
Feira De Mangaio
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1241559 Composed by Maria Da…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1241559 Composed by Maria Da Gloria Gadelha and Severino Dias De Oliveira. Arranged by Kabir Budlender. Folk,Jazz,Multicultural,World. Score and Parts. 40 pages. Kabir Budlender #836932. Published by Kabir Budlender (A0.1241559). Feira de Mangaio made famous by the Sivuca and Clare Nunes is a favourite among many. This arrangement was written inspired by a Big Band arrangement by Thomaz Gaio and arranged for a chamber orchestra by Kabir Budlender.  The mixed orchestra has parts for: 2 Flutes 1 Oboe 2 Clarinets 2 Bb Trumpets Trombone Tuba Dumset 3 Violins Viola Cello It is written almost as a feud between the different sections and intended to have moments of build up.  Obrigado and Enjoy!
$65.99
61.59 €
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Chamber Orchestra
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Maria Da Gloria Gadelha and Severino Dias De Oliveira
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Feira De Mangaio
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Kabir Budlender
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SheetMusicPlus
Aria: Erbarme Dich, mein Gott from Matthäuspassion (Flute Solo, Oboe d'Amore and Strings)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.597237 By Johann Sebastian B…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.597237 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flávio Régis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and parts. 21 pages. Flavio Regis Cunha #4603489. Published by Flavio Regis Cunha (A0.597237). The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra.This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Flute (optional recorder), oboe d'Amore and strings. The flute replaces the solo violin very well, just as the oboe d'Amore's sonority fits wonderfully well by replacing the traditional contralto solo.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunhaIntermediate Level Fomat: Concert 9 x 12 inches. 21 pages.
$14.99
13.99 €
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Chamber Orchestra
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Johann Sebastian Bach
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Aria: Erbarme Dich, mein Gott from Matthäuspassion
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Flavio Regis Cunha
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SheetMusicPlus
German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 3 Viola
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.568673 Arranged by Thomas Gr…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.568673 Arranged by Thomas Graf. Classical,Folk,World. Score and parts. 11 pages. Thomas Graf - the-hit-factory.com #3038961. Published by Thomas Graf - the-hit-factory.com (A0.568673). The perfect collection for you upcoming spring concerts: Five famous German Folksongs come along with fresh and colorful arrangements, including Canon passages, solos in all parts, challenging counterpoint, key, tempo and surprising rhythm changes – all based on beautiful old and worldwide well known melodies. Welcome Spring Time! These songs are included: Part I Kanon (Canon) Es tönen die Lieder, der Frühling kommt wieder/Im Märzen der Bauer Part II Alle Vöglein sind schon da Part III Der Mai ist gekommen Part IV Komm lieber Mai Part V Nun will der Lenz uns grüßen Total playtime: more than 13 minutes - Eight pages per part, printable as brochure Five different parts in all transpositions, you can buy score and all parts in a paket, find them on this website. Instrumentation: Part Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/Uu5x2Jk48bw
$3.99
3.72 €
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Chamber Orchestra
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Instrumentation:
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German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 3 Viola
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Aria: Erbarme Dich, mein Gott from Matthäuspassion (Flute Solo, Oboe d'Amore and Strings)
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.496445 By Johann Sebastian B…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.496445 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Easter,Praise & Worship,Sacred. Score and parts. 21 pages. FRC Music #110623. Published by FRC Music (A0.496445). The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra.This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Flute (optional recorder), oboe d'Amore and strings. The flute replaces the solo violin very well, just as the oboe d'Amore's sonority fits wonderfully well by replacing the traditional contralto solo. Intermediate Level Fomat: Concert 9 x 12 inches. 21 pages.
$18.49
17.26 €
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Chamber Orchestra
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Johann Sebastian Bach
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Aria: Erbarme Dich, mein Gott from Matthäuspassion
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FRC Music
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SheetMusicPlus
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