Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
9,692
Digital
Sheet Music
8
Sheet Music
Books
1,303
Music
Equipment
37,793
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
787
PIANO & KEYBOARDS
Piano, Voice
581
Piano solo
425
Piano, Vocal and Guitar
162
Easy Piano
137
Organ
35
Piano Accompaniment
29
C Instruments
25
Big Note Piano
19
1 Piano, 4 hands
9
Piano (band part)
3
Organ, Trumpet (duet)
2
Piano Trio: piano, violin, cello
2
Accordion
2
Keyboard
1
Piano Quartet: piano, 2 violins, cello
1
Instrumentations suivantes
Retracter
GUITARS
Guitar notes and tablatures
60
Melody line, (Lyrics) and Chords
55
Guitar
47
Ukulele
30
Bass guitar
15
Lyrics and Chords
13
2 Guitars (duet)
3
4 Guitars (Quartet)
2
3 Guitars (trio)
2
Guitar Ensemble
2
Piano, Guitar (duet)
1
Electric Bass (band part)
1
Guitar (band part)
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
288
Choral 3-part
187
Choral TTBB
103
Choral 2-part
22
Soprano voice, Piano
19
Choral SSAA
19
Choral Unison
16
Voice solo
10
Tenor voice, Piano
5
Choral
3
Vocal duet, Piano
3
High voice
2
Vocal duet
2
Alto voice, Piano
2
Choral SSATTB
1
Low voice, Piano
1
Medium voice, Piano
1
Instrumentations suivantes
Retracter
WOODWIND
Flute
52
Flute, Oboe, Clarinet, Bassoon
42
Recorder
32
Saxophone (band part)
32
Flute and Piano
29
Saxophone
28
Saxophone Quartet: 4 saxophones
25
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
21
Oboe (band part)
18
Oboe
18
Clarinet
17
Alto Saxophone
16
Clarinet Quartet: 4 clarinets
16
Oboe, Piano (duet)
14
Flute and Guitar
14
Alto Saxophone and Piano
14
Clarinet and Piano
14
2 Flutes (duet)
13
2 Saxophones (duet)
10
Saxophone Quintet: 5 Saxophones
9
Tenor Saxophone and Piano
8
2 Clarinets (duet)
7
Clarinet (band part)
7
Soprano Saxophone and Piano
6
Clarinet, Guitar (duet)
6
Flute Quartet: 4 flutes
6
Flute (band part)
5
Flute Trio: 3 flutes
5
Baritone Saxophone, Piano
4
Oboe, Bassoon (duet)
4
Clarinet, Bassoon (duet)
4
Flute, Clarinet (duet)
4
Flute Quintet : 5 flutes
4
Flute, Trumpet (duet)
3
Flute ensemble
3
3 Clarinets (trio)
3
Clarinet Ensemble
3
Clarinet, Violin (duet)
3
Saxophone and Guitar
3
Tenor Saxophone
3
Saxophone ensemble
2
2 Saxophones, Piano
2
Soprano Saxophone
2
Flute, Oboe, Clarinet (trio)
2
Treble (Alto) Recorder
2
Flute, Violin and Violoncello
2
Saxophone, Clarinet (duet)
2
Clarinet, Harp (duet)
2
Baritone Saxophone
2
Descant (Soprano) Recorder
2
English Horn, Guitar (duet)
2
English horn, Harp (duet)
1
Flute, Bassoon, and Piano
1
4 Oboes
1
Oboe, Clarinet (duet)
1
Clarinet and Viola
1
Bass Clarinet, Piano
1
Flute, Oboe, Bassoon
1
Clarinette, Viola and Piano (trio)
1
Flute, Viola and Piano
1
Flute, trombone and piano
1
Clarinet Quintet: 5 clarinets
1
Flute, Oboe, Violin
1
2 English horns and Pianoforte
1
English horn, Piano
1
5 Recorders
1
Flute, Clarinet, Piano (trio)
1
Flute, Clarinet, Violin (trio)
1
Flute, Violin
1
3 Saxophones (trio)
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
45
Trumpet ensemble
34
Trumpet
29
Trombone and Piano
18
Trombone
14
Brass quartet : 2 trumpets, trombone, tuba
13
French Horn and Piano
11
Trumpet, Piano
9
Trumpet (band part)
8
Brass Quartet: 4 trombones
7
Trombone (band part)
7
French horn
7
Brass Quartet
6
2 French horns (duet)
5
Brass Quartet: 4 trumpets
4
Brass Quartet: 4 horns
4
2 Trumpets (duet)
4
Trumpet, Trombone (duet)
4
2 Trombones (duet)
3
Brass Quartet: 2 trumpets, horn, trombone
3
Brass Trio
2
Euphonium
2
Tuba
2
Trombone ensemble
2
French horn (band part)
2
English Horn, Guitar (duet)
2
English horn, Harp (duet)
1
Trumpet, violin (duet)
1
Trombone, Tuba (duet)
1
Bass Trombone
1
Tuba (band part)
1
Bass Clef Instruments
1
Tuba and Piano
1
Euphonium, Piano (duet)
1
2 English horns and Pianoforte
1
English horn, Piano
1
Brass Quartet: 2 trumpets, 2 trombones
1
4 Euphoniums
1
Instrumentations suivantes
Retracter
STRINGS
Violin
76
String Quartet: 2 violins, viola, cello
50
Violin and Piano
41
Cello, Piano
26
Cello (band part)
25
Viola, Piano
15
Violin, Cello (duet)
12
Viola
10
String Trio: violin, viola, cello
8
Violin, Viola (duet)
7
2 Violins (duet)
7
Violin (band part)
6
Viola, Cello (duet)
6
Harp
6
Cello
5
2 Cellos (duet)
5
Viola (band part)
5
String Quintet: 2 violins, viola, cello, bass
5
Violin, Guitar (duet)
4
2 Violas (duet)
3
Double bass, Piano (duet)
3
Viola, Guitar (duet)
3
Violin ensemble
3
Doublebass (band part)
2
4 Cellos
2
Harp (band part)
2
Harp, Voice
2
String Trio: 3 cellos
2
String Trio: 3 violins
2
Harp, Flute (duet)
1
2 Violins, Piano
1
String Trio: 2 violins, cello
1
String quartet: 4 violins
1
Cello, Guitar (duet)
1
Harp, Violin (duet)
1
String Quintet: 2 violins, 2 violas, cello
1
Double Bass
1
Piano Trio: Violin, Viola, Piano
1
Viola and Harp
1
Harp and Piano
1
4 Double Basses
1
Harp, Cello (duet)
1
String trio
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Brass ensemble
46
Concert band
35
Orchestra
33
String Orchestra
26
Jazz Ensemble
19
Handbells
16
Marching band
13
Drums
10
Chamber Orchestra
8
Jazz combo
8
Percussion (band part)
6
Drum (band part)
5
Percussion Ensemble
3
Piano and Orchestra
1
Xylophone, Piano
1
Marimba
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
3 AM
Chamber Orchestra
Sheetmusic to print
8 sheet music found
<
1
(I Am A Poor) Wayfaring Stranger- orchestra (small)
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.753642 Composed by Tradition…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.753642 Composed by Traditional. Arranged by John Hoesly. Country,Film/TV,Folk. 36 pages. PRS&B #5218755. Published by PRS&B (A0.753642). Wayfaring Stranger- for small orchestra. Traditional American Folk Song arranged by John Hoesly. Also known as Poor Wayfaring Stranger and I Am A Poor Wayfaring Stranger, this song probably originated in the early 19th century. It has been recorded numerous times, but most significantly appears in the 2019 film 1917 where a soldier sings this plaintive melody to his fellow comrades just before going into battle. This arrangement is divided into two sections. Section one is a very haunting scenario, very plain with insistent harmonic devices. The second section is a more elaborate version with more harmonic movement and tempo extensions to create more drama. It ends as plaintively as it begins.
$50.00
45.92 €
#
Chamber Orchestra
#
Traditional
#
(I Am A Poor) Wayfaring Stranger- orchestra
#
PRS&B
#
SheetMusicPlus
(I Am A Poor) Wayfaring Stranger- Solo Voice (High Voice) and orchestra
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.753641 Composed by Tradition…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.753641 Composed by Traditional. Arranged by j. Contemporary,Film/TV,Folk,Traditional. 43 pages. PRS&B #5222665. Published by PRS&B (A0.753641). Wayfaring Stranger- for Solo Voice (High Voice) and small orchestra. Traditional American Folk Song arranged by John Hoesly. Also known as Poor Wayfaring Stranger and I Am A Poor Wayfaring Stranger, this song probably originated in the early 19th century. It has been recorded numerous times, but most significantly appears in the 2019 film 1917 where a soldier sings this plaintive melody to his fellow comrades just before going into battle. This arrangement is divided into two sections. Section one is a very haunting scenario, very plain with insistent harmonic devices. The second section is a more elaborate version with more harmonic movement and tempo extensions to create more drama. It ends as plaintively as it begins.
$50.00
45.92 €
#
Chamber Orchestra
#
Traditional
#
(I Am A Poor) Wayfaring Stranger- Solo Voice
#
PRS&B
#
SheetMusicPlus
I am Thine , O Lord arr. By Chidi Oku
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.696699 By F.J . Crosby. By W…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.696699 By F.J . Crosby. By W.H. Doane. Arranged by Chidiebere Oku. Classical. Score and parts. 7 pages. CIDUC #304251. Published by CIDUC (A0.696699). Hymn Orchestral variation.
$2.99
2.75 €
#
Chamber Orchestra
#
F
#
I am Thine , O Lord arr. By Chidi Oku
#
CIDUC
#
SheetMusicPlus
Where am I? for string quartet and flute
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.576513 Composed by David War…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.576513 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 18 pages. David Warin Solomons #27327. Published by David Warin Solomons (A0.576513). Inspired by the poem Care Home by my father SN Solomons,
$12.00
11.02 €
#
Chamber Orchestra
#
David Warin Solomons
#
Where am I? for string quartet and flute
#
David Warin Solomons
#
SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.42 €
#
Chamber Orchestra
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Three Laments of Heloise for Chamber Orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
91.84 €
#
Chamber Orchestra
#
Dosia McKay
#
Three Laments of Heloise for Chamber Orchestra
#
Gavia Music
#
SheetMusicPlus
Concerto Grosso (2017) for chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869525 Composed by Thomas Ob…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages. Thomas Oboe Lee #3112103. Published by Thomas Oboe Lee (A0.869525). Instrumentation: 2222-2200-timp-stringsSteve Laven, cellist with the Boston Pro Arte Chamber Orchestra, contacted me a month ago and asked if I would be interested in writing a work to help celebrate the 40th Anniversary of the founding of the Pro Arte Chamber Orchestra. I said, Sure!!! He said it would be nice if I would consider a concerto grosso in which the principal players of the orchestra would each get a feature. I agreed that that would be a fine idea. So, on June 18th, 2017, I started working on it. And since I am on summer vacation from teaching I was able to finished the 557-measure work on July 2nd, fifteen days after I started. In 2018 just before I made plans to get the work recorded I made some revisions. One major change was that I cut the fourth movement out completely. It is now a mere 482 measures long. The work is now in three movements. 1. Introduction; Allegro 2. Presto 3. Largo Duration: ca. 17 minutes.YouTube link: https://youtu.be/xIMSFEd0p8oBandcamp link: https://thomasoboelee.bandcamp.com/album/concerto-grosso-2017PS: This is the sixth work that the PACO has performed of my music. 1. Phantasia for Elvira Shatayev (1981) with soprano Judith Kellock and Newell Hendricks.2. Harp Concerto (1985) with Ann Hobson-Pilot and Gunther Schuller.3. Symphony No. 1 ... Fallen Angels (1993, rev. 1995) with Gunther Schuller.4. Forró (1998) with Gunther Schuller.5. Daphne ... An Imaginary Ballet (2015) with Beatrice Affron.6. Concerto Grosso (2017) with Kevin Rhodes.
$9.99
9.18 €
#
Chamber Orchestra
#
Thomas Oboe Lee
#
Allegro
#
Concerto Grosso
#
Thomas Oboe Lee
#
SheetMusicPlus
Triplo concerto barocco
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: S9.Q5767 For Chamber Orchestra. Co…
(+)
Chamber Orchestra - Digital Download SKU: S9.Q5767 For Chamber Orchestra. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 10 minutes. Schott Music - Digital #Q5767. Published by Schott Music - Digital (S9.Q5767). Hans Werner Henze used original music by Scarlatti, Handel and Vivaldi to evoke the baroque lifestyle for a TV film of José Montes-Baquer based on the novella ’Concierto Barocco’ by the Cuban Alejo Carpentier; the film music of L’amour à mort by the French master director Alain Resnais was turned into a sonata by Henze.Picc. · 2 · 1 · Cornetto (oder Ob. d'am. oder Engl. Hr.) · 0 · 0 - 0 · 1 · 0 · 0 - P. S. (Marimba · 4 hg. Beck. · Crot. · 3 Gongs · Schellentr. · 2 Bong. · Tomt. · 2 afrik. Tr. · Trinidad Steel Drum · Tempelbl. · Schüttelrohr) (4 Spieler) - Cemb. (konzertierend) · Klav. (konzertierend) · Org. (konzertierend) · 1 Trumscheit - Str.
$29.99
27.54 €
#
Chamber Orchestra
#
Hans Werner Henze
#
Triplo concerto barocco
#
Schott Music - Digital
#
SheetMusicPlus
<
1
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
