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Homage to Sibelius Chamber Orchestra

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley …(+)

$103.50 95.42 € #Chamber Orchestra #Stanley M Hoffman #Homage to Sibelius #stanleymhoffman.com #SheetMusicPlus

Clarinet in the Ages - Score Only Chamber Orchestra

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1082630 Composed by Karol Ni…(+)

$15.00 13.83 € #Chamber Orchestra #Karol Niklas #Clarinet in the Ages - Score Only #Karol Niklas #SheetMusicPlus

BH012REC - Recorder Quartet Songs, Book 12 (>70 pages) Chamber Orchestra

Chamber Orchestra - Level 3 - Digital Download SKU: A0.921173 Composed by Carl Van …(+)

$9.95 9.17 € #Chamber Orchestra #Carl Van Pevenage #BH012REC - Recorder Quartet Songs, Book 12 #Carl Van Pevenage #SheetMusicPlus

Song From A Secret Garden (korean Version) Chamber Orchestra

Chamber Orchestra - Level 2 - Digital Download SKU: A0.1164128 By Youngok Shin. By …(+)

$49.99 46.09 € #Chamber Orchestra #Youngok Shin #Song From A Secret Garden #Arianna Cunningham #SheetMusicPlus

W.A.Mozart - O Isis und Osiris - Zauberflöte, Sarastro's Aria - Chamber Orchestra Version Chamber Orchestra

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1311414 Composed by Wolfgang…(+)

$45.00 41.49 € #Chamber Orchestra #Wolfgang Amadeus Mozart #W.A.Mozart - O Isis und Osiris - Zauberflöte, Sarastro's Aria - Chamber Orchestra Version #Arcadia Verlag #SheetMusicPlus

Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis ( Chamber Orchestra

Chamber Orchestra - Level 3 - Digital Download SKU: A0.739503 Composed by David Cat…(+)

$45.00 41.49 € #Chamber Orchestra #David Catherwood #$45

Flute, #Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis #Opus 3 Music #SheetMusicPlus

Requiem Chamber Orchestra

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…(+)

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... Â· Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin â€¢ German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of â€œletting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: â€œI will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though â€œin an oceanâ€ of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: â€œSo teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boyâ€™s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent â€œlux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: â€œEntreiÃŸ dich, Seele, nun der Zeit, entreiÃŸ dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgenâ€ [â€œTear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: â€œUnd die Seele unbewacht will in freien FlÃ¼gen schweben, um im Zauberkreis der Nacht tief und tausendfach zu lebenâ€ [â€œAnd the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: â€œUnd meine Seele spannte weit ihre FlÃ¼gel aus. Flog durch die stillen Lande, als flÃ¶ge sie nach Hausâ€ [â€œAnd my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethovenâ€™s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my â€œrenewedâ€ occupation with the â€œoldâ€ country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a â€œhomecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) Â· 2 (2. auch Engl. Hr.) Â· 1 (auch Bassklar.) Â· 0 - 2 Â· Flhr. Â· 0 Â· 0 - P. S. (Glsp. Â· RÃ¶hrengl. Â· Gongs Â· Trgl. Â· Beck. Â· Tamt. Â· 2 Holzschlitztr. (oder Woodbl.) Â· Woodbl. Â· gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 Â· 4 Â· 4 Â· 4 Â· 2).
$55.99 51.62 € #Chamber Orchestra #Harald Weiss #Requiem #Schott Music - Digital #SheetMusicPlus

Homage (2014) Chamber Orchestra

Chamber Orchestra - Level 5 - Digital Download SKU: A0.934196 Composed by Mark Zant…(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.934196 Composed by Mark Zanter. Contemporary. Score and parts. 24 pages. MJIC Music Publishing (ASCAP) #3130805. Published by MJIC Music Publishing (ASCAP) (A0.934196). Homage (2014) for oboe and string orchestra was commissioned by oboist Dr. Richard Kravchak for a performance on Marshall University's Seventh Annual Festival of New Music. The work is suitable for an advanced soloist and college level orchestra and will pair well with Berio's Chemins IV. The duration of the work is 12:00.
$10.00 9.22 € #Chamber Orchestra #Mark Zanter #Homage #MJIC Music Publishing #SheetMusicPlus

TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF) Chamber Orchestra

Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Phi…(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÃœu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in â€˜La Bizarreâ€™ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called â€˜Relingâ€™ in certain regions of Germany, whence the concertoâ€™s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, â€˜a-a, a-aâ€™, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins â€˜forgetâ€™ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemannâ€™s music. If we knew that a satirist was at work in this â€˜Relingeâ€™ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos â€˜smack of Franceâ€™ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all â€˜sullen old heartâ€™ a little joke at the expense of the relevant concertos of a certain Italian composerâ€¦ â€“ Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00 16.59 € #Chamber Orchestra #Georg Philipp Telemann #TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 #Sneakwood Editions #SheetMusicPlus

Pr'os lados do Piaui, entre a Turquia e a Alemanha Chamber Orchestra

Chamber Orchestra - Digital Download SKU: A0.962358 Composed by Sergio Roberto de O…(+)

Chamber Orchestra - Digital Download SKU: A0.962358 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 131 pages. Sergio Roberto de Oliveira #5011347. Published by Sergio Roberto de Oliveira (A0.962358). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in MÃ©xico, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers PrelÃºdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto RadamÃ©s Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$49.58 45.71 € #Chamber Orchestra #Sergio Roberto de Oliveira #Pr'os lados do Piaui, entre a Turquia e a Alemanha #Sergio Roberto de Oliveira #SheetMusicPlus

Fantasy on the Theme of O God, Our Help in Ages Past (Chamber Orchestra) Chamber Orchestra

Chamber Orchestra - Level 4 - Digital Download SKU: A0.846893 Composed by Sharon Ki…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.846893 Composed by Sharon Kim. 20th Century,Christian,Holiday,Sacred. Score and parts. 57 pages. Song of Songs Music #2898911. Published by Song of Songs Music (A0.846893). An extremely sweet and romantic melody is developing to make wonderful harmonies with a Theme by William Croft and creates an impressive fantasy! Suitable for Sunday service or New Year's worship service. Full score and all parts. Duration: 6 Minute. Please visit and subscribe to my Youtube channel to be updated with new pieces by Sharon Kim. You can also request free updates of your score if you have purchased this score before the revise at my channel. https://www.youtube.com/channel/UCj7qYJSAac9aRmFAEB3tnEA?view_as=subscriber
$39.99 36.87 € #Chamber Orchestra #Sharon Kim #Fantasy on the Theme of O God, Our Help in Ages Past #Song of Songs Music #SheetMusicPlus

A Whole New World Chamber Orchestra

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1311477 Composed by Alan Men…(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1311477 Composed by Alan Menken and Tim Rice. Arranged by Chappell Kingsland. Broadway,Chamber,Film/TV,Musical/Show,Pop,Rock. 30 pages. Chappell Kingsland #900475. Published by Chappell Kingsland (A0.1311477). One of the most beloved songs in the Disney canon; this is the ONLY arrangement for chamber orchestra which references both the movie version AND the pop radio sensation! Electric Guitar and Drumset play a big part in switching to the pop/rock sound halfway through.This was written for a C Instrument Soloist (flute, oboe, violin, etc.) with Chamber Orchestra (15 players), but see the other arrangements by Chappell Kingsland if youâ€™d like a different instrument or a vocalist as the featured soloist. Arranged for Callie Dorsett and the Wild Beautiful Orchestra.
$50.00 46.1 € #Chamber Orchestra #Alan Menken and Tim Rice #A Whole New World #Chappell Kingsland #SheetMusicPlus

A Whole New World Chamber Orchestra

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1311456 Composed by Alan Men…(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1311456 Composed by Alan Menken and Tim Rice. Arranged by Chappell Kingsland. Broadway,Chamber,Film/TV,Musical/Show,Pop,Rock. 30 pages. Chappell Kingsland #900460. Published by Chappell Kingsland (A0.1311456). One of the most beloved songs in the Disney canon; this is the ONLY arrangement for chamber orchestra which references both the movie version AND the pop radio sensation! Electric Guitar and Drumset play a big part in switching to the pop/rock sound halfway through.This was written for a Bb Instrument Soloist (clarinet, soprano sax, tenor sax, trumpet, etc.) with Chamber Orchestra (15 players), but see the other arrangements by Chappell Kingsland if youâ€™d like a different instrument or a vocalist as the featured soloist. Arranged for Callie Dorsett and the Wild Beautiful Orchestra.
$50.00 46.1 € #Chamber Orchestra #Alan Menken and Tim Rice #A Whole New World #Chappell Kingsland #SheetMusicPlus

A Whole New World Chamber Orchestra

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1314947 Composed by Alan Men…(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1314947 Composed by Alan Menken and Tim Rice. Arranged by Chappell Kingsland. Broadway,Chamber,Film/TV,Musical/Show,Pop,Rock. 32 pages. Chappell Kingsland #903696. Published by Chappell Kingsland (A0.1314947). One of the most beloved songs in the Disney canon; this is the ONLY arrangement for chamber orchestra which references both the movie version AND the pop radio sensation! Electric Guitar and Drumset play a big part in switching to the pop/rock sound halfway through.This was written for a Vocal Duet (one high and one low voice, any type) with Chamber Orchestra (15 players), but see the other arrangements by Chappell Kingsland if youâ€™d like the version for a single vocal soloist, or the versions with an instrumental soloist. Arranged for Callie Dorsett and the Wild Beautiful Orchestra.
$50.00 46.1 € #Chamber Orchestra #Alan Menken and Tim Rice #A Whole New World #Chappell Kingsland #SheetMusicPlus

We Wish You a Merry Christmas Chamber Orchestra

Composed by Arthur Warrell. Arranged by Peter B Kay. Christmas, Classical, Holiday, …(+)

Composed by Arthur Warrell. Arranged by Peter B Kay. Christmas, Classical, Holiday, Standards, Traditional. Score and parts. 32 pages. Blair New Music #548107. Published by Blair New Music
$38.00 35.03 € #Chamber Orchestra #Arthur Warrell #We Wish You a Merry Christmas # Blair New Music #SheetMusicPlus

A Whole New World Chamber Orchestra

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1314942 Composed by Alan Men…(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1314942 Composed by Alan Menken and Tim Rice. Arranged by Chappell Kingsland. Broadway,Chamber,Film/TV,Musical/Show,Pop,Rock. 31 pages. Chappell Kingsland #903690. Published by Chappell Kingsland (A0.1314942). One of the most beloved songs in the Disney canon; this is the ONLY arrangement for chamber orchestra which references both the movie version AND the pop radio sensation! Electric Guitar and Drumset play a big part in switching to the pop/rock sound halfway through.This was written for a Vocal Soloist (soprano, alto, tenor, or treble voice) with Chamber Orchestra (15 players), but see the other arrangements by Chappell Kingsland if youâ€™d like the vocal duet or an instrument as the featured soloist. Arranged for Callie Dorsett and the Wild Beautiful Orchestra.
$50.00 46.1 € #Chamber Orchestra #Alan Menken and Tim Rice #A Whole New World #Chappell Kingsland #SheetMusicPlus

A Whole New World Chamber Orchestra

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1372281 Composed by Alan Men…(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1372281 Composed by Alan Menken and Tim Rice. Arranged by Melvin Tay. Broadway,Film/TV,Musical/Show. 32 pages. Melvin Tay #956562. Published by Melvin Tay (A0.1372281).
$49.99 46.09 € #Chamber Orchestra #Alan Menken and Tim Rice #A Whole New World #Melvin Tay #SheetMusicPlus

A Whole New World (reprise) - Score Only Chamber Orchestra

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1136727 Composed by Alan Men…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1136727 Composed by Alan Menken and Tim Rice. Arranged by Deborah Levy. Broadway,Children,Film/TV,Musical/Show,Pop. Score and parts. 6 pages. Deborah Levy #736726. Published by Deborah Levy (A0.1136727). Arranjo para flauta, piano, viola e violoncello.
$6.99 6.44 € #Chamber Orchestra #Alan Menken and Tim Rice #A Whole New World #Deborah Levy #SheetMusicPlus

Overture to "A Lucky Star" A 1920s Musical, Full Orchestra Score and Individual Parts Chamber Orchestra

Chamber Orchestra - Level 3 - Digital Download SKU: A0.730508 Composed by James Nat…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.730508 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Jazz,Musical/Show,Patriotic. Score and parts. 74 pages. James Nathaniel Holland #5955675. Published by James Nathaniel Holland (A0.730508). Overture to American composer James Nathaniel Holland's early 1920s-styled musical A Lucky Star. The story about coming to terms with where you're from while attaining your dreams. Featured are 4 popular songs: A Lucky Star; O Baby, You Treat Me Too Rough; New York The City, The Town of Your Dreams; and Indiana. Perfect for period 20s jazz concert or opening to pops orchestra concert. Full score in concert pitch and individual instrument parts included. Instr: picc, fl12, ob12, cl12, bsn, hrn12, tpt, trmb, timp, drum set, piano (w/opt. banjo), strings. Duration: 8:28.
$15.95 14.7 € #Chamber Orchestra #James Nathaniel Holland #Overture to "A Lucky Star" A 1920s Musical, Full Orchestra Score and Individual Parts #James Nathaniel Holland #SheetMusicPlus

Fairytale Of New York Chamber Orchestra

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1265035 By The Pogues featur…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1265035 By The Pogues featuring Kirsty MacColl. By Jeremy Finer and Shane MacGowan. Arranged by PJM. 20th Century,Celtic,Christmas,Contest,Festival,Holiday,Irish. Score and Parts. 45 pages. Pamela Moutoussi #857864. Published by Pamela Moutoussi (A0.1265035). A popular Christmas pop tune arranged for Chamber orchestra.
$50.00 46.1 € #Chamber Orchestra #The Pogues featuring Kirsty MacColl #Fairytale Of New York #Pamela Moutoussi #SheetMusicPlus

Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only Chamber Orchestra

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Co…(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, â€œAve Maris Stellaâ€ (2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute â€“ as both an important American composer and a significantcontributor to Americaâ€™s contemporary musical life.The workâ€™s basic source material is the plainchant Ave maris stella (â€œHail, star of the seaâ€) â€“appropriate because of Duquesneâ€™s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe workâ€™s tone â€“ becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as â€œan underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.â€ The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up â€“ as in a pentimento.At various points, one can begin to hear the original plainchant â€œpeek outâ€ in subtle ways.The opening section of the movement obsesses again and again on what sounds like aâ€œbeginningâ€ â€“ as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked â€œsinister.â€ After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at theâ€œbeginningâ€ again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly â€“ in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movementâ€™stransformations, and â€œmotetâ€ sections â€“ using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)ï»¿This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95 23.92 € #Chamber Orchestra #Carson Cooman #Carson Cooman: Symphony No. 3, “Ave Maris Stella” #Musik Fabrik Music Publishing #SheetMusicPlus

TRANSFORMATION SYMPHONY Chamber Orchestra

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1014368 Composed by Sara Bon…(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1014368 Composed by Sara Bongo. Contemporary,Instructional,New Age,Spiritual,Standards. Score and parts. 183 pages. Sara Bongo #6237381. Published by Sara Bongo (A0.1014368). Developed from a study of Sergei Prokofievâ€™s Classical Symphony in D Major, Opus 25, the Transformation Symphony was written as a tribute to Prokofievâ€™s style much as Prokofiev paid homage to the works of Joseph Haydn. The Transformation Symphony consists of four contrasting movements which include Dream (Allegro), Sacrifice (Larghetto), Perseverance (Minuet and Trio) and Metamorphosis (Rondo.)Each movement can be defined as a progression from a dream to the sacrifice that is needed to reach the dream to the perseverance needed to maintain the sacrifice to the metamorphosis that comes from having achieved the dream. The composer includes a linear progression in the four movements yet manages to also intertwine these elements in the last movement to indicate that the creative process can be both linear and interspersed.
$200.00 184.38 € #Chamber Orchestra #Sara Bongo #TRANSFORMATION SYMPHONY #Sara Bongo #SheetMusicPlus

TRANSFORMATION SYMPHONY Movement I- DREAM Chamber Orchestra

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1014365 Composed by Sara Bon…(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1014365 Composed by Sara Bongo. Contemporary,Instructional,New Age,Standards. Score and parts. 122 pages. Sara Bongo #5372521. Published by Sara Bongo (A0.1014365). P { margin-bottom: 0.08in } Developed from a study of Sergei Prokofievâ€™s Classical Symphony in D Major, Opus 25, the Transformation Symphony was written as a tribute to Prokofievâ€™s style much as Prokofiev paid homage to the works of Joseph Haydn. The Transformation Symphony consists of four contrasting movements which include Dream (Allegro), Sacrifice (Larghetto), Perseverance (Minuet and Trio) and Metamorphosis (Rondo.) Each movement can be defined as a progression from a dream to the sacrifice that is needed to reach the dream to the perseverance needed to maintain the sacrifice to the metamorphosis that comes from having achieved the dream. The composer includes a linear progression in the four movements yet manages to also intertwine these elements in the last movement to indicate that the creative process can be both linear and interspersed. P { margin-bottom: 0.08in }
$90.00 82.97 € #Chamber Orchestra #Sara Bongo #TRANSFORMATION SYMPHONY Movement I- DREAM #Sara Bongo #SheetMusicPlus

Metamorphosis Chamber Orchestra

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1097212 Composed by Daniel B…(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1097212 Composed by Daniel Burwasser. Classical,Contemporary. Score and Parts. 140 pages. Head and Stem #701166. Published by Head and Stem (A0.1097212). The composition of Metamorphosis for chamber orchestra began in the Fall of 1985 and was completed in February of 1986 when the composer was just 26. This score represents a newly revised edition done in 2022. Every effort was made to maintain the original intention of the piece. Metamorphosis is a work that conveys the essence of transformation and change. It explores the emotional and sonic journey of a metamorphic process, capturing the stages of evolution, growth, and eventual emergence. Metamorphosis represents a brief early period in the composerâ€™s output where a more dissonant harmonic language was used or where the tonality becomes more ambiguous. The composition begins with a sense of anticipation, using subtle and mysterious musical elements to represent the initial state before transformation. In the opening bars for instance, one hears a suggestion of the Scriabin â€œmysticâ€ chord which also loosely serves as the basis of the piece.. A brief hat-tipping moment is where a few bars of the Ravel string quartet is paraphrased (listen for it!). The work then travels through various cycles and episodes and only hints at the chord along the way.Â For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$60.00 55.31 € #Chamber Orchestra #Daniel Burwasser #Metamorphosis #Head and Stem #SheetMusicPlus

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