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All Is Well - Flute 2
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All Is Well - Flute 2
Chamber Orchestra
Sheetmusic to print
29 sheet music found
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26
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Georg Friedrich Händel, Ali
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Flavio Regis Cunha
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Händel: Atalanta, HWV 35: Ouv
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By Ge...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408). Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.Do you want to bring Georg Friedrich Händel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Händel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.
$39.99
When I Survey the Wondrous Cross - Orchestration
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Chamber Orchestra
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INTERMEDIATE
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sa...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
The Basis Of It All
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Chamber Orchestra
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ADVANCED
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Don Hodell Chilcote
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Don Hodell Chilcote
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The Basis Of It All
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Don Hodell Chilcote
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.779077 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Film/TV,Jazz,Rock,World. ...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.779077 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Film/TV,Jazz,Rock,World. Score and parts. 3 pages. Don Hodell Chilcote #6231299. Published by Don Hodell Chilcote (A0.779077). The Basis Of It All is for piano solo or ensemble. This is an original tune with a great funky vibe. The piece has a distinct and unique introduction, and development. 2 page arrangement is a sketch chart and improvised over, and is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. .
$1.99
O Come all Ye Faithful/Adeste Fideles - Strings & Piano with parts
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Chamber Orchestra
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EASY
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John Francis Wade
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Connie Boss
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O Come all Ye Faithful/Adeste
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Connie Boss
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.801535 Composed by John Francis Wade. Arranged by Connie Boss. Christian,Christmas,Sacred. Score a...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.801535 Composed by John Francis Wade. Arranged by Connie Boss. Christian,Christmas,Sacred. Score and parts. 7 pages. Connie Boss #6072743. Published by Connie Boss (A0.801535). This is a fun arrangement. There are lots of moving parts. It is for string quartet and piano. Lyrics and parts are included. You can purchase other arrangements of this song as well like SATB. cdboss@cvalley.net
$5.50
All People That On Earth Do Dwell (Accompaniment Package) (Brass Quartet - Alt.) (Key of F)
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Chamber Orchestra
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EASY
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Sacred music
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Christian contemporary
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Stephen DeCesare
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Stephen DeCesare
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All People That On Earth Do Dw
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Exultet Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1225655 By Stephen DeCesare. By Louis Bourgeois. Arranged by Stephen DeCesare. Christian,Contempor...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1225655 By Stephen DeCesare. By Louis Bourgeois. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Standards. Score and Parts. 15 pages. Exultet Music #821725. Published by Exultet Music (A0.1225655). Old 100th (also known as Old Hundred) is one of the best known melodies in many occidental Christian musical traditions and has now been freshly arranged for a variety of arrangements. (Bb-Trumpet (2), Trombone (2) ) and Organ. Â A Full score is also available. Â Key of F version.
$3.99
All People That On Earth Do Dwell (Accompaniment Package) (Brass Quartet - Alt.) (Key of Eb)
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Chamber Orchestra
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EASY
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Sacred music
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Christian contemporary
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Stephen DeCesare
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Stephen DeCesare
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All People That On Earth Do Dw
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Exultet Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1225657 By Stephen DeCesare. By Louis Bourgeois. Arranged by Stephen DeCesare. Christian,Contempor...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1225657 By Stephen DeCesare. By Louis Bourgeois. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Standards. Score and Parts. 16 pages. Exultet Music #821727. Published by Exultet Music (A0.1225657). Old 100th (also known as Old Hundred) is one of the best known melodies in many occidental Christian musical traditions and has now been freshly arranged for a variety of arrangements. (Bb-Trumpet (2), Trombone (2) ) and Organ. Â A Full score is also available. Â Key of Eb version.
$3.99
All People That On Earth Do Dwell (Accompaniment Package) (Brass Quartet) (Key of F)
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Chamber Orchestra
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EASY
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Sacred music
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Christian contemporary
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Stephen DeCesare
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Stephen DeCesare
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All People That On Earth Do Dw
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Exultet Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1225653 By Stephen DeCesare. By Louis Bourgeois. Arranged by Stephen DeCesare. Christian,Contempor...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1225653 By Stephen DeCesare. By Louis Bourgeois. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Standards. Score and Parts. 15 pages. Exultet Music #821723. Published by Exultet Music (A0.1225653). Old 100th (also known as Old Hundred) is one of the best known melodies in many occidental Christian musical traditions and has now been freshly arranged for a variety of arrangements. (Bb-Trumpet (2), French Horn, Trombone) and Organ. A Full score is also available. Key of F version.
$3.99
All People That On Earth Do Dwell (Accompaniment Package) (Brass Quartet) (Key of Eb)
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Chamber Orchestra
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EASY
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Sacred music
#
Christian contemporary
#
Stephen DeCesare
#
Stephen DeCesare
#
All People That On Earth Do Dw
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Exultet Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1225656 By Stephen DeCesare. By Louis Bourgeois. Arranged by Stephen DeCesare. Christian,Contempor...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1225656 By Stephen DeCesare. By Louis Bourgeois. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Standards. Score and Parts. 16 pages. Exultet Music #821726. Published by Exultet Music (A0.1225656). Old 100th (also known as Old Hundred) is one of the best known melodies in many occidental Christian musical traditions and has now been freshly arranged for a variety of arrangements. (Bb-Trumpet (2), French Horn, Trombone) and Organ. Â A Full score is also available. Â Key of Eb version.
$3.99
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
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Chamber Orchestra
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Ofer Ben-Amots
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Songs from the Pomegranate Gar
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own...
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Concerto Grosso (2017) for chamber orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Allegro 
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Concerto Grosso
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages. Thomas Oboe Lee #3112103. Published by Thomas Oboe Lee (A0.869525). Instrumentation: 2222-2200-timp-stringsSteve Laven, cellist with the Boston Pro Arte Chamber Orchestra, contacted me a month ago and asked if I would be interested in writing a work to help celebrate the 40th Anniversary of the founding of the Pro Arte Chamber Orchestra. I said, Sure!!! He said it would be nice if I would consider a concerto grosso in which the principal players of the orchestra would each get a feature. I agreed that that would be a fine idea. So, on June 18th, 2017, I started working on it. And since I am on summer vacation from teaching I was able to finished the 557-measure work on July 2nd, fifteen days after I started. In 2018 just before I made plans to get the work recorded I made some revisions. One major change was that I cut the fourth movement out completely. It is now a mere 482 measures long. The work is now in three movements. 1. Introduction; Allegro 2. Presto 3. Largo Duration: ca. 17 minutes.YouTube link: https://youtu.be/xIMSFEd0p8oBandcamp link: https://thomasoboelee.bandcamp.com/album/concerto-grosso-2017PS: This is the sixth work that the PACO has performed of my music. 1. Phantasia for Elvira Shatayev (1981) with soprano Judith Kellock and Newell Hendricks.2. Harp Concerto (1985) with Ann Hobson-Pilot and Gunther Schuller.3. Symphony No. 1 ... Fallen Angels (1993, rev. 1995) with Gunther Schuller.4. Forró (1998) with Gunther Schuller.5. Daphne ... An Imaginary Ballet (2015) with Beatrice Affron.6. Concerto Grosso (2017) with Kevin Rhodes.
$9.99
C.P.E.Bach-Solfeggio in C minor Ensemble (Sextet)
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Chamber Orchestra
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EASY
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Classical
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Carl Philipp Emanuel Bach
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Yongliang Li
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C.P.E.Bach-Solfeggio in C mino
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Yongliang Li
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1029996 Composed by Carl Philipp Emanuel Bach. Arranged by Yongliang Li. Baroque,Concert,Standards...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1029996 Composed by Carl Philipp Emanuel Bach. Arranged by Yongliang Li. Baroque,Concert,Standards. Score and parts. 15 pages. Yongliang Li #5982835. Published by Yongliang Li (A0.1029996). Solfeggio, often called Solfeggietto, this well-known piece, published in 1770, is the most famous of Carl Philipp Emanuel Bach's keyboard works.This is a Sextet piece for Piano, 2 Violins, Viola, Cello and Double Bass. It is arranged using Baroque compositional style on orchestration, with personal musical ideas in terms of tones and texture. Piano is original composition while the strings mostly serve as accompaniment yet there are sections show the Call and Response between piano and strings. It is great for ensemble playing. Enjoy!It is included the full score and individual parts.Performance duration: 1 minute 20 seconds.
$9.99
Last Door of Light
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Chamber Orchestra
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Sir Peter Maxwell Davies
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Last Door of Light
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Schott Music - Digital
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SheetMusicPlus
1.2.0.2-2.2.0.0-timp-str(7.6.5.4.3) chamber orchestra - Digital Download SKU: S9.Q19150 For chamber orchestra. Composed by Sir Peter Maxwell Davie...
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1.2.0.2-2.2.0.0-timp-str(7.6.5.4.3) chamber orchestra - Digital Download SKU: S9.Q19150 For chamber orchestra. Composed by Sir Peter Maxwell Davies. This edition: study score. Music Of Our Time. Downloadable, Study score. Op. 293. Duration 20 minutes. Schott Music - Digital #Q19150. Published by Schott Music - Digital (S9.Q19150). Peter Maxwell Davies was thinking of individual and communal vulnerability when composing this piece, especially in relation to the problem of climate change and his home in the Orkney Islands, which is under threat from rising sea levels. However, this theme is not a completely negative one: Davies claims we must all enter the last door of light but the journey is full of light and joy. The melody at the start of the work, which Davies composed in the ‘70’s and never used, could be an Island folk melody and is subject to constant transformation throughout the piece before reaching apotheosis at the end.
$21.99
Think About That Day - a Christmas Song - Strings with piano with parts
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Chamber Orchestra
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EASY
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Christmas
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Connie Boss
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See lyrics below:
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Think About That Day - a Chris
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Connie Boss
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.801538 Composed by Connie Boss. Christmas,Sacred. Score and parts. 10 pages. Connie Boss #6075855....
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.801538 Composed by Connie Boss. Christmas,Sacred. Score and parts. 10 pages. Connie Boss #6075855. Published by Connie Boss (A0.801538). This is a song that makes you wonder what it would have been like to be Mary and Joseph. Think about that day - the angel came, they traveled to Bethlehem, Jesus was born......This is for a string quartet but it is available in other versions as well. Lyrics and parts are included. cdboss@cvalley.net See lyrics below:
$5.50
Joy to the World - strings and piano with parts
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Chamber Orchestra
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EASY
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Connie Boss
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Joy to the World - strings and
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Connie Boss
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.801532 Arranged by Connie Boss. Christian,Christmas,Sacred. Score and parts. 7 pages. Connie Boss ...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.801532 Arranged by Connie Boss. Christian,Christmas,Sacred. Score and parts. 7 pages. Connie Boss #6072705. Published by Connie Boss (A0.801532). This arrangement has a lot of moving parts. It is for a string quartet 2 violins, viola and cello. You can purchase this version as well as other arrangements on here. cdboss@cvalley.net
$5.50
IAN BUTTERWORTH Suite: Sing a Song of Sixpence for chamber orchestra
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Chamber Orchestra
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INTERMEDIATE
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Contemporary
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Ian Butterworth
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IAN BUTTERWORTH Suite: Sing a
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Ian Butterworth
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.963763 Composed by Ian Butterworth. Contemporary. Score and Parts. 73 pages. Ian Butterworth #6195...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.963763 Composed by Ian Butterworth. Contemporary. Score and Parts. 73 pages. Ian Butterworth #6195357. Published by Ian Butterworth (A0.963763). A suite of four well known tunes lasting 8 mins approx. (Sing a Song of Sixpence, Barbara Allen, The Skye Boat Song and Pop goes the Weasel). The orchestration (Str+1.2.0.2:2.0.0.0) is similar to many 18thC symphonies and the suite is a suitable contrast in a concert programme. A version of the suite for string orchestra is also available. Copying of individual string parts for sole use by the purchaser is permitted.
$15.99
Through This Old Church Doorway - Christmas - strings and piano
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Chamber Orchestra
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EASY
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Connie Boss
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Through This Old Church Doorwa
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Connie Boss
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.801473 Composed by Connie Boss. Christian,Christmas,Sacred. Score and parts. 19 pages. Connie Boss...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.801473 Composed by Connie Boss. Christian,Christmas,Sacred. Score and parts. 19 pages. Connie Boss #5989687. Published by Connie Boss (A0.801473). This song starts off as an advent song and goes into Christmas. Perfect for a Christmas concert/vesper program. This arrangement is in strings. It also available to purchase in vocal sheet music as well as an mp3 of it. cdboss@cvalley.net for questions. Lyrics:
$6.00
Make a Clean Heart in Me O God - strings and piano
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Chamber Orchestra
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EASY
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Sacred music
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Connie Boss
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Make a Clean Heart in Me O God
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Connie Boss
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.801460 Composed by Connie Boss. Christian,Easter,Sacred. Score and parts. 4 pages. Connie Boss #59...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.801460 Composed by Connie Boss. Christian,Easter,Sacred. Score and parts. 4 pages. Connie Boss #5985299. Published by Connie Boss (A0.801460). This is an original Lenten song for strings - 3 violins and a cello. You can purchase the mp3 here as well as vocal sheet music under Connie Boss. cdboss@cvalley.net for questions. Lyrics below.
$5.50
I Heard the Voice of Jesus Say Strings quartet and piano
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Chamber Orchestra
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EASY
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Horatius Bonar, John B
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Connie Boss
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I Heard the Voice of Jesus Say
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Connie Boss
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.801777 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. Contemporary,Easter,Sac...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.801777 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. Contemporary,Easter,Sacred. Score and parts. 10 pages. Connie Boss #6718273. Published by Connie Boss (A0.801777). This wonderful song is for a strings quartet - 3 violins and cello and piano. It has Lenten lyrics included, but it can be played for the traditional song as well. questions or requests, email me at cdboss@cvalley.net.
$5.50
Ding Dong Merrily on High - Strings and piano with parts
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Chamber Orchestra
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EASY
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Christmas
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Jehan Tabourout
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Connie Boss
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Ding Dong Merrily on High - St
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Connie Boss
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.801524 Composed by Jehan Tabourout. Arranged by Connie Boss. Christian,Christmas,Sacred. Score and...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.801524 Composed by Jehan Tabourout. Arranged by Connie Boss. Christian,Christmas,Sacred. Score and parts. 10 pages. Connie Boss #6070555. Published by Connie Boss (A0.801524). Lots of fun with this song. It is written in a string quartet with piano. You can purchase it in SATB, etc as well. Lyrics and parts are included. cdboss@cvalley.net
$5.50
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and pa...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
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