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All Of Me - Tuba
Chamber Orchestra
Sheetmusic to print
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Barbara Allen for piccolo and orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1470559 By Reinhold Behringe…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 pages. David Warin Solomons #1048222. Published by David Warin Solomons (A0.1470559). An arrangement for piccolo and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies.In Scarlet Town where I was born,There was a fair maid dwelling,Made every youth cry, “Well-a-day”,Her name was Barbara Allen.All in the merry month of May,When green buds they were swelling,Young Willy Grove on his death bed lay,For love of Barbara Allen.He sent his man down unto her then,To the town where she was dwelling.“You must come to my master dear,If your name's Barbara Allen.”So slowly, slowly she came up,And slowly she came nigh him,And all she said when there she came,“Young man I think you’re dying.”[“A dying man, no, no,” said he,“One kiss from thee would cure me.”“One kiss from me thou never shalt have,If your poor heart was breaking.”]He turned his face unto the wall,And death was drawing nigh him,“Adieu, adieu, my dear friends all,And be kind to Barbara Allen.”As she was walking o’er the fields,She heard the dead-bell knellin’;And every stroke did seem to say“Unworthy Barbara Allen!”When he was laid dead in his grave,Her heart was struck with sorrow,“Oh mother, mother make my bed,For I shall die tomorrow.”And on her death bed she lay,She begged to be buried by him,And so repented of the day,That she did e’er deny him.“Farewell”, she said, “You virgins all,And shun the fault I fell in.Hence forth take warning by the fall,Of cruel Barbara Allen.”.
$16.00
14.57 €
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Chamber Orchestra
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Reinhold Behringer
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Barbara Allen for piccolo and orchestra
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David Warin Solomons
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SheetMusicPlus
Friend Like Me
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.1348108 Composed by Alan Menken and Ho…
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Chamber Orchestra - Digital Download SKU: A0.1348108 Composed by Alan Menken and Howard Ashman. Arranged by Greg Eaton. 20th Century,Broadway,Film/TV,Musical/Show. 56 pages. Greg Eaton #932924. Published by Greg Eaton (A0.1348108). Friend Like Me, from Aladdin, arranged for small orchestra by Greg Eaton. Scored for:FluteClarinetHornTrumpetTromboneDrum KitViolin 1Violin 2ViolaCelliBassAll the 'pizzazz' of the original recording, arranged for a smaller band but still rich with full and complete harmonies and all subtle nuances.
$49.99
45.52 €
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Chamber Orchestra
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Alan Menken and Howard Ashman
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Friend Like Me
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Greg Eaton
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SheetMusicPlus
When You Say Nothing At All
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.749733 By Keith Whitley. By …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.749733 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Stephen M. Taylor. Country. Score and parts. 18 pages. SMT Music #3536859. Published by SMT Music (A0.749733). When You Say Nothing at All is a country song written by Paul Overstreet and Don Schlitz. Keith Whitley first recorded it in 1988 and it hit NO. 1 on the Hot Country Singles Chart. In 1995 Allison Krausse and Union Station released it. It became her first solo top-10 country hit. Song definitely has legs ... I like the Keith Whitley version best. It's a nice Unity Candle song for weddings. My cousin requested it and so I did this arrangement for her singer which put it in lower key.. C major. If you want it for your wedding you can look for me at Sheet Music Plus or SMT Music in Louisville, KY. I can put up another version in your key on this website. This arr. is 2 1/2 min. in length. You can see our performance of it at https://www.youtube.com/watch?v=9XvgJr4JVpQ
$20.00
18.21 €
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Chamber Orchestra
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Keith Whitley
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When You Say Nothing At All
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SMT Music
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SheetMusicPlus
On Christmas Night All Christians Sing
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1296812 Composed by Traditio…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1296812 Composed by Traditional English Carol. Arranged by David Lantz. Advent,Christmas,Sacred. Score and Parts. 40 pages. Lantz Choral Publications #886982. Published by Lantz Choral Publications (A0.1296812). Chamber orchestration accompaniment to the SSA octavo arranged by David Lantz III and published by Lantz Choral Publications. (Score and parts included.) NOTE: The SSA Choir parts and piano accompaniment are in the score for reference only, and not included as a separate part in this product! You are legally required to purchase enough copies for your chorus ensemble of the SATB Choir part (with piano accompaniment), available at Sheet Music Direct and Sheet Music Plus. Instrumentation: SSA (for reference only)Piano (for reference only)Flute IFlute IIOboeBb Clarinet IBb Clarinet IIBassoon IBassoon IIF Horn IF Horn IIOrchestra BellsViolin IViolin IIViolaCelloContrabass(NOTE: Larger 8.5 x 14 score is available at Sheet Music Direct and Sheet Music Plus.)For comments, questions, or special requests, please email me at davidlantziii@gmail.com
$60.00
54.63 €
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Chamber Orchestra
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Traditional English Carol
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On Christmas Night All Christians Sing
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Lantz Choral Publications
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SheetMusicPlus
A Short Overture for a Small Orchestra - score and parts
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.872623 Composed by Philip Or…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.872623 Composed by Philip Orem. Contemporary. Score and parts. 56 pages. Philip Orem #3544299. Published by Philip Orem (A0.872623). This short piece is lots of fun and a perfect companion to my Requiem as it uses the same orchestra. Starting slow and lyrically and then becoming more rhythmic, there is lots of color in this little gem.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website.
$45.00
40.98 €
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Chamber Orchestra
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Philip Orem
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A Short Overture for a Small Orchestra - score and parts
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Philip Orem
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SheetMusicPlus
Three Laments of Heloise for Chamber Orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
91.06 €
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Chamber Orchestra
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Dosia McKay
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Three Laments of Heloise for Chamber Orchestra
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Gavia Music
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SheetMusicPlus
Gymnopedie No. 1 (for small chamber orchestra and solo violin)
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.923580 Composed by Erik Sati…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.923580 Composed by Erik Satie. Arranged by CJ Darnieder. Romantic Period. Score and parts. 15 pages. CJ Darnieder #3475075. Published by CJ Darnieder (A0.923580). Set of parts, for full score: https://www.sheetmusicplus.com/title/gymnopedie-no-1-for-small-chamber-orchestra-and-solo-violin-dig...Satie's famous and gorgeous Gymnopedie No.1 in a unique arrangement by CJ Darnieder. Instrumentation is as follows:1 flute, 1 oboe, 1 clarinet, 1 bassoon, 2 horns, harp, solo violin, and strings*For younger ensembles, doubling woodwinds is an option. *Piano may also be substituted for harp if harmonics are omitted or performed up the octave.*For more professional ensembles, the smaller the string section, the better.If you have any questions or would like to perform this arrangement, please do not hesitate to contact me! composercjdarnieder@gmail.com.
$6.00
5.46 €
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Chamber Orchestra
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Erik Satie
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Gymnopedie No. 1
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CJ Darnieder
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SheetMusicPlus
Someone To Watch Over Me
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.708363 Composed by George Ge…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.708363 Composed by George Gershwin and Ira Gershwin. Arranged by Chris Walden. Contemporary. Score and parts. 44 pages. Chris Walden #6520861. Published by Chris Walden (A0.708363). Slow Ballad for female vocal, small chamber orchestra, and rhythm section in the key of G, 74BPM.Instrumentation: flute, alto flute (sopr.sax), bass clar., 2 trumpets, 2 trombones, vibes, harp, guitar, piano, bass, drums, strings.
$55.00
50.08 €
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Chamber Orchestra
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George Gershwin and Ira Gershwin
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Someone To Watch Over Me
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Chris Walden
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SheetMusicPlus
Lay All Your Love On Me
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1111540 By ABBA. By Benny An…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1111540 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Will May. 20th Century,Chamber,Classical,Pop,Spiritual. Score and Parts. 34 pages. Will May #713832. Published by Will May (A0.1111540). Lay All Your Love on Me in the style of Classical and Romantic era composers. This can be performed with just strings, but it is arranged for a full chamber orchestra and choir. The lyrics I have are a latin translation of the original chorus.
$70.00
63.74 €
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Chamber Orchestra
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ABBA
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Lay All Your Love On Me
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Will May
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SheetMusicPlus
For the Beauty of the Earth
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1296408 Composed by Conrad K…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1296408 Composed by Conrad Kocher. Arranged by David Lantz. Contemporary,Contest,Festival,Praise & Worship,Sacred. Score and Parts. 54 pages. Lantz Choral Publications #886624. Published by Lantz Choral Publications (A0.1296408). Chamber orchestration accompaniment to my David Lantz III (Lantz Choral Publications) SATB Choir arrangement of this well-known Thanksgiving Hymn. (Score and parts included.)NOTE: The SATB Choir part and piano accompaniment are in the score for reference only, and not included as a separate part in this product! You are legally required to purchase enough copies for your chorus ensemble of the SATB Choir part (with piano accompaniment) available at Sheet Music Direct and Sheet Music Plus. Instrumentation:SATB (for reference only)Piano (for reference only)Flute IFlute IIOboeBb Clarinet IBb Clarinet IIBassoon IBassoon IIF Horn IF Horn IITimpani (one player)Glockenspiel (one player)Percussion (one or two players)Violin IViolin IIViolaCelloContrabass(NOTE: Larger 8.5 x 14 score is available separately at Sheet Music Direct and Sheet Music Plus.)For comments, questions, or special requests, please email me at davidlantziii@gmail.com
$60.00
54.63 €
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Chamber Orchestra
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Conrad Kocher
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For the Beauty of the Earth
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Lantz Choral Publications
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SheetMusicPlus
Please Try to Remember Me (Holy Thursday) - strings and piano
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.801465 Composed by Connie Bo…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.801465 Composed by Connie Boss. Easter,Sacred. Score and parts. 4 pages. Connie Boss #5985403. Published by Connie Boss (A0.801465). This is a perfect song for Holy Thursday - Washing of the Feet. This is in strings but is also available in other arrangements including vocals. There is also an mp3 available under Connie Boss. cdboss@cvalley.net for questions. Lyrics Below:
$5.50
5.01 €
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Chamber Orchestra
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Connie Boss
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Please Try to Remember Me
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Connie Boss
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SheetMusicPlus
As With Gladness Men of Old
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1297899 Composed by Conrad K…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1297899 Composed by Conrad Kocher, music and William Dix, words. Arranged by David Lantz. Christmas,Sacred. Score and Parts. 54 pages. Lantz Choral Publications #887872. Published by Lantz Choral Publications (A0.1297899). Chamber orchestration accompaniment for use with the SATB octavo arranged by David Lantz III and published by Lantz Choral Publications. (Score and parts included.)NOTE: The SATB Choir part and piano accompaniment are in the score for reference only, and not included as a separate part in this product! You are legally required to purchase enough copies of the octavo for your chorus. Octavo is available at Sheet Music Direct and Sheet Music Plus. Instrumentation:SATB (for reference only)Piano (for reference only)Flute IFlute IIOboeBb Clarinet IBb Clarinet IIBassoon IBassoon IIF Horn IF Horn IITimpani (one player)Glockenspiel (one player)Percussion (one or two players)Violin IViolin IIViolaCelloContrabassNOTE: Larger 8.5 x 14 score is available separately at Sheet Music Direct and Sheet Music Plus.For comments, questions, or special requests, please email me at davidlantziii@gmail.com.
$60.00
54.63 €
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Chamber Orchestra
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Conrad Kocher, music and William Dix, words
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As With Gladness Men of Old
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Lantz Choral Publications
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SheetMusicPlus
I Heard the Voice of Jesus Say Strings quartet and piano
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.801777 Composed by Horatius …
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.801777 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. Contemporary,Easter,Sacred. Score and parts. 10 pages. Connie Boss #6718273. Published by Connie Boss (A0.801777). This wonderful song is for a strings quartet - 3 violins and cello and piano. It has Lenten lyrics included, but it can be played for the traditional song as well. questions or requests, email me at cdboss@cvalley.net.
$5.50
5.01 €
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Chamber Orchestra
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Horatius Bonar, John B
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I Heard the Voice of Jesus Say Strings quartet and piano
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Connie Boss
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SheetMusicPlus
In the realm of the heart based on a theme for orchestra - Score Only
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1364021 By Panagiotis Theodo…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1364021 By Panagiotis Theodossiou (composer of the main theme). By Myrto A.Kostaropoulou (composer). 21st Century. 13 pages. Myrto A.Kostaropoulou #948342. Published by Myrto A.Kostaropoulou (A0.1364021). A beautiful theme by my music teacher Panagiotis Theodossiou, inspired me to write this composition, which contains variations of the theme, in a generally programmatic work of music for woodwinds, brasses, string orchestra and timpani, percussion, vibraphone, harp, and celesta.
$25.00
22.76 €
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Chamber Orchestra
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Panagiotis Theodossiou
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In the realm of the heart based on a theme for orchestra - Score Only
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Myrto A.Kostaropoulou
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SheetMusicPlus
All Of Me
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.913190 By John Legend. By Jo…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.913190 By John Legend. By John Stephens and Toby Gad. Arranged by Patrizio Destriere. R & B,Soul. Score and parts. 32 pages. Patrizio Destriere #3505343. Published by Patrizio Destriere (A0.913190). An arrangement fo voice, piano & strings quartet
$20.99
19.11 €
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Chamber Orchestra
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John Legend
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strings quartet
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All Of Me
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Patrizio Destriere
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SheetMusicPlus
O Love (Soprano solo plus chamber orchestra ALL PARTS)
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.835427 Composed by Stuart Br…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.835427 Composed by Stuart Brown. Contemporary. 49 pages. Stuart Brown Music #18177. Published by Stuart Brown Music (A0.835427). Described as truly inspired and absolutely beautiful, this is an original setting of George Matheson's well-known poem O Love, that wilt not let me go. It has had a profound impact on everyone who has heard it, even reducing some people to tears at its first performance. Performing rights apply in the UK and USA (PRS for Music).
$25.00
22.76 €
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Chamber Orchestra
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Stuart Brown
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O Love
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Stuart Brown Music
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SheetMusicPlus
Sonetos del amor oscuro (Set of Parts)
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1028293 Composed by Josh Arm…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1028293 Composed by Josh Armenta, Federico Garcia-Lorca. Contemporary. Score and parts. 124 pages. NoteTaker Publications #3860241. Published by NoteTaker Publications (A0.1028293). I think of you all the time, and you know this without me having to say it, but silently, and between the lines, you should be able to read the love I feel for you, and the tenderness in my heart… –From the last letter of Federico Garcia-Lorca to Juan RamÃrez de Lucas, circa 1936
$80.00
72.85 €
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Chamber Orchestra
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Josh Armenta, Federico Garcia-Lorca
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Sonetos del amor oscuro
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NoteTaker Publications
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SheetMusicPlus
Memories of the Neskowin - II. Ancestors Awaken
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1488142 Composed by G.F. Ski…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1488142 Composed by G.F. Skipworth. Classical,Contemporary. 2 pages. George Skipworth #1065021. Published by George Skipworth (A0.1488142). Second movement of Memories of the Neskowin (II. Ancestors Awaken) for chamber orchestra, including two Native American flutes, log or tenor drum. Eah movement can be performed separetely or with the other two movements. App. 7 minutes duration, the difficulty level is intermediate-advanced, allowing high school to professional ensembles.Score and parts are available at Sheet Music Plus, Arrange Me and J.W. Pepper2 Nat. American flutes/2/2/2/-2 horn-drum-harp-strings.
$20.00
18.21 €
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Chamber Orchestra
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G
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Memories of the Neskowin - II. Ancestors Awaken
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George Skipworth
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SheetMusicPlus
Allegro in C minor for Clarinet Quintet
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.938721 Composed by Sam Lehn. Contempor…
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Chamber Orchestra - Digital Download SKU: A0.938721 Composed by Sam Lehn. Contemporary. Score and parts. 8 pages. Sam Lehn #2831737. Published by Sam Lehn (A0.938721). Go to my Facebook Page - https://www.facebook.com/samlehn77music/ to buy my release Works for the Modern World. Individual tracks are also available there, and on many of your favorite online stores and streaming sites. Please e-mail me anytime at SAMLEHNMUSIC@gmail.com. I'd love to hear from you!
$6.99
6.36 €
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Chamber Orchestra
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Sam Lehn
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Allegro in C minor for Clarinet Quintet
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Sam Lehn
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SheetMusicPlus
Mountains Of The Moon
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1181592 By The Grateful Dead…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1181592 By The Grateful Dead. By Jerry Garcia and Robert Hunter. Arranged by Lee Johnson. 20th Century,Chamber,Contemporary,Contest,Festival,Folk. Score and Parts. 40 pages. Lee Johnson Music #781381. Published by Lee Johnson Music (A0.1181592). MOUNTAINS of the MOON - for string orchestra and harp - is inspired by and written in tribute to the music of the Grateful Dead and comes from the world-renowned Dead Symphony no. 6 by composer and arranger Lee Johnson. It is a modern cross-over symphony recorded by the Russian National Orchestra and conducted by Lee Johnson that charted at #20 on Billboard’s Best Classical Albums. Dead Symphony no. 6 has been performed by the Baltimore Symphony Orchestra, The Cabrillo Festival Orchestra, The Indianapolis Symphony Orchestra, The California Symphony Orchestra, and many others both professional and academic. It has been broadcast on Sirius/XM, WNYC, NPR, and dozens of syndicated radio programs and stations. Each movement may be purchased and performed separately.If your orchestra would like to do a complete performance of Dead Symphony no. 6, simply use the following order:If I Had the World To GiveSt. StephenHere Comes SunshineMountains of the MoonBlues for AllahSugar MagnoliaTo Lay Me DownBird SongChina DollDead Overture and FinaleFor more information on composer Lee Johnson please visit: www.leejohnsonmusic.comKings Bishop Productions YouTube Channel Â
$49.99
45.52 €
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Chamber Orchestra
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The Grateful Dead
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Mountains Of The Moon
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Lee Johnson Music
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.98 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
15.43 €
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Chamber Orchestra
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
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Musik Fabrik Music Publishing
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SheetMusicPlus
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