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156
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92
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37
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23
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23
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12
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11
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10
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2
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2
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1
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4243
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1536
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1088
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844
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589
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514
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301
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150
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85
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51
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44
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39
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23
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18
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17
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17
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16
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16
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11
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11
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9
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9
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7
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3
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1
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1
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1
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1
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1340
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1323
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1215
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1008
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957
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916
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916
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822
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779
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745
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651
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648
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642
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638
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498
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461
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456
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345
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329
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311
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310
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279
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274
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258
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256
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240
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236
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235
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211
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208
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191
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180
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174
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165
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164
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149
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134
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132
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128
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117
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116
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116
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108
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105
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85
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73
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68
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59
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50
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41
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39
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39
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38
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33
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33
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32
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31
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31
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29
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28
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27
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24
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19
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17
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17
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17
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17
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16
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15
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10
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9
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8
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7
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7
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7
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7
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7
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6
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6
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6
Flute, Organ (duet)
6
Flute, Oboe, Piano (trio)
6
Wind ensemble
6
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5
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5
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5
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5
4 Oboes
4
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4
2 Clarinets, Bassoon
3
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3
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3
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Pennywhistle
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2
2 Oboes, Piano
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Treble (Alto) Recorder, Basso continuo
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Bagpipe
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Oboe and viola (duet)
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224
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205
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197
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186
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178
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157
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135
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130
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114
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109
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90
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89
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73
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45
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41
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37
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36
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29
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25
English Horn
25
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22
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20
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19
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16
3 Trombones (trio)
15
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13
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12
Tuba and Organ
12
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10
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10
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9
Brass Quartet: 2 trumpets, 2 trombones
9
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9
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9
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8
3 French horns (trio)
7
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7
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6
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6
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5
Trombone, Horn (duet)
5
Trumpet, Bassoon (duet)
5
Trumpet, Cello (duet)
5
Bass Trombone
5
Brass Quintet: 2 trumpets, horn, 2 trombones
4
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4
French horn and Basson (duet)
4
2 Trumpets, Keyboard (piano or organ)
4
3 Tubas (trio)
4
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3 Euphoniums
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1
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1
Trumpet, Orchestra
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Horn, Trumpet, Trombone (trio)
1
Trumpet, Euphonium (duet)
1
Cornet and Orchestra
1
Trumpet, Cello, Piano
1
2 English horns and Pianoforte
1
Tuba ensemble
1
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String Quartet: 2 violins, viola, cello
2941
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1545
Violin
996
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925
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844
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736
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588
Harp
571
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478
Cello (band part)
462
Viola
379
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348
2 Cellos (duet)
327
2 Violas (duet)
281
Cello
253
Doublebass (band part)
216
Violin (band part)
194
String Quintet: 2 violins, viola, cello, bass
175
String Trio: 2 violins, cello
174
Double Bass
173
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167
Viola (band part)
134
Viola, Cello (duet)
78
2 Harps (duet)
68
4 Cellos
64
Piano Trio: Violin, Viola, Piano
52
Violin, Guitar (duet)
45
Harp, Flute (duet)
38
String Trio: 3 cellos
36
Harp, Violin (duet)
35
2 Double basses (duet)
33
String quartet: 4 violins
32
String Trio: 3 violins
26
String Quartet : 4 violas
25
String Trio: 2 violins, viola
23
Viola and Harp
23
Harp, Voice
22
String Trio: 3 violas
21
Harp, Cello (duet)
19
Cello, String Bass (duet)
17
String Quintet: 2 violins, 2 violas, cello
14
String trio
14
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14
Violin ensemble
12
Viola ensemble
10
Cello, Organ
9
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9
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8
Cello Ensemble
7
2 Violins, Piano
7
2 Violas, Piano
6
Violin, Clarinet, Piano (trio)
6
4 Double Basses
5
Violin, Organ
5
Harp (band part)
4
Harp and mandolin
3
Violin, Cello, Clarinet
2
2 Cellos, Piano
2
Viola, Organ
2
Autoharp
2
Violin, Tuba (duet)
2
Harp, Trombone (duet)
2
Harp, Violin, Violoncello
2
4 Harps
1
Viola and Bassoon
1
Cello, Orchestra
1
Violoncello, Basso continuo
1
Viola and orchestra
1
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1
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1
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947
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284
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188
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160
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152
Marching band
148
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110
Marimba
31
Vibraphone
28
Xylophone
25
Xylophone, Piano
23
Percussion
20
Timpani (band part)
13
Big band
11
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
10
School Ensemble
6
Timpani
5
Orchestra, Violin
4
Piano and Orchestra
4
3 Marimbas
2
Vibraphone and Marimba
2
Brass Quintet: other combinaisons
2
Snare drums
1
2 Marimbas
1
Marimba or Xylophone and Piano
1
Conga
1
Bodhran
1
Voice and Orchestra
1
Marimba, Piano (duet)
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Musical course - Solfege
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Chamber Orchestra
Sheetmusic to print
360 sheet music found
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When You Say Nothing At All
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.749733 By Keith Whitley. By …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.749733 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Stephen M. Taylor. Country. Score and parts. 18 pages. SMT Music #3536859. Published by SMT Music (A0.749733). When You Say Nothing at All is a country song written by Paul Overstreet and Don Schlitz. Keith Whitley first recorded it in 1988 and it hit NO. 1 on the Hot Country Singles Chart. In 1995 Allison Krausse and Union Station released it. It became her first solo top-10 country hit. Song definitely has legs ... I like the Keith Whitley version best. It's a nice Unity Candle song for weddings. My cousin requested it and so I did this arrangement for her singer which put it in lower key.. C major. If you want it for your wedding you can look for me at Sheet Music Plus or SMT Music in Louisville, KY. I can put up another version in your key on this website. This arr. is 2 1/2 min. in length. You can see our performance of it at https://www.youtube.com/watch?v=9XvgJr4JVpQ
$20.00
18.47 €
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Chamber Orchestra
#
Keith Whitley
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When You Say Nothing At All
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SMT Music
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SheetMusicPlus
At Last
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1103378 By Etta James. By Ha…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1103378 By Etta James. By Harry Warren and Mack Gordon. Arranged by Daryl McKenzie. Jazz,Soul,Standards. Score and Parts. 51 pages. Daryl McKenzie #706643. Published by Daryl McKenzie (A0.1103378). Female vocal and Small Pops Orchestra based on the Etta James version but extended to include an instrumental solo. Voice, Fl, Ob, Cl, Bsn, 2 FHn, 2 Trpt, 2 Trb, Timp, 2 Perc, Drums, Bass, Piano, Harp, Vln 1, Vln 2, Vla, Vcl, CB.Full audio demo: https://bit.ly/32Y3kq6Big Band (with optional strings) version and Full Pops Orchestra version also available: Search HereAudio demo: https://soundcloud.com/user-99505314/at-last More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.com Youtube Playlist: https://bit.ly/3m0oUkH Â
$79.99
73.86 €
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Chamber Orchestra
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Etta James
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At Last
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Daryl McKenzie
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SheetMusicPlus
Turning Point At Midnight
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.779081 Composed by Don Hodel…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.779081 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Film/TV,Rock,Video Game,World. Score and parts. 3 pages. Don Hodell Chilcote #6231317. Published by Don Hodell Chilcote (A0.779081). Turning Point At Midnight is for piano solo or ensemble. This is an original tune with a great funky vibe. The piece has a distinct and unique introduction, and development. 2 page arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. This is a sketch chart and there is some improvisation in it.
$2.99
2.76 €
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Chamber Orchestra
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Don Hodell Chilcote
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Turning Point At Midnight
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Don Hodell Chilcote
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SheetMusicPlus
Panic! At The Disco: High Hopes (Horn Section) - chamber ensemble (Transcribed Score)
Chamber Orchestra
Instantly printable sheet music by Panic! At The Disco for chamber ensemble (Transcribed S…
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Instantly printable sheet music by Panic! At The Disco for chamber ensemble (Transcribed Score) of MEDIUM skill level. / alternative,pop,rock
$7.97
7.36 €
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Chamber Orchestra
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Panic! At The Disco
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Virtualsheetmusic
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
3.68 €
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Chamber Orchestra
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Johann Strauss Jr
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.7 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Passacaglic Conversations for Solo Percussion and Orchestra (Full Score)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.945578 Composed by Tony Matt…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.945578 Composed by Tony Matthews. Contemporary. Score and parts. 42 pages. Archway Publications #6331845. Published by Archway Publications (A0.945578). A Short Percussion Concerto. A dialogue between the un-pitched percussion soloist at the pitched orchestra. A kind of pitched battle... Work was premiered at All Ears Festival in London, UK on the 27th September 2008Parts are available at:https://smppress.sheetmusicplus.com/p/manage-products/1008605Soloist : Gerard Rundle Orchestra:London Contemporary Chamber OrchestraConductor: Alan TaylorOriginally written, by request, for solo percussion. That version proved impossible to play. However, it seemed a shame to waste the material, so, this version was born. The melodic parts (vibraphone, marimba, glockenspiel) were used as the basis of the orchestral parts.Orchestral parts are available at:https://www.sheetmusicplus.com/title/21997631
$4.99
4.61 €
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Chamber Orchestra
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Tony Matthews
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Passacaglic Conversations for Solo Percussion and Orchestra
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Archway Publications
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SheetMusicPlus
The First Noel - Score Only
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1295597 Composed by Traditio…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1295597 Composed by Traditional English Carol. Arranged by David Lantz. Christmas,Contemporary,Sacred,Traditional. 23 pages. Lantz Choral Publications #885891. Published by Lantz Choral Publications (A0.1295597). 8.5 x 14 Score-only version (no parts included) of the David Lantz III (Lantz Choral Publications) arrangement of The First Noel for SATB voices, piano and optional chamber orchestra. For conductors who wish to have a larger score from which to conduct.• SATB octavo available at Sheet Music Direct and Sheet Music Plus.• Full arrangement with score and parts available at Sheet Music Direct and Sheet Music Plus.• Orchestral accompaniment mp3 available at Sheet Music Direct and Sheet Music Plus.For comments and questions, please email me at davidlantziii@gmail.com.
$7.99
7.38 €
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Chamber Orchestra
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Traditional English Carol
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The First Noel - Score Only
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Lantz Choral Publications
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SheetMusicPlus
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Frie…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
7.38 €
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Chamber Orchestra
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Karl Friedrich Abel
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Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Guido Menestrina
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SheetMusicPlus
On Christmas Night All Christians Sing
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1296851 Composed by Traditio…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1296851 Composed by Traditional English Carol. Arranged by David Lantz. Advent,Christmas,Sacred. Score and Parts. 16 pages. Lantz Choral Publications #886995. Published by Lantz Choral Publications (A0.1296851). 8.5 x 14 score-only version (no parts included) for use with the SSA octavo arranged by David Lantz III and published by Lantz Choral Publications. For conductors who wish to have a larger score from which to conduct.• SSA octavo available at Sheet Music Direct and Sheet Music Plus. • Full arrangement with score and parts available at Sheet Music Direct and Sheet Music Plus.• Orchstral accompaniment mp3 available at Sheet Music Direct and Sheet Music Plus.For comments and questions, please email me at davidlantziii@gmail.com.
$7.99
7.38 €
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Chamber Orchestra
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Traditional English Carol
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On Christmas Night All Christians Sing
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Lantz Choral Publications
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SheetMusicPlus
Awake! Arise! - Score Only
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1297516 Composed by David La…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1297516 Composed by David Lantz and Words by Pamela Stewart. Christmas,Sacred. 18 pages. Lantz Choral Publications #887559. Published by Lantz Choral Publications (A0.1297516). 8.5 x 14 Score-only version (no parts included) of the SATB anthem with words by Pamela Stewart and music by David Lantz III, published by Lantz Choral Publications. For conductors who wish to have a larger score from which to conduct.•SATB octavo available at Sheet Music Direct and Sheet Music Plus.•Full SATB and orchestral arrangement with score and parts available at Sheet Music Direct and Sheet Music Plus.•Orchestral accompaniment mp3 available at Sheet Music Direct and Sheet Music Plus.For comments and questions, please email me at davidlantziii@gmail.com.
$7.99
7.38 €
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Chamber Orchestra
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David Lantz and Words by Pamela Stewart
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Awake! Arise! - Score Only
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Lantz Choral Publications
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SheetMusicPlus
Windmill Song (for baritone and orchestra)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.889888 Composed by Gary Frie…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.889888 Composed by Gary Friedman. Contemporary. Score and parts. 40 pages. Gary Friedman #14071. Published by Gary Friedman (A0.889888). This was written by invitation to be played by the San Francisco Civic Symphony at a ground-breaking ceremony for restoration of a windmill in Golden Gate Park in San Francisco. The original poem, set to music here was written by Lisa Yanover. It has been sung three times by John Kendall Bailey, once with orchestra, once with wind ensemble, and once with piano. To my knowledge the ceremony has yet to be held (as of January 2015). There are 3 offerings here at SheetMusicPlus. This one is for the orchestra score and parts, piano reduction, and baritone solo. Another, at $30 is for a wind ensemble substituting for the orchestra: score, parts, and baritone solo. The third is for piano reduction of the orchestra plus baritone solo at $5.00 Duration: 7 minutes Year: 2004.
$40.00
36.93 €
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Chamber Orchestra
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Gary Friedman
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Windmill Song
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Gary Friedman
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SheetMusicPlus
As With Gladness Men of Old - Score Only
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1297903 Composed by Conrad K…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1297903 Composed by Conrad Kocher, music and William Dix, words. Arranged by David Lantz. Christmas,Sacred. 20 pages. Lantz Choral Publications #887877. Published by Lantz Choral Publications (A0.1297903). 8.5 x 14 Score-only version (no parts included) of the SATB arrangement by David Lantz III, published by Lantz Choral Publications. For conductors who wish to have a larger score from which to conduct.  • SATB octavo available at Sheet Music Direct and Sheet Music Plus. • Full SATB and orchestral arrangement with score and parts available at Sheet Music Direct and Sheet Music Plus. • Orchestra accompaniment mp3 available at Sheet Music Direct and Sheet Music Plus. For comments and questions, please email me at davidlantziii@gmail.com.
$7.99
7.38 €
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Chamber Orchestra
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Conrad Kocher, music and William Dix, words
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As With Gladness Men of Old - Score Only
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Lantz Choral Publications
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SheetMusicPlus
Symphony No. 8 ... City of Light (2011) for chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Élysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée D’Orsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at L’Opéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You can’t beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozart’s Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 … City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Élysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
$9.99
9.22 €
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Chamber Orchestra
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Thomas Oboe Lee
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Symphony No. 8 ... City of Light
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Thomas Oboe Lee
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SheetMusicPlus
Sweet Child Divine - Score Only
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1297241 Composed by David La…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1297241 Composed by David Lantz and Words by Susan Bentall Boersma. Christmas,Sacred. 19 pages. Lantz Choral Publications #887315. Published by Lantz Choral Publications (A0.1297241). 8.5 x 14 score only version (no parts included) of the SATB octavo with words by Susan Bentall Boersma and Music by David Lantz III, published by Lantz Choral Publications. For conductors who wish to have a larger score from which to conduct.•SATB octavo available at Sheet Music Direct and Sheet Music Plus.•Full SATB and orchestral arrangement with score and parts available at Sheet Music Direct and Sheet Music Plus.•Orchestral accompaniment mp3 available at Sheet Music Direct and Sheet Music Plus.For comments and questions, please email me at davidlantziii@gmail.com
$7.99
7.38 €
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Chamber Orchestra
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David Lantz and Words by Susan Bentall Boersma
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Sweet Child Divine - Score Only
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Lantz Choral Publications
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SheetMusicPlus
Bring a Torch, Jeannette, Isabella - Score Only
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1297093 Composed by Traditio…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1297093 Composed by Traditional French Carol. Arranged by David Lantz. Christmas,Sacred,Traditional. 13 pages. Lantz Choral Publications #887195. Published by Lantz Choral Publications (A0.1297093). 8.5 x 14 Score-only version (no parts included) of the SSA arrangement by David Lantz III, published by Lantz Choral Publications. For conductors who wish to have a larger score from which to conduct.•SATB octavo available at Sheet Music Direct and Sheet Music Plus.•Full SSA and orchestral arrangement with score and parts available at Sheet Music Direct and Sheet Music Plus.•Orchestral accompaniment mp3 available at Sheet Music Direct and Sheet Music Plus.For comments and questions, please email me at davidlantziii@gmail.com.
$7.99
7.38 €
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Chamber Orchestra
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Traditional French Carol
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Bring a Torch, Jeannette, Isabella - Score Only
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Lantz Choral Publications
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SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
15.65 €
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Chamber Orchestra
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Entre Nous for Strings
Chamber Orchestra
String Ensemble,String Quintet - Level 1 - Digital Download SKU: A0.799652 Composed…
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String Ensemble,String Quintet - Level 1 - Digital Download SKU: A0.799652 Composed by D. M. Gardner. Concert. Score and parts. 25 pages. D. M. Gardner Music #481035. Published by D. M. Gardner Music (A0.799652). This very popular piece has enjoyed performances across the country. Entre Nous was originally premiered in Omaha, Nebraska with the University of Nebraska Chamber Orchestra. Soon, Entre Nous made it's way to places such as Florida, Texas, and most recently, Iowa, where this newest revision was premiered. Entre Nous has faired well in competition and recital and is sure to be a great addition the repertoire of any chamber orchestra.Entre Nous (between me and thee) is a conversation between a man and his God. It is a single movement, ternary composition, mirroring the Holy Trinity. Beginning in a solemn g minor, it quickly moves forward with an endless flow of eighth note counterpoint, emerging enchantingly into the flowing melancholy melody of the B section. The second A surfaces in a minor with a sudden new energy and direction, slipping into a deeply contemplative, ethereally enchanting ending.Entre Nous is also a very unique and interesting piece, perhaps the reason for its popularity. Structurally, it turns upside-down a number of times, each line becoming the melody at some point. A very linear piece, melodic interweaving and predominance give Entre Nous a characteristic that can be best described as enchanting. Much of the melody being perceived is actually a combination of several lines of music at once, often in contrast to another melody or two beneath.Premiere: University of Nebraska at Omaha - Chamber Orchestra - April 30, 1997Difficulty: Moderate - A great piece for middle school or youth orchestras. Great for competition. Entre Nous has been performed for several competitions and a graduate audition at Florida State.Number of Pages: 25 total printed pagesApprox. 7 minutes and 34 seconds in lengthTo learn more about the composer, please visit https://www.dmgardner.com
$19.99
18.46 €
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Chamber Orchestra
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D
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Entre Nous for Strings
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D. M. Gardner Music
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SheetMusicPlus
Three Haiku and a Poem - Score Only
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1287580 Composed by Igor Kor…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1287580 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 30 pages. Studio at the Post #878602. Published by Studio at the Post (A0.1287580). Score only (see A878605 for parts). Duration: 8 min., Score 26 pp. Description: (According to the composer) Three Haiku and a Poem are just that, a four-song cycle for baritone voice and chamber orchestra. Based on 3 texts written by me and a fourth, a poem by the famous ancient Greek poet Sappho. The former were written when I was in grade school studying the well-known 5-7-5 syllable structure of Japanese haiku. I note with bemusement that I had cheated somewhat by providing leading titles which in themselves are at times longer than one of the tersely limited lines. The poem by Sappho was also one I had discovered in my own handwriting such that at first I did not remember who wrote such a splendid verse. All four were discovered, so to speak, by me from my more distant youth and set to music when I myself had just turned 21. There are four movements, Ina Cabin by the Sea - Indoors - An Evening Request - Alone. Total 8 minutes.
$15.04
13.89 €
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Chamber Orchestra
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Igor Korneitchouk
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Three Haiku and a Poem - Score Only
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Studio at the Post
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SheetMusicPlus
Three Haiku and a Poem (Parts only)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1287582 Composed by Igor Kor…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1287582 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. Score and Parts. 35 pages. Studio at the Post #878605. Published by Studio at the Post (A0.1287582). Parts only (see A878602 for Score). Duration: 8 minutes, 15 Parts, parts averaging 2 pp. Description: (According to the composer) Three Haiku and a Poem are just that, a four-song cycle for baritone voice and chamber orchestra. Based on 3 texts written by me and a fourth, a poem by the famous ancient Greek poet Sappho. The former were written when I was in grade school studying the well-known 5-7-5 syllable structure of Japanese haiku. I note with bemusement that I had cheated somewhat by providing leading titles which in themselves are at times longer than one of the tersely limited lines. The poem by Sappho was also one I had discovered in my own handwriting such that at first I did not remember who wrote such a splendid verse. All four were discovered, so to speak, by me from my more distant youth and set to music when I myself had just turned 21. There are four movements, Ina Cabin by the Sea - Indoors - An Evening Request - Alone. Total 8 minutes.
$5.02
4.64 €
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Chamber Orchestra
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Igor Korneitchouk
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Three Haiku and a Poem
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Studio at the Post
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SheetMusicPlus
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Phi…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
16.62 €
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Chamber Orchestra
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Georg Philipp Telemann
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TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4
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Sneakwood Editions
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SheetMusicPlus
Piano Concerto No. 1 - Score Only
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
23.08 €
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Chamber Orchestra
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score Only
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Juan Maria Solare
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SheetMusicPlus
Little Laser Lady for chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580943 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David Warin Solomons #2028843. Published by David Warin Solomons (A0.580943). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.85 €
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Chamber Orchestra
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David Warin Solomons
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Little Laser Lady for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
Quiet Times - Solo Flugelhorn Feature for Studio Orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.817154 Composed by Richard D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.817154 Composed by Richard Decker. 21st Century,Contemporary,Contest,Festival,Jazz,Pop. 41 pages. Charles Decker Music Press #5740917. Published by Charles Decker Music Press (A0.817154). This very accessible and moderately difficult original jazz-influenced, lush sounding ballad for studio orchestra featuring solo flugelhorn creates lasting memories for performers and audiences. New York State School Music News review: This slow ballad has an effective legato flow with remarkably colorful orchestration … a very original and playable creation. The audio file is an actual studio orchestra performance of the entire work and not a computer playback of the score. See also the piano reduction accompaniment for Quiet Times at Charles Decker Music Press. See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.
$18.95
17.5 €
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Chamber Orchestra
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Richard Decker
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Quiet Times - Solo Flugelhorn Feature for Studio Orchestra
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Charles Decker Music Press
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SheetMusicPlus
On Christmas Night All Christians Sing
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1296812 Composed by Traditio…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1296812 Composed by Traditional English Carol. Arranged by David Lantz. Advent,Christmas,Sacred. Score and Parts. 40 pages. Lantz Choral Publications #886982. Published by Lantz Choral Publications (A0.1296812). Chamber orchestration accompaniment to the SSA octavo arranged by David Lantz III and published by Lantz Choral Publications. (Score and parts included.) NOTE: The SSA Choir parts and piano accompaniment are in the score for reference only, and not included as a separate part in this product! You are legally required to purchase enough copies for your chorus ensemble of the SATB Choir part (with piano accompaniment), available at Sheet Music Direct and Sheet Music Plus. Instrumentation: SSA (for reference only)Piano (for reference only)Flute IFlute IIOboeBb Clarinet IBb Clarinet IIBassoon IBassoon IIF Horn IF Horn IIOrchestra BellsViolin IViolin IIViolaCelloContrabass(NOTE: Larger 8.5 x 14 score is available at Sheet Music Direct and Sheet Music Plus.)For comments, questions, or special requests, please email me at davidlantziii@gmail.com
$60.00
55.4 €
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Chamber Orchestra
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Traditional English Carol
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On Christmas Night All Christians Sing
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Lantz Choral Publications
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SheetMusicPlus
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