Version française
Browse Free-scores.com
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home page
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free Sheet Music
169
Digital Sheet Music
10
Sheet Music Books
0
Music Equipment
95
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
214
PIANO & KEYBOARDS
Piano solo
180
Easy Piano
175
Piano, Voice
137
Piano, Vocal and Guitar
32
Organ
8
C Instruments
8
1 Piano, 4 hands
7
Piano Trio: piano, violin, cello
5
Piano Accompaniment
1
Big Note Piano
1
1 Piano, 6 hands
1
Instrumentations suivantes
Retracter
GUITARS
Guitar notes and tablatures
39
Guitar
24
Melody line, (Lyrics) and Chords
13
Ukulele
7
Lyrics and Chords
4
2 Guitars (duet)
2
Bass guitar
2
Guitar Ensemble
2
4 Guitars (Quartet)
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
44
Choral 3-part
25
Choral 2-part
20
Choral TTBB
13
Soprano voice, Piano
10
Choral Unison
8
Choral SSAA
6
Vocal duet, Piano
3
Vocal duet
3
Alto voice, Piano
2
High voice
1
Voice solo
1
Baritone voice, Piano
1
Instrumentations suivantes
Retracter
WOODWIND
Clarinet and Piano
59
Flute and Piano
50
2 Saxophones (duet)
46
Oboe, Piano (duet)
45
Saxophone Quartet: 4 saxophones
45
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
44
Alto Saxophone and Piano
40
Flute, Oboe, Clarinet, Bassoon
35
Saxophone Quintet: 5 Saxophones
34
Tenor Saxophone and Piano
30
2 Flutes (duet)
30
Flute
29
Soprano Saxophone and Piano
27
Baritone Saxophone, Piano
26
Clarinet
26
Alto Saxophone
25
Tenor Saxophone
25
Baritone Saxophone
18
3 Saxophones (trio)
18
Soprano Saxophone
17
Oboe
16
Oboe (band part)
13
2 Clarinets (duet)
13
2 Oboes (duet)
12
Saxophone (band part)
12
Flute, Oboe, Clarinet (trio)
12
Oboe, Clarinet, Bassoon (trio)
10
Descant (Soprano) Recorder
7
Clarinet Quartet: 4 clarinets
7
Flute Quartet: 4 flutes
6
Recorder Quartet
6
Clarinet Ensemble
5
Clarinet Quintet: 5 clarinets
5
Flute and Guitar
4
Flute ensemble
4
Clarinet (band part)
3
Flute Quintet : 5 flutes
3
Treble (Alto) Recorder, Piano
3
Flute, Oboe, Bassoon
2
Flute, Clarinet (duet)
2
3 Clarinets (trio)
2
Descent (Soprano) Recorder, Piano
2
Saxophone ensemble
1
English horn, Piano
1
5 Recorders
1
Treble (Alto) Recorder
1
Bass Clarinet, Piano
1
Recorder
1
Saxophone and Guitar
1
Flute (band part)
1
Instrumentations suivantes
Retracter
WOODBRASS
Trumpet, Piano
60
French Horn and Piano
44
Trumpet
40
Brass Quintet: 2 trumpets, horn, trombone, tuba
39
Tuba and Piano
30
Trombone and Piano
29
Brass Quartet: 2 trumpets, horn, trombone
27
French horn
25
Tuba
23
Trombone
23
2 Trumpets (duet)
14
2 Trombones (duet)
13
2 French horns (duet)
12
Brass quartet : 2 trumpets, trombone, tuba
12
2 Tubas (duet)
6
Euphonium, Piano (duet)
5
Trumpet (band part)
4
Trumpet, Trombone (duet)
4
Trombone (band part)
3
French horn (band part)
2
Brass Quartet: 4 horns
2
Brass Quartet: 4 trombones
2
4 Tubas
1
3 Trombones (trio)
1
English horn, Piano
1
Tuba (band part)
1
Horn Ensemble
1
Euphonium
1
Brass Quartet: 4 trumpets
1
Bass Trombone
1
Bass Clef Instruments
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
163
Violin and Piano
66
Viola, Piano
62
Cello, Piano
52
Cello
49
Violin
38
Viola
33
String Trio: violin, viola, cello
29
Double Bass
24
Double bass, Piano (duet)
24
2 Violins (duet)
18
String Quintet: 2 violins, viola, cello, bass
16
2 Violas (duet)
16
2 Cellos (duet)
16
Harp
9
Violin, Cello (duet)
8
2 Double basses (duet)
6
Violin, Viola (duet)
6
Viola (band part)
5
String Trio: 2 violins, cello
4
Violin (band part)
4
4 Cellos
3
Viola, Cello (duet)
3
String quartet: 4 violins
3
String Trio: 3 cellos
3
String Trio: 3 violas
2
String Quartet : 4 violas
2
String Quintet: 2 violins, 2 violas, cello
2
Doublebass (band part)
2
Piano Trio: Violin, Viola, Piano
2
String Trio: 3 violins
2
Harp, Violin, Violoncello
1
String Quintet: 2 violins, viola, 2 cellos
1
String Trio: 2 violins, viola
1
Cello (band part)
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
173
String Orchestra
19
Handbells
15
Jazz Ensemble
11
Chamber Orchestra
10
Orchestra
9
School Ensemble
5
Brass ensemble
4
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
Jazz combo
1
Percussion (band part)
1
Vibraphone
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
Be Careful
Chamber Orchestra
Sheetmusic to print
10 sheet music found
<
1
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.62 €
#
Chamber Orchestra
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Concerto For Clarinet
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1433339 By Artie Shaw. By Ar…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1433339 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 176 pages. Robert C. Olivia #1013630. Published by Robert C. Olivia (A0.1433339). This edition of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw recorded on the record version and in the motion picture. These are the parts for the big band and strings. Shaw’s solos as played in both the motion picture and record version are represented in great detail with the film solo shown as ossia so the player can view and choose which they might prefer to play. Techniques are carefully detailed to show ornaments, slurs, accents etc. This edition restores many elements missing in other versions available. The strings here are restored to the original voicings so important to the style of the classic sound of the period.The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie” Brown on Trombone.There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available.
$200.00
184.38 €
#
Chamber Orchestra
#
Artie Shaw
#
Concerto For Clarinet
#
Robert C. Olivia
#
SheetMusicPlus
Concerto For Clarinet - Score Only
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1403494 By Artie Shaw. By Ar…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1403494 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 68 pages. Robert C. Olivia #986671. Published by Robert C. Olivia (A0.1403494). This edition of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw recorded on the record version and in the motion picture. Shaw’s solos as played in both the motion picture and record version are represented in great detail with the film solo shown as ossia so the player can view and choose which they might prefer to play. Techniques are carefully detailed to show ornaments, slurs, accents etc. This edition restores many elements missing in other versions available. The strings here are restored to the original voicings so important to the style of the classic sound of the period.The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie†Brown on Trombone.There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available.
$35.00
32.27 €
#
Chamber Orchestra
#
Artie Shaw
#
Concerto For Clarinet - Score Only
#
Robert C. Olivia
#
SheetMusicPlus
Elegie, Op. 24, by Gabriel Faure, - chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.767003 Composed by Gabriel F…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.767003 Composed by Gabriel Faure. Arranged by Bob Delfausse. Concert,Romantic Period. Score and parts. 43 pages. Robert Delfausse #6474577. Published by Robert Delfausse (A0.767003). Faure's Elegie is a gorgeous slow stand-alone piece for solo cello. I've carefully rewritten the original orchestral accompaniment so that it can be played by a chamber orchestra: strings plus seven single winds (flute, oboe, clarinet, bassoon, trumpet, horn, trombone). There is an optional piano part, which adds depth and can solidify intonation.Duration: 6 minutes.
$20.00
18.44 €
#
Chamber Orchestra
#
Gabriel Faure
#
Elegie, Op. 24, by Gabriel Faure, - chamber orchestra
#
Robert Delfausse
#
SheetMusicPlus
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian …
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
17.51 €
#
Chamber Orchestra
#
Johann Sebastian Bach and Netherlands Bach Society
#
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
#
Flavio Regis Cunha
#
SheetMusicPlus
Scarborough Fair (for Junior String Ensemble)
Chamber Orchestra
Chamber Orchestra - Level 1 - Digital Download SKU: A0.944107 Composed by Tradition…
(+)
Chamber Orchestra - Level 1 - Digital Download SKU: A0.944107 Composed by Traditional. Arranged by Stephen Brodie. Children,Folk,Instructional. Score and parts. 15 pages. Stephen Brodie #4631287. Published by Stephen Brodie (A0.944107). From the Springboard Strings series. Simple lines and melodies but scored for a full-sounding junior string ensemble. Carefully selected ranges and keys to make it suitable for educational use. Piano accompaniment and parts for Easy Violin, Easy Cello, & Easy Bass are provided so that even the least experienced players can be included.
$20.00
18.44 €
#
Chamber Orchestra
#
Traditional
#
Scarborough Fair
#
Stephen Brodie
#
SheetMusicPlus
The Londonderry Air (for Junior String Ensemble)
Chamber Orchestra
Chamber Orchestra - Level 1 - Digital Download SKU: A0.944106 Composed by Irish Tra…
(+)
Chamber Orchestra - Level 1 - Digital Download SKU: A0.944106 Composed by Irish Traditional. Arranged by Stephen Brodie. Children,Holiday,Instructional. Score and parts. 14 pages. Stephen Brodie #4631185. Published by Stephen Brodie (A0.944106). From the Springboard Strings series. Simple lines and melodies but scored for a full-sounding junior string ensemble. Carefully selected ranges and keys to make it suitable for educational use. Piano accompaniment and parts for Easy Violin, Easy Cello, & Easy Bass are provided so that even the least experienced players can be included.
$20.00
18.44 €
#
Chamber Orchestra
#
Irish Traditional
#
The Londonderry Air
#
Stephen Brodie
#
SheetMusicPlus
Jazz Waltz ( for Junior String Ensemble)
Chamber Orchestra
Chamber Orchestra - Level 1 - Digital Download SKU: A0.944108 Composed by Stephen B…
(+)
Chamber Orchestra - Level 1 - Digital Download SKU: A0.944108 Composed by Stephen Brodie. Children,Instructional,Jazz. Score and parts. 15 pages. Stephen Brodie #4631225. Published by Stephen Brodie (A0.944108). From the Springboard Strings series.A first introduction to a jazz waltz style for young players Simple lines and melodies but scored for a full-sounding junior string ensemble. Carefully selected ranges and keys to make it suitable for educational use. Piano accompaniment and parts for Easy Violin, Easy Cello, & Easy Bass are provided so that even the least experienced players can be included.
$20.00
18.44 €
#
Chamber Orchestra
#
Stephen Brodie
#
Jazz Waltz
#
Stephen Brodie
#
SheetMusicPlus
Metamorphosis for solo flute, solo pedal or lever harp, and strings
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.953627 Composed by Adrienne …
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.953627 Composed by Adrienne Inglis (ASCAP). Contemporary. Score and parts. 51 pages. Adrienne Inglis (ASCAP) #6383557. Published by Adrienne Inglis (ASCAP) (A0.953627). Celebrate women scientists!Metamorphosis (2019) by Adrienne Inglis (ASCAP) for flute, harp, and string orchestra, commissioned by Balcones Community Orchestra, celebrates the life and work of Maria Sibylla Merian (1647-1717), pioneering entomologist, naturalist, and artist.Duration 5:30 minutes.Commissioned by the Balcones Community Orchestra of Austin, Texas, Metamorphosis (2019) by Adrienne Inglis for solo flute, solo harp, and string orchestra, honors the life and work of pioneering entomologist, naturalist, and artist Maria Sibylla Merian (1647-1717). As she carefully documented in illustrated detail the life cycle of so many insects, Metamorphosis musically follows a butterfly from adult, egg, larva, pupa, and adult. The piece opens with an ostinato pattern in the strings over which the flute and harp play fluttering modal melodies. The strings and harp represent the egg stage with minimalistic layers of a single pitch. To recognize Merian’s time in Suriname and her discovery of many insect species there, a cheerful tune fashioned after traditional Arawak folk songs informs the busy larvae in the caterpillar canon. A bit of contemplative dorian polyphony laced with metamorphic machinations demonstrate the remarkable transformation of the pupa as well as Merian’s time at a devout Labadist religious commune. The butterfly emerges from the pupa with a flute/harp cadenza and then the strings underscore the adult butterfly with a return of the ostinato. The piece ends with the same ostinato as the beginning such that the piece could loop seamlessly as in a true life cycle.This performance does not include the revisions made in this version of the music: https://youtu.be/GIjQpkXl6Uc
$9.99
9.21 €
#
Chamber Orchestra
#
Adrienne Inglis
#
Metamorphosis for solo flute, solo pedal or lever harp, and strings
#
Adrienne Inglis
#
SheetMusicPlus
<
1
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version