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You've selected:
Beethoven's
Chamber Orchestra
Sheetmusic to print
22 sheet music found
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1
Overture and Minuet in C major, based on Beethoven's sketches, op. 83
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1415801 Composed by Ludwig v…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1415801 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. 190 pages. Adrian Gagiu #997496. Published by Adrian Gagiu (A0.1415801). Score and parts of a premiere realization of some of Beethoven's sketches for the first movement of another Symphony in C major before the First, dubbed 'No. 0' or Unv. 2 by some: 1. 'Overture' (Andante con moto - Allegro con brio), 2. Tempo di menuetto. Useful for people interested in Beethoven's sketches and for students of the Classical style. In 1794-1796, Beethoven made extensive concept sketches mostly for the first movement of this abortive symphony. The material is abundant and sometimes contradictory, as usual with his preliminary work, and he recycled later from this one only the main theme of the Finale of the completed Symphony No. 1. For this speculative realization, suggested by Mr. Armando Orlandi at the Centro Ricerche Musicali and dedicated to them, only the more promising sketches were utilized, and the slow introduction was assembled from the ones in cut time, while those in triple time make up now a Minuet. Virtually every bar of music here includes the sketches, also in the elaboration and coda of the 'overture', only with a few transpositions needed for assembling the sonata form and for the repeats in the Minuet. Obviously, Beethoven would have done it much differently, had he decided to continue working on this symphony, and the question remains regarding the utility of recycling material abandoned by some classical composer. However, this gives one an approximate idea of one of the many possibilities implied by the preliminary sketches for his Symphony 'No. 0'. Total duration 15 minutes. The mp3 audio clip is the first movement. Performing Rights Organization: SOCAN.
$100.00
90.11 €
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Chamber Orchestra
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Ludwig van Beethoven
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Overture and Minuet in C major, based on Beethoven's sketches, op. 83
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Adrian Gagiu
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SheetMusicPlus
Ode to Joy, Beethoven 9th Symphony 4th movement Funky Version
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.891522 Composed by Ludwig va…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.891522 Composed by Ludwig van Beethoven. Arranged by Jae H Park. Contemporary,Easter,Jazz,Praise & Worship,Standards. 44 pages. Jae Park #4319855. Published by Jae Park (A0.891522). Azz Style Beethoven Ode to Joy Arrangement. It's for Solo Violin and Chamber Orchestra(Piano, Violin1, 2, Viola, Cello, Double Bass(+Percussion)). This arrangement requires technical practice with some degree. Especially, Solo Violin must be virtuoso player. It's starting with opening melody of Beethoven's 4th movement. After opening, rhythm is suddenly changed by Double Bass and goes into funky jazz style. Your ensemble can enjoy this music with percussion such as Cajón. This piece has a lot of entertainment not only for player but also audience.
$99.99
90.11 €
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Chamber Orchestra
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Ludwig van Beethoven
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Ode to Joy, Beethoven 9th Symphony 4th movement Funky Version
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Jae Park
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SheetMusicPlus
Flash Mob "Ode to Joy" by Beethoven
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1407770 Composed by Ludwig v…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1407770 Composed by Ludwig van Beethoven. Arranged by Douglas Meyer. 19th Century,Chamber,Romantic Period,Traditional. 48 pages. Douglas Meyer #989830. Published by Douglas Meyer (A0.1407770). A beautiful and engaging surprise based on the internationally famous melody from Beethoven's 9th Symphony, for small chorus, [optional baritone soloist], oboe (or flute), clarinet, bassoon and string quartet + string bass [or string orchestra].Imagine the surprise from your audience when a small group of instrumentalists enters the room or comes onstage and begins to play the famous music from the finale of Beethoven's 9th Symphony. The beginning is enticing and the finale is triumphant in this 3:30 minute work, a testament to the beauty of life and the brotherhood of mankind.
$35.99
32.43 €
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Chamber Orchestra
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Ludwig van Beethoven
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Flash Mob "Ode to Joy" by Beethoven
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Douglas Meyer
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SheetMusicPlus
Beethoven: Symphony #5, First Movement
Chamber Orchestra
Chamber Orchestra - Level 2 - Digital Download SKU: A0.921852 Composed by Ludwig va…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.921852 Composed by Ludwig van Beethoven. Arranged by Joshua Feltman. Romantic Period. Score and parts. 36 pages. Ryan Blauvelt #3447671. Published by Ryan Blauvelt (A0.921852). One of the most highly recognized compositions in history, Beethoven's 5th Symphony is the epitome of classical music muscle. The famous four-note motive that opens the symphony is heard throughout the first movement. Here's an arrangement that's designed for the beginning program in mind - with a hybrid instrumentation meant to allow ensembles with unique instrumentation to perform this monumental piece. <p><a href=>https://arrangethatmusic.com/custom-sheet-music>Customize this music on our website</a></p>
$25.00
22.53 €
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Chamber Orchestra
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Ludwig van Beethoven
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Beethoven: Symphony #5, First Movement
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Ryan Blauvelt
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SheetMusicPlus
Finale for Beethoven's Violin Concerto in C major WoO 5
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1004721 Composed by Ludwig v…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1004721 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. Score and parts. 48 pages. Adrian Gagiu #6204599. Published by Adrian Gagiu (A0.1004721). Beethoven's Romance No. 1 in G major for violin and orchestra op. 40 (c. 1801) was transposed in C major, arranged in the new key and appropriate tempo, and expanded to form a rondo Finale fit for his unfinished Concerto in C major, of which only about a half of a clean copy of the first movement survived as WoO 5 (1791-1792). Also, a newly composed solo cadenza was now inserted. Almost surely, the Romance No. 2 in F major op. 50 (c. 1791?) was intended as the slow movement of the Concerto (it has virtually the same scoring as WoO 5, the manuscript bears no title, and there is a thematic relation to WoO 5). The Romance No. 1 in G major was probably intended as a replacement or alternate slow movement, but it is his only composition relatable to the Concerto fragment, so I adapted it as conjecture Finale for a complete performing version of the Concerto.
$15.00
13.52 €
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Chamber Orchestra
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Ludwig van Beethoven
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Finale for Beethoven's Violin Concerto in C major WoO 5
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Adrian Gagiu
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SheetMusicPlus
Beethoven Sonata in F min, Movement 3
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.921872 Composed by Ludwig va…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.921872 Composed by Ludwig van Beethoven. Arranged by Joshua Feltman. Romantic Period. Score and parts. 50 pages. Ryan Blauvelt #3692801. Published by Ryan Blauvelt (A0.921872). Although Beethoven’s Sonata in F minor is one of his earlier works, the style is still very much Beethoven. The third movement, a minuet in F minor, contains two repeated sections.Syncopation, dramatic pauses, and sharp dynamic contrast characterize the minuet. You’ll hear a melancholy tone spanning major and minor tonality. We’ve taken this high-energy piano selection and transformed it into a high school level chamber work.
$35.00
31.54 €
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Chamber Orchestra
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Ludwig van Beethoven
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Beethoven Sonata in F min, Movement 3
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Ryan Blauvelt
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SheetMusicPlus
Beethoven: Symphony #7, Movement 2
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.921871 Composed by Ludwig va…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.921871 Composed by Ludwig van Beethoven. Arranged by Joshua Feltman. Romantic Period. Score and parts. 35 pages. Ryan Blauvelt #3692797. Published by Ryan Blauvelt (A0.921871). The poignant Funeral March from Beethoven's symphony is a timeless favorite. The arrangement incorporates several different technical levels, making it ideal for the small differentiated classroom music ensemble.
$40.00
36.05 €
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Chamber Orchestra
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Ludwig van Beethoven
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Beethoven: Symphony #7, Movement 2
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Ryan Blauvelt
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SheetMusicPlus
Beethoven: Symphony #7, Movement 2
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.921868 Composed by Ludwig va…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.921868 Composed by Ludwig van Beethoven. Arranged by Joshua Feltman. Romantic Period. Score and parts. 32 pages. Ryan Blauvelt #3692791. Published by Ryan Blauvelt (A0.921868). The poignant Funeral March from Beethoven's symphony is a timeless favorite. The arrangement incorporates several different technical levels, making it ideal for the small differentiated classroom music ensemble.
$40.00
36.05 €
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Chamber Orchestra
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Ludwig van Beethoven
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Beethoven: Symphony #7, Movement 2
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Ryan Blauvelt
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SheetMusicPlus
Symphony No. 8, after Beethoven's sketches, op. 80
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1038395 Composed by Adrian G…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1038395 Composed by Adrian Gagiu. Classical. 451 pages. Adrian Gagiu #643336. Published by Adrian Gagiu (A0.1038395). Throughout his career, Beethoven made dozens of concept sketches for many movements of symphonies, besides those for the completed nine compositions of that genre. In the period 1812-1816, mainly during the composition of the Seventh and Eighth Symphonies, there were three recurring such projected works in his sketchbooks, namely in D minor, E minor and E flat major respectively, and remarkably with sketches for more than one of their movements. The present symphony in late Classical style is based on those projects, making use of all their themes in a „combined†symphony in D minor and thus with peculiar tonal relationships. The incentive for this new work in the Classical idiom was in the quality and potential of some of the sketches, especially the one included now in the main theme of the slow movement. Some of the sketched material was subject to transpositions and adaptations to fit the formal outlook, and to editorial choices for the unclear pitches and durations. This publication includes the score and parts. The sketchbook sources for each passage are mentioned at the bottom of the score. Total duration: 36 min. Performing Rights Organization: SOCAN. The mp3 recording is the third, slow movement.
$100.00
90.11 €
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Chamber Orchestra
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Adrian Gagiu
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Symphony No. 8, after Beethoven's sketches, op. 80
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Adrian Gagiu
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SheetMusicPlus
Beethoven, piano sonata No.15 movement 1 - orchestra
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1221354 Composed by Ludwig v…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1221354 Composed by Ludwig van Beethoven. Arranged by Scott Fields Davis. Chamber,Classical. 79 pages. Scott Fields Davis #817317. Published by Scott Fields Davis (A0.1221354). Ludwig van Beethoven (1770-1827) was a German pianist and composer. He is one of the world's most admired and celebrated composers. Beethoven composed 32 piano sonatas. This is an orchestral arrangement of the first movement of the 15th sonata. It is orchestrated by Scott Fields Davis.This download contains the conductor’s score and all instrument parts.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass Approximate performance duration is 12 minutes and 55 seconds.More music and contact information can be found at: compositionsbyscottfieldsdavis.com.Find me on Facebook and Youtube.
$16.00
14.42 €
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Chamber Orchestra
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Ludwig van Beethoven
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Beethoven, piano sonata No.15 movement 1 - orchestra
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Scott Fields Davis
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SheetMusicPlus
Beethoven, Piano Sonata No. I, Movement I - orchestra
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1168459 Composed by Ludwig v…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1168459 Composed by Ludwig van Beethoven. Arranged by Scott Fields Davis. Classical. Score and Parts. 56 pages. Scott Fields Davis #768791. Published by Scott Fields Davis (A0.1168459). Ludwig van Beethoven (1770-1827) was a German pianist and composer. He is one of the world's most admired and celebrated composers. Beethoven composed 32 piano sonatas. The first piano sonata has four movements. This is an orchestral arrangement of the first movement of the first sonata. And is orchestrated by Scott Fields Davis.This download contains the conductor’s score and all instrument parts.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass Approximate performance duration is 4 minutes and 20 seconds.More music and contact information can be found at: compositionsbyscottfieldsdavis.com.Find me on Facebook and Youtube.
$16.00
14.42 €
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Chamber Orchestra
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Ludwig van Beethoven
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Beethoven, Piano Sonata No. I, Movement I - orchestra
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Scott Fields Davis
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SheetMusicPlus
Egmont Overture for Horn Octet
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.920291 Composed by Ludwig va…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.920291 Composed by Ludwig van Beethoven. Arranged by Spencer Causey. Contemporary. Score and parts. 48 pages. Spencer Causey #5324919. Published by Spencer Causey (A0.920291). One of the most famous works of the orchestral repertoire, Beethoven's Egmont Overture has been arranged for 8 French horns. This challenging piece is perfect to program for a horn ensemble concert, suitable for advanced high school, college, and professional groups.
$25.00
22.53 €
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Chamber Orchestra
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Ludwig van Beethoven
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Egmont Overture for Horn Octet
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Spencer Causey
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.46 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
John Field, Sonata I (Movement II) - orchestra by Scott Fields Davis
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.998482 Composed by John Fiel…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.998482 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 71 pages. Scott Fields Davis #6098865. Published by Scott Fields Davis (A0.998482). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was not only a phenomenal pianist, but a highly skilled composer. This is an orchestral arrangement of the first of four piano sonatas written by John Field. This download contains the conductor's score and all the parts to the second of the two movements of Field's first piano sonata.Instruments used: Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass. Approximate duration is 4 minutes and 10 seconds. Â To download the other movement, please click the following link: John Field, Sonata I (Movement I) arranged for orchestra by Scott Fields Davis Â
$15.00
13.52 €
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Chamber Orchestra
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John Field
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John Field, Sonata I
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Scott Fields Davis
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SheetMusicPlus
Piano Concerto No. 1 - Score Only
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
22.53 €
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Chamber Orchestra
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score Only
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - FIRST movement [score and parts]
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
29.74 €
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Chamber Orchestra
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - SECOND movement [score and parts]
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
29.74 €
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Chamber Orchestra
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - THIRD movement [score and parts]
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
29.74 €
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Chamber Orchestra
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Hino da Alegria Ensemble
Chamber Orchestra
Chamber Orchestra - Level 1 - Digital Download SKU: A0.944315 Composed by Ludwing B…
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.944315 Composed by Ludwing Beethoven. Arranged by Tânia Pinho. Children,Classical,World. Score and parts. 6 pages. Tânia Pinho #6461663. Published by Tânia Pinho (A0.944315). For chamber instruments speciality children's bands.
$12.00
10.81 €
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Chamber Orchestra
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Ludwing Beethoven
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Hino da Alegria Ensemble
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Tânia Pinho
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SheetMusicPlus
John Field, Sonata III (Movement I) - orchestra by Scott Fields Davis
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.998503 Composed by John Fiel…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.998503 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 91 pages. Scott Fields Davis #6252035. Published by Scott Fields Davis (A0.998503). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was a phenomenal pianist and a highly skilled composer. This is an orchestral arrangement of the first movement of the third of four piano sonatas written by John Field arranged for orchestra by Scott Fields Davis. This download contains the conductor's score and all instrument parts.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass. Approximate duration is 6 minutes and 12 seconds. Â To download the other movement, click the following link: John Field, Sonata III (Movement II) arranged for orchestra by Scott Fields Davis Â
$15.50
13.97 €
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Chamber Orchestra
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John Field
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John Field, Sonata III
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Scott Fields Davis
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SheetMusicPlus
John Field, sonata III (Movement II) orchestrated by Scott Fields Davis
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1036002 Composed by John Fie…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1036002 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 113 pages. Scott Fields Davis #641104. Published by Scott Fields Davis (A0.1036002). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was a phenomenal pianist and a highly skilled composer. This is an orchestral arrangement of the second movement of the third of four piano sonatas written by John Field arranged for orchestra by Scott Fields Davis. This download contains the conductor's score and all instrument parts.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass. To download the other movement, click the following link: John Field, Sonata III (Movement I) arranged for orchestra by Scott Fields Davis. Â
$15.00
13.52 €
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Chamber Orchestra
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John Field
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John Field, sonata III
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Scott Fields Davis
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SheetMusicPlus
John Field, Sonata II (Movement II) - orchestra by Scott Fields Davis
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.998515 Composed by John Fiel…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.998515 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 64 pages. Scott Fields Davis #6473129. Published by Scott Fields Davis (A0.998515). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was a phenomenal pianist and a highly skilled composer. This is an orchestral arrangement of the second movement of the second of four piano sonatas written by John Field and arranged for orchestra by Scott Fields Davis. This download contains the conductor's score and all instrument parts.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass. Approximate duration is 4 minutes and 35 seconds. To download the other movement, click the following link: John Field, Sonata II (Movement I) arranged for orchestra by Scott Fields Davis Â
$14.75
13.29 €
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Chamber Orchestra
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John Field
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John Field, Sonata II
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Scott Fields Davis
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SheetMusicPlus
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