Download Digital Sheet Music of Bridge for Chamber Orchestra

Bridge

Sébéné Minimalist Chamber Orchestra

Chamber Orchestra - Level 2 - Digital Download SKU: A0.1298952 Composed by Tresor O…(+)

Chamber Orchestra - Level 2 - Digital Download SKU: A0.1298952 Composed by Tresor Otshudi. Christian,Classical,Contemporary. Score and Parts. 24 pages. Tresor Otshudi #888328. Published by Tresor Otshudi (A0.1298952). For 7 instruments Classical guitar Acoustic guitar Electric guitar Xylophone Vibraphone Bassoon 5 strings Electric bass The Sebene is a kind of instrumental bridge typically executed on the electric guitar and is a characteristic element of the Congolese rumba.Minimal music is a form of art music or other compositional practice that employs limited or minimal musical materials. Prominent features of minimalist music include repetitive patterns or pulses, steady drones, consonant harmony, and reiteration of musical phrases or smaller units.
$5.99 5.48 € #Chamber Orchestra #Tresor Otshudi #Sébéné Minimalist #Tresor Otshudi #SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, â€œAve Maris Stellaâ€ (2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute â€“ as both an important American composer and a significantcontributor to Americaâ€™s contemporary musical life.The workâ€™s basic source material is the plainchant Ave maris stella (â€œHail, star of the seaâ€) â€“appropriate because of Duquesneâ€™s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe workâ€™s tone â€“ becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as â€œan underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.â€ The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up â€“ as in a pentimento.At various points, one can begin to hear the original plainchant â€œpeek outâ€ in subtle ways.The opening section of the movement obsesses again and again on what sounds like aâ€œbeginningâ€ â€“ as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked â€œsinister.â€ After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at theâ€œbeginningâ€ again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly â€“ in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movementâ€™stransformations, and â€œmotetâ€ sections â€“ using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)ï»¿This is the score only. The complete parts and each seperate part are also available as seperate items.

For String Quartet and Piano: Mozart's 24th Piano Concerto, K. 491 - 2nd Movement Chamber Orchestra

Chamber Orchestra - Level 5 - Digital Download SKU: A0.882865 Composed by Wolfgang …(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.882865 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 23 pages. Geoffrey Loff #2881387. Published by Geoffrey Loff (A0.882865). An arrangement of Mozart's 22nd Piano concerto for String Quartet and Piano. The string parts are included as well. By arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art. The beauty, of these arrangements is that they bridge the gap between playing this concerto in public with a 2nd piano accompaniment, or with full orchestra. They make it possible for pianist and string quartet to reinvigorate the canon of these Concerti without the space, sonic volume, and expenses of full orchestra, thus making it possible to play in a wider variety of smaller and more intimate venues. This in turn creates the opportunity for more audiences to enjoy these works performed more often. I have loved these pieces all my life, and by arranging them in this way the Mozart Piano Concerti will be played more, heard more, and be given the honor they deserve.
$4.00 3.66 € #Chamber Orchestra #arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art #Wolfgang Amadeus Mozart #For String Quartet and Piano: Mozart's 24th Piano Concerto, K. 491 - 2nd Movement #Geoffrey Loff #SheetMusicPlus

For String Quartet and Piano: Mozart Piano Concerto No. 22, K. 482 - 2nd Movement Chamber Orchestra

Chamber Orchestra - Level 5 - Digital Download SKU: A0.882858 Composed by Wolfgang …(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.882858 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 24 pages. Geoffrey Loff #1988435. Published by Geoffrey Loff (A0.882858). An arrangement of Mozart's 22nd Piano concerto for String Quartet and Piano. The string parts are included as well. By arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art. The beauty, of these arrangements is that they bridge the gap between playing this concerto in public with a 2nd piano accompaniment, or with full orchestra. They make it possible for pianist and string quartet to reinvigorate the canon of these Concerti without the space, sonic volume, and expenses of full orchestra, thus making it possible to play in a wider variety of smaller and more intimate venues. This in turn creates the opportunity for more audiences to enjoy these works performed more often. I have loved these pieces all my life, and by arranging them in this way the Mozart Piano Concerti will be played more, heard more, and be given the honor they deserve.
$4.00 3.66 € #Chamber Orchestra #arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art #Wolfgang Amadeus Mozart #For String Quartet and Piano: Mozart Piano Concerto No. 22, K. 482 - 2nd Movement #Geoffrey Loff #SheetMusicPlus

For String Quartet and Piano: Mozart Piano Concerto No. 22, K. 482 - 1st Movement Chamber Orchestra

Chamber Orchestra - Level 5 - Digital Download SKU: A0.882855 Composed by Wolfgang …(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.882855 Composed by Wolfgang Amadeus Mozart. Arranged by Geoffrey Loff. Classical. Score and parts. 70 pages. Geoffrey Loff #1988433. Published by Geoffrey Loff (A0.882855). An arrangement of Mozart's 22nd Piano concerto for String Quartet and Piano. The string parts are included as well. By arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art. The beauty, of these arrangements is that they bridge the gap between playing this concerto in public with a 2nd piano accompaniment, or with full orchestra. They make it possible for pianist and string quartet to reinvigorate the canon of these Concerti without the space, sonic volume, and expenses of full orchestra, thus making it possible to play in a wider variety of smaller and more intimate venues. This in turn creates the opportunity for more audiences to enjoy these works performed more often. I have loved these pieces all my life, and by arranging them in this way the Mozart Piano Concerti will be played more, heard more, and be given the honor they deserve.
$4.00 3.66 € #Chamber Orchestra #arranging these Concerti for string quartet and piano I hope to make it possible for more pianists to play them in a chamber setting, and for more audiences to become acquainted with, or reacquainted with, these works of art #Wolfgang Amadeus Mozart #For String Quartet and Piano: Mozart Piano Concerto No. 22, K. 482 - 1st Movement #Geoffrey Loff #SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flÃ»tes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 Ã©xecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durÃ©e/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi quâ€™une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est Ã©galement disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________PrmiÃ¨re: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011PremiÃ¨re of the version for violin and 17 instruments: FrÃ©dÃ©ric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist EugÃ¨ne YsaÃ¿e. After Debussyâ€™s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violinâ€™s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussyâ€™s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the SÃ©rÃ©nade begins and ends with Debussyâ€™s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles KÅ“chlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel FaurÃ©, Claude Debussy, Charles KÅ“chlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussyâ€™s unfinished works, and especially his theatre projects. His completion of Debussyâ€™s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.869311 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Om ah hum hum (Chant sung with mouth closed.). 21 pages. Thomas Oboe Lee #32293. Published by Thomas Oboe Lee (A0.869311). Program notes: Mark Ludwig came to me in the spring of 1997 wondering if I would be interested in writing a piece of music for the Hawthorne String Quartet that would bring to the attention of the world what many Tibetans are experiencing as exiles or political prisoners under the rule of the Peoples Republic of China. I told him I would be. So, he loaned me several books on Tibet, the Dalai Lamas, a video about a Tibetan ethnomusicologist who is currently in prison for spying, and a few recordings of Tibetan folk music. I found the material very intriguing and fascinating. And toward the end of a five-week residency at the American Academy in Rome that summer, I completed the first draft of Tantric Psalms. The work was completed a week later at home in Cambridge, Massachusetts. In 1999, I revisited the score and added a voice so that the beautiful Tibetan chants and prayers can be invoked. Tantric Psalms is in three sections, but organized in two movements: I. Invocation Om ah hum hum (Chant sung with mouth closed.) Prayer: Then bless me to embark ... II. Invocation Simple Song of Fun/Om ma ni pad me hum (Chant sung with mouth closed.) (Om ah hum hum. Om ah kham hum. Om ah om hum. Om ah sva hum. Om ah ah hum. Om ah ha hum. Om ah lam hum. Om ah mam hum. Om ah bam hum. Om ah tam hum. Om ah jah hum. Om ah hum hum. Om ah bam hum. Om ah hoh hum. Om ah maim hum. Om ah thlim hum. Om am om hum. Om ah om hum. Om ah om hum. Om ah hum hum. Om ah om hum. Om ah sam hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum.) Then bless me to embark in a boat to cross the ocean of the Tantras, Through the kindness of the Captain Vajra master, Holding vows and pledges, root of all power, more dearly than life itself! Bless me to perceive all things as the deity body, Cleasing the taints of ordinary perception, Through the yoga of the first stages of Unexcelled Tantra, Changing births, deaths, and between into the three Buddha bodies! (Om ma ni pad me hum.).

Chamber Orchestra - Level 4 - Digital Download SKU: A0.869299 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Om ah hum hum (Chant sung with mouth closed.). 21 pages. Thomas Oboe Lee #32649. Published by Thomas Oboe Lee (A0.869299). Program notes: Mark Ludwig came to me in the spring of 1997 wondering if I would be interested in writing a piece of music for the Hawthorne String Quartet that would bring to the attention of the world what many Tibetans are experiencing as exiles or political prisoners under the rule of the Peoples Republic of China. I told him I would be. So, he loaned me several books on Tibet, the Dalai Lamas, a video about a Tibetan ethnomusicologist who is currently in prison for spying, and a few recordings of Tibetan folk music. I found the material very intriguing and fascinating. And toward the end of a five-week residency at the American Academy in Rome that summer, I completed the first draft of Tantric Psalms. The work was completed a week later at home in Cambridge, Massachusetts. In 1999, I revisited the score and added a voice so that the beautiful Tibetan chants and prayers can be invoked. Tantric Psalms is in three sections, but organized in two movements: I. Invocation Om ah hum hum (Chant sung with mouth closed.) Prayer: Then bless me to embark ... II. Invocation Simple Song of Fun/Om ma ni pad me hum (Chant sung with mouth closed.) (Om ah hum hum. Om ah kham hum. Om ah om hum. Om ah sva hum. Om ah ah hum. Om ah ha hum. Om ah lam hum. Om ah mam hum. Om ah bam hum. Om ah tam hum. Om ah jah hum. Om ah hum hum. Om ah bam hum. Om ah hoh hum. Om ah maim hum. Om ah thlim hum. Om am om hum. Om ah om hum. Om ah om hum. Om ah hum hum. Om ah om hum. Om ah sam hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum.) Then bless me to embark in a boat to cross the ocean of the Tantras, Through the kindness of the Captain Vajra master, Holding vows and pledges, root of all power, more dearly than life itself! Bless me to perceive all things as the deity body, Cleasing the taints of ordinary perception, Through the yoga of the first stages of Unexcelled Tantra, Changing births, deaths, and between into the three Buddha bodies! (Om ma ni pad me hum.).

The Fallen – Flute Concerto (score – flute and string orchestra) Chamber Orchestra

Chamber Orchestra - Level 5 - Digital Download SKU: A0.861934 Composed by Mark O'Co…(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik International #6208131. Published by Mark O'Connor Musik International (A0.861934). The Fallen â€“ Flute Concerto (score â€“ flute and string orchestra) MO163AScore in Three Movements (parts available)Music by Mark Oâ€™Connor44 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark Oâ€™Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for Oâ€™Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from Oâ€™Connorâ€™s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movementâ€™s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here Oâ€™Connor yearns and urges for a more beautiful world. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2003 Composed by Mark Oâ€™ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada â€“ San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld â€“ flute, Eric Jacobsen - conductor Catalogue Number MO163ACopyright Â© 2003 by Mark Oâ€™Connor Music International For more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00 27.44 € #Chamber Orchestra #transforming the tragic and darker qualities of the first movementâ€™s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here Oâ€™Connor yearns and urges for a more beautiful world #Mark O'Connor #The Fallen – Flute Concerto #Mark O'Connor Musik International #SheetMusicPlus

The Fallen – Flute Concerto (flute part – flute and string orchestra) Chamber Orchestra

Chamber Orchestra - Level 5 - Digital Download SKU: A0.861935 Composed by Mark O'Co…(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6208137. Published by Mark O'Connor Musik International (A0.861935). The Fallen â€“ Flute Concerto (flute part â€“ flute and string orchestra) MO163BFlute Part - Three Movements (score and parts available)Music by Mark Oâ€™Connor14 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark Oâ€™Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for Oâ€™Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from Oâ€™Connorâ€™s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movementâ€™s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here Oâ€™Connor yearns and urges for a more beautiful world. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2003 Composed by Mark Oâ€™ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada â€“ San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld â€“ flute, Eric Jacobsen - conductor Catalogue Number MO163BCopyright Â© 2003 by Mark Oâ€™Connor Music International For more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 13.72 € #Chamber Orchestra #transforming the tragic and darker qualities of the first movementâ€™s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here Oâ€™Connor yearns and urges for a more beautiful world #Mark O'Connor #The Fallen – Flute Concerto #Mark O'Connor Musik International #SheetMusicPlus

The Fallen – Flute Concerto (string parts – flute and string orchestra) Chamber Orchestra

Chamber Orchestra - Level 5 - Digital Download SKU: A0.861936 Composed by Mark O'Co…(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik International #6208141. Published by Mark O'Connor Musik International (A0.861936). The Fallen â€“ Flute Concerto (string parts â€“ flute and string orchestra) MO163C-GString Parts in Three Movements (score and flute solo part available)Music by Mark Oâ€™Connor50 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark Oâ€™Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for Oâ€™Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from Oâ€™Connorâ€™s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movementâ€™s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here Oâ€™Connor yearns and urges for a more beautiful world. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2003 Composed by Mark Oâ€™ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada â€“ San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld â€“ flute, Eric Jacobsen - conductor Catalogue Number MO163C-GCopyright Â© 2003 by Mark Oâ€™Connor Music International For more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00 27.44 € #Chamber Orchestra #transforming the tragic and darker qualities of the first movementâ€™s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here Oâ€™Connor yearns and urges for a more beautiful world #Mark O'Connor #The Fallen – Flute Concerto #Mark O'Connor Musik International #SheetMusicPlus

To Christ Crown 41 Christian Harp - Score Only Chamber Orchestra

Chamber Orchestra - Level 2 - Digital Download SKU: A0.894875 Composed by Charles J…(+)

Chamber Orchestra - Level 2 - Digital Download SKU: A0.894875 Composed by Charles John Vicent, G. Thring, and Mathew Bridges. Arranged by Wesley S Silva. Christian,Praise & Worship,Sacred. 29 pages. Wesley S. Silva #4633955. Published by Wesley S. Silva (A0.894875). Hymn of the Brazilian Christian harp, used to accompany singers in evangelical services. This arrangement was written for a specific musical background. Easy level musical arrangement, but with a pleasant sound result.
$4.99 4.56 € #Chamber Orchestra #Charles John Vicent, G #To Christ Crown 41 Christian Harp - Score Only #Wesley S. Silva #SheetMusicPlus

Hallelujah (from “MESSIAH”) for Men’s Chorus (TTB) – FULL SCORE Chamber Orchestra

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1118209 By G. F. Handel. By …(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1118209 By G. F. Handel. By G. F. Handel. Arranged by Charles A. Gravenhorst. Classical,Historic,Religious,Sacred,Traditional. Score and Parts. 23 pages. CG Publications #719721. Published by CG Publications (A0.1118209). Handelâ€™s majestic chorus from â€œMESSIAH,â€ slightly abridged to ease performance, is here arranged and re-voiced for MENâ€™S CHORUS (T.T.B.) and small ensemble of instruments (Violin, Trumpet, Trombone, Keyboard & Drum). Requires an accomplished violinist, but only players of modest ability in the other instruments. Also, appropriate substitutions, such as clarinet, bassoon, or cello, etc., are permitted. Sheet music provided here includes FULL SCORE and PART SCORES for all instruments. A separate score of Vocal Parts alone may be obtained for a modest price, as well as other selections from the MENâ€™S MESSIAH SERIES arranged for T.T.B. Voices, from CG Publications through Sheet Music Direct/Sheet Music Plus.
$14.99 13.71 € #Chamber Orchestra #G #Drum) #Hallelujah #CG Publications #SheetMusicPlus

Concertino for Flute and Strings Chamber Orchestra

Chamber Orchestra - Level 4 - Digital Download SKU: A0.814750 Composed by Richard E…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.814750 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 74 pages. Dacker Music #3129233. Published by Dacker Music (A0.814750). As the title (which means little concerto) indicates, Concertino for Flute and Strings closely follows sonata forms on a somewhat smaller scale. Tonality is an important part of sonata form, and in this composition, the tonal relationships within and between the movements are all based on thirds. The tempi, form, and keys of the 3 movements are as follows: 1. Allegro molto - sonata-allegro - E minor 2. Andante moderato - theme and variations - C major 3. Allegro energico - abridged sonata-rondo - E minor This composition is the composer's transcription of his Sonatina for Flute and Piano.The price includes license to make as many copies of each part as required.Grade 4 - Duration 7:45
$45.00 41.16 € #Chamber Orchestra #Richard E Brown #Concertino for Flute and Strings #Dacker Music #SheetMusicPlus

The Hunt from Autumn (The Four Seasons ) Chamber Orchestra

Chamber Orchestra - Level 1 - Digital Download SKU: A0.1260069 Composed by Antonio …(+)

Chamber Orchestra - Level 1 - Digital Download SKU: A0.1260069 Composed by Antonio Vivaldi. Arranged by J.L. Schwabe. Baroque,Chamber. Score and Parts. 46 pages. Saxon Music #853305. Published by Saxon Music (A0.1260069). Abridged and simplified arrangement of The Hunt from Autumn (The Four Seasons ) by Vivaldi for very junior orchestra, emphasising the Violins but allowing other players to participate. The Viola part largely doubles the Violin part.
$9.99 9.14 € #Chamber Orchestra #Antonio Vivaldi #The Hunt from Autumn #Saxon Music #SheetMusicPlus

Boris Godunov Suite No. 1 for Chamber Orchestra - Score Only Chamber Orchestra

Chamber Orchestra - Level 5 - Digital Download SKU: A0.866104 Composed by Modest Pe…(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.866104 Composed by Modest Petrovich Mussorgsky. Arranged by Yoon Jae Lee. Opera,Romantic Period. 64 pages. Ondine Press #62213. Published by Ondine Press (A0.866104). Instrumentation: 2d1. 2d1. 2. 2 - 4. 2. 0. 0 - tp. hrp - strThis is a full score to the Suite compiled and arranged for chamber orchestra from Mussorgsky's masterful opera, Boris Godunov, by Yoon Jae Lee. This new suite allows for Mussorgskyâ€™s exquisite music to be heard in the concert hall in a similar style to the Bizet Carmen Suites. It is comprised of four famous selections: an abridged version of the Prologue, On the Azure Vistula womenâ€™s chorus, Marina & Dimitriâ€™s Duet, and the Coronation of Boris Godunov. A version for symphony orchestra is also available. Performance materials are available for hire. Please contact ondinepress@gmail.com for all inquiries.Click here to view perusal score.
$40.00 36.58 € #Chamber Orchestra #Modest Petrovich Mussorgsky #Boris Godunov Suite No. 1 for Chamber Orchestra - Score Only #Ondine Press #SheetMusicPlus