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42600
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25910
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16871
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12275
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6604
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2092
Organ
1472
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268
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187
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103
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89
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58
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43
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21
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17
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23874
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4997
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1857
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277
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189
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73
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53
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23
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21
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10
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10
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6
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3
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2
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337
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124
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116
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36
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32
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31
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28
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27
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22
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14
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7
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6
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6
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4
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4
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3
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3
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1
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1
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1
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1
Instrumentations suivantes
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WOODWIND
Flute
979
Oboe, Piano (duet)
939
Saxophone (band part)
923
Clarinet
910
Alto Saxophone and Piano
884
Clarinet and Piano
829
Tenor Saxophone and Piano
771
Alto Saxophone
659
Flute and Piano
593
Oboe (band part)
487
Flute, Oboe, Clarinet, Bassoon
342
Saxophone Quartet: 4 saxophones
322
English horn, Piano
311
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
291
Soprano Saxophone and Piano
275
Eb Instruments
261
2 Saxophones (duet)
237
Saxophone Quintet: 5 Saxophones
228
2 Flutes (duet)
221
Baritone Saxophone, Piano
122
2 Recorders (duet)
118
2 Clarinets (duet)
114
Harmonica
106
Tenor Saxophone
99
2 Oboes (duet)
89
Descant (Soprano) Recorder
85
Oboe
80
Flute, Clarinet (duet)
78
Treble (Alto) Recorder
72
Flute and Guitar
62
Oboe, Clarinet (duet)
49
3 Clarinets (trio)
44
3 Saxophones (trio)
40
Recorder
40
Harmonica, Piano
36
Soprano Saxophone
32
Recorder Quartet
32
Clarinet Quartet: 4 clarinets
31
Flute, Oboe (duet)
29
Flute, Clarinet and Bassoon.
28
Flute Trio: 3 flutes
27
English Horn
25
Flute, Violin
22
Clarinet Ensemble
20
Saxophone ensemble
19
Saxophone and Guitar
17
Tenor Recorder
16
Flute Quartet: 4 flutes
16
2 Clarinets, Piano
16
Clarinet, Trumpet (duet)
15
5 Recorders
14
Pennywhistle
13
Flute (band part)
11
Clarinette, Viola and Piano (trio)
11
Flute ensemble
11
Baritone Saxophone
11
Flute, Bassoon, and Piano
10
Recorder Ensemble
10
Clarinet, Bassoon (duet)
9
Oboe, Guitar (duet)
9
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9
Flute, harp and violin
9
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8
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8
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7
Clarinet (band part)
7
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7
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6
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6
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6
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6
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6
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5
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5
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5
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4
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4
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4
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4
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4
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4
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3
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3
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3
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3
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3
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3
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3
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2
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2
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2
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2
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2
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2
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2
2 Oboes, Piano
2
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2
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2
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2
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1
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1
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1
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1
Flute, Trombone (duet)
1
Oboe, Violin (duet)
1
4 Oboes
1
Flute, Viola (duet)
1
2 Saxophones, Piano
1
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1
Flute, Violin and Violoncello
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Bagpipe
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WOODBRASS
Trumpet
751
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732
Trombone
589
French Horn and Piano
563
French horn
456
Trombone and Piano
360
English horn, Piano
311
Tuba
271
Brass Quintet: 2 trumpets, horn, trombone, tuba
252
Bass Clef Instruments
233
Tuba and Piano
233
Bb Instruments
192
Brass quartet : 2 trumpets, trombone, tuba
156
Brass Quartet
139
2 Trumpets (duet)
102
2 Trombones (duet)
98
2 French horns (duet)
96
Trumpet, Trombone (duet)
82
Trumpet (band part)
71
2 Tubas (duet)
67
Trumpet, Horn (duert)
66
Brass Quartet: 2 trumpets, horn, trombone
45
Trombone (band part)
33
English Horn
25
Euphonium
23
Tuba and Organ
18
Brass Trio
17
Euphonium, Piano (duet)
17
Brass Quartet: 4 trombones
15
Trumpet, Saxophone (duet)
13
Trombone, Tuba (duet)
12
Trombone ensemble
9
Trumpet and Guitar
8
French horn (band part)
7
Tuba (band part)
6
Trombone, Horn (duet)
5
Trumpet ensemble
5
3 Trombones (trio)
5
English Horn, Guitar (duet)
4
3 Trumpets (trio)
4
Brass Quartet: 4 trumpets
4
Brass Quartet: 4 horns
4
2 Trumpets, Keyboard (piano or organ)
3
Trumpet, Cello, Piano
3
Bass Trombone
3
Trumpet, Tuba (duet)
3
Horn, Tuba (duet)
2
Bass Trombone and Piano
2
Trombone, Violin (duet)
2
2 English horns and Pianoforte
2
2 French horns, Piano
2
Euphonium, Tuba (duet)
2
3 Euphoniums
1
Horn, Cello (duet)
1
2 Trombones, Piano
1
4 Tubas
1
Trumpet, Cello (duet)
1
Trumpet, Trombone, Piano
1
2 Euphoniums (duet)
1
Trumpet, Harp
1
French Horn and Harp
1
Horn and Organ
1
Instrumentations suivantes
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STRINGS
Violin and Piano
1368
Violin
1134
Viola, Piano
964
Cello, Piano
960
Cello (band part)
709
Viola
655
String Quartet: 2 violins, viola, cello
591
String Quintet: 2 violins, viola, cello, bass
414
Double Bass
294
Harp
277
Double bass, Piano (duet)
260
Viola (band part)
212
2 Violins (duet)
151
Violin, Cello (duet)
147
2 Cellos (duet)
139
Violin, Viola (duet)
133
Cello
126
2 Violas (duet)
118
2 Double basses (duet)
58
Piano Trio: Violin, Viola, Piano
47
Violin, Guitar (duet)
35
Viola, Cello (duet)
29
String Trio: 2 violins, cello
25
String Trio: violin, viola, cello
22
Cello, Guitar (duet)
21
2 Harps (duet)
11
4 Cellos
10
String Trio: 3 violins
8
String Trio: 3 violas
8
String Trio: 3 cellos
8
Doublebass (band part)
7
Violin (band part)
7
Viola, Guitar (duet)
7
Cello, String Bass (duet)
7
2 Cellos, Piano
6
Harp, Flute (duet)
6
String Quartet : 4 violas
5
2 Violins, Piano
4
Harp, Violin, Violoncello
4
Viola and Bassoon
4
Harp, Voice
3
Violin ensemble
3
String quartet: 4 violins
3
String Trio: 2 violins, viola
3
Violin, Clarinet, Piano (trio)
3
String Quintet: 2 violins, 2 violas, cello
3
2 Violas, Piano
3
3 double basses
2
Autoharp
2
Harp, Violin (duet)
2
Viola ensemble
2
Violin, Trumpet and Piano
2
Viola and Harp
1
String trio
1
Harp and Piano
1
Violin, Bassoon (duet)
1
Harp, Cello (duet)
1
Instrumentations suivantes
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PERCUSSION & ORCHESTRA
Concert band
262
String Orchestra
157
Handbells
143
Jazz Ensemble
137
Orchestra
75
Jazz combo
67
Brass ensemble
60
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
27
Percussion Ensemble
15
Xylophone, Piano
13
Marimba
12
Chamber Orchestra
11
Xylophone
11
Drum (band part)
10
Vibraphone
9
Drums
5
Percussion (band part)
3
Marching band
3
Piano and Orchestra
3
Vibraphone and Marimba
2
Percussion
1
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OTHERS
Music Theory
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Musical course - Solfege
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Chords.
Chamber Orchestra
Sheetmusic to print
11 sheet music found
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1
Shunk (when you're in a funk) - for Winds, Strings, and Timpani
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1369199 By Scott L. Graham. …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1369199 By Scott L. Graham. By Scott L. Graham. 21st Century,Classical,Contemporary. 20 pages. Posterity Plus Publishing #953544. Published by Posterity Plus Publishing (A0.1369199). Orchestral: for Violin I, Violin II, Viola, Violoncello, Flutes, Clarinets in Bb, Oboe, Bassoon, Contrabass, Trumpets in Bb, French Horns in F, and TimpaniDissonent rich polychords and haunting modal and atonal melodies depict the deep sighs of those moments when one struggles with the hand they have been dealt. The timpani represents the march of life. The horns along with the woodwinds reflect the turmoil that breaks into these contemplations. The viola give a throaty lyrical voice that soothes in the midst of the moans and yawns of the backdrop.A short work 3:30; Includes score and all parts.
$4.69
4.33 €
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Chamber Orchestra
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Scott L
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Includes score and all parts
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Shunk
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Posterity Plus Publishing
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SheetMusicPlus
Bach BWV 1060 Concerto Oboe and Violin and Strings Score and Parts
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1037108 By Rainer's Rainbow.…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1037108 By Rainer's Rainbow. By Johann Sebastian Bach. Arranged by R G Roth. Baroque,Classical,Romantic Period,Standards,Traditional. Score and parts. 104 pages. Rainer's Rainbow #642078. Published by Rainer's Rainbow (A0.1037108). Bach wrote this concerto originally in the key of C minor and intended it for two harpsichords. It is arranged here for the more common instrumentation of Oboe and Violin. However it is offered in the key of D minor with a complete set of string parts and harpsichord accompaniment. It could be played with strings and just the Harpsichord part on piano as an accompaniment. Orchestra parts in D minor are hard to find.
$19.99
18.44 €
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Chamber Orchestra
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Rainer's Rainbow
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Bach BWV 1060 Concerto Oboe and Violin and Strings Score and Parts
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Rainer's Rainbow
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SheetMusicPlus
In Dulci Jubilo - family band
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.851122 Composed by Traditional. Arrang…
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Chamber Orchestra - Digital Download SKU: A0.851122 Composed by Traditional. Arranged by Sophia Johanna. Christian,Christmas,Classical,World. Score and parts. 17 pages. Sophia Transistor #3684543. Published by Sophia Transistor (A0.851122). Year after year, the whole family comes together and eventually tries to perform Christmas songs on the fly. Thisarrangement of the german traditional chistmas church song In Dulci Jubilo (In Sweet Rejoicing) offers several parts for many variableinstruments in their specific notation forms. The voices can be combined ad libitum. The score also offers decentvocal scores with the original german lyrics and also english lyrics. The score includes: - Piano (piano with chordsymbols) - vocals (in english and in german); 3 verses for each language - solo instruments in C (violin, flute,etc.); quartet - solo instruments in bass clef (trombone, cello, bass, etc.); quartet - solo instruments in Bb(trumpet, clarinet, tenor saxophone, etc.); quartet - solo instruments in Eb (alto saxophone, Eb-clarinet, etc.);quartet - solo instruments in F (french horn, F-tuba, etc.); quartet - accordion / harmonica - guitar (notes/tabs/chord) - drumsYouTube Play Along: https://youtu.be/G4I5bI43wAIGerman description (Beschreibung auf Deutsch):Alle Jahre wieder wird mit der Familie zusammen Weihnachten gefeiert. Lasst uns dochwas zusammen spielen! Na klar, hast du Noten? Ja hier, für Keyboard... hm, für mich passen die nicht... DiesesArrangement des Weihnachtsklassikers In Dulci Jubilo (nun singet und seid froh!) beinhaltet Noten für die gängigstenHausinstrumente. Alle Stimmen können miteinander kombiniert werden. Die Gesangsnoten sind vernünftig notiert undden Liedtext gibt es auf Englisch und auf Deutsch. Folgende Musikinstrumente werden durch diese Noten abgedeckt: -Klavier (leicht, mittlere Begleitung, Intonationsvorschläge, Akkordsymbole und Melodie) - Gesang (auf Englisch undauf Deutsch); jeweils 6 Strophen - Soloinstrumente in C (Geige, Flöte, etc.); Quartett - Soloinstrumente mitBassschlüssel (Posaune, Cello, Bass, etc.); Quartett - Soloinstrumente in Bb (Trompete, Klarinette, Tenorsaxofon,etc.); Quartett - Soloinstrumente in Eb (Altsaxofon, Eb-Klarinette, etc.); Quartett - Soloinstrumente in F(Waldhorn, F-Tuba, etc.); Quartett - Akkordeon / Harmonika - Gitarre (Noten/Akkorde/Tabs) - SchlagwerkViel Spaß beim Ausprobieren!This arrangement has been optimized for on the fly performances during Christmas time. The constitution of instruments (rhythm and solo instruments (also in transposing scores)) can be put togetherad libitum. All parts are matching, can be combined or played alone.traditional german christmas church songarranged by Sophia Johannafor family band2018 Holiday Contest Entry Public Domain Instrumental
$4.99
4.6 €
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Chamber Orchestra
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Traditional
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In Dulci Jubilo - family band
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Sophia Transistor
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SheetMusicPlus
Boccherini 1788 Fandango Chamber Orchestra Piano Score and Part
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1291636 By Rainer's Rainbow.…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1291636 By Rainer's Rainbow. By Luigi Boccherini 1743-1805. Arranged by R G Roth. 19th Century,20th Century,Baroque,Classical,Romantic Period. Score and Parts. 101 pages. Rainer's Rainbow #882259. Published by Rainer's Rainbow (A0.1291636). Boccherini wrote his Fandango for Guitar and String Quartet in 1788. It has been arranged here for Piano and Strings instead of the Guitar. This arrangement would work with just a string quartet, however an optional bass part has been added along with a percussion castanet part. This makes it suitable as a chamber orchestra piece. A full leadsheet with chords is also provided.
$14.99
13.82 €
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Chamber Orchestra
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Rainer's Rainbow
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Boccherini 1788 Fandango Chamber Orchestra Piano Score and Part
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Rainer's Rainbow
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SheetMusicPlus
When I Survey the Wondrous Cross - Orchestration
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Wat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
55.34 €
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Chamber Orchestra
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Isaac Watts / Lowell Mason
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When I Survey the Wondrous Cross - Orchestration
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WheatMyer Music
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SheetMusicPlus
For Once In My Life
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.920066 By Stevie Wonder. By …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.920066 By Stevie Wonder. By Orlando Murden. Arranged by Steve Bloom. Pop,Soul. Score and parts. 18 pages. Steve Bloom #4794081. Published by Steve Bloom (A0.920066). Violin 1 and 2, Viola, Cello, Guitar. This arrangement is from the original recording, and modulates up a half-step in the middle. 1rst Violin has the melody, and the guitar plays the rhythm of the chords.
$12.99
11.98 €
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Chamber Orchestra
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Stevie Wonder
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For Once In My Life
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Steve Bloom
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SheetMusicPlus
BH019REC - Recorder Quartet Songs, Book 19 (>70 pages)
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.921214 Composed by Carl Van …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.921214 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 120 pages. Carl Van Pevenage #4350311. Published by Carl Van Pevenage (A0.921214). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 181 Vibrant waves, tundering breakers and silent sand Chansonnette 182 Perfect chords Chansonnette 183 Who can fly without a friend Chansonnette 184 A little smile is the power to all Chansonnette 185 MotherhoodChansonnette 186 Get up and danceChansonnette 187 Pop song: Writing LoveChansonnette 188 A happy flowerChansonnette 189 Preparing for the weddingChansonnette 190 The voluntary service.
$9.95
9.18 €
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Chamber Orchestra
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Carl Van Pevenage
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BH019REC - Recorder Quartet Songs, Book 19
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Carl Van Pevenage
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SheetMusicPlus
CH191POP - Chansonnette 191 - The Red Devils' Upbeat
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.921192 Composed by Carl Van …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.921192 Composed by Carl Van Pevenage. Pop,World. Score and parts. 38 pages. Carl Van Pevenage #3562945. Published by Carl Van Pevenage (A0.921192). The Belgian Red Devils' Upbeat. A Pop song with football in mind.The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). The songs are written for piano or for recorder quartet. From time to time I enjoy arranging it for Orchestra or pop group. All parts included! This song is arranged for a pop group adding a small orchestra, however chords are added to easily adapt it for your ensemble.All sound is computer generated. Playing it, will bring the music to live.
$19.95
18.4 €
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Chamber Orchestra
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Carl Van Pevenage
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CH191POP - Chansonnette 191 - The Red Devils' Upbeat
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Carl Van Pevenage
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SheetMusicPlus
True Colors
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.920076 By Phil Collins. By Billy Stein…
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Chamber Orchestra - Digital Download SKU: A0.920076 By Phil Collins. By Billy Steinberg and Tom Kelly. Arranged by Steve Bloom. Pop. Score and parts. 14 pages. Steve Bloom #4808799. Published by Steve Bloom (A0.920076). This arrangement is for String Quartet and Guitar. The Guitar part has the riff for the Intro, middle section, and ending, and the chords. The Strings play melody and harmony.
$12.99
11.98 €
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Chamber Orchestra
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Phil Collins
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True Colors
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Steve Bloom
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SheetMusicPlus
Rhythm Herd (4 sopranos, alto recorder)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.924066 Composed by Dominic M…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.924066 Composed by Dominic McGonigal. Contemporary. Score and parts. 26 pages. C8 Music #4633311. Published by C8 Music (A0.924066). Rhythm Herd is a celebration of rhythmic energy in words and music. Euan Tait's poem harnesses the stampede of whinnying horses, the crackle of the fire, thundering south and gives the singers the power of nature's forces. The four sopranos keep constant pulse passed between the voices as the quavers are herded into chords, melody, phrases and whole movements. Their warm tones are punctuated by riffs on the recorder, building up to an extended obbligato fughetta. Finally, the heart dissolves to ashes, the pulse of the sopranos slows, while the recorder maintains the rhythmic riffs, now in time with the human heart. Rhythm Herd was commissioned by Philomel and first performed by them on 24 November 2018.
$4.99
4.6 €
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Chamber Orchestra
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Dominic McGonigal
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Rhythm Herd
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C8 Music
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.64 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
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