Download Digital Sheet Music of Come Home To You for Chamber Orchestra

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PIANO & KEYBOARDS

Piano solo 98 Piano, Vocal and Guitar 56 Piano, Voice 49 Easy Piano 25 C Instruments 16

1 Piano, 4 hands 5 Organ 5 Piano Accompaniment 5 Big Note Piano 5 Piano (band part) 2 Piano Trio: piano, violin, cello 1 Keyboard 1

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GUITARS

Guitar notes and tablatures 32 Ukulele 20 Melody line, (Lyrics) and Chords 18 Guitar (band part) 5 Bass guitar 3

Guitar 3 2 Guitars (duet) 2 Banjo 1 Mandolin 1

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VOICE

Choral SATB 51 Choral 3-part 14 Choral Unison 12 Choral SSAA 10 Choral TTBB 10

Choral 2-part 9 Choral 2 High voice 2 Voice solo 1 Alto voice, Piano 1 Soprano voice, Piano 1 Tenor voice, Piano 1 Vocal duet, Piano 1 Baritone voice, Piano 1 Vocal duet 1 Baritone voice 1

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WOODWIND

2 Saxophones (duet) 18 Saxophone Quintet: 5 Saxophones 16 Saxophone (band part) 14 Saxophone ensemble 10 2 Flutes (duet) 10

Oboe, Piano (duet) 9 Flute and Piano 8 Clarinet Ensemble 7 3 Clarinets (trio) 7 Clarinet (band part) 6 Alto Saxophone and Piano 6 Flute 6 Tenor Saxophone and Piano 6 Clarinet and Piano 6 Oboe (band part) 6 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 6 Tenor Saxophone 6 2 Clarinets (duet) 5 Clarinet 5 2 Oboes (duet) 4 Flute ensemble 3 Recorder 3 Alto Saxophone 3 Clarinet Quartet: 4 clarinets 3 Flute (band part) 3 Saxophone Quartet: 4 saxophones 3 Flute Quintet : 5 flutes 3 Soprano Saxophone and Piano 2 Flute and Guitar 2 Flute, Clarinet (duet) 2 2 Recorders (duet) 2 Baritone Saxophone, Piano 2 Harmonica 2 Flute, Oboe, Clarinet, Bassoon 2 Descant (Soprano) Recorder 1 Flute, Violoncello 1 Flute Trio: 3 flutes 1 Oboe, Guitar (duet) 1 Recorder Ensemble 1 English horn, Piano 1 Oboe, Clarinet, Bassoon (trio) 1 Saxophone and Guitar 1

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WOODBRASS

Brass quartet : 2 trumpets, trombone, tuba 18 Trombone (band part) 16 Brass Quartet: 2 trumpets, horn, trombone 13 Trumpet (band part) 12 Brass Quintet: 2 trumpets, horn, trombone, tuba 11

Trombone and Piano 8 Trombone ensemble 8 Trumpet, Piano 7 French horn (band part) 6 Tuba and Piano 6 Trumpet 6 2 Trumpets (duet) 5 Trombone 4 2 Trombones (duet) 4 Tuba (band part) 4 2 French horns (duet) 4 Tuba 4 Trumpet ensemble 3 Euphonium, Piano (duet) 3 French horn 3 French Horn and Piano 3 2 Tubas (duet) 2 Euphonium 1 Brass Quartet: 4 trombones 1 English horn, Piano 1

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STRINGS

String Quartet: 2 violins, viola, cello 34 String Trio: 2 violins, cello 18 Violin, Cello (duet) 18 Cello 14 Violin and Piano 14

Violin 13 Cello, Piano 12 String Trio: violin, viola, cello 8 2 Cellos (duet) 8 Viola, Piano 7 Violin, Viola (duet) 6 2 Violins (duet) 5 Viola 4 2 Violas (duet) 4 Doublebass (band part) 3 Violin ensemble 3 Violin (band part) 3 Double Bass 3 Double bass, Piano (duet) 3 Viola ensemble 3 Harp 2 Viola (band part) 2 2 Double basses (duet) 2 Viola, Cello (duet) 2 Cello, Guitar (duet) 2 2 Violins, Piano 1

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PERCUSSION & ORCHESTRA

Concert band 51 Orchestra 32 Drums 23 Jazz Ensemble 15 String Orchestra 15 Brass ensemble 4 Percussion (band part) 3 Drum (band part) 3 Xylophone, Piano 2 Chamber Orchestra 2

Handbells 2 Marimba 1 Percussion Ensemble 1 Xylophone 1 Vibraphone 1 Marching band 1

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Come Home To You

Chamber Orchestra

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Requiem Chamber Orchestra

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…(+)

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... Â· Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin â€¢ German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of â€œletting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: â€œI will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though â€œin an oceanâ€ of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: â€œSo teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boyâ€™s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent â€œlux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: â€œEntreiÃŸ dich, Seele, nun der Zeit, entreiÃŸ dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgenâ€ [â€œTear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: â€œUnd die Seele unbewacht will in freien FlÃ¼gen schweben, um im Zauberkreis der Nacht tief und tausendfach zu lebenâ€ [â€œAnd the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: â€œUnd meine Seele spannte weit ihre FlÃ¼gel aus. Flog durch die stillen Lande, als flÃ¶ge sie nach Hausâ€ [â€œAnd my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethovenâ€™s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my â€œrenewedâ€ occupation with the â€œoldâ€ country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a â€œhomecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) Â· 2 (2. auch Engl. Hr.) Â· 1 (auch Bassklar.) Â· 0 - 2 Â· Flhr. Â· 0 Â· 0 - P. S. (Glsp. Â· RÃ¶hrengl. Â· Gongs Â· Trgl. Â· Beck. Â· Tamt. Â· 2 Holzschlitztr. (oder Woodbl.) Â· Woodbl. Â· gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 Â· 4 Â· 4 Â· 4 Â· 2).

$55.99 51.62 € #Chamber Orchestra #Harald Weiss #Requiem #Schott Music - Digital #SheetMusicPlus

Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra Chamber Orchestra

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian …(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists â€“ as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles â€“ Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bachâ€™s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bachâ€™s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words.Â Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.

$18.99 17.51 € #Chamber Orchestra #Johann Sebastian Bach and Netherlands Bach Society #Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra #Flavio Regis Cunha #SheetMusicPlus