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PIANO & KEYBOARDS

Piano solo 357 Piano, Voice 156 Piano, Vocal and Guitar 59 Piano Accompaniment 55 Organ 54

Easy Piano 48 C Instruments 20 Organ, Piano (duet) 4 2 Pianos, 4 hands 4 Piano Trio: piano, violin, cello 4 Accordion 2 Piano Quartet: piano, 2 violins, cello 1 1 Piano, 4 hands 1 Big Note Piano 1

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GUITARS

Piano, Guitar (duet) 112 Guitar 36 Melody line, (Lyrics) and Chords 12 Guitar notes and tablatures 8 Ukulele 3

Lyrics and Chords 1 Bass guitar 1 Mandolin 1

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VOICE

Choral SATB 295 Choral 3-part 49 Choral 2-part 47 Choral Unison 42 Tenor voice, Piano 18

Vocal duet, Piano 18 Choral Instrumental Pak 14 Choral TTBB 10 Soprano voice, Piano 10 Choral 8 Alto voice, Piano 7 Choral SSAA 7 Tenor voice 4 Low voice, Piano 2 Baritone voice, Piano 2 Vocal duet 2 Soprano voice 1 Choral, Organ 1 High voice 1 Voice solo 1 Choral SSATB 1 Medium voice, Piano 1

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WOODWIND

Oboe, Piano (duet) 201 Clarinet and Piano 180 Flute and Piano 173 Alto Saxophone and Piano 132 Tenor Saxophone and Piano 128

Oboe (band part) 31 2 Saxophones (duet) 30 Saxophone Quartet: 4 saxophones 28 Flute, Oboe, Clarinet, Bassoon 27 Clarinet 27 Flute 26 2 Flutes (duet) 21 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 15 Alto Saxophone 11 Saxophone Quintet: 5 Saxophones 10 Baritone Saxophone, Piano 8 Clarinet Quartet: 4 clarinets 7 Saxophone (band part) 6 Tenor Saxophone 5 2 Clarinets (duet) 5 Soprano Saxophone and Piano 5 Flute, Clarinet (duet) 4 Bass Clarinet, Piano 4 Flute Quartet: 4 flutes 4 Flute Quintet : 5 flutes 3 Clarinet, Bassoon (duet) 3 English horn, Piano 3 2 Recorders (duet) 3 Clarinet Ensemble 3 Clarinet Quintet: 5 clarinets 3 Flute ensemble 2 Clarinet, Trumpet (duet) 2 Oboe, Bassoon (duet) 2 Flute (band part) 2 Flute Trio: 3 flutes 2 Ocarina 2 Saxophone, Clarinet (duet) 2 Flute, Saxophone (duet) 1 Flute, Violin, Piano 1 English Horn 1 Descant (Soprano) Recorder 1 Clarinet, Cello (duet) 1 3 Clarinets (trio) 1 Flute and Guitar 1 Clarinet, Violin (duet) 1 Clarinet, Harp (duet) 1 2 Oboes (duet) 1 Piccolo 1 Flute and String Quartet 1 Clarinet and Viola 1 Oboe, Clarinet (duet) 1 Treble (Alto) Recorder 1 Harmonica 1 Treble (Alto) Recorder, Piano 1 Flute, Trumpet (duet) 1 Oboe, Flute 1 Pennywhistle 1 Piccolo, Piano 1 Flute, Violin 1

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WOODBRASS

Trombone and Piano 152 Trumpet 84 Trumpet, Piano 67 Trombone 19 Brass Quintet: 2 trumpets, horn, trombone, tuba 18

Trumpet (band part) 15 Brass Quartet 12 French Horn and Piano 9 Euphonium, Piano (duet) 8 Brass quartet : 2 trumpets, trombone, tuba 7 French horn 6 Tuba 6 Tuba and Piano 4 Brass Trio 4 English horn, Piano 3 Trombone ensemble 2 Trumpet, Saxophone (duet) 2 Trumpet ensemble 2 2 Trombones (duet) 2 English Horn 1 2 Trumpets (duet) 1 Clarinet, Horn (duet) 1 Trumpet, Cello (duet) 1 Trumpet, Trombone (duet) 1 2 French horns (duet) 1 Brass Quartet: 4 trombones 1 Brass Quartet: 2 trumpets, horn, trombone 1 Trombone (band part) 1 2 Tubas (duet) 1

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STRINGS

Viola, Piano 170 Violin and Piano 153 Cello, Piano 142 String Quartet: 2 violins, viola, cello 65 Cello 27

Violin 26 2 Violins (duet) 11 Viola (band part) 11 Viola 11 Violin, Cello (duet) 8 2 Cellos (duet) 7 Harp 7 String trio 6 Harp, Voice 5 String Trio: violin, viola, cello 5 String Quintet: 2 violins, viola, cello, bass 4 Double bass, Piano (duet) 4 String Trio: 2 violins, cello 4 Violin, Viola (duet) 4 Double Bass 3 2 Violas (duet) 2 Viola ensemble 2 Violin ensemble 2 Viola and Harp 1 Doublebass (band part) 1 Harp, Flute (duet) 1 2 Violins, Piano 1 Cello, Guitar (duet) 1 Violin, Guitar (duet) 1 Piano Trio: Violin, Viola, Piano 1 String quartet: 4 violins 1 Viola, Cello (duet) 1 4 Cellos 1

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PERCUSSION & ORCHESTRA

Concert band 88 Orchestra 36 Handbells 23 String Orchestra 19 Jazz Ensemble 11 Brass ensemble 8 Jazz combo 4 Percussion Ensemble 4 Chamber Orchestra 4

Piano and Orchestra 1 Drums 1 Marimba 1

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OTHERS

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Come to Us

Chamber Orchestra

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4 sheet music found

Fitch Overture for chamber orchestra Chamber Orchestra

Chamber Orchestra - Level 4 - Digital Download SKU: A0.958398 Composed by Joseph Di…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.958398 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 21 pages. David Warin Solomons2 #3680711. Published by David Warin Solomons2 (A0.958398). The life of Fitch was so remarkable and has so much to teach us about the illusory America in which so many of us believe that it would make for a riveting motion picture if the novel could be turned into a film script. It would be lovely if the music could be used in such a motion picture project, but I doubt it will ever come to that. I rather think I'll end up pretty much like my Uncle John (Fitch really was my fifth great grandmother's brother) - broken and impecunious after a life of trying passionately to accomplish something worthwhile. The bitter irony is that Fitch's talent did lie in an eminently practical field, as steam-powered transportation and technology was cutting edge by the early nineteenth century when people like Robert Fulton profited handsomely from Uncle John's ideas. But Fitch was a visionary whose work far exceeded the narrow perceptions and self-interest of his countrymen - including such founding fathers as Franklin and Jefferson! Sadly, John Fitch intentionally -or perhaps accidentally -committed suicide by overdosing on an opium-based pain medication which, in combination with his drinking, proved to be fatal.

$10.00 9.22 € #Chamber Orchestra #Joseph Dillon Ford #Fitch Overture for chamber orchestra #David Warin Solomons2 #SheetMusicPlus

Requiem Chamber Orchestra

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…(+)

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... Â· Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin â€¢ German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of â€œletting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: â€œI will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though â€œin an oceanâ€ of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: â€œSo teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boyâ€™s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent â€œlux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: â€œEntreiÃŸ dich, Seele, nun der Zeit, entreiÃŸ dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgenâ€ [â€œTear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: â€œUnd die Seele unbewacht will in freien FlÃ¼gen schweben, um im Zauberkreis der Nacht tief und tausendfach zu lebenâ€ [â€œAnd the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: â€œUnd meine Seele spannte weit ihre FlÃ¼gel aus. Flog durch die stillen Lande, als flÃ¶ge sie nach Hausâ€ [â€œAnd my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethovenâ€™s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my â€œrenewedâ€ occupation with the â€œoldâ€ country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a â€œhomecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) Â· 2 (2. auch Engl. Hr.) Â· 1 (auch Bassklar.) Â· 0 - 2 Â· Flhr. Â· 0 Â· 0 - P. S. (Glsp. Â· RÃ¶hrengl. Â· Gongs Â· Trgl. Â· Beck. Â· Tamt. Â· 2 Holzschlitztr. (oder Woodbl.) Â· Woodbl. Â· gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 Â· 4 Â· 4 Â· 4 Â· 2).

$55.99 51.62 € #Chamber Orchestra #Harald Weiss #Requiem #Schott Music - Digital #SheetMusicPlus

Becoming • Instrument Backing score and Parts for Solo and SAB Chamber Orchestra

Chamber Orchestra - Level 2 - Digital Download SKU: A0.1164772 Composed by C. Micha…(+)

Chamber Orchestra - Level 2 - Digital Download SKU: A0.1164772 Composed by C. Michael Perry. Arranged by C. Michael Perry. Christian,Contemporary,Spiritual. Score and parts. 14 pages. Shining Sharon Music #765106. Published by Shining Sharon Music (A0.1164772). Line upon line, precept on precept, we learn and grow, sometimes at an alarming rate, other times at a snail's pace. As we are each individuals, this is wholly appropriate. The goal for each of us, for everything that we learn, is to use it to love God, love ourselves and prepare to meet God â€“â€“ to BECOME â€“â€“ hourly, daily, weekly, yearly, as we learn and grow in life and through Eternity. Think of the possibilities! With God, nothing is impossible!Orchestra parts consist of: Full Score, Flute, Oboe, Viola, Acoustic Bass).

$50.00 46.1 € #Chamber Orchestra #C #Becoming • Instrument Backing score and Parts for Solo and SAB #Shining Sharon Music #SheetMusicPlus

A Shropshire Pastoral for Oboe and String Orchestra Chamber Orchestra

Chamber Orchestra - Level 3 - Digital Download SKU: A0.898092 Composed by Douglas B…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.898092 Composed by Douglas Brooks-Davies. Contemporary. Score and parts. 21 pages. Douglas Brooks-Davies #3417333. Published by Douglas Brooks-Davies (A0.898092). A nostalgic movement, exploiting the pastoral associations of the oboe and inspired by the sense of loss that informs A.E.Housman's Shropshire Lad. As a century and more separates us from the devastating conflict of World War One, the work implicitly evokes those themes of Housman's poems that led The Shropshire Lad to become so popular after 1914.

$3.99 3.68 € #Chamber Orchestra #Douglas Brooks-Davies #A Shropshire Pastoral for Oboe and String Orchestra #Douglas Brooks-Davies #SheetMusicPlus