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You've selected:
D. 957
Chamber Orchestra
Sheetmusic to print
6 sheet music found
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Concerto for Oboe in D Major, Op. 7 No. 6 and String Orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.955092 Composed by Tomaso Al…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.955092 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Contemporary. Score and parts. 46 pages. Chamber Ensemble of Minnesota, Inc. #4632843. Published by Chamber Ensemble of Minnesota, Inc. (A0.955092). Complete score and parts of the Concerto for Oboe in D Major, Op. 7, No. 6 and String Orchestra , composed in 1715 by T. Albinoni, arranged by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 7 minutes, 30 seconds 2019 Chamber Ensemble of Minnesota, Inc.
$17.00
15.67 €
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Chamber Orchestra
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Tomaso Albinoni
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Concerto for Oboe in D Major, Op. 7 No. 6 and String Orchestra
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Serenade d minor
Chamber Orchestra
1 · 1 · 2 · 1 - 1 · 1 · 0 · 0 - P. S. (Trgl. · Beck. · Tamb. · …
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1 · 1 · 2 · 1 - 1 · 1 · 0 · 0 - P. S. (Trgl. · Beck. · Tamb. · kl. Tr.) - Str. guitar and chamber orchestra - Digital Download SKU: S9.Q4913 Composed by Mario Castelnuovo-Tedesco. This edition: piano reduction with solo part. Guitar Archive. Downloadable, Piano reduction with solo part. Op. 118. Schott Music - Digital #Q4913. Published by Schott Music - Digital (S9.Q4913). Key: D minor.
$18.99
17.51 €
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Chamber Orchestra
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Mario Castelnuovo-Tedesco
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Serenade d minor
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Schott Music - Digital
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SheetMusicPlus
CHARPENTIER: PRELUDE (From 'Te Deum in D major', H. 146) for Chamber Orchestra
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.500957 By Marc-Antoine Charp…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.500957 By Marc-Antoine Charpentier. By Marc-Antoine Charpentier. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Film/TV,Wedding. Score and parts. 32 pages. FRC Music #114031. Published by FRC Music (A0.500957). The “Te Deum†(H 146) is unquestionably the best known composition of Marc-Antoine Charpentier (1643–1704), especially since its “ Prélude en rondeau †was made the Eurovision signature tune. Although Charpentier set the “Te Deum†altogether four times, this is his only setting employing a “military bandâ€, i.e. trumpets and kettledrums. Charpentier considered the key D-major as bright and very warlike; indeed D-major was regarded as the key of glory in Baroque music. This brilliant and magnificent piece was frequently played at victory celebrations and other occasions of public jubilation during the 17th century. Even today it is still ideal for festive church services and concerts.
$12.99
11.98 €
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Chamber Orchestra
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Marc-Antoine Charpentier
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CHARPENTIER: PRELUDE
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FRC Music
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SheetMusicPlus
In the flurry of a snowfall - String orchestra version (everything included)
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.782716 Composed by Nicholas …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.782716 Composed by Nicholas Palmer. Christmas. Score and parts. 24 pages. Nicholas D Palmer #3223433. Published by Nicholas D Palmer (A0.782716). In the flurry of a snowfall is three minutes of colorful delight for chorus and string orchestra, suited for your holiday pops concert. This is the conductor's full score. Be sure to download the parts file as well. A piano vocal score is also available separately.The text is: VERSE 1
$50.00
46.1 €
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Chamber Orchestra
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Nicholas Palmer
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In the flurry of a snowfall - String orchestra version
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Nicholas D Palmer
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SheetMusicPlus
Homage to Sibelius
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
95.42 €
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Chamber Orchestra
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry P…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95
27.61 €
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Chamber Orchestra
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Thierry Pélicant
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Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
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Musik Fabrik Music Publishing
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SheetMusicPlus
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