Download Digital Sheet Music of Dance I for Chamber Orchestra

Dance I

Two Ecosaisses for Orchestra (or Strings Alone), WoO 22-23 Chamber Orchestra

Chamber Orchestra - Level 3 - Digital Download SKU: A0.723152 Composed by Ludwig va…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.723152 Composed by Ludwig van Beethoven. Arranged by Joel Jacklich (ASCAP). Classical,Romantic Period. Score and parts. 24 pages. Joel Jacklich #5304807. Published by Joel Jacklich (A0.723152). Beethoven wrote a number of ecossaises for the piano. These two had been scored for military band. It can be played by the full orchestration here, or by just the strings. The ecossaise is an energetic country dance in duple time in which couples form lines facing each other. Ecossaises were usually danced in 2/4 time. Although the word ecossaise is derived from the mid-Fench term for Scotland, any connection with Scotland is unclear. The orchestration is for Flute (with Piccolo doubling at the octave), 2 Oboes, 2 Clarinets in A (Clarinets in B-flat are also included in the set), 2 Bassoons; 2 Horns in F, 2 Trumpets in B-flat; Timpani (G2, A2, D3), Triangle, Snare Drum, Bass Drum, Crash Cymbals; Violin I, Violin I, Viola, Violoncello, and Contrabass.
$25.00 22.96 € #Chamber Orchestra #Ludwig van Beethoven #Two Ecosaisses for Orchestra #Joel Jacklich #SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra GonzÃ¡lez. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLYÂ Please visit www.juancarlosguerra.com/dreams to buy or rent the parts.Â Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players:Â 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Noteâ€œDreamsâ€ is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Islandâ€™s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work.Â I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams.Â II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the â€œheartbeatâ€ played by the bass drum and timpani, then a more â€œstressfulâ€ section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose!Â III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a â€œorientalâ€ style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra GonzÃ¡lez