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Duration: 1:27
Chamber Orchestra
Sheetmusic to print
5 sheet music found
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1
Il Vitalino raddoppiato
Chamber Orchestra
1 (auch Picc.) · 1 (auch Engl. Hr.) · 0 · Bassklar. · 1 - 1 · 0 · 0 ·…
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1 (auch Picc.) · 1 (auch Engl. Hr.) · 0 · Bassklar. · 1 - 1 · 0 · 0 · 0 - Hfe. - Str. (1 · 1 · 1 · 1 · 1) violin and chamber orchestra - Digital Download SKU: S9.Q2835 Ciacona per violino concertante ed orchestra da camera. Composed by Hans Werner Henze. This edition: solo part. Downloadable, Solo part. Duration 27 minutes. Schott Music - Digital #Q2835. Published by Schott Music - Digital (S9.Q2835).
$15.99
14.52 €
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Chamber Orchestra
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Hans Werner Henze
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Il Vitalino raddoppiato
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Schott Music - Digital
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SheetMusicPlus
Il Vitalino raddoppiato
Chamber Orchestra
1 (auch Picc.) · 1 (auch Engl. Hr.) · 0 · Bassklar. · 1 - 1 · 0 · 0 ·…
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1 (auch Picc.) · 1 (auch Engl. Hr.) · 0 · Bassklar. · 1 - 1 · 0 · 0 · 0 - Hfe. - Str. (1 · 1 · 1 · 1 · 1) violin and chamber orchestra - Digital Download SKU: S9.Q556786 Ciacona per violino concertante ed orchestra da camera. Composed by Hans Werner Henze. Music Of Our Time. Downloadable, Study score. Duration 27 minutes. Schott Music - Digital #Q556786. Published by Schott Music - Digital (S9.Q556786).
$41.99
38.13 €
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Chamber Orchestra
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Hans Werner Henze
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Il Vitalino raddoppiato
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Schott Music - Digital
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SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
15.39 €
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Chamber Orchestra
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bach/Leytush - GOLDBERG VARIATIONS for Piano and Chamber Orchestra - Score Only
Chamber Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1174276 By Arkady Leytush. B…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1174276 By Arkady Leytush. By I. S. Bach. Arranged by Arkady Leytush. Baroque. Score and parts. 325 pages. Arkady Leytush #774439. Published by Arkady Leytush (A0.1174276). Orchestra: Flute, Oboe, Clarinet in B, Bassoon, 2 Horns, Trumpet, Trombone, Violins 1st, Violins 2nd, Violas, Cellos, D. BassI have been thinking about the plan to make an orchestral transcription of Goldberg Variations for a long time, as one of the examples of collective music-making, where most of the work would be typical of the style of a piano concerto, and would also include chamber ensembles both with a pianist and solo. Total duration (with some repetitions) - 50 min. Some variations are played: Piano + Orchestra (1,2,3,4,6,8,10,11,12,14,16,18,20,21,24,25,26,27.28,29) Orchestra only (19, 30), Brass only (4), Wood winds only (9), Brass + Wood winds only (22), Piano + Soloists from the Orchestra (7, 15, 17) Piano only (13) Prelude-Aria (Theme) begins with the pianist and after 8 measures the orchestra gradually turns on. The same Postlude-Aria theme at the end of the composition has an inversion orchestration, when everyone starts playing together (Piano + Orchestra) and then the orchestra gradually stops playing and only one pianist remains.Audio (mp3) incudes excerpts of Variations ## 1,2,4,5,6,7,11,14,19,20,21,22,28,29,30.
$100.00
90.82 €
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Chamber Orchestra
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Arkady Leytush
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Bach/Leytush - GOLDBERG VARIATIONS for Piano and Chamber Orchestra - Score Only
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Arkady Leytush
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SheetMusicPlus
Aveux Non Avenus (2020) for soprano and string quartet
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869642 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869642 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 66 pages. Thomas Oboe Lee #5302511. Published by Thomas Oboe Lee (A0.869642). I saw an obituary in the New York Times entitled Overlooked No More: Claude Cahun, Whose Photographs Explored Gender and Sexuality. I was so fascinated by the article that I went and purchased a book of her poems and writings. Within it I found a series of poems under the subtile of Délectations Moroses that were truly fantastic. A year ago I wrote a work for soprano and string quartet titled Gaspard de la Nuit on a set of poems by Aloysius Bertrand. Ravel's Gaspard de la Nuit is for solo piano, a set of tone poems inspired by the poems of the same A. Bertrand. I enjoyed my Gaspard so much that I wanted to write another work for soprano and string quartet, this time using these fascinating poems by Claude Cahun.The work is in seven movements.1. Allegro (de l'oubli)2. Largo (de l'oubli)3. Allegro con moto (d'un enfant difficile)4. Moderato (de l'amour)5. Moderato (de l'art)6. Allegro (Vocation)7. Adagio (Quatrième dimension)Enjoy!!!Duration: 27 minuteshttps://thomasoboelee.bandcamp.com/album/aveux-non-avenus-2020-for-soprano-and-string-quartet
$9.99
9.07 €
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Chamber Orchestra
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Thomas Oboe Lee
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Aveux Non Avenus
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Thomas Oboe Lee
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SheetMusicPlus
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